The Encyclopedia of Women Philosophers: A New Web Site Presents the Contributions of Women Philosophers, from Ancient to Modern

In a recent con­ver­sa­tion with Julian Bag­gi­ni on why there are so few women in aca­d­e­m­ic phi­los­o­phy, Mary Warnock notes that “of all the human­i­ties depart­ments in British uni­ver­si­ties, only phi­los­o­phy depart­ments have a mere 25% women mem­bers.” That num­ber is even low­er in the US. “Why should this be?” Warnock asks. She asserts that the prob­lem may lie with the dis­ci­pline itself. “I think that aca­d­e­m­ic phi­los­o­phy has become an extra­or­di­nar­i­ly inward-look­ing sub­ject,” she says, “If you pick up a pro­fes­sion­al jour­nal now, you find lit­tle nit­pick­ing respons­es to pre­vi­ous arti­cles. Women tend to get more eas­i­ly bored with this than men. Phi­los­o­phy seems to stop being inter­est­ing just when it starts to be pro­fes­sion­al.”

It’s a provoca­tive claim, one I’m sure many women in phi­los­o­phy would con­test, though the more gen­er­al idea that aca­d­e­m­ic phi­los­o­phy has become an arid prac­tice divorced from real life con­cerns might have wider sup­port. The data on women in aca­d­e­m­ic phi­los­o­phy presents a very com­plex pic­ture. “No sin­gle inter­ven­tion is like­ly to change the cli­mate,” as Tania Lom­bro­zo writes at NPR. Explic­it and implic­it bias­es do play a role, as do instances of sex­u­al harass­ment and coer­cion by those in posi­tions of pow­er. But anoth­er sig­nif­i­cant issue Warnock seems to ignore is the way that phi­los­o­phy is gen­er­al­ly taught at the under­grad­u­ate lev­el.

In the research on which Lom­bro­zo reports, stud­ies found that “the biggest drop in the pro­por­tion of women in the phi­los­o­phy pipeline seems to be from enroll­ment in an intro­duc­to­ry phi­los­o­phy class to becom­ing a phi­los­o­phy major. At Geor­gia State, for exam­ple, women make up about 55 per­cent of Intro­duc­tion to Phi­los­o­phy stu­dents but only around 33 per­cent of phi­los­o­phy majors.” This may have to do with the fact that “read­ings on the syl­labus were over­whelm­ing­ly by men (over 89 per­cent).” As Geor­gia State grad­u­ate stu­dent Mor­gan Thomp­son explained at a con­fer­ence in 2013:

This prob­lem is com­pound­ed by the fact that intro­duc­to­ry phi­los­o­phy text­books have an even worse gen­der bal­ance; women account for only 6 per­cent of authors in a num­ber of intro­duc­to­ry phi­los­o­phy text­books.

Does this dis­par­i­ty reflect an unal­ter­able truth about the his­to­ry of phi­los­o­phy? No, and it can very well be reme­died. The Cen­ter for the His­to­ry of Women Philoso­phers and Sci­en­tists is work­ing to do that with a new site, the Ency­clo­pe­dia of Con­cise Con­cepts by Women Philoso­phers. The joint project of Pader­born University’s Ruth Hagen­gru­ber and Cleve­land State’s Mary Ellen Wait­he, this resource aims to intro­duce “women philoso­phers who most­ly have been omit­ted from the philo­soph­i­cal canon despite their his­tor­i­cal and philo­soph­i­cal influ­ence.” So far, reports Dai­ly Nous, “there are around 100 entries… with more to be added every few months.”

Each entry is writ­ten by a rec­og­nized schol­ar. The easy-to-nav­i­gate site has four main sec­tions: Con­cepts, Key­words, Philoso­phers, and Con­trib­u­tors. There are a few names most peo­ple will rec­og­nize, like Mary Woll­stonecraft, Ayn Rand, and Simone de Beau­voir. But most of these thinkers will seem obscure, despite their mean­ing­ful con­tri­bu­tions to var­i­ous fields of thought. Inte­grat­ing these philoso­phers into syl­labi and text­books could go a long way toward retain­ing women in phi­los­o­phy depart­ments. As impor­tant­ly, it will broad­en the tra­di­tion, giv­ing all stu­dents a wider range of per­spec­tives.

