Watch 13 Levels of Drumming, from Easy to Complex, Explained by Snarky Puppy Drummer Larnell Lewis

in Music | March 22nd, 2023

Above, Snarky Pup­py drum­mer Lar­nell Lewis explains drum­ming in 13 lev­els of dif­fi­cul­ty, from easy to com­plex, show­ing how “drum tech­niques build upon each oth­er as the eas­i­est lev­els incor­po­rate the hi-hat, bass and snare drums, and more dif­fi­cult lev­els include polyrhythms, the floor tom, ride cym­bals, syn­co­pa­tion and much more.” It’s fun to watch. In anoth­er video from the same series pro­duced by Wired mag­a­zine, musi­cian Jacob Col­lier explains the con­cept of har­mo­ny with increas­ing dif­fi­cul­ty to five dif­fer­ent peo­ple– a child, a teen, a col­lege stu­dent, a pro­fes­sion­al, and jazz leg­end Her­bie Han­cock. Enjoy…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

The Neu­ro­science of Drum­ming: Researchers Dis­cov­er the Secrets of Drum­ming & The Human Brain

What Makes John Bon­ham Such a Good Drum­mer? A New Video Essay Breaks Down His Inim­itable Style

The Case for Why Ringo Starr Is One of Rock’s Great­est Drum­mers

The Health Ben­e­fits of Drum­ming: Less Stress, Low­er Blood Pres­sure, Pain Relief, and Altered States of Con­scious­ness

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Amélie Was Really a KGB Spy: Director Jean-Pierre Jeunet Re-Edits His Beloved Film, Amélie, into a New Comedic Short

in Film | March 21st, 2023

No French film of this cen­tu­ry is more beloved than Jean-Pierre Jeunet’s Amélie. Or rather, no pro­tag­o­nist of a French film in this cen­tu­ry is more beloved than Audrey Tautou’s epony­mous Amélie. Hence, no doubt, why the movie is best known by that short ver­sion of its title rather than by the long ver­sion, Le fab­uleux des­tin d’Amélie Poulain. Now, more than twen­ty years after the release of Le fab­uleux des­tin d’Amélie Poulain, Jeunet has fol­lowed it up with La véri­ta­ble his­toire d’Amélie Poulain, which you can watch (with option­al French or Eng­lish sub­ti­tles) just above.

“After all this time,” Jeunet says in a brief intro­duc­tion, “I felt the moment was right to tell you, at long last, the real sto­ry of Amélie Poulain.” She turns out, accord­ing to his voice-over nar­ra­tion that fol­lows, not to be a sim­ple Mont­martre wait­ress who ded­i­cates her­self to sur­rep­ti­tious­ly enrich­ing the lives of those around her.

In fact she works as a spy for the KGB, hav­ing first been recruit­ed in child­hood with the promise of can­dy bars. That may sound far-fetched, but Jeunet sup­ports every detail of Amélie’s dou­ble life, and of the sto­ry of her re-entry into espi­onage after the fall of the Berlin Wall, using the very same scenes and involv­ing the very same char­ac­ters we remem­ber from Amélie.

On one lev­el, La véri­ta­ble his­toire d’Amélie Poulain tes­ti­fies to the endur­ing play­ful­ness that keeps Jeunet from tak­ing his own work — even the work that became a glob­al phe­nom­e­non — too seri­ous­ly. (Indeed, that spir­it is on dis­play in the orig­i­nal movie’s exag­ger­a­tion of whim­si­cal-French-film tropes.) Much like the Hol­ly­wood­i­fied Kubrick trail­ers we pre­vi­ous­ly fea­tured here on Open Cul­ture, this new short also con­sti­tutes a demon­stra­tion of how the mean­ing and impact of cin­e­ma are cre­at­ed not by the images them­selves, but rather by their con­text and jux­ta­po­si­tion. And so, with char­ac­ter­is­tic clev­er­ness, Jeunet has rein­vent­ed Amélie as a Sovi­et agent by employ­ing the prin­ci­ples of Sovi­et mon­tage.

via Kot­tke

Relat­ed con­tent:

The Shin­ing and Oth­er Com­plex Stan­ley Kubrick Films Recut as Sim­ple Hol­ly­wood Movies

Paris Through Pen­tax: Short Film Lets You See a Great City Through a Dif­fer­ent Lens

Tui­leries: The Coen Broth­ers’ Short Film About Steve Buscemi’s Very Bad Day in the Paris Metro

