An Animated History of Planned Parenthood, Brought to You by Lena Dunham, JJ Abrams & More

Lena Dun­ham draft­ed a host of well known friends for The His­to­ry Of 100 Years Of Wom­en’s Health Care At Planned Par­ent­hood, the short film (above) she co-direct­ed with ani­ma­tor Kirsten Lep­ore. Oth­ers tak­ing part in the pro­duc­tion include come­di­ans Mindy Kaling and Amy Schumer, actors Meryl Streep, Amer­i­ca Fer­rera, Hari Nef, Jen­nifer Lawrence, and Con­stance Wu, and pro­duc­er J.J. Abrams.

But the real stars of this show are the female trail­blaz­ers who fought (and con­tin­ue to fight) for access to safe and afford­able repro­duc­tive care for all women, regard­less of age, race, or abil­i­ty to pay.

In the words of founder Mar­garet Sanger, a con­tro­ver­sial fig­ure who seems to share quite a few traits with Dun­ham, from her deft lever­age of her celebri­ty on behalf of her cho­sen cause to her capac­i­ty for alien­at­ing fans with some of her less savory views and state­ments:

No woman can call her­self free who does not own and con­trol her body. No woman can call her­self free until she can choose con­scious­ly whether she will or will not be a moth­er.

Women like Rosie Jimenez, a sin­gle moth­er who died from com­pli­ca­tions of a back alley abor­tion fol­low­ing the pas­sage of the Hyde Amend­ment, were vic­tim­ized by laws regard­ing repro­duc­tive choice.

Oth­ers, like Estelle Gris­wold, exec­u­tive direc­tor of the Planned Par­ent­hood League of Con­necti­cut, flout­ed the laws to bring about change.

More recent­ly Faye Wat­tle­ton, Planned Parenthood’s first African Amer­i­can pres­i­dent and its cur­rent pres­i­dent, Cecile Richards, have worked to pro­mote aware­ness of both the pub­lic’s rights and any impend­ing dan­gers to those rights.

(Vice Pres­i­dent Mike Pence’s inad­ver­tent fundrais­ing efforts go unher­ald­ed, appro­pri­ate­ly enough. The mil­lions of women—and men—who made small dona­tions to Planned Par­ent­hood in his name are the true heroes here.)

For more of Dunham’s high­ly vis­i­ble sup­port of Planned Par­ent­hood, read her 2015 inter­view with Pres­i­dent Cecile Richards or check out the t‑shirt she designed to ben­e­fit the Cal­i­for­nia Planned Par­ent­hood Edu­ca­tion Fund.

via Kot­tke

Relat­ed Con­tent:

The Birth Con­trol Hand­book: The Under­ground Stu­dent Pub­li­ca­tion That Let Women Take Con­trol of Their Bod­ies (1968)

Down­load Images From Rad Amer­i­can Women A‑Z: A New Pic­ture Book on the His­to­ry of Fem­i­nism

An Ani­mat­ed Intro­duc­tion to the Fem­i­nist Phi­los­o­phy of Simone de Beau­voir (on Her 109th Birth­day)

Down­load All 239 Issues of Land­mark UK Fem­i­nist Mag­a­zine Spare Rib Free Online

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday.

20 Lessons from the 20th Century About How to Defend Democracy from Authoritarianism, According to Yale Historian Timothy Snyder

Image by Rob Kall, via Flickr Com­mons

Tim­o­thy Sny­der, Housum Pro­fes­sor of His­to­ry at Yale Uni­ver­si­ty, is one of the fore­most schol­ars in the U.S. and Europe on the rise and fall of total­i­tar­i­an­ism dur­ing the 1930s and 40s. Among his long list of appoint­ments and pub­li­ca­tions, he has won mul­ti­ple awards for his recent inter­na­tion­al best­sellers Blood­lands: Europe between Hitler and Stal­in and last year’s Black Earth: The Holo­caust as His­to­ry and Warn­ingThat book in part makes the argu­ment that Nazism wasn’t only a Ger­man nation­al­ist move­ment but had glob­al colo­nial­ist origins—in Rus­sia, Africa, and in the U.S., the nation that pio­neered so many meth­ods of human exter­mi­na­tion, racist dehu­man­iza­tion, and ide­o­log­i­cal­ly-jus­ti­fied land grabs.

