Bob Dylan Explains Why Music Has Been Getting Worse

One often hears that there’s no mon­ey to be made in music any­more. But then, there was no mon­ey to be made in music when Bob Dylan start­ed his career either—at least accord­ing to Bob Dylan. “If you could just sup­port your­self, you were doin’ good,” he says in an inter­view clip includ­ed in the short com­pi­la­tion above. “There was­n’t this big bil­lion-dol­lar indus­try that it is today, and peo­ple do go into it just to make mon­ey.” He appears to have made that remark in the late nine­teen-eight­ies (to judge by his Hearts of Fire look), by which time both the indus­try and nature of pop­u­lar music had evolved into very dif­fer­ent beasts than they were in the ear­ly six­ties, when he made his record­ing debut.

“Machines are mak­ing most of the music now,” Dylan adds. “Have you noticed that all songs sound the same?” It’s a com­plaint peo­ple had four decades ago, think­ing of syn­the­siz­ers and sequencers, and it’s one they have today, with stream­ing algo­rithms and arti­fi­cial-intel­li­gence engines in mind.

Not that Dylan could be accused of fail­ing to change up his sound, or even of refus­ing to acknowl­edge what advan­tages they offered to the indi­vid­ual musi­cian: “You can have your own lit­tle band, like a one-man band, with these machines,” he admit­ted, how­ev­er obvi­ous the lim­i­ta­tions of those machines at the time. But he under­stood that this new con­ve­nience, like that intro­duced by so many oth­er tech­no­log­i­cal devel­op­ments, came at a cul­tur­al price.

Even in the sev­en­ties, record­ing was becom­ing per­ilous­ly easy. In the six­ties, no mat­ter if you were the Bea­t­les, the Rolling Stones, or indeed Bob Dylan, “you played around, you paid enough dues to make a record.” But bands of the fol­low­ing gen­er­a­tion “expect to make a record right away, with­out any­body even hear­ing them.” As for the solo acts, “if you’re a good-look­ing kid, or you’ve got a good voice, they expect you to be able to do it all,” but “if you don’t have expe­ri­ence to go with it, you’re just going to be dis­pos­able,” a mere instru­ment of pro­duc­ers who took autho­r­i­al charge over the records they over­saw. All these decades lat­er, when it’s become eas­i­er than ever to find any kind of music we could pos­si­bly want, nobody must be less sur­prised than Bob Dylan to hear “so much medi­oc­rity going on.”

Relat­ed con­tent:

Bob Dylan’s Famous Tele­vised Press Con­fer­ence After He Went Elec­tric (1965)

Bri­an Eno on the Loss of Human­i­ty in Mod­ern Music

The Real Rea­son Why Music Is Get­ting Worse: Rick Beato Explains

How Com­put­ers Ruined Rock Music

The Dis­tor­tion of Sound: A Short Film on How We’ve Cre­at­ed “a McDonald’s Gen­er­a­tion of Music Con­sumers”

How Bob Dylan Cre­at­ed a Musi­cal & Lit­er­ary World All His Own: Four Video Essays

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.


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Comments (34)
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  • FrankieV says:

    Yeah because the 60s and 70s did­n’t have cor­po­rate machines pump­ing out one hit won­ders with short lifes­pans. /S

    I argue that since any­one can make music these days and col­lab­o­rate more effi­cient­ly with any­one around the world, we have bet­ter music today… On aver­age… Than ever in his­to­ry.

  • mlias says:

    incroy­able

  • Wyatt Scott says:

    The gold­en age of rock n roll and pret­ty much all else is behind us cer­tain­ly. It’s hard­er and hard­er to be orig­i­nal and cre­ate some­thing new as it’s all been done now. Access to record­ing and instru­ments let the flood gates open and now every­one and their mom­ma can post their garbage online. Dylan is/ was one of the best and that won’t change ever, best take what he says as gospel cause he real­ly was a con­duit anten­na to the uni­verse and we were lucky enough to hear what he had to say. He influ­enced every­one.