A Cin­e­mat­ic Jour­ney Through Paris, As Seen Through the Lens of Leg­endary Film­mak­er Éric Rohmer: Watch Rohmer in Paris

How to Jump the Paris Metro: A Wit­ty, Rebel­lious Primer from New Wave Direc­tor Luc Moul­let (1984)

His­to­ry Declas­si­fied: New Archive Reveals Once-Secret Doc­u­ments from World Gov­ern­ments

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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Behold an Astonishing Near-Nightly Spectacle in the Lightning Capital of the World

in Environment, Nature, Science, Travel | March 21st, 2023

Extreme weath­er con­di­tions have become a top­ic of grave con­cern. Are floods, earth­quakes, tor­na­does and cat­a­stroph­ic storms the new nor­mal?

Just for a moment, let’s trav­el to a place where extreme weath­er has always been the norm: Lake Mara­cai­bo in north­west­ern Venezuela.

Accord­ing to NASA’s Trop­i­cal Rain­fall Mea­sur­ing Mis­sion’s light­ning image sen­sor, it is the light­ning cap­i­tal of the world.

Chalk it up to the unique geog­ra­phy and cli­mate con­di­tions near the con­flu­ence of the lake and the Cata­tum­bo Riv­er. At night, the moist warm air above the water col­lides with cool breezes rolling down from the Andes, cre­at­ing an aver­age of 297 thun­der­storms a year.

Watch­ing pho­tog­ra­ph­er Jonas Pio­ntek’s short film doc­u­ment­ing the phe­nom­e­non, above, it’s not sur­pris­ing that chief among his tips for shoot­ing light­ning at night is a point­ed warn­ing to always keep a safe dis­tance from the storm. While view­able from as far as 400 kilo­me­ters away, the area near­est the light­ning activ­i­ty can aver­age 28 strikes per minute.

More than 400 years before Pio­ntek shared his impres­sions with the world, Span­ish poet Lope de Vega tapped Cata­tum­bo light­ning in his epic 1597 poem La Drag­ontea, cred­it­ing it, erro­neous­ly, with hav­ing  thwart­ed Sir Fran­cis Drake’s plans to con­quer the city of Mara­cai­bo under cov­er of night. His poet­ic license was per­sua­sive enough that it’s still an accept­ed part of the myth.

The “eter­nal storm” did how­ev­er give Venezue­lan naval forces a gen­uine nat­ur­al assist, by illu­mi­nat­ing a squadron of Span­ish ships on Lake Mara­cai­bo, which they defeat­ed on July 24, 1823, clear­ing the way to inde­pen­dence.

Once upon a time, large num­bers of local fish­er­men took advan­tage of their prime posi­tion to fish by night, although with recent defor­esta­tion, polit­i­cal con­flict, and eco­nom­ic decline dec­i­mat­ing the vil­lages where they live in tra­di­tion­al stilt­ed hous­es, their liveli­hood is in decline.

Mean­while the Eter­nal Storm has itself been affect­ed by forces of extreme weath­er. In 2010, a drought occa­sioned by a par­tic­u­lar­ly strong El Niño, caused light­ning activ­i­ty to cease for 6 weeks, its longest dis­ap­pear­ance in 104 years.

Envi­ron­men­tal­ist Erik Quiroga, who is cam­paign­ing for the Cata­tum­bo light­ning to be des­ig­nat­ed as the world’s first UNESCO World Her­itage Weath­er Phe­nom­e­non warns, “This is a unique gift and we are at risk of los­ing it.”

See more of Jonas Piontek’s Cata­tum­bo light­ning pho­tographs here.

– Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo and Cre­ative, Not Famous Activ­i­ty Book. Fol­low her @AyunHalliday.

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Explore the Hereford Mappa Mundi, the Largest Medieval Map Still in Existence (Circa 1300)

in History, Maps | March 20th, 2023

If you want­ed to see a map of the world in the four­teenth cen­tu­ry, you could hard­ly just pull up Google Earth. But you could, pro­vid­ed you lived some­where in or near the British Isles, make a pil­grim­age to Here­ford Cathe­dral. There you would find the shrine of St. Thomas Can­tilupe, the main attrac­tion for the true believ­er, but also what we now know as the Here­ford Map­pa Mun­di, a large-scale (64″ x 52″) depic­tion of the entire world — or at least entire world as con­ceived in the pious Eng­lish mind of the Mid­dle Ages, which turns out to be almost unrec­og­niz­able at first glance today.