For exam­ple, much of the aca­d­e­m­ic work on social ethics in democ­ra­cy might ref­er­ence Adam Smith’s “The­o­ry of Moral Sen­ti­ments” or the pro­lif­ic 20th cen­tu­ry work of John Dewey. But it might over­look the work of Dewey’s con­tem­po­rary Jane Addams (top), who also wrote crit­i­cal stud­ies on democ­ra­cy and edu­ca­tion and who “sees a con­nec­tion,” writes Mau­rice Ham­ing­ton in a short entry about her, “between sym­pa­thet­ic under­stand­ing and a robust democ­ra­cy.… For Addams, it is cru­cial that cit­i­zens in a democ­ra­cy engage with one anoth­er to reach across dif­fer­ence to care and find com­mon cause.”

Addams brought her philo­soph­i­cal con­cerns into real world prac­tice. She made impor­tant inter­ven­tions in the treat­ment of immi­grants and African-Amer­i­cans in Chica­go, sup­port­ed work­ing moth­ers, and helped pass child pro­tec­tion laws and end child labor. But while she has long been renowned as a social reformer and Nobel Peace Prize win­ner, “the dynam­ics of canon for­ma­tion,” notes the Stan­ford Ency­clo­pe­dia of Phi­los­o­phy, “result­ed in her philo­soph­i­cal work being large­ly ignored until the 1990s.” Now, many philoso­phers rec­og­nize that works like Democ­ra­cy and Social Ethics antic­i­pat­ed key con­tem­po­rary issues in polit­i­cal phi­los­o­phy a cen­tu­ry ago.

Oth­er thinkers in the Ency­clo­pe­dia of Con­cise Con­cepts by Women Philoso­phers like Dio­ti­ma of Man­ti­nea (whom Socrates revered) and ear­ly Amer­i­can thinker Mer­cy Otis War­ren made impor­tant con­tri­bu­tions to the the­o­ries of beau­ty and gov­ern­ment, respec­tive­ly. Yet they may receive no more than a foot­note in most under­grad­u­ate phi­los­o­phy cours­es. This may have less to do with explic­it bias than with the way pro­fes­sors them­selves have been edu­cat­ed. But the his­to­ry, and cur­rent prac­tice, of phi­los­o­phy needs the inclu­sion of these views. Learn more about many his­tor­i­cal­ly over­looked women in phi­los­o­phy at the Ency­clo­pe­dia here.

via Dai­ly Nous

Relat­ed Con­tent:

The Con­tri­bu­tions of Women Philoso­phers Recov­ered by the New Project Vox Web­site

An Ani­mat­ed Intro­duc­tion to the Fem­i­nist Phi­los­o­phy of Simone de Beau­voir

The Map of Phi­los­o­phy: See All of the Dis­ci­plines, Areas & Sub­di­vi­sions of Phi­los­o­phy Mapped in a Com­pre­hen­sive Video

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

What Makes Taxi Driver So Powerful? An In-Depth Study of Martin Scorsese’s Existential Film on the Human Condition

The field jack­et, the mohawk, the “real rain” that will “wash all this scum off the streets,” the vir­tu­oso track­ing shot over the after­math of a mas­sacre, “You talkin’ to me?”: so many ele­ments of Taxi Dri­ver have found per­ma­nent places in cin­e­mat­ic cul­ture, and almost as many have found per­ma­nent places in the cul­ture, peri­od. Thanks to its wide-rang­ing influ­ence as well as its pres­ence that endures more than forty years on, even those who’ve nev­er seen the movie in some sense already know it.

What makes Taxi Dri­ver so pow­er­ful? Lewis Bond, video essay­ist and cre­ator of Chan­nel Criswell, sets out to answer that ques­tion in the two-part, fea­ture-length analy­sis above. Mar­tin Scors­ese’s fifth film, and the sec­ond of his col­lab­o­ra­tions with Robert de Niro, Taxi Dri­ver came out in 1976.