  • Rod Stasick says:

    Bob: “Well, music’s get­ting worse because nobody these days has learned the art of how to become Amer­i­ca’s great musi­cal taxi­der­mist by tak­ing dead works, stuff­ing them with just enough arti­fi­cial life, and mount­ing them in a dim­ly lit muse­um of bor­rowed ideas. You see, you have to real­ly work at being a folk fraud­ster in the guise of a patch­work poet dressed in the garb of authen­tic­i­ty while loot­ing the past like some smooth-talk­ing con artist at an estate sale. If we just had more peo­ple who could learn how to be the grand lar­ce­nist of song — a cat bur­glar of cul­ture — we would have many more deeply beloved aes­thet­ic graver­ob­bers, just like me, for every­one to mythol­o­gize.”

  • Brian says:

    Old man yells at cloud. Plays his mul­ti plat­inum 3 chord song he stole from a lit­er­al slave.

  • Victoria Simons says:

    Alo­ha, it’s unfor­tu­nate that the Music World suc­cumbed too the greed in our Coun­try.

  • finn says:

    i agree. almost all the young peo­ple around me can make music on their phones. My band does not have the pas­sion to pre­form any­more because we unfair­ly won at a school con­cert. i say, “let’s make music ” And in response i get, “I can make music on my phone, it’s faster and eas­i­er” Wheres your pas­sion? you leave the soul­less ai you claim to hate in the fate of what you cre­ate? maybe we’re too young to be tak­ing music seri­ous­ly right now but I just wish more peo­ple around me had the pas­sion. But i under­stand it being eas­i­er, some­times i get lazy. But i wish to put my soul into the music i want to make, I think maybe i have the pas­sion but not the tal­ent. But yeah, mod­ern music espe­cial­ly those made for music apps just sound so soul­less and when peo­ple DO have soul it’s seen to be “cringe.”

  • Betsy Combs says:

    This is true for many but not all. My son David­Combs writes all his own songs, most top­i­cal as news evolves. His band called BAD
    MOVES was cho­sen to open the fes­ti­val at Wolf­trap Park. He now plays in 2 addi­tion­al bands.

    Many of our friends think he looks like you! But his music is all new and orig­i­nal. He grew up writ­ing songs with me. I am not a pro­fes­sion­al like he is , but have record­ed many of my own songs when I was a high school his­to­ry teacher and tutor.

  • Ellie says:

    The gift of melody. Not a thing. Mas­ter­ing and play­ing instru­ments in uni­son. Not a thing. Pro­duc­ing a cat­a­logue of songs each year. Not a thing. Lyrics that express feel­ings, thoughts, dreams in rhythm and rhyme in uncringable lan­guage. Not a thing. Sings that fol­low intro, verse, cho­rus, verse for­mat. Not a thing. Songs are spliced togeth­er from many takes, and many tracks. That’s the thing.

  • Mike Stafford says:

    Bull­shit. 1–4‑5:6 chord pro­gres­sion, 1–3‑5 turn­around is all you hear now because of enti­tle­ment. Shit for brains medi­oc­rity demand a place in the music busi­ness regard­less of the piss poor prod­uct they put out. Tal­ent remains uncom­pen­sat­ed and los­er thieves steal from the gift­ed to main­tain their pres­ence in the indus­try due to nepo­tism.

  • Harry Tsvi Strauch says:

    Such a stu­pid dis­gust­ing title I’m not even gonna both­er to read the dumb fuck­ing arti­cle

  • BrianTheBrain says:

    Words to live by and “artists” to for­get.

  • Ride says:

    We all take our riffs from some­one else. From Hen­drix to Eddie. Sor­ry to those shoul­ders we stand on.

  • Nicky Vee says:

    HipHop and Rap killed music, not tech­nol­o­gy.

