RecentÂly we’ve feaÂtured films by Sergei EisenÂstein, a pioÂneer of cinÂeÂma as we know it, and Andrei Tarkovsky, one of the most respectÂed auteurs in the hisÂtoÂry of the art form. They’re all free to watch on Youtube, as is Sergei BonÂdarchuk’s epic adapÂtaÂtion of War and Peace from the late nineÂteen-sixÂties and Karen Shakhnazarov’s eight-part Anna KarenÂiÂna, which came out just a few years ago. For all this we have MosÂfilm to thank. Once the nationÂal film stuÂdio of the SoviÂet Union — equipped with the kind of resources that made it more or less the HolÂlyÂwood of the U.S.S.R. — MosÂfilm remains in operÂaÂtion as a proÂducÂtion comÂpaÂny, as well as a Youtube chanÂnel.
MosÂfilm’s playlist of SoviÂet movies now offers more than 70 EngÂlish-subÂtiÂtled feaÂtures, each one labeled by genre. The dozen comeÂdies curÂrentÂly free to watch include Leonid Gaidai’s masÂsiveÂly sucÂcessÂful crime-and-sociÂety comÂeÂdy The DiaÂmond Arm (1969) and Eldar Ryazanov’s satirÂiÂcal CarÂniÂval Night (1956).
The verÂsaÂtile Ryazanov also directÂed picÂtures of othÂer types for MosÂfilm, includÂing the musiÂcal HusÂsar BalÂlad (1962) and the meloÂdraÂma RailÂway StaÂtion for Two (1982). A variÂety of genÂres and subÂgenÂres: Abram Room’s “love movie” Bed and Sofa (1927), Karen Shakhnazarov’s “mysÂtic draÂma” AssasÂsiÂnaÂtion of the Tsar (1991), Vladimir Motyl’s “EastÂern” (as opposed to WestÂern) White Sun of the Desert (1970), and Georgiy Daneliya’s “distopia movie” Kin-dza-dza! (1986).
Of course, one need not search far and wide to see the SoviÂet Union itself described as a dystopia. Few today could deny the fatal flaws of SoviÂet politÂiÂcal and ecoÂnomÂic sysÂtems, but then, those flaws were hardÂly unknown to SoviÂet citÂiÂzens themÂselves, even those in posiÂtions of culÂturÂal promiÂnence. ViewÂers today may be surÂprised at just how keenÂly some of these movies (Georgiy Daneliya’s “tragÂic comÂeÂdy” Autumn Marathon from 1979 being one clasÂsic examÂple) observe the nature of life behind the Iron CurÂtain. In this and othÂer ways, SoviÂet film has a greater variÂety of senÂsiÂbilÂiÂties and texÂtures than one might expect. And givÂen that MosÂfilm proÂduced more than 3,000 picÂtures durÂing the exisÂtence of the U.S.S.R. — includÂing AkiÂra KuroÂsawa’s DerÂsu UzaÂla, from 1975 — there remain many more to disÂcovÂer, at least if the uploadÂing conÂtinÂues apace. View the entire playlist of SoviÂet films with EngÂlish subÂtiÂtles here.
RelatÂed conÂtent:
Watch the HugeÂly-AmbiÂtious SoviÂet Film AdapÂtaÂtion of War and Peace Free Online (1966–67)
Watch Andrei Tarkovsky’s Films Free Online: StalkÂer, The MirÂror & Andrei Rublev
Watch an 8‑Part Film AdapÂtaÂtion of Tolstoy’s Anna KarenÂiÂna Free Online
The Top 20 RussÂian Films, AccordÂing to RusÂsians
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
Let’s maybe avoid RussÂian webÂsites for the time being. Until they’ve endÂed their unjust aggresÂsion against Ukraine. jes sayin
Enfin ! autre chose que le soft powÂer amĂ©riÂcain…
I don’t recall peoÂple being asked to avoid WestÂern film sites when we illeÂgalÂly invadÂed Iraq
The probÂlem resides with the Regime in powÂer, not RussÂian culÂture and Art.
The best way to explore this genre is through RussÂian Film Hub, fyi. These movies and much, much more
ExactÂly right. The world is not black and white, nor are the peoÂple or art. And even though it can appear that most rusÂsians supÂport their govÂt’s aggresÂsion, it all comes from socioeÂcoÂnomÂic presÂsure and illitÂerÂaÂcy. IncredÂiÂbly many (of the oldÂer and elderÂly) don’t have interÂnet access, so they rely on their soviÂet era school teachÂings of the world (which, as many know, was disÂtortÂed), and to this day they only have state-run TV and radio to rely on for “knowlÂedge”.
I don’t have much insight into state of media durÂing RussÂian Empire’s exisÂtence, but I know for a fact that between USSÂR’s colÂlapse and the curÂrent state of the counÂtry there has been about a couÂple of decades of “free” (non-proÂhibÂitÂed by law) press in the counÂtry. Oh, and durÂing those 20-ish years there’s been about 10 jourÂnalÂists murÂdered per year. I guess today it’s simÂpler to outÂlaw free press.
Unjust?The EuroÂpean authorÂiÂties have gone out of their way to keep their citÂiÂzens in the dark about what brought it about.… and who caused this mess