Adapt­ing the film noir tra­di­tion for an even more cyn­i­cal post-Viet­nam era, it osten­si­bly mount­ed a grim cri­tique of Amer­i­ca. Audi­ences of the 1970s, espe­cial­ly audi­ences of New York­ers, might have read­i­ly iden­ti­fied with the judg­ments of moral, social and urban decay bit­ter­ly aired by de Niro as Travis Bick­le.

But before long, those first view­ers sure­ly real­ized that they were watch­ing a work of art both more com­plex and more uni­ver­sal than that. Bond’s read­ing of the film gets right to the study at its heart of iso­la­tion, hypocrisy, puri­ty, cor­rup­tion, desire, and vengeance, char­ac­ter­is­tics found in but hard­ly unique to the human expe­ri­ence in 70s New York City. “Mar­tin Scors­ese’s 1976 film is a film that does not grow dat­ed, or over-famil­iar,” writes Roger Ebert in a 2004 appre­ci­a­tion. “I have seen it dozens of times. Every time I see it, it works; I am drawn into Travis’ under­world of alien­ation, lone­li­ness, hap­less­ness and anger.”

Ebert under­stands, as Bond does, that “utter alone­ness is at the cen­ter of Taxi Dri­ver, one of the best and most pow­er­ful of all films, and per­haps it is why so many peo­ple con­nect with it even though Travis Bick­le would seem to be the most alien­at­ing of movie heroes. We have all felt as alone as Travis. Most of us are bet­ter at deal­ing with it.” Yet over the past four decades, even as New York has emerged from near-bank­rupt­cy to become one of the most expen­sive and glam­orous of all cities, real-life Travis Bick­les have vis­it­ed their vio­lent, mis­be­got­ten vengeance all over Amer­i­ca. Mak­ing Taxi Dri­ver, Scors­ese and his col­lab­o­ra­tors thought they were cap­tur­ing the dying gasp of a city. Instead, they cap­tured an aspect of the human con­di­tion that haunts us more than ever today.

Relat­ed Con­tent:

Revis­it Mar­tin Scorsese’s Hand-Drawn Sto­ry­boards for Taxi Dri­ver

Robert De Niro’s Taxi Cab License Used to Pre­pare for Taxi Dri­ver (1976)

What Is Apoc­a­lypse Now Real­ly About? An Hour-Long Video Analy­sis of Fran­cis Ford Coppola’s Viet­nam Mas­ter­piece

Mar­tin Scors­ese Teach­es His First Online Course on Film­mak­ing: Fea­tures 30 Video Lessons

The Essen­tial Ele­ments of Film Noir Explained in One Grand Info­graph­ic

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Read a Huge Annotated Online Edition of Frankenstein: A Modern Way to Celebrate the 200th Anniversary of Mary Shelley’s Classic Novel

Born out of evening read­ing of spooky sto­ries on a rain-soaked hol­i­day, Mary Shelley’s 1818 nov­el Franken­stein has res­onat­ed through the years into pop cul­ture, a warn­ing against sci­ence and tech­nol­o­gy, of how the thirst for knowl­edge can lit­er­al­ly cre­ate mon­sters. If you’ve been bing­ing West­world or loved Ex Machi­na you are see­ing Shelley’s lega­cy, both filled with sci­en­tif­ic cre­ations that ques­tion their own rea­son for exis­tence.

Just like those works are prod­ucts of our era, Franken­stein did not just arise from a dream state—-Shelley was influ­enced by the con­cerns, events, and news of her day.

There­fore this anno­tat­ed ver­sion of Franken­stein, called Franken­book, should make a top­i­cal and impor­tant read this sum­mer. And every­body can take part, if they choose to join the dis­cus­sion.

“Anno­tat­ed for sci­en­tists, engi­neers, and cre­ators of all kinds,” is how the web­site describes the project, cre­at­ed in Jan­u­ary 2018 by Ari­zona State Uni­ver­si­ty to hon­or the bicen­ten­ni­al of the book’s pub­li­ca­tion. “Franken­book gives read­ers the oppor­tu­ni­ty to trace the sci­en­tif­ic, tech­no­log­i­cal, polit­i­cal, and eth­i­cal dimen­sions of the nov­el, and to learn more about its his­tor­i­cal con­text and endur­ing lega­cy.”