The hyper-cap­i­tal­ism por­trayed in the U.S.—even dur­ing the Depression—Snyder writes, fueled Hitler’s imag­i­na­tion, such that he promised Ger­mans “a life com­pa­ra­ble to that of the Amer­i­can peo­ple,” whose “racial­ly pure and uncor­rupt­ed” Ger­man pop­u­la­tion he described as “world class.” Sny­der describes Hitler’s ide­ol­o­gy as a myth of racial­ist strug­gle in which “there are real­ly no val­ues in the world except for the stark real­i­ty that we are born in order to take things from oth­er peo­ple.” Or as we often hear these days, that act­ing in accor­dance with this prin­ci­ple is the “smart” thing to do. Like many far right fig­ures before and after, Hitler aimed to restore a state of nature that for him was a per­pet­u­al state of race war for impe­r­i­al dom­i­nance.

After the Novem­ber elec­tion, Sny­der wrote a pro­file of Hitler, a short piece that made no direct com­par­isons to any con­tem­po­rary fig­ure. But read­ing the facts of the his­tor­i­cal case alarmed most read­ers. A few days lat­er, the his­to­ri­an appeared on a Slate pod­cast to dis­cuss the arti­cle, say­ing that after he sub­mit­ted it, “I real­ized there was more.… there are an awful lot of echoes.” Sny­der admits that his­to­ry doesn’t actu­al­ly repeat itself. But we’re far too quick, he says, to dis­miss that idea as a cliché “and not think about his­to­ry at all. His­to­ry shows a range of pos­si­bil­i­ties.” Sim­i­lar events occur across time under sim­i­lar kinds of con­di­tions. And it is, of course, pos­si­ble to learn from the past.

If you’ve heard oth­er informed analy­sis but haven’t read Snyder’s New York Review of Books columns on fas­cism in Putin’s Rus­sia or the for­mer Yanukovich’s Ukraine, or his long arti­cle “Hitler’s World May Not Be So Far Away,” you may have seen his wide­ly-shared Face­book post mak­ing the rounds. As he argued in The Guardian last Sep­tem­ber, today we may be “too cer­tain we are eth­i­cal­ly supe­ri­or to the Euro­peans of the 1940s.” On Novem­ber, 15, Sny­der wrote on Face­book that “Amer­i­cans are no wis­er than the Euro­peans who saw democ­ra­cy yield to fas­cism, Nazism, or com­mu­nism.” Sny­der has been crit­i­cized for con­flat­ing these regimes, and ris­ing “into the top rungs of pun­dit­dom,” but when it comes to body counts and lev­els of sup­pres­sive malig­nan­cy, it’s hard to argue that Stal­in­ist Rus­sia, any more than Tsarist Rus­sia, was anyone’s idea of a democ­ra­cy.

Rather than mak­ing a his­tor­i­cal case for view­ing the U.S. as exact­ly like one of the total­i­tar­i­an regimes of WWII Europe, Sny­der presents 20 lessons we might learn from those times and use cre­ative­ly in our own where they apply. In my view, fol­low­ing his sug­ges­tions would make us wis­er, more self-aware, proac­tive, respon­si­ble cit­i­zens, what­ev­er lies ahead. Read Snyder’s lessons from his Face­book post below and con­sid­er order­ing his lat­est book On Tyran­ny: Twen­ty Lessons from the Twen­ti­eth Cen­tu­ry:

1. Do not obey in advance. Much of the pow­er of author­i­tar­i­an­ism is freely giv­en. In times like these, indi­vid­u­als think ahead about what a more repres­sive gov­ern­ment will want, and then start to do it with­out being asked. You’ve already done this, haven’t you? Stop. Antic­i­pa­to­ry obe­di­ence teach­es author­i­ties what is pos­si­ble and accel­er­ates unfree­dom.

2. Defend an insti­tu­tion. Fol­low the courts or the media, or a court or a news­pa­per. Do not speak of “our insti­tu­tions” unless you are mak­ing them yours by act­ing on their behalf. Insti­tu­tions don’t pro­tect them­selves. They go down like domi­noes unless each is defend­ed from the begin­ning.

3. Recall pro­fes­sion­al ethics. When the lead­ers of state set a neg­a­tive exam­ple, pro­fes­sion­al com­mit­ments to just prac­tice become much more impor­tant. It is hard to break a rule-of-law state with­out lawyers, and it is hard to have show tri­als with­out judges.

4. When lis­ten­ing to politi­cians, dis­tin­guish cer­tain words. Look out for the expan­sive use of “ter­ror­ism” and “extrem­ism.” Be alive to the fatal notions of “excep­tion” and “emer­gency.” Be angry about the treach­er­ous use of patri­ot­ic vocab­u­lary.

