Quantum Entanglement Animated

PhD Comics has released the third video in an ani­mat­ed series explain­ing Quan­tum con­cepts and devices. This one focus­es on Quan­tum Entan­gle­ment and fea­tures the work of Cal­tech physi­cists Jeff Kim­ble and Chen-Lung Hung. Mean­while Jorge Cham, cre­ator of PhD Comics, pro­vides the accom­pa­ny­ing ani­ma­tion.

Entire cours­es on Quan­tum Entan­gle­ment can be found in our col­lec­tion of Free Online Physics Cours­es, part of our col­lec­tion of 825 Free Online Cours­es.

Relat­ed Con­tent:

Leonard Susskind Teach­es You “The The­o­ret­i­cal Min­i­mum” for Under­stand­ing Mod­ern Physics

Quan­tum Physics Made Rel­a­tive­ly Sim­ple: A Mini Course from Nobel Prize-Win­ning Physi­cist Hans Bethe

The Hig­gs Boson, AKA the God Par­ti­cle, Explained with Ani­ma­tion

What’s Next for the Large Hadron Col­lid­er? PhD Comics Intro­duces the Search for Extra Dimen­sions

The Famous Feyn­man Lec­tures on Physics: The New Online Edi­tion (in HTML5)

Watch 13 Experimental Short Films by Tezuka Osamu, the Walt Disney of Japan

Tezu­ka Osamu (1928–1989) is known as “the God of man­ga” in Japan. He cre­at­ed clas­sics for both chil­dren and adults in every genre – from hor­ror to romance to action. The sheer amount of work pro­duced in Osamu’s rel­a­tive­ly short life is stag­ger­ing; some esti­mates have it that he drew over 150,000 pages of comics.

While focus­ing just on man­ga would have been enough for most mor­tals, Osamu was also a trail­blaz­er in ani­ma­tion. He cre­at­ed Astro-Boy, the huge­ly pop­u­lar char­ac­ter that spawned com­ic books, TV shows, video games and a cou­ple of movies. The visu­al style of Osamu’s ani­mat­ed work — Astro-Boy and oth­ers — proved to be very influ­en­tial. Those trade­mark giant eyes on ani­me char­ac­ters come straight from Osamu (who in turn was influ­enced by Walt Dis­ney and Max Fleis­ch­er).

Osamu relent­less­ly chal­lenged the lim­its of what man­ga and ani­me could do. He’s cred­it­ed with mak­ing the first ever X‑Rated ani­mat­ed fea­ture film, Cleopa­tra, Queen of Sex (1970) — imag­ine Dis­ney doing that. He also made a series of exper­i­men­tal ani­mat­ed shorts, which show­case not only Osamu’s cre­ativ­i­ty and range but also his phi­los­o­phy, which was heav­i­ly influ­enced by Bud­dhism.

His 1962 work Tale of Street Cor­ner is a sur­pris­ing­ly mov­ing short about the day-to-day life of a city street cor­ner as seen through the eyes of some anthro­po­mor­phized mice and sen­tient street posters.

And if you want get a sense of Osamu’s ver­sa­til­i­ty, check out his 1966 movie Pic­tures at an Exhi­bi­tion. The work is an omnibus film fea­tur­ing ten small­er shorts, all set to Mus­sorgsky’s famous suite. Osamu recre­at­ed each short in a com­plete­ly dif­fer­ent style from the oth­ers.

His 1984 short, Jump­ing is a tech­ni­cal tour-de-force told with admirable sim­plic­i­ty. Seen from a first per­son point of view, the movie is about a young child who is jump­ing down a coun­try road. As each jump gets high­er and longer, the cam­era pass­es through cities, fields and oceans and even­tu­al­ly into a war­zone. The sharp-eyed view­er will see R2D2 and C‑3PO make a sur­prise cameo at around the 2:57 mark­er.

And final­ly, here is an inter­view with the mas­ter him­self as he talks about mak­ing these movies. And you can see all 13 of the ani­mat­ed shorts here.

