The Feminist Theory of Simone de Beauvoir Explained with 8‑Bit Video Games (and More)

Simone de Beau­voir, exis­ten­tial­ist philoso­pher, fem­i­nist the­o­rist, author of The Sec­ond Sex, whose birth­day we cel­e­brate today.

Metroid, an action-adven­ture video game designed for the Nin­ten­do in 1986.

At first glance, they’re not an obvi­ous pair­ing. But in 8‑Bit Phi­los­o­phy, a web series that explains philo­soph­i­cal con­cepts by way of vin­tage video games, things kind of hang togeth­er.

Gamers remem­ber Metroid for being the first video game to fea­ture a strong female pro­tag­o­nist, a char­ac­ter who blew apart exist­ing female stereo­types, kicked some alien butt, and cre­at­ed new pos­si­bil­i­ties for women in the video gam­ing space. And that lets Metroid set the stage for talk­ing about the intel­lec­tu­al con­tri­bu­tions of Simone de Beau­voir, who, back in the late 1940s, gave us new ways of think­ing about gen­der and gen­der-based hier­ar­chies in our soci­eties.

Clock­ing in at just 3:45, the clip offers but a brief intro­duc­tion to de Beau­voir’s the­o­ret­i­cal work. For a longer intro­duc­tion, you could down­load this recent episode of In Our Time, host­ed by Melvyn Bragg and fea­tur­ing the com­men­tary of Christi­na How­ells (Oxford), Mar­garet Atack (Uni­ver­si­ty of Leeds) and Ursu­la Tidd (Uni­ver­si­ty of Man­ches­ter). You can also lis­ten to a 2015 episode of Phi­los­o­phy Talk, co-host­ed by Stan­ford pro­fes­sors John Per­ry and Ken Tay­lor.

Or, bet­ter yet, go to the source itself, and lis­ten to de Beau­voir talk in two lengthy inter­views, both fea­tured on Open Cul­ture in years past. They’re pret­ty remark­able his­tor­i­cal doc­u­ments.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent: 

Simone de Beau­voir & Jean-Paul Sartre Shoot­ing a Gun in Their First Pho­to Togeth­er (1929)

Pho­tos of Jean-Paul Sartre & Simone de Beau­voir Hang­ing with Che Gue­vara in Cuba (1960)

Edward Said Recalls His Depress­ing Meet­ing With Sartre, de Beau­voir & Fou­cault (1979)

Free Online Phi­los­o­phy Cours­es

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The Simpsons Present Edgar Allan Poe’s “The Raven,” and Teachers Now Use It to Teach Kids the Joys of Literature

The Simp­sons have mocked or ref­er­enced lit­er­a­ture over its 27 (!!) sea­sons, usu­al­ly through a book Lisa was read­ing, or with guest appear­ances (e.g., Michael Chabon & Jonathan Franzen, Maya Angelou and Amy Tan). And it has ref­er­enced Edgar Allan Poe in both title (“The Tell-Tale Head” from the first sea­son) and in pass­ing (in “Lisa’s Rival” from 1994, the title char­ac­ter builds a dio­ra­ma based on the same Poe tale.)

But on the first ever “Tree­house of Hor­ror” from 1990–the Simp­sons’ recur­ring Hal­loween episode–they adapt­ed Poe’s “The Raven” more faith­ful­ly than any bit of lit found in any oth­er episode. The poem, read by James Earl Jones, remains intact, more or less, but with Dan Castellaneta’s Homer Simp­son pro­vid­ing the unnamed narrator’s voice. Marge makes an appear­ance as the long depart­ed Lenore, with hair so tall it needs an extra can­vas to con­tain it in por­trait. Mag­gie and Lisa are the censer-swing­ing seraphim, and Bart is the annoy­ing raven that dri­ves Homer insane.

