In 1953, a Telephone-Company Executive Predicts the Rise of Modern Smartphones and Video Calls

We live in the age of the smart­phone, which took more than a few of us by sur­prise. But in all human his­to­ry, not a sin­gle piece of tech­nol­o­gy has actu­al­ly come out of nowhere. Long before smart­phones came on the mar­ket in the 2000s, those close to the telecom­mu­ni­ca­tions indus­try had a sense of what form its most wide­ly used device would even­tu­al­ly take. “Here is my prophe­cy: In its final devel­op­ment, the tele­phone will be car­ried about by the indi­vid­ual, per­haps as we car­ry a watch today,” said Pacif­ic Tele­phone and Tele­graph Com­pa­ny direc­tor Mark R. Sul­li­van in 1953. “It prob­a­bly will require no dial or equiv­a­lent and I think the users will be able to see each oth­er, if they want, as they talk. Who knows but it may actu­al­ly trans­late from one lan­guage to anoth­er?”

Sul­li­van’s pre­scient-sound­ing words sur­vive in the clip­ping of the Asso­ci­at­ed Press arti­cle seen at the top of the post. It’s worth remem­ber­ing that the speech in ques­tion dates from a time when the rotary phone was the most advanced per­son­al com­mu­ni­ca­tion device in Amer­i­can house­holds.

Just three years ear­li­er, writes KQED’s Rae Alexan­dra, Sul­li­van “appeared in the San Fran­cis­co Exam­in­er talk­ing about the lat­est inno­va­tions in tele­phone tech­nol­o­gy. The advance­ment he was most proud of was a new device about the size of a small type­writer that auto­mat­i­cal­ly cal­cu­lat­ed how long people’s phone calls were.” How­ev­er log­i­cal, pock­et tele­phones with video-call­ing and trans­la­tion capa­bil­i­ties would then have struck many as the stuff of sci­ence fic­tion.

Though born before the time of house­hold elec­tri­fi­ca­tion, Sul­li­van him­self lived just long enough to see the debut of the first com­mer­cial cell­phone  “The Motoro­la DynaT­AC 8000X was def­i­nite­ly not watch-sized and cost a whop­ping $3,995 in 1983 (about $11,000 today),” writes Alexan­dra, “but Sul­li­van might have seen this devel­op­ment as a step towards his long-ago vision — a sign that every one of his 1953 pre­dic­tions would even­tu­al­ly come to fruition.” As print­ed in the Taco­ma News Tri­bune, the AP arti­cle con­vey­ing those pre­dic­tions to the pub­lic appeared under the head­line “There’ll Be No Escape in Future from Tele­phones,” which sounds even more chill­ing today — in that very future — than it did near­ly 70 years ago. But then, even the visions of actu­al sci­ence fic­tion are sel­dom whol­ly untrou­bled.

Relat­ed Con­tent:

A 1947 French Film Accu­rate­ly Pre­dict­ed Our 21st-Cen­tu­ry Addic­tion to Smart­phones

Niko­la Tesla’s Pre­dic­tions for the 21st Cen­tu­ry: The Rise of Smart Phones & Wire­less, The Demise of Cof­fee, The Rule of Eugen­ics (1926/35)

When We All Have Pock­et Tele­phones (1923)

In 1911, Thomas Edi­son Pre­dicts What the World Will Look Like in 2011: Smart Phones, No Pover­ty, Libraries That Fit in One Book

Lyn­da Bar­ry on How the Smart­phone Is Endan­ger­ing Three Ingre­di­ents of Cre­ativ­i­ty: Lone­li­ness, Uncer­tain­ty & Bore­dom

Film­mak­er Wim Wen­ders Explains How Mobile Phones Have Killed Pho­tog­ra­phy

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Harper Lee Gives Advice to Young Writers in One of Her Only Interviews Captured on Audio (1964)

You know the char­ac­ter Boo Radley? Well, if you know Boo, then you under­stand why I wouldn’t be doing an inter­view. Because I am real­ly Boo. 

– Harp­er Lee, in a pri­vate con­ver­sa­tion with Oprah Win­frey

Author Harp­er Lee loved writ­ing but resist­ed inter­views, grant­i­ng just a hand­ful in the fifty-six years that fol­lowed the pub­li­ca­tion of her Pulitzer Prize win­ning 1960 nov­el, To Kill a Mock­ing­bird

Go Set a Watch­manher sec­ond, and final, nov­el began as an ear­ly draft of To Kill a Mock­ing­bird, and was pub­lished in 2015, a year before her death.

