Why Should You Read Haruki Murakami? An Animated Video on His “Epic Literary Puzzle” Kafka on the Shore Makes the Case

Haru­ki Murakami’s vast inter­na­tion­al fan base includes peo­ple ded­i­cat­ed to lit­er­a­ture. It also includes peo­ple who have bare­ly cracked any books in their lives — apart, that is, from Murakami’s nov­els with their dis­tinc­tive mix­ture of the light­heart­ed with the grim and the mun­dane with the uncan­ny. Since the pub­li­ca­tion of his first nov­el, Hear the Wind Sing, 40 years ago in his native Japan, Muraka­mi has become both a lit­er­ary phe­nom­e­non and an extra-lit­er­ary phe­nom­e­non, and dif­fer­ent read­ers endorse dif­fer­ent paths into his unique tex­tu­al realm.

The TED-Ed video above makes the case for one fan favorite in par­tic­u­lar: 2002’s Kaf­ka on the Shore, an “epic lit­er­ary puz­zle filled with time trav­el, hid­den his­to­ries, and mag­i­cal under­worlds. Read­ers delight in dis­cov­er­ing how the mind-bend­ing imagery, whim­si­cal char­ac­ters and eerie coin­ci­dences fit togeth­er.” So says the video’s nar­ra­tor, read­ing from a les­son writ­ten by lit­er­ary schol­ar Iseult Gille­spie (who has also made cas­es for Charles Dick­ens, Vir­ginia Woolf, and Ray Brad­bury).

Muraka­mi tells this sto­ry, and keeps it fresh through more than 500 pages, by alter­nat­ing between two point-of-view char­ac­ters: a teenag­er “des­per­ate to escape his tyran­ni­cal father and the fam­i­ly curse he feels doomed to repeat,” who “renames him­self Kaf­ka after his favorite author and runs away from home,” and an old man with “a mys­te­ri­ous knack for talk­ing to cats.”

When the lat­ter is com­mis­sioned to use his unusu­al skill to track down a lost pet, “he’s thrown onto a dan­ger­ous path that runs par­al­lel to Kafka’s.” Soon, “prophe­cies come true, por­tals to dif­fer­ent dimen­sions open up — and fish and leech­es begin rain­ing from the sky.” But it’s all of a piece with Murakami’s body of work, with its nov­els and sto­ries that “often forge fan­tas­tic con­nec­tions between per­son­al expe­ri­ence, super­nat­ur­al pos­si­bil­i­ties, and Japan­ese his­to­ry.” His “ref­er­ences to West­ern soci­ety and Japan­ese cus­toms tum­ble over each oth­er, from lit­er­a­ture and fash­ion to food and ghost sto­ries.”

All of it comes tied togeth­er with threads of music: “As the run­away Kaf­ka wan­ders the streets of a strange city, Led Zep­pelin and Prince keep him com­pa­ny,” and he lat­er befriends a librar­i­an who “intro­duces him to clas­si­cal music like Schu­bert.” Safe to say that such ref­er­ences put some dis­tance between Murakami’s work and that of his char­ac­ter Kafka’s favorite writer, to whom Muraka­mi him­self has been com­pared. Kaf­ka on the Shore show­cas­es Murakami’s sto­ry­telling sen­si­bil­i­ty, but is it in any sense Kafkaesque? You’ll have plen­ty more ques­tions after tak­ing the plunge into Murakami’s real­i­ty, but there’s anoth­er TED-Ed les­son that might at least help you answer that one.

Relat­ed Con­tent:

An Intro­duc­tion to the World of Haru­ki Muraka­mi Through Doc­u­men­taries, Sto­ries, Ani­ma­tion, Music Playlists & More

Read 6 Sto­ries By Haru­ki Muraka­mi Free Online

What Does “Kafkaesque” Real­ly Mean? A Short Ani­mat­ed Video Explains

Why Should We Read Charles Dick­ens? A TED-Ed Ani­ma­tion Makes the Case

Why Should We Read Ray Bradbury’s Fahren­heit 451? A New TED-Ed Ani­ma­tion Explains

Why Should We Read Vir­ginia Woolf? A TED-Ed Ani­ma­tion Makes the Case

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Watch an Animated Documentary About the Pioneering Journalist & Feminist Icon Nellie Bly

While no longer a house­hold name, the trail­blaz­ing jour­nal­ist Nel­lie Bly (1864–1922) is def­i­nite­ly an endur­ing Amer­i­can icon.