Castel­lan­e­ta does a great job deliv­er­ing Poe’s verse with con­vic­tion and humor, while keep­ing the char­ac­ter true to both Homer and Poe. It’s a bal­anc­ing act hard­er than it sounds.

Suf­fice it to say that this for­ay into Poe was good enough for sev­er­al teach­ers guides (includ­ing this one from The New York Times) to sug­gest using the video in class. (We’d love to hear about this if you were a teacher or stu­dent who expe­ri­enced this.) And it’s the first and only time that Poe got co-writ­ing cred­it on a Simp­sons episode.

Relat­ed Con­tent:

The Simp­sons Pay Won­der­ful Trib­ute to the Ani­me of Hayao Miyaza­ki

Watch The Simp­sons’ Hal­loween Par­o­dy of Kubrick’s A Clock­work Orange and The Shin­ing

Thomas Pyn­chon Edits His Lines on The Simp­sons: “Homer is my role mod­el and I can’t speak ill of him.”

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the artist inter­view-based FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

An Artful, Animated Tribute to The Wire, Created by a Fan of the Critically-Acclaimed TV Series

From direc­tor, design­er, and ani­ma­tor Elliot Lim comes an ani­mat­ed trib­ute to his “favorite show of all time,” HBO’s The Wire – a sen­ti­ment that he shares with Pres. Oba­ma, count­less crit­ics, and many casu­al TV view­ers. As much as the episodes them­selves, fans fond­ly remem­ber The Wire’s open­ing cred­its, which func­tioned, Andrew Dig­nan once wrote, as short films that “dis­till each sea­son’s themes, goals, and motifs.” The open­ing cred­its are what get the ani­mat­ed treat­ment in Lim’s video. Whether his video dis­tills a par­tic­u­lar set of themes, goals and motifs, I’m not yet sure. I’ll need to watch it a few more times and report back soon.

For more on The Wire and the Art of the Cred­it Sequence watch this 2012 video essay.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

via Devour

Relat­ed Con­tent:

Pres­i­dent Oba­ma Chats with David Simon About Drugs, The Wire & Omar

The Wire as Great Vic­to­ri­an Nov­el

Charles Min­gus’ Instruc­tions For Toi­let Train­ing Your Cat, Read by The Wire’s Reg E. Cathey

An Animated Carol Dweck on Why Parents Who Tell Their Kids How Smart They Are Aren’t Doing Them Any Favors

After a long hia­tus, the RSA (The Roy­al Soci­ety for the Encour­age­ment of Arts, Man­u­fac­tures and Com­merce) has returned with anoth­er one of the white­board ani­mat­ed-lec­tures they pio­neered five years ago.

The orig­i­nal set of videos, you might recall, fea­tured Slavoj Zizek on the Sur­pris­ing Eth­i­cal Impli­ca­tions of Char­i­ta­ble Giv­ing; Bar­bara Ehren­re­ich (author of Nick­el and Dimed) on The Per­ils of Pos­i­tive Psy­chol­o­gyDaniel Pink on The Sur­pris­ing Truth About What Moti­vates Us, and Stan­ford psy­chol­o­gist Philip Zim­bar­do on The Secret Pow­ers of Time.

The ani­mat­ed reboot (above) brings to life the thoughts of anoth­er Stan­ford psy­chol­o­gy pro­fes­sor, Car­ol S. Dweck. The author of Mind­set: The New Psy­chol­o­gy of Suc­cess (a book that appeared on Bill Gates’s Best of 2015 list), Dweck has looked close­ly at how our beliefs/mindsets strong­ly influ­ence the paths we take in life. And, in this clip, she talks about how well-mean­ing par­ents, despite their best inten­tions, might be cre­at­ing the wrong mind­sets in their kids, paving the way for prob­lems down the road. You can watch the com­plete, unan­i­mat­ed lec­ture here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Good Cap­i­tal­ist Kar­ma: Zizek Ani­mat­ed