Cre­at­ed around 1300, the Here­ford Map­pa Mun­di “serves as a sort of visu­al ency­clo­pe­dia of the peri­od, with draw­ings inspired by Bib­li­cal times through the Mid­dle Ages,” write Chris Grif­fiths and Thomas But­tery at BBC Trav­el.

“In addi­tion to illus­trat­ing events mark­ing the his­to­ry of humankind and 420 cities and geo­graph­i­cal fea­tures, the map shows plants, ani­mals, birds and strange or unknown crea­tures, and peo­ple.” These include one “ ‘Blem­mye’ — a war-like crea­ture with no head, but with facial fea­tures in its chest,” two “Sci­apods,” “men with one large foot,” and “four cave-dwelling Troglodites,” one of whom feasts on a snake.

Amid geog­ra­phy we would now con­sid­er severe­ly lim­it­ed as well as fair­ly man­gled — Europe is labeled as Asia, and vice ver­sa, to name only the most obvi­ous mis­take — the map also includes “super­nat­ur­al scenes from clas­si­cal Greek and Roman mythol­o­gy, Bib­li­cal tales and a col­lec­tion of pop­u­lar leg­ends and sto­ries.” As such, this reflects less about the world itself than about human­i­ty’s world­view in an era that drew few­er lines of demar­ca­tion between fact and leg­end. You can learn more about what it has to tell us in the Mod­ern His­to­ry TV video below, as well as in the video fur­ther down from Youtu­ber ShūBa̱ck, which asks, “Why are Medieval Maps so Weird?”

The intent of the Here­ford Map­pa Mun­di, ShūBa̱ck says, is to show that “the Bible is right.” To that end, “east is on top, as that’s where they said Jesus would come from on the day of judg­ment. Jerusalem is, of course, at the cen­ter.” Oth­er points of inter­est include the site of the cru­ci­fix­ion, the Tow­er of Babel, and the Gar­den of Eden — not to men­tion the loca­tions of the Gold­en Fleece and Mount Olym­pus. You can exam­ine all of these up close at the Here­ford Cathe­dral’s site, which offers a detailed 3D scan of the map, view­able from every angle, embed­ded with expla­na­tions of all its major fea­tures: in oth­er words, a kind of Google Medieval Earth.

via Aeon

Relat­ed con­tent:

The Evo­lu­tion of the World Map: An Inven­tive Info­graph­ic Shows How Our Pic­ture of the World Changed Over 1,800 Years

The Largest Ear­ly Map of the World Gets Assem­bled for the First Time: See the Huge, Detailed & Fan­tas­ti­cal World Map from 1587

40,000 Ear­ly Mod­ern Maps Are Now Freely Avail­able Online (Cour­tesy of the British Library)

The First Tran­sit Map: a Close Look at the Sub­way-Style Tab­u­la Peutin­ge­ri­ana of the 5th-Cen­tu­ry Roman Empire

The His­to­ry of Car­tog­ra­phy, “the Most Ambi­tious Overview of Map Mak­ing Ever Under­tak­en,” Is Free Online

The Biggest Mis­takes in Map­mak­ing His­to­ry

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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David Byrne Picks Up His Big Suit from the Dry Cleaners and Gets Ready for Stop Making Sense to Return to Theaters

in Music | March 20th, 2023

First released in 1984, Jonathan Dem­me’s acclaimed con­cert film Stop Mak­ing Sense fea­tured the Talk­ing Heads at the height of their cre­ative and musi­cal pow­ers. The film starts with David Byrne, alone on a bare stage, with a boom­box and his big white suit, per­form­ing “Psy­cho Killer.” Then, with each new song, he’s joined by dif­fer­ent band­mates and an assem­blage of gear and lights, all show­ing, step-by-step, how a con­cert gets made. It’s an inven­tive film. And it’s com­ing back to the­aters this August, restored no less in 4K res­o­lu­tion.

Above, in the offi­cial trail­er, watch Byrne retrieve his over­sized suit from the dry clean­ers some 40 years late, then try it on for size. Turns out, it still fits.…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

How Jonathan Demme Put Human­i­ty Into His Films: From The Silence of the Lambs to Stop Mak­ing Sense

Talk­ing Heads Live in Rome, 1980: The Con­cert Film You Haven’t Seen

Talk­ing Heads’ “This Must Be the Place (Naive Melody)” Per­formed on Tra­di­tion­al Chi­nese Instru­ments

Talk­ing Heads Songs Become Mid­cen­tu­ry Pulp Nov­els, Mag­a­zines & Adver­tise­ments: “Burn­ing Down the House,” “Once in a Life­time,” and More

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New Order’s 1983 Classic “Blue Monday” Played with Obsolete 1930s Instruments

in Music | March 18th, 2023

Released 40 years ago this week, New Order’s “Blue Mon­day” (hear the orig­i­nal EP ver­sion here) became, accord­ing to the BBC, “a cru­cial link between Sev­en­ties dis­co and the dance/house boom that took off at the end of the Eight­ies.” If you fre­quent­ed a dance club dur­ing the 1980s, you know the song.