5. Be calm when the unthink­able arrives. When the ter­ror­ist attack comes, remem­ber that all author­i­tar­i­ans at all times either await or plan such events in order to con­sol­i­date pow­er. Think of the Reich­stag fire. The sud­den dis­as­ter that requires the end of the bal­ance of pow­er, the end of oppo­si­tion par­ties, and so on, is the old­est trick in the Hit­ler­ian book. Don’t fall for it.

6. Be kind to our lan­guage. Avoid pro­nounc­ing the phras­es every­one else does. Think up your own way of speak­ing, even if only to con­vey that thing you think every­one is say­ing. (Don’t use the inter­net before bed. Charge your gad­gets away from your bed­room, and read.) What to read? Per­haps “The Pow­er of the Pow­er­less” by Václav Hav­el, 1984 by George Orwell, The Cap­tive Mind by Czesław Milosz, The Rebel by Albert Camus, The Ori­gins of Total­i­tar­i­an­ism by Han­nah Arendt, or Noth­ing is True and Every­thing is Pos­si­ble by Peter Pomer­ant­sev.

7. Stand out. Some­one has to. It is easy, in words and deeds, to fol­low along. It can feel strange to do or say some­thing dif­fer­ent. But with­out that unease, there is no free­dom. And the moment you set an exam­ple, the spell of the sta­tus quo is bro­ken, and oth­ers will fol­low.

8. Believe in truth. To aban­don facts is to aban­don free­dom. If noth­ing is true, then no one can crit­i­cize pow­er, because there is no basis upon which to do so. If noth­ing is true, then all is spec­ta­cle. The biggest wal­let pays for the most blind­ing lights.

9. Inves­ti­gate. Fig­ure things out for your­self. Spend more time with long arti­cles. Sub­si­dize inves­tiga­tive jour­nal­ism by sub­scrib­ing to print media. Real­ize that some of what is on your screen is there to harm you. Learn about sites that inves­ti­gate for­eign pro­pa­gan­da push­es.

10. Prac­tice cor­po­re­al pol­i­tics. Pow­er wants your body soft­en­ing in your chair and your emo­tions dis­si­pat­ing on the screen. Get out­side. Put your body in unfa­mil­iar places with unfa­mil­iar peo­ple. Make new friends and march with them.

11. Make eye con­tact and small talk. This is not just polite. It is a way to stay in touch with your sur­round­ings, break down unnec­es­sary social bar­ri­ers, and come to under­stand whom you should and should not trust. If we enter a cul­ture of denun­ci­a­tion, you will want to know the psy­cho­log­i­cal land­scape of your dai­ly life.

12. Take respon­si­bil­i­ty for the face of the world. Notice the swastikas and the oth­er signs of hate. Do not look away and do not get used to them. Remove them your­self and set an exam­ple for oth­ers to do so.

13. Hin­der the one-par­ty state. The par­ties that took over states were once some­thing else. They exploit­ed a his­tor­i­cal moment to make polit­i­cal life impos­si­ble for their rivals. Vote in local and state elec­tions while you can.

14. Give reg­u­lar­ly to good caus­es, if you can. Pick a char­i­ty and set up auto­pay. Then you will know that you have made a free choice that is sup­port­ing civ­il soci­ety help­ing oth­ers doing some­thing good.

15. Estab­lish a pri­vate life. Nas­ti­er rulers will use what they know about you to push you around. Scrub your com­put­er of mal­ware. Remem­ber that email is sky­writ­ing. Con­sid­er using alter­na­tive forms of the inter­net, or sim­ply using it less. Have per­son­al exchanges in per­son. For the same rea­son, resolve any legal trou­ble. Author­i­tar­i­an­ism works as a black­mail state, look­ing for the hook on which to hang you. Try not to have too many hooks.

16. Learn from oth­ers in oth­er coun­tries. Keep up your friend­ships abroad, or make new friends abroad. The present dif­fi­cul­ties here are an ele­ment of a gen­er­al trend. And no coun­try is going to find a solu­tion by itself. Make sure you and your fam­i­ly have pass­ports.

17. Watch out for the para­mil­i­taries. When the men with guns who have always claimed to be against the sys­tem start wear­ing uni­forms and march­ing around with torch­es and pic­tures of a Leader, the end is nigh. When the pro-Leader para­mil­i­tary and the offi­cial police and mil­i­tary inter­min­gle, the game is over.

18. Be reflec­tive if you must be armed. If you car­ry a weapon in pub­lic ser­vice, God bless you and keep you. But know that evils of the past involved police­men and sol­diers find­ing them­selves, one day, doing irreg­u­lar things. Be ready to say no. (If you do not know what this means, con­tact the Unit­ed States Holo­caust Memo­r­i­al Muse­um and ask about train­ing in pro­fes­sion­al ethics.)