Daniel Pink: The Sur­pris­ing Truth about What Moti­vates Us

Good Cap­i­tal­ist Kar­ma: Zizek Ani­mat­ed

The Secret Pow­ers of Time

Free Online Psy­chol­o­gy & Neu­ro­science Cours­es

What is the Good Life? Plato, Aristotle, Nietzsche, & Kant’s Ideas in 4 Animated Videos

We all have some vision of what the good life should look like. Days filled with read­ing and strolls through muse­ums, retire­ment to a trop­i­cal island, unlim­it­ed amounts of time for video games…. What­ev­er they may be, our con­cepts tend toward fan­ta­sy of the grass is green­er vari­ety. But what would it mean to live the good life in the here and now, in the life we’re giv­en, with all its warts, rou­tines, and dai­ly oblig­a­tions? Though the work of philoso­phers for the past hun­dred years or so may seem divorced from mun­dane con­cerns and desires, this was not always so. Thinkers like Pla­to, Aris­to­tle, Immanuel Kant, and Friedrich Niet­zsche once made the ques­tion of the good life cen­tral to their phi­los­o­phy. In the videos here, Uni­ver­si­ty of New Orleans phi­los­o­phy pro­fes­sor Chris Sur­prenant sur­veys these four philoso­phers’ views on that most con­se­quen­tial sub­ject.

The view we’re like­ly most famil­iar with comes from Socrates (as imag­ined by Pla­to), who, while on tri­al for cor­rupt­ing the youth, tells his inquisi­tors, “the unex­am­ined life is not worth liv­ing.” Pithy enough for a Twit­ter bio, the state­ment itself may too often go unex­am­ined. Socrates does not endorse a life of pri­vate self-reflec­tion; he means that “an indi­vid­ual become a mas­ter of him­self,” says Surprenant,”using his rea­son to reign in his pas­sions, as well as doing what he can to help pro­mote the sta­bil­i­ty of his com­mu­ni­ty.” In typ­i­cal ancient Greek fash­ion, Pla­to and his men­tor Socrates define the good life in terms of rea­son­able restraint and civic duty.

The Pla­ton­ic ver­sion of the good life comes in for a thor­ough drub­bing at the hands of Friedrich Niet­zsche, as do Aris­totelian, Kant­ian, and Judeo-Chris­t­ian ideals. Nietzsche’s dec­la­ra­tion that “God is dead,” and in par­tic­u­lar the Chris­t­ian god, “allows us the pos­si­bil­i­ty of liv­ing more mean­ing­ful and ful­fill­ing lives,” Sur­prenant says. Niet­zsche, who describes him­self as an “amoral­ist,” uses the pro­posed death of god—a metaphor for the loss of reli­gious and meta­phys­i­cal author­i­ty gov­ern­ing human behavior—to stage what he calls a “reval­u­a­tion of val­ues.” His cri­tique of con­ven­tion­al moral­i­ty pits what he calls life-deny­ing val­ues of self-restraint, democ­ra­cy, and com­pas­sion (“slave moral­i­ty”) against life-affirm­ing val­ues.

For Niet­zsche, life is best affirmed by a striv­ing for indi­vid­ual excel­lence that he iden­ti­fied with an ide­al­ized aris­toc­ra­cy. But before we begin think­ing that his def­i­n­i­tion of the good life might accord well with, say, Ayn Rand’s, we should attend to the thread of skep­ti­cism that runs through­out all his work. Despite his con­tempt for tra­di­tion­al moral­i­ty, Niet­zsche did not seek to replace it with uni­ver­sal pre­scrip­tions, but rather to under­mine our con­fi­dence in all such notions of uni­ver­sal­i­ty. As Sur­prenant points out, “Niet­zsche is not look­ing for fol­low­ers,” but rather attempt­ing to “dis­rupt old con­cep­tu­al schemes,” in order to encour­age us to think for our­selves and, as much as it’s pos­si­ble, embrace the hand we’re dealt in life.

