VinÂcent van Gogh died in 1890, long before the emerÂgence of any of the visuÂal techÂnoloÂgies that impress us here in the 21st cenÂtuÂry. But the disÂtincÂtive vision of realÂiÂty expressed through paintÂings still capÂtiÂvates us, and perÂhaps capÂtiÂvates us more than ever: the latÂest of the many tribÂutes we conÂtinÂue to pay to van Gogh’s art takes the form Van Gogh, StarÂry Night, a “digÂiÂtal exhiÂbiÂtion” at the AteÂlier des Lumières, a disÂused foundry turned proÂjecÂtor- and sound sysÂtem-laden mulÂtiÂmeÂdia space in Paris. “ProÂjectÂed on all the surÂfaces of the AteÂlier,” its site says of the exhiÂbiÂtion, “this new visuÂal and musiÂcal proÂducÂtion retraces the intense life of the artist.”
Van Gogh’s intenÂsiÂty manÂiÂfestÂed in varÂiÂous ways, includÂing more than 2,000 paintÂings paintÂed in the last decade of his life alone. Van Gogh, StarÂry Night surÂrounds its visÂiÂtors with the painter’s work, “which radÂiÂcalÂly evolved over the years, from The PotaÂto Eaters (1885), SunÂflowÂers (1888) and StarÂry Night (1889) to BedÂroom at Arles (1889), from his sunÂny landÂscapes and nightscapes to his porÂtraits and still lives.”
It also takes them through the jourÂney of his life itself, includÂing his “sojourns in Neunen, Arles, Paris, Saint-RĂ©my-de-Provence, and Auvers-sur-Oise.” It will also take them to Japan, a land van Gogh dreamed of and that inspired him to creÂate “the art of the future,” with a supÂpleÂmenÂtal show titled Dreamed Japan: Images of the FloatÂing World.
Both Van Gogh, StarÂry Night and Dreamed Japan run until the end of this year. If you hapÂpen to have a chance to make it out to the AteÂlier des Lumières, first conÂsidÂer downÂloadÂing the exhiÂbiÂtion’s smartÂphone and tablet appliÂcaÂtion that proÂvides recordÂed comÂmenÂtary on van Gogh’s masÂterÂpieces. That counts as one more layÂer of this elabÂoÂrate audioÂviÂsuÂal expeÂriÂence that, despite employÂing the height of modÂern museÂum techÂnolÂoÂgy, nevÂerÂtheÂless draws all its aesÂthetÂic inspiÂraÂtion from 19th-cenÂtuÂry paintÂings — and will send those who expeÂriÂence it back to those 19th-cenÂtuÂry paintÂings with a heightÂened appreÂciÂaÂtion. NearÂly 130 years after Van Gogh’s death, we’re still using all the ingeÂnuÂity we can muster to see the world as he did.
RelatÂed ConÂtent:
DownÂload HunÂdreds of Van Gogh PaintÂings, SketchÂes & LetÂters in High ResÂoÂluÂtion
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.