You will have to sign up (just an email and a pass­word is nec­es­sary) to actu­al­ly see the nov­el, but once in, you can get read­ing. Along the way on the right hand side of the mar­gin, a clus­ter of black dots indi­cate if a sec­tion is anno­tat­ed. Click on the dots with your mouse and the anno­ta­tion will appear. (The anno­ta­tions are also avail­able at the end of each of the nov­el­’s three parts for those who just want to read the nov­el straight through.)

Dozens of experts have con­tributed to the anno­ta­tions so far, and open­ing an account allows you to sub­mit your own to the edi­tors for con­sid­er­a­tion. You can also fil­ter anno­ta­tions by one of eight themes: “Equi­ty & Inclu­sion” (social jus­tice issues), “Health & Med­i­cine,” “Influ­ences and Adap­ta­tions,” “Mary Shel­ley” (per­son­al infor­ma­tion about the author), “Moti­va­tions & Sen­ti­ments,” “Phi­los­o­phy & Pol­i­tics,” “Sci­ence,” and “Tech­nol­o­gy.”

The site also fea­tures sev­er­al essays on the nov­el­’s var­i­ous themes, includ­ing ones by Cory Doc­torow, Anne K. Mel­lor, Josephine John­ston, and oth­ers.

If you’ve been putting off read­ing Shelley’s clas­sic for what­ev­er rea­son, this is prob­a­bly the best chance to read it. And if you’ve read it before, it’s time to revis­it it along­side a host of vir­tu­al experts. The web, that Prome­thi­an cre­ation of our own time, is actu­al­ly good for some things, you know!

Relat­ed Con­tent:

Read­ing Mary Shelley’s Franken­stein on Its 200th Anniver­sary: An Ani­mat­ed Primer to the Great Mon­ster Sto­ry & Tech­nol­o­gy Cau­tion­ary Tale

Dis­cov­ered: Lord Byron’s Copy of Franken­stein Signed by Mary Shel­ley

The Very First Film Adap­ta­tion of Mary Shelley’s Franken­stein, a Thomas Edi­son Pro­duc­tion (1910)

Mary Shelley’s Hand­writ­ten Man­u­scripts of Franken­stein Now Online for the First Time
Dis­cov­ered: Lord Byron’s Copy of Franken­stein Signed by Mary Shel­ley

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

New Archive of Middle Eastern Photography Features 9,000 Digitized Images

From Shamoon Zamir, a lit­er­a­ture pro­fes­sor at NYU Abu Dhabi, comes a “research archive of his­tor­i­cal and con­tem­po­rary pho­tog­ra­phy from the Mid­dle East and North­ern Africa (MENA),” designed to be  ful­ly acces­si­ble to the pub­lic. We’re told:

Today, Akkasah: The Cen­ter for Pho­tog­ra­phy at NYU Abu Dhabi boasts an archive of 62,000 images from the UAE and across the MENA region – of which 9,000 are already dig­i­tized and avail­able online — the only of its kind in the Mid­dle East. These images offer new insights into the his­to­ry and rapid trans­for­ma­tion of the UAE and the broad­er Arab world. They include his­tor­i­cal col­lec­tions rang­ing from the nine­teenth cen­tu­ry to the late twen­ti­eth, cov­er­ing a vari­ety of themes and top­ics, from ear­ly images of the Holy Lands and from the Ottoman Empire, to images from fam­i­ly albums, insti­tu­tion­al archives and the his­to­ry of Egypt­ian cin­e­ma.

You can vis­it the col­lec­tion of images here, which is itself divid­ed into a few key areas: His­tor­i­cal Col­lec­tionsCon­tem­po­rary Projects, and Pho­to Albums.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

20,000 Endan­gered Archae­o­log­i­cal Sites Now Cat­a­logued in a New Online Data­base

New Dig­i­tal Archive Puts Online 4,000 His­toric Images of Rome: The Eter­nal City from the 16th to 20th Cen­turies

Vis­it a New Dig­i­tal Archive of 2.2 Mil­lion Images from the First Hun­dred Years of Pho­tog­ra­phy