  • Slinger says:

    You become what­ev­er your around Many peo­ple have nev­er the beau­ti­ful folk songs gospel songs and so on. They have only heard mod­ern day garbage Cre­ativ­i­ty is being lost or nev­er learned.scary and sad

  • Kevoglee says:

    Love Bob, got most of his albums, but sad­ly he’s got old man syn­drome. Remem­ber when your dad told you that every­thing you lis­ten to is crap and music was so much bet­ter in my day, and it doesn’t mat­ter how old you are this applies to every gen­er­a­tion. Music will always evolve but always be influ­enced by what came before. New instru­ments, new ways of think­ing, new ways of record­ing. Mozart embraced the new and was ostra­cized, Coltrane, Davis, Bea­t­les, Bowie, Prince, Rot­ten, Knuck­les, KLF, I could keep going but you get the pic­ture, they all grabbed what they had and took it to a new beau­ti­ful place. Embrace the new or become an old man. Viva la rev­o­lu­tion.

  • Onion says:

    I’m sor­ry, but who songs sounds all the same. Bob dylan def­i­nite­ly writes the same song every sin­gle time.What. at this point I can’t even say I have any respect for this person.I don’t know why we were still worshipping.HamHe does­n’t had a good song for sev­en­ty five years lol.. Talk about pro­ject­ing every sin­gle one of his songs and albums is almost indis­tin­guish­able from the next. Lol. I think you could even call him a one hit wonder.Because most peo­ple can only name one of his songs…for real i actu­al­ly used to be a fan. I don’t know how many I could actu­al­ly name two. Lol

  • Donald Saigh says:

    Do you real­ly believe the plas­tic, unmelod­ic, deriv­a­tive, repet­i­tive, lyri­cal­ly vapid pop­u­lar songs of today are on the same artis­tic lev­el as the songs of George and Ira Gersh­win, Rodgers and Hart, Irv­ing Berlin, Cole Porter, Jerome Kern, Harold Arlen, et. al.? What beau­ti­ful place are you talk­ing about? Songs today are man­u­fac­tured in record­ing stu­dios by ten or twelve sound engi­neers rather than com­posed by gen­uine melod­ic genius­es. Is this the beau­ti­ful place you speak of?

  • Paul Mileski says:

    Like Kevoglee, I agree regard­ing “old man syn­drome”, (in pol­i­tics, too). As soon as one decides it is over, it is. It was ever thus. Per­haps the biggest issue, today, is just how much more is out there- includ­ing good. Like real­ly incred­i­ble. Of course there will be lots of medi­oc­rity. So what. Makes the great stuff greater, the gems brighter. Now, I can direct­ly reach out, con­grat­u­late and encour­age, help, par­tic­i­pate, unlike the good/bad old days. Old man syn­drome is real- I’m 67 and fight­ing it con­stant­ly. The silent killer of the soul.

  • Paul Mileski says:

    Like Kevoglee, I agree regard­ing “old man syn­drome”, (in pol­i­tics, too). As soon as one decides it is over, it is. It was ever thus. Per­haps the biggest issue, today, is just how much more is out there- includ­ing good. Like real­ly incred­i­ble. Of course there will be lots of medi­oc­rity. So what. Makes the great stuff greater, the gems brighter. Now, I can direct­ly reach out, con­grat­u­late and encour­age, help, par­tic­i­pate, unlike the good/bad old days. Old man syn­drome is real- I’m 67 and fight­ing it con­stant­ly. The silent killer of the soul. PM

  • Joan Bianchi says:

    I’m won­der­ing, does he explain why he’s always been a com­plete ass­hole? If some­one tells me yes I’ll actu­al­ly read this arti­cle.

  • T rossi says:

    You don’t even need tal­ent to make music and get it through the mass­es today. Any­body can afford a dig­i­tal stu­dio now, and can make music with­out play­ing any instru­ments or under­stand­ing the­o­ry. That’s why there’s so much bad music. But there is a lot of good music today that you don’t hear on the radio.