For con­trast and com­par­i­son, see Surprenant’s sum­maries of Aris­to­tle and Kant’s views above and below. This series of ani­mat­ed videos comes to us from Wire­less Phi­los­o­phy (Wi-Phi for short), a project joint­ly cre­at­ed by Yale and MIT in 2013. We’ve pre­vi­ous­ly fea­tured video series on meta­phys­i­cal prob­lems like free will and the exis­tence of god and log­i­cal prob­lems like com­mon cog­ni­tive bias­es. The series here on the good life should give you plen­ty to reflect on, and to study should you decide to take up the chal­lenge and read some of the philo­soph­i­cal argu­ments about the good life for your­self, if only to refute them and come up with your own. But as the short videos here should make clear, think­ing rig­or­ous­ly about the ques­tion will like­ly force us to seri­ous­ly re-exam­ine our com­fort­able illu­sions.

For many more open access phi­los­o­phy videos, check out the Wi Phi Youtube chan­nel. You can also find com­plete cours­es by Prof. Sur­prenant in our col­lec­tion of Free Online Phi­los­o­phy Cours­es.

Relat­ed Con­tent:

105 Ani­mat­ed Phi­los­o­phy Videos from Wire­less Phi­los­o­phy: A Project Spon­sored by Yale, MIT, Duke & More

135 Free Phi­los­o­phy eBooks

How to Live a Good Life? Watch Phi­los­o­phy Ani­ma­tions Nar­rat­ed by Stephen Fry on Aris­to­tle, Ayn Rand, Max Weber & More

Learn Right From Wrong with Oxford’s Free Course A Romp Through Ethics for Com­plete Begin­ners

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Orson Welles Narrates an Animated Parable About How Xenophobia & Greed Will Put America Into Decline (1971)

More than 40 years and sev­en pres­i­den­tial admin­is­tra­tions have passed since Orson Welles nar­rat­ed Free­dom Riv­er. And although it shows signs of age, the ani­mat­ed film, a para­ble about the role of immi­gra­tion, race, and wealth in Amer­i­ca, still res­onates today. Actu­al­ly, giv­en the cyn­i­cal exploita­tion of xeno­pho­bia dur­ing this most unpres­i­den­tial of pres­i­den­tial cam­paigns, you could say that Free­dom River strikes a big­ger chord than it has in years. That’s why, after a five year hia­tus, we’re fea­tur­ing the ani­ma­tion once again on Open Cul­ture.

The back­sto­ry behind the film deserves a lit­tle men­tion. Accord­ing to Joseph Cavel­la, a writer for the film, it took a lit­tle cajol­ing and per­se­ver­ance to get Orson Welles involved in the film.

For sev­er­al years, Bosus­tow Pro­duc­tions had asked Orson Welles, then liv­ing in Paris, to nar­rate one of their films. He nev­er respond­ed. When I fin­ished the Free­dom Riv­er script, we sent it to him togeth­er with a portable reel to reel tape recorder and a siz­able check and crossed our fin­gers. He was either des­per­ate for mon­ey or (I would rather believe) some­thing in it touched him because two weeks lat­er we got the reel back with the nar­ra­tion word for word and we were on our way.

Indeed, they were.

Direct­ed by Sam Weiss, Free­dom Riv­er tells the sto­ry of decline–of a once great nation laps­ing into ugli­ness. Despite the myths we like to tell our­selves here in Amer­i­ca, the ugli­ness has always been there. Xeno­pho­bia, greed, racism (you could add a few more traits to the list) are noth­ing new. They just tend to sur­face more dur­ing hard times, or when dem­a­gogues make it per­mis­si­ble, which is pre­cise­ly what we’re see­ing right now. For­tu­nate­ly, Orson Welles’s nar­ra­tion leaves us with room to hope, with room to believe that wis­dom will pre­vail and that peo­ple will find bet­ter options than what the provo­ca­teurs have to offer.