Hear Meryl Streep Read Sylvia Plath’s “Morning Song,” a Poem Written After the Birth of Her Daughter

Image via Wiki­me­dia Com­mons

Preg­nan­cy and par­ent­ing are “extreme expe­ri­ences that stretch our under­stand­ing,” writes Lily Gur­ton-Wachter at the Los Ange­les Review of Books. They “push us beyond com­fort or even com­pre­hen­sion.” Women risk their own lives to give life to a stranger, a tiny human whose future is entire­ly uncer­tain. Par­ents live with con­stant dread of all that could befall their chil­dren, an anx­ious state, but also a vul­ner­a­bil­i­ty that can make us deeply sen­si­tive to the fragili­ty of human life. Gur­ton-Wachter com­pares moth­er­hood to going to war, “a pro­found, fright­en­ing, exhil­a­rat­ing, trans­for­ma­tive expe­ri­ence at the bound­ary of life, an expe­ri­ence from which one comes back a dif­fer­ent per­son.”

It’s a com­par­i­son Sylvia Plath would like­ly appre­ci­ate. With her abil­i­ty to com­press per­son­al expe­ri­ence in col­lec­tions of sur­pris­ing, often vio­lent, images, Plath expressed deep ambiva­lence about moth­er­hood, under­cut­ting a tra­di­tion of sen­ti­men­tal ide­al­iza­tion, giv­ing voice to fear, dis­com­fort, bewil­der­ment, and mys­tery.

In “Metaphors,” from 1960’s Colos­sus, she begins with a play­ful descrip­tion of preg­nan­cy as “a rid­dle in nine syl­la­bles.” With­in a few lines she feels effaced and starts to “see her­self mere­ly as a ‘means,’” notes Shenan­doah, “almost an incu­ba­tor… This cul­mi­nates with the last line, where she real­izes that she is for­ev­er changed, irrev­o­ca­bly”: “Board­ed the train,” she writes, “there’s no get­ting off.”

In 1961, after the birth of her daugh­ter, Frie­da, Plath wrote “Morn­ing Song, which might be read as almost an exten­sion of “Metaphors.” It is “one of her most unusu­al poems,” writes Maria Popo­va at Brain Pick­ings, “both paean and requiem for new motherhood—the love, the strange­ness, the sur­re­al and mag­net­ic dis­ori­en­ta­tion of it.” Pub­lished posthu­mous­ly in Ariel, the poem address­es itself to the new arrival, in a series of stan­zas that cap­ture the awe and anx­i­ety of those first hours after her birth. In the audio above from the Acad­e­my of Amer­i­can Poets’ annu­al Poet­ry & the Cre­ative Mind event, hear Meryl Streep read the poem “with uncom­mon sen­si­tiv­i­ty,” Popo­va writes, “to the innu­mer­able nuances it holds.” As you lis­ten, read along below.

MORNING SONG

Love set you going like a fat gold watch.
The mid­wife slapped your foot­soles, and your bald cry
Took its place among the ele­ments.

Our voic­es echo, mag­ni­fy­ing your arrival. New stat­ue.
In a drafty muse­um, your naked­ness
Shad­ows our safe­ty. We stand round blankly as walls.

I’m no more your moth­er
Than the cloud that dis­tills a mir­ror to reflect its own slow
Efface­ment at the wind’s hand.

All night your moth-breath
Flick­ers among the flat pink ros­es. I wake to lis­ten:
A far sea moves in my ear.

One cry, and I stum­ble from bed, cow-heavy and flo­ral
In my Vic­to­ri­an night­gown.
Your mouth opens clean as a cat’s. The win­dow square

Whitens and swal­lows its dull stars. And now you try
Your hand­ful of notes;
The clear vow­els rise like bal­loons.