The orig­i­nal “Blue Mon­day” nev­er quite won me over. I’m much more Rolling Stones than New Order. But I’m tak­en with the adap­ta­tion above. Cre­at­ed by the “Orkestra Obso­lete,” this ver­sion tries to imag­ine what the song would have sound­ed like in 1933, using only instru­ments avail­able at the time— for exam­ple, writes the BBC, the theremin, musi­cal saw, har­mo­ni­um and pre­pared piano. Quite a change from the Pow­ertron Sequencer, Moog Source syn­the­siz­er, and Ober­heim DMX drum machine used to record the song in the 80s. Enjoy this lit­tle thought exper­i­ment put into action.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Note: An ear­li­er ver­sion of this post appeared on our site in 2016.

Relat­ed Con­tent:

Radiooooo: A Musi­cal Time Machine That Lets You Hear What Played on the Radio in Dif­fer­ent Times & Places

Sovi­et Inven­tor Léon Theremin Shows Off the Theremin, the Ear­ly Elec­tron­ic Instru­ment That Could Be Played With­out Being Touched (1954)

Meet the “Tel­har­mo­ni­um,” the First Syn­the­siz­er (and Pre­de­ces­sor to Muzak), Invent­ed in 1897

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Behold the Fantastical, Uncannily Lifelike Puppets of Barnaby Dixon

in Art, Design, Technology, Theatre | March 17th, 2023

Barn­a­by Dixon’s incred­i­ble two-piece cre­ations rede­fine the notion of hand pup­pets, by mov­ing and respond­ing in high­ly nuanced, real­is­tic ways.

The pinkie and index fin­ger of one hand slip into the crea­ture’s arms, leav­ing the thumb free to oper­ate the tiny con­trols that tilt head and mouth move­ments.

The pinkie and index fin­ger of one hand slip into the creature’s legs, an attribute few hand pup­pets can claim.

A waist­line mag­net joins the pup­pet’s top half to its bot­tom.

His goal is for view­ers to “for­get the mech­a­nisms and for­get the process that’s gone into mak­ing it so they can just enjoy the motions.”

Each char­ac­ter has a unique set of motions and a cus­tom-designed plas­tic, sil­i­cone and met­al assem­bly, informed by many hours of anatom­i­cal obser­va­tion and study. Their struc­tures speak to Dixon’s ear­ly years as a stop motion ani­ma­tor, as do his fab­ri­ca­tion meth­ods.

His frus­tra­tion with the glacial pace of achiev­ing the end prod­uct in that realm spurred him to exper­i­ment with pup­pets who could be filmed mov­ing in real time.

His first pup­pet, Dab Chick, below, holds a spe­cial place in his heart, and is also one of his mouthi­est.

Dab Chick­’s tiny head cocks on spec­ta­cle hinges and a hand-wound spring wrapped in sil­i­cone. The mech­a­nism that opens and clos­es his beak is a minia­ture spin on bicy­cle hand brakes.

While many of Dixon’s recent pup­pets thrive in a Day-Glo, synth-heavy envi­ron­ment, Dab Chick is a crowd-pleas­ing cur­mud­geon, spout­ing opin­ions and repar­tee. He even plays drunk… a hard assign­ment for any per­former to pull off, but Dixon nails it.

Phil the fish is oper­at­ed with two rods. He per­forms best in water, appro­pri­ate­ly enough, high­light­ing his tal­ent for blow­ing bub­bles, as well as Dixon’s for using physics to his advan­tage.

Many pup­peteers match their breath­ing to that of their puppet’s in an effort to get into the zone. Dixon takes it to the next lev­el by stream­ing real time video of his mouth to a tiny screen embed­ded below the nose of the pup­pet he is oper­at­ing.

In addi­tion to cre­at­ing and direct­ing orig­i­nal work, he pup­peteered the True His­to­ry of Thra, The Dark Crys­tal: Age of Resis­tance’s play with­in a play and designed the origa­mi-inspired, ani­mal-shaped demon pup­pets for the Bridge The­atre pro­duc­tion of Book of Dust – La Belle Sauvage.