Her like­ness has graced a postage stamp and a fin­ger pup­pet.

Her life has been the sub­ject of numer­ous books and a made-for-TV movie.

Some hun­dred years after its com­ple­tion, her record-break­ing, 72-day round-the-world trip inspired an episode of The Amer­i­can Expe­ri­ence, a puz­zle-cum-boardgame, and a rol­lick­ing song by his­to­ry fans the Dee­dle Dee­dle Dees.

And now? Meet Nel­lie Bly, car­toon action hero. (Hero­ine? Hard to say which hon­orif­ic the opin­ion­at­ed and for­ward-think­ing Bly, born in 1864, would pre­fer…)

Film­mak­er Pen­ny Lane’s “Nel­lie Bly Makes the News,” above, is not the first to rec­og­nize this sort of poten­tial in the pio­neer­ing jour­nal­ist, whose 151st birth­day was cel­e­brat­ed with an ani­mat­ed Google Doo­dle and accom­pa­ny­ing song by Karen O, but Lane (no rela­tion to Lois, the fic­tion­al reporter mod­eled on you-know-who) wise­ly lets Bly speak for her­self.

Not only that, she brings her into the stu­dio for a 21st-cen­tu­ry inter­view, in which an eye-rolling Bly describes the resis­tance she encoun­tered from the male elite, who felt it was not just unseem­ly but impos­si­ble that a young woman should pur­sue the sort of jour­nal­is­tic career she envi­sioned for her­self.

She also touch­es on some of her most famous jour­nal­is­tic stunts, such as the under­cov­er stints in a New York City “insane asy­lum”and box-mak­ing fac­to­ry that led to exposés and even­tu­al­ly, social reform.

Biog­ra­ph­er Brooke Kroeger and brief glimpses of archival mate­ri­als touch on some of the oth­er high­lights in Bly’s auda­cious, self-direct­ed career.

The car­toon Bly’s hair­do and attire are peri­od appro­pri­ate, but her vocal inflec­tions, cour­tesy of broad­cast reporter and voiceover artist Sam­mi Jo Fran­cis, are clos­er in spir­it to that of Broad City’s Ilana Glaz­er.

(Inter­est­ing to note, giv­en Bly’s com­plaints about how promi­nent­ly the one dress she took on her round the world trip fea­tured in out­side sto­ries about that adven­ture, that dress is a pre­oc­cu­pa­tion of The Appre­ci­a­tion of Boot­ed News­women blog. Respect­ful as that site is, the focus there is def­i­nite­ly not on jour­nal­is­tic achieve­ment.)

via Aeon

Relat­ed Con­tent:

New Aug­ment­ed Real­i­ty App Cel­e­brates Sto­ries of Women Typ­i­cal­ly Omit­ted from U.S. His­to­ry Text­books

74 Essen­tial Books for Your Per­son­al Library: A List Curat­ed by Female Cre­atives

New Web Project Immor­tal­izes the Over­looked Women Who Helped Cre­ate Rock and Roll in the 1950s

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inkyzine.  Join her in NYC on Mon­day, Sep­tem­ber 9 for anoth­er sea­son of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

The Simpsons Reimagined as a Russian Art Film

Ani­ma­tor Lenivko Kvadratjić has re-cre­at­ed The Simp­sons’ famous open­ing scene. And it’s bleak–as in post-Cher­nobyl bleak. Watch at your own risk.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Neatora­ma

Relat­ed Con­tent:

When John Waters Appeared on The Simp­sons and Changed America’s LGBTQ Views (1997)

The Rise and Fall of The Simp­sons: An In-Depth Video Essay Explores What Made the Show Great, and When It All Came to an End

The Simp­sons Take on Ayn Rand: See the Show’s Satire of The Foun­tain­head and Objec­tivist Phi­los­o­phy

 