Streep­’s read­ing of Plath will be added to the poet­ry sec­tion of our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free.

via Brain Pick­ings

Relat­ed Con­tent

Hear Sylvia Plath Read 50+ of Her Dark, Com­pelling Poems

Dis­cov­er the Paint­ings, Draw­ings & Col­lages of Sylvia Plath: Now on Dis­play at the Smith­son­ian Nation­al Por­trait Gallery

Hear Sylvia Plath’s Bare­ly-Known Radio Play, Three Women

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Carl Sagan Returns to His Old Sixth-Grade Classroom to Turn a New Generation of Kids On To Science

All through­out his career, Carl Sagan cit­ed the events in his for­ma­tive years that set him on the road to becom­ing, well, Carl Sagan: the intro­duc­tion to “skep­ti­cism and won­der” pro­vid­ed by his par­ents; his vis­it to the 1939 New York World’s Fair; his first trips to the pub­lic library, the Amer­i­can Muse­um of Nat­ur­al His­to­ry, and the Hay­den Plan­e­tar­i­um; his dis­cov­ery of Astound­ing Sci­ence Fic­tion Mag­a­zine and its fan­tas­tic visions under­gird­ed by gen­uine knowl­edge. That last hap­pened around the same time he entered the sixth grade at David A. Boody Junior High School, where he would even­tu­al­ly return, decades lat­er, to teach the les­son seen in the video above.

“As a child, it was my immense good for­tune to have par­ents and a few teach­ers who encour­aged my curios­i­ty,” Sagan says in voiceover. “This was my sixth-grade class­room. I came back here one after­noon to remem­ber what it was like.” Any­one watch­ing him hand­ing out the “breath­tak­ing pic­tures of oth­er worlds that had been radioed back by the Voy­ager space­craft” and address­ing the excit­ed stu­dents’ ques­tions will under­stand that, in addi­tion to his for­mi­da­ble hunger for knowl­edge and deep under­stand­ing of his sub­jects, Sagan also pos­sessed a qual­i­ty rare in the sci­en­tif­ic com­mu­ni­ty: the abil­i­ty and will­ing­ness to talk about sci­ence clear­ly and engag­ing­ly, and trans­mit his excite­ment about sci­ence, to absolute­ly any­one.

The clip also pro­vides a sense of what it was like to learn direct­ly from Sagan. In the inter­view clip above, no less a sci­ence guy than Bill Nye talks about his own expe­ri­ence tak­ing Sagan’s class­es at Cor­nell in the 1970s. “If you saw his series Cos­mos — the orig­i­nal Cos­mos — his lec­tures were like those tele­vi­sion shows,” says Nye. He goes on to tell the sto­ry of meet­ing Sagan again, at his ten-year class reunion. “I said I want to do this show about sci­ence for kids. He said, ‘Focus on pure sci­ence. Kids res­onate to pure sci­ence.’ That was his verb, res­onate.” And so, when Bill Nye the Sci­ence Guy debuted a few years lat­er, it spent most of its time not on the fruits of sci­ence — “bridges, dams, and civ­il engi­neer­ing works and gears” and so on — but on sci­ence itself.

Carl Sagan co-found­ed the Plan­e­tary Soci­ety in 1980. Nye, drawn by its mis­sion of “empow­er­ing the world’s cit­i­zens to advance plan­e­tary sci­ence and explo­ration,” joined that same year. After speak­ing at Sagan’s memo­r­i­al a decade and a half lat­er, Nye found him­self on its board of direc­tors. Then he became Vice Pres­i­dent, and then “there was a din­ner par­ty, there was wine or some­thing, and now I’m the CEO.” In that way and oth­ers, Nye con­tin­ues Sagan’s lega­cy, and Nye hard­ly counts as Sagan’s only suc­ces­sor. “This is how we know nature,” as Nye puts Sagan’s view of sci­ence. “It’s the best idea humans have ever come up with.” That view, whether expressed in Sagan’s own work or that of the count­less many he has direct­ly or indi­rect­ly influ­enced, will sure­ly con­tin­ue to inspire gen­er­a­tions of learn­ers, inside or out­side the class­room.