Roy Newquist, inter­view­ing Lee in 1964 for WQXR’s Coun­ter­pointaboveprob­a­bly expect­ed the hot­shot young nov­el­ist had many more books in her when he solicit­ed her advice for “the tal­ent­ed young­ster who wants to carve a career as a cre­ative writer.”

Pre­sum­ably Lee did too. “I hope to good­ness that every nov­el I do gets bet­ter and bet­ter, not worse and worse,” she remarked toward the end of the inter­view.

She oblig­ed Newquist by offer­ing some advice, but stopped short of offer­ing career tips to those eager for the low­down on how to write an instant best­seller that will be adapt­ed for stage and screen, earn a peren­ni­al spot in mid­dle school cur­ricu­lums, and — just last week — be crowned the Best Book of the Past 125 Years in a New York Times read­ers’ poll, beat­ing out titles by well regard­ed, and vast­ly more pro­lif­ic authors on the order of J.R.R. Tolkien, George Orwell, Gabriel Gar­cĂ­a Márquez, and Toni Mor­ri­son.

“Peo­ple who write for reward by way of recog­ni­tion or mon­e­tary gain don’t know what they’re doing. They’re in the cat­e­go­ry of those who write; they are not writ­ers,” she drawled.

Harp­er Lee’s Advice to Young Writ­ers

  • Hope for the best and expect noth­ing in terms of recog­ni­tion
  • Write to please an audi­ence of one: your­self
  • Write to exor­cise your divine dis­con­tent
  • Gath­er mate­r­i­al from the world around you, then turn inward and reflect
  • Don’t major in writ­ing

Lis­ten­ing to the record­ing, it occurs to us that this inter­view con­tains some more advice for young writ­ers, or rather, those bring­ing up chil­dren in the dig­i­tal age.

When Newquist won­ders why it is that “such a dis­pro­por­tion­ate share of our sen­si­tive and endur­ing fic­tion springs from writ­ers born and reared in the South,” Lee, a native of Mon­roeville, Alaba­ma, makes a strong case for cul­ti­vat­ing an envi­ron­ment where­in chil­dren have no choice but to make their own fun:

I think … the absence of things to do and see and places to go means a great deal to our own pri­vate com­mu­ni­ca­tion. We can’t go to see a play; we can’t go to see a big league base­ball game when we want to. We enter­tain our­selves.

This was my child­hood: If I went to a film once a month it was pret­ty good for me, and for all chil­dren like me. We had to use our own devices in our play, for our enter­tain­ment. We did­n’t have much mon­ey. Nobody had any mon­ey. We did­n’t have toys, noth­ing was done for us, so the result was that we lived in our imag­i­na­tion most of the time. We devised things; we were read­ers, and we would trans­fer every­thing we had seen on the print­ed page to the back­yard in the form of high dra­ma.

Did you nev­er play Tarzan when you were a child? Did you nev­er tramp through the jun­gle or refight the bat­tle of Get­tys­burg in some form or fash­ion? We did. Did you nev­er live in a tree house and find the whole world in the branch­es of a chin­aber­ry tree? We did.

I think that kind of life nat­u­ral­ly pro­duces more writ­ers than, say, an envi­ron­ment like 82nd Street in New York.

Hear that, par­ents and teach­ers of young writ­ers?

  • Nur­ture the cre­ative spir­it by reg­u­lar­ly pry­ing the dig­i­tal device’s from young writ­ers’ hands (and minds.)

Bite your tongue if, thus deprived, they trot off to the the­ater, the mul­ti­plex, or the sports sta­di­um. Remem­ber that iPhones hadn’t been invent­ed when Lee was stump­ing for the ton­ic effects of her chin­aber­ry tree. These days, any unplugged real world expe­ri­ence will be to the good.

If the young writ­ers com­plain — and they sure­ly will — sub­ject your­self to the same terms.

Call it sol­i­dar­i­ty, self-care, or a way of uphold­ing your New Year’s res­o­lu­tion…

Read an account of anoth­er Harp­er Lee inter­view, dur­ing her one day vis­it to Chica­go to pro­mote the 1962 film of To Kill a Mock­ing­bird and attend a lit­er­ary tea in her hon­or, here.

Relat­ed Con­tent: 

Harp­er Lee Gets a Request for a Pho­to; Offers Impor­tant Life Advice Instead (2006)

Harp­er Lee on the Joy of Read­ing Real Books: “Some Things Should Hap­pen On Soft Pages, Not Cold Met­al”

Writ­ing Tips by Hen­ry Miller, Elmore Leonard, Mar­garet Atwood, Neil Gaiman & George Orwell

Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.

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Open Culture was founded by Dan Colman.