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Segregated By Design: An Animated Look at How African-American Enclaves in U.S. Cities Is Hardly an Accident

From his­to­ri­an Richard Roth­stein comes a sober­ing ani­mat­ed video called “Seg­re­gat­ed by Design.”  Author of the 2017 book The Col­or of Law: A For­got­ten His­to­ry of How Our Gov­ern­ment Seg­re­gat­ed Amer­i­ca, Roth­stein has cre­at­ed a video that’s as infor­ma­tive as it is visu­al­ly cap­ti­vat­ing. Here’s what ground it cov­ers:

Exam­ine the for­got­ten his­to­ry of how our fed­er­al, state and local gov­ern­ments uncon­sti­tu­tion­al­ly seg­re­gat­ed every major met­ro­pol­i­tan area in Amer­i­ca through law and pol­i­cy.

‘Seg­re­gat­ed By Design’ exam­ines the for­got­ten his­to­ry of how our fed­er­al, state and local gov­ern­ments uncon­sti­tu­tion­al­ly seg­re­gat­ed every major met­ro­pol­i­tan area in Amer­i­ca through law and pol­i­cy.

Prej­u­dice can be birthed from a lack of under­stand­ing the his­tor­i­cal­ly accu­rate details of the past. With­out being aware of the uncon­sti­tu­tion­al res­i­den­tial poli­cies the Unit­ed States gov­ern­ment enact­ed dur­ing the mid­dle of the twen­ti­eth cen­tu­ry, one might have a neg­a­tive view today of neigh­bor­hoods where African Amer­i­cans live or even of African Amer­i­cans them­selves.

We can com­pen­sate for this unlaw­ful seg­re­ga­tion through a nation­al polit­i­cal con­sen­sus that leads to leg­is­la­tion. And this will only hap­pen if the major­i­ty of Amer­i­cans under­stand how we got here. Like Jay‑Z said in a recent New York Times inter­view, “you can’t have a solu­tion until you start deal­ing with the prob­lem: What you reveal, you heal.” This is the major chal­lenge at hand: to edu­cate fel­low cit­i­zens of the uncon­sti­tu­tion­al inequal­i­ty that we’ve woven and, on behalf of our gov­ern­ment, accept respon­si­bil­i­ty to fix it.

Learn more about the film at the web­site, Seg­re­gat­ed by Design. And find it added to our list of Free Ani­ma­tions, a sub­set of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Aeon

Relat­ed Con­tent:

How Mar­tin Luther King, Jr. Used Niet­zsche, Hegel & Kant to Over­turn Seg­re­ga­tion in Amer­i­ca 

How Zora Neale Hurston & Eleanor Roo­sevelt Helped Cre­ate the First Real­is­tic African Amer­i­can Baby Doll (1951)

The Negro Trav­el­ers’ Green Book, the Pre-Civ­il Rights Guide to Trav­el­ing Safe­ly in the U.S. (1936–66)

Hayao Miyazaki’s Spirited Away Opens in China 18 Years After Its Original Release: See Beautiful New Posters for the Film

Ani­ma­tion fans all over the world love the films of Japan­ese ani­ma­tor Hayao Miyaza­ki, but ani­ma­tion fans in Chi­na have nev­er, until very recent­ly, been able to see them on the big screen. Part of the prob­lem has to do with the sen­si­tiv­i­ty of Chi­nese author­i­ties to what sort of media enters the coun­try — espe­cial­ly media from a coun­try like Japan, with which Chi­na has not always seen eye to eye. “Miyaza­ki films did not open the­atri­cal­ly in Chi­na until a re-release of My Neigh­bor Totoro in Decem­ber 2018,” writes Indiewire’s Zack Scharf, “one sign that the rela­tion­ship between Japan and Chi­na is get­ting less tense.”