Relat­ed Con­tent:

Carl Sagan Presents a Mini-Course on Earth, Mars & What’s Beyond Our Solar Sys­tem: For Kids and Adults (1977)

Carl Sagan’s Syl­labus & Final Exam for His Course on Crit­i­cal Think­ing (Cor­nell, 1986)

Carl Sagan’s Under­grad Read­ing List: 40 Essen­tial Texts for a Well-Round­ed Thinker

Bill Nye, The Sci­ence Guy, Says Cre­ation­ism is Bad for Kids and America’s Future

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Barack Obama Shares a List of Enlightening Books Worth Reading

Pho­to by Pete Souza via obamawhitehouse.archive.gov

What­ev­er his­to­ri­ans have to say about his polit­i­cal lega­cy, Barack Oba­ma will be remem­bered as charm­ing, diplo­mat­ic, thought­ful, and very well-read. He honed these per­son­al qual­i­ties not only as a politi­cian but as a schol­ar, writer, and teacher, roles that require intel­lec­tu­al curios­i­ty and open­ness to oth­er points of view. The for­mer pres­i­dent was some­thing of a dream come true for teach­ers and librar­i­ans, who could point to him as a shin­ing exam­ple of a world leader who loves to read, talk about books, and share books with oth­ers. All kinds of books: from nov­els and poet­ry to biog­ra­phy, phi­los­o­phy, soci­ol­o­gy, and polit­i­cal and sci­en­tif­ic non­fic­tion; books for chil­dren and books for young adults.

It is refresh­ing to look back at his tenure as a reli­able rec­om­mender of qual­i­ty books dur­ing his eight years in office. (See every book he rec­om­mend­ed dur­ing his two terms here.) Read­ing gave him the abil­i­ty to “slow down and get per­spec­tive,” he told Michiko Kaku­tani last year. He hoped to use his office, he said, “to widen the audi­ence for good books. At a time when so much of our pol­i­tics is try­ing to man­age this clash of cul­tures brought about by glob­al­iza­tion and tech­nol­o­gy and migra­tion, the role of sto­ries to unify—as opposed to divide, to engage rather than to marginalize—is more impor­tant than ever.”

While many peo­ple have been hop­ing he would weigh in on deeply dis­turb­ing cur­rent events, he “has been rel­a­tive­ly qui­et on social media of late,” notes Thu-Huong Ha at Quartz. But he has con­tin­ued to use his plat­form to rec­om­mend good books, sug­gest­ing that the per­spec­tives we gain from read­ing are as crit­i­cal as ever. “In a Face­book post pub­lished on Sat­ur­day, Oba­ma rec­om­mend­ed some of the non­fic­tion he’s read recent­ly, focused on gov­ern­ment, inequal­i­ty, and his­to­ry, with one book that address­es immi­gra­tion. Togeth­er the rec­om­men­da­tions are an intel­lec­tu­al anti­dote to the cur­rent US pres­i­dent, who eschews read­ing,” says Ha.

The list below includes Obama’s brief com­men­tary on each book and arti­cle.

Futureface: A Fam­i­ly Mys­tery, an Epic Quest, and the Secret to Belong­ing, by Alex Wag­n­er (2018)

Jour­nal­ist Alex Wag­n­er inves­ti­gates a poten­tial new twist in her family’s his­to­ry. “What she came up with,” Oba­ma writes, “is a thought­ful, beau­ti­ful med­i­ta­tion on what makes us who we are—the search for har­mo­ny between our own indi­vid­ual iden­ti­ties and the val­ues and ideals that bind us togeth­er as Amer­i­cans.”

The New Geog­ra­phy of Jobs, by Enri­co Moret­ti (2012)

Econ­o­mist Enri­co Moret­ti argues that there are three Amer­i­c­as: brain-hub cities like Austin and Boston; cities once dom­i­nat­ed by tra­di­tion­al man­u­fac­tur­ing; and the cities in between. “Still a time­ly and smart dis­cus­sion of how dif­fer­ent cities and regions have made a chang­ing econ­o­my work for them,” writes Oba­ma, “and how pol­i­cy­mak­ers can learn from that to lift the cir­cum­stances of work­ing Amer­i­cans every­where.”

Why Lib­er­al­ism Failed, by Patrick J. Deneen (2018)

Polit­i­cal sci­en­tist Patrick J. Deneen argues that lib­er­al­ism is not the result of the nat­ur­al state of pol­i­tics and lays out the ideology’s inher­ent con­tra­dic­tions. “In a time of grow­ing inequal­i­ty, accel­er­at­ing change, and increas­ing dis­il­lu­sion­ment with the lib­er­al demo­c­ra­t­ic order we’ve known for the past few cen­turies,” says the for­mer pres­i­dent, “I found this book thought-pro­vok­ing.”