Relat­ed Con­tent:

Des­ti­no: The Sal­vador Dalí – Dis­ney Col­lab­o­ra­tion 57 Years in the Mak­ing

Kafka’s Night­mare Tale, ‘A Coun­try Doc­tor,’ Told in Award-Win­ning Japan­ese Ani­ma­tion

Japan­ese Car­toons from the 1920s and 30s Reveal the Styl­is­tic Roots of Ani­me

How to Make Instant Ramen Com­pli­ments of Japan­ese Ani­ma­tion Direc­tor Hayao Miyza­ki

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow.

A Quick Animation of Frida Kahlo’s Famous Self Portrait

In 1940, Fri­da Kahlo paint­ed a self por­trait for her lover, the pho­tog­ra­ph­er Nick­o­las Muray. Accord­ing to the Fri­da Kahlo fan site, the paint­ing enti­tled “Autor­re­tra­to con col­lar de espinas” (or Self Por­trait with Neck­lace of Thorns) fea­tures Kahlo wear­ing Christ’s crown of thorns

as a neck­lace, pre­sent­ing her­self as a Chris­t­ian mar­tyr. The thorns dig­ging into her neck are sym­bol­ic of the pain she still feels over her divorce from Diego [Rivera]. Hang­ing from the thorny neck­lace is a dead hum­ming­bird whose out­stretched wings echo Frida’s joined eye­brows. In Mex­i­can folk tra­di­tion, dead hum­ming­birds were used as charms to bring luck in love. Over her left shoul­der the black cat, a sym­bol of bad luck and death, waits to pounce on the hum­ming­bird. Over her right shoul­der the sym­bol of the dev­il, her pet monkey…a gift from Diego. Around her hair, but­ter­flies rep­re­sent the Res­ur­rec­tion. Once again, Fri­da uses a wall of large trop­i­cal plant leaves as the back­ground.

In late 2013, Flo­rent Por­ta dropped the paint­ing into Pho­to­shop and brought every­thing in the back­ground to life. If this short clip intrigues, you should­n’t miss the recent viral video called “Beau­ty,” which ani­mates paint­ings by Car­avag­gio, Ver­meer, & oth­er great mas­ters.

via Coudal

Relat­ed Con­tent:

Fri­da Kahlo Writes a Per­son­al Let­ter to Geor­gia O’Keeffe After O’Keeffe’s Ner­vous Break­down (1933)

Watch Mov­ing Short Films of Fri­da Kahlo and Diego Rivera at the “Blue House”

Fri­da Kahlo and Diego Rivera Vis­it Leon Trot­sky in Mex­i­co, 1938

How to Build a Fictional World: Animated Video Explains What Makes Lord of the Rings & Other Fantasy Books Come Alive

Today, I was eaves­drop­ping on a young cou­ple in a cafe. The man asked the woman to rec­om­mend a book, some­thing he would­n’t be able to put down on a long, upcom­ing plane ride. The woman seemed stymied by this request. Exhaust­ed, even. (A stroller in which a fair­ly new­born baby slum­bered was parked next to them).

It must’ve been obvi­ous that my wheels were turn­ing for the woman turned to me, remark­ing, “He does­n’t like books.”

“I’m all about mag­a­zines,” the man chimed in.

Hmm. Per­haps Kather­ine Anne Porter’s Ship of Fools was­n’t such a good idea after all. What would this stranger like? With­out giv­ing it very much thought at all, I reached for The Spir­it Catch­es You And You Fall Down, Anne Fadi­man’s Nation­al Book Crit­ics Cir­cle Award-win­ning non-fic­tion account of a West­ern doc­tor’s tus­sle with the fam­i­ly of an epilep­tic Hmong child. It seems unlike­ly my impromp­tu ele­va­tor pitch con­vinced him to nip round the cor­ner to see if Green­light Book­store had a copy in stock. More prob­a­bly, I impressed him  as one of those New Age‑y matrons eager to pub­licly iden­ti­fy with what­ev­er trib­al cul­ture lays with­in reach.

(Lest you think me an insuf­fer­able busy­body, the man at the next table horned in on the con­ver­sa­tion too, rec­om­mend­ing a col­lec­tion of mod­ern-day Sher­lock Holmes sto­ries and a nov­el, which we all said sound­ed great. Because real­ly, what else were we going to say?