Miyaza­k­i’s Stu­dio Ghi­b­li has pro­duced few char­ac­ters as win­ning as Totoro — the out­sized guardian of the for­est who resem­bles a cross between a cat, an owl, and maybe a bear — and his win­ning over of Chi­na’s cen­sors seemed to have opened the gates to the Mid­dle King­dom for the rest of Miyaza­k­i’s beloved fil­mog­ra­phy. “The Totoro release was a huge box office suc­cess with more than $26 mil­lion,” writes Scharf, “and Spir­it­ed Away is wide­ly expect­ed to per­form even bet­ter giv­en its endur­ing pop­u­lar­i­ty.” Hav­ing opened in Japan back in 2001 as 千と千尋の神隠し, or “The Spir­it­ing-Away of Sen and Chi­hi­ro,” it stands not only as the top-gross­ing film of all time at the Japan­ese box office, but one of the sev­er­al undis­put­ed mas­ter­pieces among Miyaza­k­i’s works.

Spir­it­ed Away tells the sto­ry of a ten-year-old girl who, lost in an aban­doned amuse­ment park, finds her way into a par­al­lel world pop­u­lat­ed with the count­less spir­it crea­tures enu­mer­at­ed in the Japan­ese folk reli­gion of shin­to — which, as revealed in Wise­crack­’s video essay “The Phi­los­o­phy of Hayao Miyaza­ki,” fig­ures heav­i­ly into some, and per­haps all of the mas­ter’s work. As dis­pleas­ing as the pres­ence of reli­gion, let alone a Japan­ese reli­gion, may long have been to Chi­nese high­er-ups, the Chi­nese pub­lic’s enthu­si­asm for Miyaza­k­i’s films can hard­ly be dis­put­ed.

That pow­er­ful force could even return to Spir­it­ed Away the title of most suc­cess­ful Japan­ese ani­mat­ed film ever, which it held until Mako­to Shinkai’s Your Name came along in 2017. The mar­ket­ing of Spir­it­ed Away’s eigh­teen-year-late Chi­nese the­atri­cal release, which includes this series of posters new­ly designed by artist Zao Dao, will cer­tain­ly help give it a push. Every Ghi­b­li enthu­si­ast in Chi­na will cer­tain­ly come out for it, and with luck, they may also be able to see the upcom­ing How Do You Live? — Miyaza­k­i’s next and per­haps final film, for whose pro­duc­tion he came out of the lat­est of his retire­ments — in the­aters along with the rest of the world.

via @MadmanFilms

Relat­ed Con­tent:

The Phi­los­o­phy of Hayao Miyaza­ki: A Video Essay on How the Tra­di­tion­al Japan­ese Reli­gion Shin­to Suf­fus­es Miyazaki’s Films

Watch Hayao Miyazaki’s Beloved Char­ac­ters Enter the Real World

How the Films of Hayao Miyaza­ki Work Their Ani­mat­ed Mag­ic, Explained in 4 Video Essays

Watch Hayao Miyaza­ki Ani­mate the Final Shot of His Final Fea­ture Film, The Wind Ris­es

Hayao Miyazaki’s Mas­ter­pieces Spir­it­ed Away and Princess Mononoke Imag­ined as 8‑Bit Video Games

The Simp­sons Pay Won­der­ful Trib­ute to the Ani­me of Hayao Miyaza­ki

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

 

Watch The Meaning of Life: One of the Best Animated Short Films Ever Made Traces the Evolution of Life, the Universe & Beyond

They say cre­ativ­i­ty is born of lim­i­ta­tions. If that’s true, then is any ani­ma­tor work­ing today more cre­ative than Don Hertzfeldt? “The stars of his movies are all near-fea­ture­less stick­men with dots for eyes and a sin­gle line for a mouth,” writes The Guardian’s David Jenk­ins in an appre­ci­a­tion of Hertzfeldt, whose “method of mak­ing grand exis­ten­tial state­ments with almost reck­less­ly mod­est means” — ani­mat­ing every­thing him­self, and doing it all with tra­di­tion­al hand-draw­ing-and-film-cam­era meth­ods that at no point involve com­put­er-gen­er­at­ed imagery — “has made his cin­e­mat­ic oeu­vre one of the most fas­ci­nat­ing and enjoy­able of all con­tem­po­rary Amer­i­can direc­tors.”