“The 9.9 Per­cent Is the New Amer­i­can Aris­toc­ra­cy,” by Matthew Stew­art (June 2018)

In The Atlantic, Matthew Stew­art, author of The Man­age­ment Myth, defines a “cog­ni­tive elite,” a “9.9%” of Amer­i­cans who val­ue mer­i­toc­ra­cy and, he argues, are com­plic­it in the ero­sion of democ­ra­cy. “Anoth­er thought-pro­vok­ing analy­sis, this one about how eco­nom­ic inequal­i­ty in Amer­i­ca isn’t just grow­ing, but self-rein­forc­ing,” says Oba­ma.

In the Shad­ow of Stat­ues: A White South­ern­er Con­fronts His­to­ry, by Mitch Lan­drieu (2018)

Mitch Lan­drieu, the for­mer may­or of New Orleans, Louisiana, writes in his mem­oir of the per­son­al his­to­ry and reck­on­ing with race that led him to take down four Con­fed­er­ate stat­ues in 2017. “It’s an ulti­mate­ly opti­mistic take from some­one who believes the South will rise again not by reassert­ing the past, but by tran­scend­ing it,” writes Oba­ma.

“Truth Decay: An Ini­tial Explo­ration of the Dimin­ish­ing Role of Facts and Analy­sis in Amer­i­can Pub­lic Life,” by Jen­nifer Kavanagh and Michael D. Rich, RAND Cor­po­ra­tion (2018)

This report for the non­prof­it RAND Cor­po­ra­tion, avail­able as a free ebook, attempts to study the ero­sion of fact-based pol­i­cy mak­ing and dis­course in the US. “A look at how a selec­tive sort­ing of facts and evi­dence isn’t just dis­hon­est, but self-defeat­ing,” says Oba­ma.

While the for­mer pres­i­dent no longer has the pow­er to sway pol­i­cy, he can still inspire mil­lions of peo­ple to read—essential for stay­ing bal­anced, informed, and reflec­tive in our per­ilous times.

Relat­ed Con­tent:

Pres. Oba­ma Releas­es a Free Playlist of 40 Songs for a Sum­mer Day (Plus 6 Books on His Sum­mer Read­ing List)

The 5 Books on Pres­i­dent Obama’s 2016 Sum­mer Read­ing List

The Oba­ma “Hope” Poster & The New Copy­right Con­tro­ver­sy

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Chris Cornell’s Daughter Pays Tribute to Her Father, Singing an Achingly Pretty Cover of Prince’s “Nothing Compares 2 U”

Just a lit­tle more than a year after Soundgar­den front­man Chris Cor­nell took his own life, his daugh­ter Toni, only 13 years old, released an aching­ly beau­ti­ful trib­ute to her father. Record­ed for Father’s Day, she sings a poignant ver­sion of Prince’s “Noth­ing Com­pares 2 U,” a song her father also per­formed live on many occa­sions. Indeed you can hear his voice on this track too. It’s a duet of sorts.

Released on YouTube, the song came accom­pa­nied by this short let­ter:

Dad­dy, I love you and miss you so much. You were the best father any­one could ask for. Our rela­tion­ship was so spe­cial, and you were always there for me. You gave me courage when I didn’t have any. You believed in me when I didn’t. I miss your love every­day. Record­ing this song with you was a spe­cial and amaz­ing expe­ri­ence I wish I could repeat 100 times over and I know you would too. Hap­py Father’s Day dad­dy, noth­ing com­pares to you. — Toni

Relat­ed Con­tent:

Large Choir Sings “Black Hole Sun”: A Mov­ing Trib­ute to Chris Cor­nell

Soundgarden’s Chris Cor­nell Sings Haunt­ing Acoustic Cov­ers of Prince’s “Noth­ing Com­pares 2 U,” Michael Jackson’s “Bil­lie Jean” & Bob Marley’s “Redemp­tion Song”

Hear Chris Cornell’s Mas­ter­ful Vocals in the Iso­lat­ed Track for Soundgarden’s “Black Hole Sun”

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