  • T rossi says:

    You don’t even need tal­ent to make music and get it through the mass­es today. Any­body can afford a dig­i­tal stu­dio now, and can make music with­out play­ing any instru­ments or under­stand­ing the­o­ry. That’s why there’s so much bad music. But there is a lot of good music today that you don’t hear on the radio.

  • JayB says:

    Well said! At a time when we have 100s of mil­lions of songs lit­er­al­ly in our pock­et that we can lis­ten to it at any moment, how can any­one com­plain about a lack of good new music?! I get it if peo­ple don’t want to take a few min­utes to explore new music…you like what you like…the old stuff takes you to a hap­pi­er time…whatever the rea­son. But peo­ple who say there’s no good new music are sim­ply igno­rant, and prob­a­bly a lit­tle lazy. If they don’t like the algo­rithms, get out of the house and check out a live band this week­end. There are so many tour­ing bands out there that you haven’t heard of who are work­ing hard and sound very good! But you do have to put SOME effort into it.

  • Joe Crow says:

    Give it up pos­er, your sad attempts at poet­ry are great exam­ples of why Bob rose and not one per­son in 8 bil­lion knows who you are. Cute but trite!

  • Lisa D says:

    I have always been a fan of Bob Dylan’s and find it a bit unusu­al for him to put anyone’s music down or be so judg­men­tal toward it.

    Reminds me of how his “going elec­tric” was received and what the old­er gen­er­a­tions along with the “FOLKIES” said about it.

    Come on Bob, don’t start show­ing your age now!

  • Jesse crider says:

    I’m gonna have to call B.S. on that,no way is any genre of today’s music bet­ter than the 5os, 60s 70s or even 80s for that mat­ter

  • Jesse crider says:

    I’m gonna have to call B.S. on that,no way is any genre of today’s music bet­ter than the 5os, 60s 70s or even 80s for that mat­ter , karaoke killed the blues 😊

  • Zizine says:

    Most of today’s music is, yes, “mediocre” and most singers, all sound like whin­ny lit­tle girls and there’s not one con­cert I would attend to, not one. The 60s, 70s, 80s was the best and I don’t give a shit if I’m show­ing my age. Yes, I’m 80 years old and all the real­ly great rock­ers, singers,composers are gone and we’re left with most­ly repet­i­tive garbage.

  • Jim says:

    Are you seri­ous.? It’s your opin­ion I know but in the future like 20 years from now clas­sic music/songs will not exist as all. Sad but you know it true. Good luck find­ing a bar some­where 20 years from now and there’s a band play­ing clas­sic hits from 2025. And

  • Alan says:

    There’s noth­ing wrong in going back in time, if you’ve got some­thing to say. A man a gui­tar, or any oth­er instru­ment is enough if you’re lyri­cal­ly cre­ative and your mes­sage res­onates with some­one else. Peo­ple today may be hun­gri­er than one might think to a time of sim­plic­i­ty. I go back to Bill Hal­ley, grew through dog­wood, the Eng­lish inva­sion, Coun­try while. serv­ing in the Army etc. Dis­co a com­plete turn off, rap seems more of a racial response to griev­ances. We all know Dylan, but what about Leonard Cohen or Tom Waits? In my mind. it’s time to turn back the clock. If we do, maybe the world can be a bet­ter place. Sor­ry for the rant.

  • Yapper says:

    No he does not. Lis­ten to his stuff from oth­er years — Like the songs from TOOM are not the same from the ones in BOTT or BOB, y’all clear­ly have only lis­tened to the 3 or 4 ear­ly folk albums. He also uses many dif­fer­ent chords a chord them.

  • Marc Brazeau says:

    Chat­G­PT could offer a more inci­sive expla­na­tion of whether music has got­ten worse, and if Yes, actu­al­ly explain Why. Why did Open­Cul­ture pub­lish this emp­ty blath­er?

  • Chris says:

    If I’m read­ing this cor­rect­ly, this isn’t based on any quotes from Bob that are more recent than the 1980s, mak­ing this a pret­ty point­less click­baity arti­cle.

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