As an exam­ple Jenk­ins holds up 2005’s The Mean­ing of Life, which “tack­led noth­ing less than the nature of organ­ic life in the known uni­verse, address­ing the painstak­ing devel­op­ment of the human form through a series of (often high­ly amus­ing) Dar­win­ian trans­mu­ta­tions.”

You can glimpse its four-year-long ani­ma­tion process, which appears to have been almost as painstak­ing, in time-lapse mak­ing-of doc­u­men­tary Watch­ing Grass Grow. At Short of the Week, Rob Mun­day writes that, though The Mean­ing of Life takes on “a sub­ject already famil­iar to the for­mat (evo­lu­tion has also been por­trayed in short film by ani­ma­tors Michael MillsClaude Clouti­er and I’m sure many more),” it also sees Hertzfeldt adding “his own dis­tinct take to pro­ceed­ings with his unmis­tak­able style and injec­tions of dark humor.”

That spe­cial brand of humor has long been famil­iar to the many view­ers who have stum­bled across Hertzfeldt’s ear­li­er Reject­ed, a short com­posed of even short­er shorts orig­i­nal­ly com­mis­sioned — and, yes, reject­ed — by the Fam­i­ly Learn­ing Chan­nel. As one of the first ani­ma­tions to “go viral” in the Youtube era, Reject­ed not only made Hertzfeldt’s name but paved the way for projects at once more ambi­tious, more sur­re­al, more com­ic, and more seri­ous: take the 65-minute It’s Such a Beau­ti­ful Day, which fol­lows one of his sig­na­ture stick­men into pro­longed neu­ro­log­i­cal decline. The Mean­ing of Life might seem pos­i­tive by com­par­i­son, but its cos­mic sweep belies Hertzfeldt’s under­ly­ing cri­tique of all that evo­lu­tion has pro­duced. As Jenk­ins para­phras­es it,  “Were we real­ly worth all that effort?”

The Mean­ing of Life–which Time Out New York named the film one of the “thir­ty best ani­mat­ed short films ever made”–has been added to our list of Free Ani­ma­tions, a sub­set of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More

Relat­ed Con­tent:

Free Ani­mat­ed Films: From Clas­sic to Mod­ern 

Watch 66 Oscar-Nom­i­nat­ed-and-Award-Win­ning Ani­mat­ed Shorts Online, Cour­tesy of the Nation­al Film Board of Cana­da

Carl Sagan Explains Evo­lu­tion in an Eight-Minute Ani­ma­tion

Alan Watts Dis­pens­es Wit & Wis­dom on the Mean­ing of Life in Three Ani­mat­ed Videos

Why Man Cre­ates: Saul Bass’ Oscar-Win­ning Ani­mat­ed Look at Cre­ativ­i­ty (1968)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

Jeff Tweedy Explains How to Learn to Love Music You Hate: Watch a Video Animated by R. Sikoryak

Punk rock peer pres­sure forced Jeff Tweedy, founder of Wilco, to shun Neil Young and oth­er  “hippie“musical greats.

Ah, youth…

Were Tweedy, now a sea­soned 51-year-old, to deliv­er a com­mence­ment speech, he’d do well to coun­sel younger musi­cians to reject such knee jerk rejec­tion, as he does in the above ani­mat­ed inter­view for Top­ic mag­a­zine.

Not because he’s now one of those grey beards him­self, but rather because he’s come to view influ­ence and taste as liv­ing organ­isms, capa­ble of inter­act­ing in sur­pris­ing ways.

That’s not to say the young­sters are oblig­ed to declare an affin­i­ty for what they hear when ven­tur­ing into the past, just as Tweedy does­n’t fake a fond­ness for much of the new music he checks out on the reg­u­lar.

Think of this prac­tice as some­thing sim­i­lar to one mil­lions of child­ish picky eaters have endured. Eat your veg­eta­bles. Just a taste. You can’t say you don’t like them until you’ve active­ly tast­ed them. Who knows? You may find one you like. Or per­haps it’ll prove more of a slow burn, becom­ing an unfore­seen ingre­di­ent of your matu­ri­ty.

In oth­er words, bet­ter to sam­ple wide­ly from the unend­ing musi­cal buf­fet avail­able on the Inter­net than con­ceive of your­self as a whol­ly orig­i­nal rock god, sprung ful­ly formed from the head of Zeus, capiche?