You can find Free­dom Riv­er in the the Ani­ma­tion sec­tion of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent

Orson Welles Names His 10 Favorite Films: From Chaplin’s City Lights to Ford’s Stage­coach

Watch Orson Welles’ The Stranger Free Online, Where 1940s Film Noir Meets Real Hor­rors of WWII

Orson Welles Explains Why Igno­rance Was His Major “Gift” to Cit­i­zen Kane

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A Fascinating Case Study by Oliver Sacks Inspires a Short Animated Film, The Lost Mariner

In Feb­ru­ary, Oliv­er Sacks announced that he was suf­fer­ing from ter­mi­nal can­cer. And, by August, he was gone — but not before show­ing us (if you read his op-eds in the Times) how to die with dig­ni­ty and grace. All of this I was remind­ed of again today when I stum­bled upon a recent ani­ma­tion inspired by Sacks’ work. Called The Lost Mariner, the short film offers an ani­mat­ed inter­pre­ta­tion of a chap­ter  in Sacks’ 1985 book The Man Who Mis­took His Wife for a Hat. The chap­ter (also called “The Lost Mariner”) presents a curi­ous case study of a patient known as Jim­mie G. who, suf­fer­ing from Kor­sakof­f’s syn­drome, los­es the abil­i­ty to form new mem­o­ries. To see how Tess Mar­tin made this award-win­ning short, you can watch the mak­ing-of video below.

via @OliverSacks

Relat­ed Con­tent:

This is What Oliv­er Sacks Learned on LSD and Amphet­a­mines

Oliv­er Sacks’ Last Tweet Shows Beethoven’s “Ode to Joy” Mov­ing­ly Flash­mobbed in Spain

Oliv­er Sacks Con­tem­plates Mor­tal­i­ty (and His Ter­mi­nal Can­cer Diag­no­sis) in a Thought­ful, Poignant Let­ter

The Life & Discoveries of Mary Leakey Celebrated in an Endearing Cutout Animation

“Over half a cen­tu­ry, Mary Leakey labored under the hot African sun, scratch­ing in the dirt for clues to ear­ly human phys­i­cal and cul­tur­al evo­lu­tion. Sci­en­tists in her field said she set the stan­dards for doc­u­men­ta­tion and exca­va­tion in pale­olith­ic arche­ol­o­gy. They spoke of hers as a life of envi­able achieve­ment.” That’s how The New York Times start­ed its 1996 obit­u­ary for Mary Leakey, â€śmatri­arch of the famous fos­sil-hunt­ing fam­i­ly in Africa whose own rep­u­ta­tion in pale­oan­thro­pol­o­gy soared with dis­cov­er­ies of bones, stone tools and the foot­prints of ear­ly human ances­tors.”

Above, you can watch the Times’ new­ly-released cutout ani­ma­tion, cel­e­brat­ing her life and pale­oan­thro­pol­o­gy work in east­ern Africa. The endear­ing sev­en-minute film cov­ers her dis­cov­ery of Pro­con­sul africanus in 1948, Zin­jan­thro­pus boi­sei in 1959, Homo habilis in 1960, and the trail of ear­ly human foot­prints found at Lae­toli in the mid-1970s. The film also fea­tures some­thing you’ll like­ly nev­er see else­where â€” peo­ple throw­ing ele­phant dung fris­bees! Enjoy.

Relat­ed Con­tent:

A Creepy Cut Out Ani­ma­tion of Samuel Beckett’s 1953 Nov­el, The Unnam­able

Ter­ry Gilliam Reveals the Secrets of Mon­ty Python Ani­ma­tions: A 1974 How-To Guide

The Adven­tures of Famed Illus­tra­tor Gus­tave Doré Pre­sent­ed in a Fantasic(al) Cutout Ani­ma­tion

Spike Jonze Presents a Stop Motion Film for Book Lovers

 

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Open Culture was founded by Dan Colman.