A read­er’s taste is so sub­jec­tive, is it any won­der I felt leery going into “How to Build a Fic­tion­al World,” an ani­mat­ed Ted-Ed talk by chil­dren’s book author and for­mer mid­dle school teacher, Kate Mess­ner? The titles she name-checks—The Lord of the Rings, The Matrix,  and the Har­ry Pot­ter series—are all wild­ly suc­cess­ful, and far—as in light yearsfrom of my cup of tea.

That’s not to say I’m opposed to fan­ta­sy. I adore Dun­geon, Lewis Trond­heim and Joann Sfar’s out­ra­geous­ly fun­ny, anthro­po­mor­phic graph­ic nov­el series. Ani­mal FarmA Clock­work Orange…all of these per­son­al favorites are easy to decon­struct using Mess­ner’s recipe for fic­tion­al world-build­ing. (Those whose tastes run sim­i­lar to mine may want to jump ahead to the 3:15 minute mark above.)

Kudos to ani­ma­tor Avi Ofer, for the wit with which he con­cep­tu­al­izes Mess­ner’s ideas. The way he choos­es to rep­re­sent the inhab­i­tants’ rela­tion­ships with the plants and ani­mals of their fic­tion­al world (4:13) is par­tic­u­lar­ly inven­tive. His con­tri­bu­tions alone are enough to make this must-see view­ing for any reluc­tant  — or stuck — cre­ative writer.

For those of you who enjoy fan­ta­sy and sci­ence fic­tion, how do your favorite titles cleave to Mess­ner’s guide­lines? Let us know in the com­ments below.

Relat­ed Con­tent:

Ani­mat­ed Video Explores the Invent­ed Lan­guages of Lord of the Rings, Game of Thrones & Star Trek

“The Tolkien Pro­fes­sor” Presents Three Free Cours­es on The Lord of the Rings

Free Audio: Down­load the Com­plete Chron­i­cles of Nar­nia by C.S. Lewis

Ayun Hal­l­i­day will be hon­or­ing fic­tion­al worlds with a trip to Urine­town this spring. Fol­low her @AyunHalliday

How Coffee Affects Your Brain: A Very Quick Primer

The morn­ing cup of cof­fee sweeps the cob­webs off of your brain. Almost mag­i­cal­ly. Just like that. If you care to get ana­lyt­i­cal about what’s going on in your caf­feinat­ed brain, we give you a short video from PHD comics — short, of course, for Piled High­er and Deep­er. For more of their videos see:

The Hig­gs Boson, AKA the God Par­ti­cle, Explained with Ani­ma­tion

What’s Next for the Large Hadron Col­lid­er? PhD Comics Intro­duces the Search for Extra Dimen­sions

Dark Mat­ter Ani­mat­ed: The Next Fron­tier of Dis­cov­ery for Physi­cists and Cos­mol­o­gists

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Barry White’s Philosophy of Music and Making Love, Animated

Blank on Blank returns with an ani­mat­ed inter­view with Bar­ry White, the singer-song­writer who rose to promi­nence dur­ing the 1970s, record­ing songs that put us all in a lov­ing mood. With hits like “Can’t Get Enough Of Your Love Baby,” “You’re the First, the Last, My Every­thing,” and “Love Theme” (record­ed by his 40-piece orches­tral group The Love Unlim­it­ed Orches­tra), White reached right into our bed­room and tried to nur­ture the best parts of human­i­ty and sub­due the worst. As he says in the ani­mat­ed inter­view above, “When a man is mak­ing love, the last thing he thinks about is war!” (Yes, it’s a gen­dered com­ment, but, let’s face it, it’s almost always men that screw up the world.) Oth­er artists and authors fea­tured in the Blank on Blank ani­mat­ed series include Kurt CobainGrace Kel­leyJanis JoplinRay CharlesThe Beast­ie BoysDavid Fos­ter Wal­lace, Jim Mor­ri­son & Dave Brubeck.

Don’t miss any­thing from Open Cul­ture. Sign up for our Dai­ly Email or RSS Feed. And we’ll send cul­tur­al curiosi­ties your way, every day.