The nar­ra­tion sug­gests that Tweedy’s got some prob­lems with online cul­ture, but he gives props to the dig­i­tal rev­o­lu­tion for its soft­en­ing effect on the iron­clad cul­tur­al divide of his 70s and 80s youth.

Was it real­ly all just a mar­ket­ing scheme?

Unlike­ly, giv­en the Viet­nam War, but there’s no deny­ing that edu­cat­ing our­selves in our pas­sion includes approach­ing its his­to­ry with an at-least-par­tial­ly open mind.

If you want to snap it shut after you’ve had some time to con­sid­er, that’s your call, though Tweedy sug­gests he’s nev­er com­fort­able writ­ing some­thing off for­ev­er.

If noth­ing else, the stuff he dis­likes teach­es him more about the stuff he loves—including, pre­sum­ably, some of his own impres­sive cat­a­log.

Kudos to direc­tor Kei­th Stack and Augen­blick Stu­dios, ani­ma­tor of so many Top­ic inter­views, for match­ing Tweedy with car­toon­ist R. Siko­ryak, an artist who clear­ly shares Tweedy’s cre­ative phi­los­o­phy as evidenced by such works as Terms and Con­di­tions and Mas­ter­piece ComicsHere is anoth­er who clear­ly knows how to make a meal from mix­ing old and new, tra­di­tion­al and exper­i­men­tal, high and low. One of the bonus joys of this ani­mat­ed life les­son is catch­ing all of Siko­ryak’s musi­cal East­er eggs—includ­ing a cameo by Nip­per, the face of His Mas­ter’s Voice.

Relat­ed Con­tent:

Kurt Cobain Lists His 50 Favorite Albums: Fea­tures LPs by David Bowie, Pub­lic Ene­my & More

The Out­siders: Lou Reed, Hunter S. Thomp­son, and Frank Zap­pa Reveal Them­selves in Cap­ti­vat­ing­ly Ani­mat­ed Inter­views

‘Beast­ie Boys on Being Stu­pid’: An Ani­mat­ed Inter­view From 1985

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist ofthe East Vil­lage Inky zine.  Join her in New York City June 17 for the next install­ment of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Watch “Critical Living,” a Stop-Motion Film Inspired by the 1960s Movement That Rejected Modern Ideas About Mental Illness

Along with Michel Fou­cault’s cri­tique of the med­ical mod­el of men­tal ill­ness, the work of Scot­tish psy­chi­a­trist R.D. Laing and oth­er influ­en­tial the­o­rists and crit­ics posed a seri­ous intel­lec­tu­al chal­lenge to the psy­chi­atric estab­lish­ment. Laing’s 1960 The Divid­ed Self: An Exis­ten­tial Study in San­i­ty and Mad­ness the­o­rized schiz­o­phre­nia as a philo­soph­i­cal prob­lem, not a bio­log­i­cal one. Oth­er ear­ly works like Self and Oth­ers and Knots made Laing some­thing of a star in the 1960s and ear­ly 70s, though his star would fade once French the­o­ry began to take over the acad­e­my.

Glas­gow-born Laing is described as part of the so-called “anti-psy­chi­a­try movement”—a loose col­lec­tion of psy­chi­a­trists and char­ac­ters like L. Ron Hub­bard, Gilles Deleuze and Felix Guat­tari, Fou­cault, and Erv­ing Goff­man, pio­neer­ing soci­ol­o­gist and author of The Pre­sen­ta­tion of Self in Every­day Life. For his part, Laing did not deny the exis­tence of men­tal ill­ness, nor oppose treat­ment. But he ques­tioned the bio­log­i­cal basis of psy­cho­log­i­cal dis­or­ders and opposed the pre­vail­ing chem­i­cal and elec­troshock cures. He was seen not as an antag­o­nist of psy­chi­a­try but as a “crit­i­cal psy­chi­a­trist,” con­tin­u­ing a tra­di­tion begun by Freud and Jung: “the alienist or ‘head shrinker’ as pub­lic intel­lec­tu­al,” as Duquesne University’s Daniel Burston writes.

