We’ve feaÂtured a variÂety of buildÂings designed by Frank Lloyd Wright here on Open CulÂture, from his perÂsonÂal home and stuÂdio TalÂiesin and the ImpeÂrÂiÂal Hotel in Tokyo, to a gas staÂtion and a dogÂhouse. But if any sinÂgle strucÂture explains his endurÂing repÂuÂtaÂtion as a genius of AmerÂiÂcan archiÂtecÂture, and perÂhaps the genius of AmerÂiÂcan archiÂtecÂture, it must be the house called FallingÂwaÂter.
Designed in 1935 for PittsÂburgh departÂment-store magÂnate Edgar J. KaufÂmann and his wife LilÂiane, it sits atop an active waterÂfall — not below it as KaufÂmann had origÂiÂnalÂly requestÂed, to name just one of the disÂagreeÂments that arose between client and archiÂtect throughÂout the process.
In the event, Wright had his way as far as the posiÂtionÂing of the house on the site, as with much else about the project — and so much the betÂter for its stature in the hisÂtoÂry of archiÂtecÂture, which has only risen since comÂpleÂtion 85 years ago.
Inspired by the KaufÂmanÂn’s love of the outÂdoors, as well as his own appreÂciÂaÂtion for JapanÂese archiÂtecÂture, Wright employed techÂniques to inteÂgrate FallingÂwaÂter’s spaces with one anothÂer, as well as with the surÂroundÂing nature. Time magÂaÂzine wastÂed no time, as it were, declarÂing the result Wright’s “most beauÂtiÂful job”; more recentÂly, it’s received high praise from no less a masÂter JapanÂese archiÂtect than Tadao Ando.
When he visÂitÂed FallingÂwaÂter, Ando expeÂriÂenced first-hand a use of space simÂiÂlar to that which he knew from the built enviÂronÂment of his homeÂland, and also how the house lets in the sounds of nature. Though such a pilÂgrimÂage can greatÂly expand one’s appreÂciÂaÂtion of the house, rare is the viewÂer who fails to be enrapÂtured by picÂtures alone.
NearÂly as astute in the realm of pubÂlicÂiÂty as in that of archiÂtecÂture, Wright would have known that FallingÂwaÂter had to phoÂtoÂgraph well, a qualÂiÂty vividÂly on disÂplay in this archive of 137 high-resÂoÂluÂtion images at the Library of ConÂgress. From it, you can downÂload colÂor and black-and-white phoÂtos of the houseÂ’s exteÂriÂor and inteÂriÂor as well as its plans, which — so the stoÂry goes — Wright origÂiÂnalÂly drew up in just two hours after months of inacÂtion. FallingÂwaÂter thus stands as not just conÂcrete proof of once-brazen archiÂtecÂturÂal notions, but also vinÂdiÂcaÂtion for proÂcrasÂtiÂnaÂtors everyÂwhere.
RelatÂed conÂtent:
An AniÂmatÂed Tour of FallingÂwaÂter, One of Frank Lloyd Wright’s Finest CreÂations
What It’s Like to Work in Frank Lloyd Wright’s IconÂic Office BuildÂing
What Frank Lloyd Wright’s UnusuÂal WinÂdows Tell Us About His ArchiÂtecÂturÂal Genius
1,300 PhoÂtos of Famous ModÂern AmerÂiÂcan Homes Now Online, CourÂtesy of USC
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.