The Guardian laud­ed the lat­ter as “gor­geous,” a “mar­vel (that) seem like Jun­gian pro­jec­tions rather than airy, fan­tas­ti­cal crea­tures.”

Watch more of Barn­a­by Dixon’s pup­pet videos here.

Relat­ed Con­tent:

The Hand Pup­pets That Bauhaus Artist Paul Klee Made for His Young Son

Meet Lit­tle Amal, the 12-Foot Pup­pet of a 10-Year-Old Syr­i­an Girl, Who Has Been Tour­ing the World

Hiroshige, Mas­ter of Japan­ese Wood­block Prints, Cre­ates a Guide to Mak­ing Shad­ow Pup­pets for Chil­dren (1842)

– Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo and Cre­ative, Not Famous Activ­i­ty Book. Fol­low her @AyunHalliday.

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A Visit to the World’s Oldest Hotel, Japan’s Nisiyama Onsen Keiunkan, Established in 705 AD

in History, Travel | March 17th, 2023

Nishiya­ma Onsen Keiunkan, a hot-spring hotel in the moun­tains of Japan’s Yamanashi Pre­fec­ture, has been in busi­ness for over 1,300 years, more than five times as long as the Unit­ed States has exist­ed. Nev­er­the­less, it feels con­sid­er­ably more mod­ern than the aver­age Amer­i­can motel, to say noth­ing of the longer-estab­lished lodg­ings of Eng­land. “I assumed that I’d be stay­ing in some­thing like a liv­ing muse­um here,” says Youtu­ber Tom Scott, vlog­ging from his very own room at Nishiya­ma Onsen Keiunkan, “because that’s what I’ve come to expect from the sort of his­tor­i­cal attrac­tions you’ll find in Britain,” where preser­va­tion ide­ol­o­gy holds that “every­thing must be held at a cer­tain point in time, fund­ed by tourists who want to vis­it the old thing and see his­to­ry.”

Not so in Japan, whose notions of new and old have nev­er quite aligned with those of the West. “There’s still tra­di­tion here,” Scott has­tens to add. “It’s not a West­ern-style hotel. You sleep on futons; din­ner is served at a low Japan­ese-style table.” But the actu­al com­plex in which guests now stay “has only been a hotel in the Eng­lish sense for a few decades. Before that, it was just a place to stay and take the waters. Now there’s very fast wi-fi and, of course, a gift shop.”

The move­ment and replace­ment of its build­ings over the cen­turies brings to mind Mie pre­fec­ture’s Ise Grand Shrine, fresh­ly rebuilt each and every twen­ty years, or even the ten­den­cy of exist­ing Japan­ese homes to be torn down rather than occu­pied by their buy­ers.

Though Nishiya­ma Onsen Keiunkan has long shunned exces­sive pub­lic­i­ty — its cur­rent pres­i­dent Kawano Ken­jiro explains that the Emper­or of Japan’s stay there, in his days as Crown Prince, was kept qui­et for that rea­son — it has late­ly become irre­sistible to Youtu­bers. We’ve fea­tured it before here on Open Cul­ture, and just above you can see anoth­er take on it in the House of His­to­ry video above, which explains how it has man­aged its con­ti­nu­ity. Kawano, who’d worked at the hotel since the age of 25, chose not to go the stan­dard route of being legal­ly adopt­ed into the fam­i­ly that had always owned the place. And so, instead of inher­it­ing it, he cre­at­ed Nishiya­ma Onsen Keiunkan Lim­it­ed, a tech­ni­cal­ly new cor­po­rate enti­ty, but one that ought to be good for at least anoth­er mil­len­nia or two.

Relat­ed con­tent:

Why Japan Has the Old­est Busi­ness­es in the World?: Hōshi, a 1300-Year-Old Hotel, Offers Clues

A Med­i­ta­tive Look at a Japan­ese Artisan’s Quest to Save the Bril­liant, For­got­ten Col­ors of Japan’s Past

Short Fas­ci­nat­ing Film Shows How Japan­ese Soy Sauce Has Been Made for the Past 750 years

A Last Glimpse Inside the Oku­ra, Tokyo’s Mod­ernist Mas­ter­piece Hotel

How One Man Keeps Show­ing Films in a Japan­ese Cin­e­ma That Closed 58 Years Ago: A Mov­ing, Short Doc­u­men­tary

A Vir­tu­al Tour of Frank Lloyd Wright’s Lost Japan­ese Mas­ter­piece, the Impe­r­i­al Hotel in Tokyo

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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