Like many oth­er philo­soph­i­cal­ly-mind­ed intel­lec­tu­als in his field, Laing not only offered com­pelling alter­na­tive the­o­ries of men­tal ill­ness but also pio­neered alter­na­tive ther­a­pies. He was inspired by Exis­ten­tial­ism; the many hours he had spent “in padded cells with the men placed in his cus­tody” while appren­ticed in psy­chi­a­try in the British Army; and to a large extent by Fou­cault. (Laing edit­ed the first Eng­lish trans­la­tion of Foucault’s Mad­ness and Civ­i­liza­tion.) Armed with the­o­ry and clin­i­cal expe­ri­ence, he co-found­ed the Philadel­phia Asso­ci­a­tion in 1965, an orga­ni­za­tion “cen­tred on a com­mu­nal approach to well­be­ing,” writes Aeon, “where peo­ple who are expe­ri­enc­ing acute men­tal dis­tress live togeth­er in a Philadel­phia Asso­ci­a­tion house, with rou­tine vis­its from ther­a­pists.”

Based not in the Penn­syl­va­nia city, but in Lon­don, the Philadel­phia Asso­ci­a­tion still operates—along with sev­er­al sim­i­lar orgs influ­enced by Laing’s vision of ther­a­peu­tic com­mu­ni­ties. In “Crit­i­cal Liv­ing,” the ani­mat­ed stop-motion film above, film­mak­er Alex Wid­dow­son excerpts inter­views with “a cur­rent house ther­a­pist, a for­mer house res­i­dent, and the UK author and cul­tur­al his­to­ri­an Mike Jay, to explore the think­ing behind the organization’s method­ol­o­gy and con­tex­tu­al­ize its lega­cy.” For Laing, men­tal ill­ness­es, even extreme psy­choses like schiz­o­phre­nia, are per­son­al strug­gles that can best be worked through in inter­per­son­al set­tings which elim­i­nate dis­tinc­tions between doc­tor and patient and abol­ish meth­ods Laing called “con­fronta­tion­al.”

Laing’s work began to be dis­cred­it­ed in the mid-sev­en­ties, as break­throughs in brain imag­ing pro­vid­ed neu­ro­log­i­cal evi­dence for main­stream psy­chi­atric the­o­ries, and as the cul­ture changed and left his the­o­ries behind. A friend of Tim­o­thy Leary, Ram Dass, and Allen Gins­berg, and an intel­lec­tu­al hero to many in the coun­ter­cul­ture, Laing began to move into stranger ter­ri­to­ry, hold­ing work­shops for “rebirthing” ther­a­pies and giv­ing peo­ple around him rea­son to doubt his own grasp on real­i­ty. Burston lists a num­ber of oth­er rea­sons his exper­i­ments with “ther­a­peu­tic com­mu­ni­ty” large­ly fell into obscu­ri­ty, includ­ing the sig­nif­i­cant invest­ment of time and effort required. “We want a quick fix: some­thing clean and cost-effec­tive, not messy and time con­sum­ing.”

But for many, Laing’s ideas of men­tal ill­ness as an exis­ten­tial problem—one which could be just as much a break­through as a breakdown—continue to res­onate, as do the many polit­i­cal and social cri­tiques he and his con­tem­po­raries raised. “In the sys­tem of psy­chi­a­try,” says one inter­vie­wee in the video above, “there’s a huge empha­sis on goals, and on an end­ing. In the more in-depth ther­a­pies, they’re more sen­si­tive to the fact that the psy­che can’t be rushed, it takes time.”

via Aeon

Relat­ed Con­tent:

Free Online Psy­chol­o­gy & Neu­ro­science Cours­es

When Michel Fou­cault Tripped on Acid in Death Val­ley and Called It “The Great­est Expe­ri­ence of My Life” (1975)

How to Use Psy­che­del­ic Drugs to Improve Men­tal Health: Michael Pollan’s New Book, How to Change Your Mind, Makes the Case

Sun Ra Plays a Music Ther­a­py Gig at a Men­tal Hos­pi­tal; Inspires Patient to Talk for the First Time in Years

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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