The Power of Empathy: A Quick Animated Lesson That Can Make You a Better Person

Sev­er­al years back, the RSA (Roy­al Soci­ety of the Arts) cre­at­ed a series of dis­tinc­tive ani­mat­ed shorts where heavy-hit­ter intel­lec­tu­als pre­sent­ed big ideas, and a tal­ent­ed artist rapid­ly illus­trat­ed them on a white­board. Some of those talks fea­tured the likes of Slavoj Zizek, Steven Pinker and Bar­bara Ehren­re­ich. Now RSA presents a new video series cre­at­ed in an entire­ly dif­fer­ent aes­thet­ic. Above, you can watch what will hope­ful­ly be the first of many “espres­so shots for the mind.” This clip fea­tures Dr. Brené Brown, a research pro­fes­sor at the Uni­ver­si­ty of Hous­ton Grad­u­ate Col­lege of Social Work, pro­vid­ing some quick insights into the dif­fer­ence between sym­pa­thy and empa­thy, and explain­ing why empa­thy is much more mean­ing­ful. To learn more about The Pow­er of Empa­thy, you can watch Brown’s com­plete RSA lec­ture here. You can also watch her very pop­u­lar TED Talk on The Pow­er of Vul­ner­a­bil­i­ty here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Free Online Psy­chol­o­gy Cours­es (Part of our list of Free Online Cours­es)

Carl Gus­tav Jung Explains His Ground­break­ing The­o­ries About Psy­chol­o­gy in Rare Inter­view (1957)

Jacques Lacan’s Con­fronta­tion with a Young Rebel: Clas­sic Moment, 1972

New Ani­ma­tion Explains Sher­ry Turkle’s The­o­ries on Why Social Media Makes Us Lone­ly

 

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Watch Michel Gondry Animate Philosopher, Linguist & Activist Noam Chomsky

As an arts major who doo­dled my way through every required sci­ence course in high school and col­lege, I am deeply grat­i­fied by film­mak­er Michel Gondry’s approach to doc­u­ment­ing the ideas of Noam Chom­sky. Hav­ing filmed about three hours worth of inter­views with the activist, philoso­pher, and father of mod­ern lin­guis­tics in a ster­ile MIT con­fer­ence room, Gondry head­ed back to his charm­ing­ly ana­log Brook­lyn digs to spend three years ani­mat­ing the con­ver­sa­tions. It’s nice to see a film­mak­er of his stature using books to jer­ry-rig his cam­era set up. At one point, he hud­dles on the floor, puz­zling over some sequen­tial draw­ings on 3‑hole punch paper. Seems like the kind of thing most peo­ple in his field would tack­le with an iPad and an assis­tant.

Gondry may have felt intel­lec­tu­al­ly dwarfed by his sub­ject, but there’s a kind of genius afoot in his work too. Describ­ing the stop-motion tech­nique he used for Is the Man Who Is Tall Hap­py?, he told Amy Good­man of Democ­ra­cy Now, “I have a light­box, and I put paper on it, and I ani­mate with Sharpies, col­or Sharpies. And I have a 16-mil­lime­ter cam­era that is set up on a tri­pod and looks down, and I take a pic­ture. I do a draw­ing and take a pic­ture.”

A pret­ty apt summation—watch him in action above—but the curios­i­ty and human­i­ty so evi­dent in such fea­tures as Eter­nal Sun­shine of the Spot­less Mind and The Sci­ence of Sleep is a mag­i­cal ingre­di­ent here, too. He attrib­ut­es bio­log­i­cal prop­er­ties to his Sharpie mark­ers, and takes a break from some of Chom­sky’s more com­plex thoughts to ask about his feel­ings when his wife passed away. He does­n’t seem to mind that he might seem a bit of a school­boy in com­par­i­son, one whose tal­ents lie beyond this par­tic­u­lar pro­fes­sor’s scope.

As Chom­sky him­self remarks in the trail­er, below, “Learn­ing comes from ask­ing why do things work like that, why not some oth­er way?”

Is the Man Who Is Tall Hap­py? is avail­able on iTunes.

H/T @kirstinbutler

Relat­ed Con­tent:

Film­mak­er Michel Gondry Presents an Ani­mat­ed Con­ver­sa­tion with Noam Chom­sky

Noam Chom­sky Schools 9/11 Truther; Explains the Sci­ence of Mak­ing Cred­i­ble Claims

Ayun Hal­l­i­day puts her life­long pen­chant for doo­dling to good use in her award-win­ning, hand­writ­ten, illus­trat­ed zine, The East Vil­lage Inky. Fol­low her @AyunHalliday

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