19. Be as coura­geous as you can. If none of us is pre­pared to die for free­dom, then all of us will die in unfree­dom.

20. Be a patri­ot. The incom­ing pres­i­dent is not. Set a good exam­ple of what Amer­i­ca means for the gen­er­a­tions to come. They will need it.

via Kot­tke

Relat­ed Con­tent:

The Sto­ry of Fas­cism: Rick Steves’ Doc­u­men­tary Helps Us Learn from the Hard Lessons of the 20th Cen­tu­ry

Umber­to Eco Makes a List of the 14 Com­mon Fea­tures of Fas­cism

George Orwell’s Final Warn­ing: Don’t Let This Night­mare Sit­u­a­tion Hap­pen. It Depends on You!

Watch “Don’t Be a Suck­er!,” the 1947 US Gov­ern­ment Anti-Hatred Film That’s Rel­e­vant Again in 2016

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Deconstructing How Louis CK Writes a Joke

Those who sub­scribe to the notion that decon­struct­ing a joke ruins it may con­sid­er mak­ing an excep­tion for the Nerd­writer (aka Evan Puschak).

His care­ful pars­ing of Louis CK’s Monop­oly joke, above, takes rhythm, word choice, and the impor­tance of a clear­ly stat­ed premise into account.

Deliv­er­ing the 207-word joke at the Bea­con The­ater, CK is char­ac­ter­is­ti­cal­ly non­cha­lant, but Puschak argues that there’s noth­ing unre­hearsed about his per­for­mance.

Take the way he ramps up a sce­nario that will be famil­iar to any parent—the six-year-old who is emo­tion­al­ly unequipped to han­dle los­ing at games. CK gets at an even deep­er truth about the howl­ing injus­tice of being six, by say­ing that his younger daugh­ter is “not emo­tion­al­ly devel­oped enough to han­dle her inevitable loss in every game of Monop­oly.”

Oh, the human­i­ty.

Puschak also sin­gles out CK’s act­ing abil­i­ty. The way he speaks to his daugh­ter, plac­ing her in the first row of the audi­ence, sharp­ens the com­e­dy by help­ing the audi­ence to ful­ly visu­al­ize the sce­nario he’s set up:

I play Monop­oly with my kids, that’s real­ly fun. My nine year old, she can total­ly do Monop­oly. The six year old total­ly gets how the game works but she’s not emo­tion­al­ly devel­oped enough to han­dle her inevitable loss in every game of Monop­oly because a monop­oly loss is dark. It’s heavy. It’s not like when you lose at Can­dy­land ‘Oh you got stuck in the fudgy-thing, baby! Oh well you’re in the gum­my twirly‑o’s! You didn’t get to win!’ But when she los­es at Monop­oly, I got­ta look at her lit­tle face and go ‘Ok, so here’s what’s gonna hap­pen now, ok? All your prop­er­ty, every­thing you have, all your rail­roads and hous­es, and all your money…that’s mine now. Got­ta give it all to me. Give it to me, that’s right. And no no, you can’t play any­more because, you see, even though you’re giv­ing me all of that, it doesn’t even touch how you owe me. Doesn’t even touch it, baby. You’re going down hard, it’s real­ly bad. All you’ve been work­ing for all day, I’m gonna take it now and I’m gonna use it to destroy your sis­ter. I mean I’m gonna ruin her! It is just may­hem on this board for her now.

You can view the Nerdwriter’s oth­er videos essays on his web­site or sub­scribe to his YouTube channel where a new video is pub­lished every Wednes­day.

Relat­ed Con­tent:

How the Great George Car­lin Showed Louis CK the Way to Suc­cess (NSFW)

20-Year-Old Louis CK Per­forms Stand Up (1987)

Louis CK Ridicules Avant-Garde Art on 1990s MTV Show

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday.

12 Million Declassified CIA Documents Now Free Online: Secret Tunnels, UFOs, Psychic Experiments & More

Image by Duff­man, via Wiki­me­dia Com­mons

“The Unit­ed States Gov­ern­ment has not yet made any offi­cial reply to the Sovi­et and East Ger­man alle­ga­tions and protests con­cern­ing the 300-yard tun­nel that Amer­i­can intel­li­gence oper­a­tives are said to have built under­neath the bor­der between West and East Berlin for espi­onage pur­pos­es,” says a Wash­ing­ton Post arti­cle from 1956 head­lined “The Tun­nel of Love.” The Com­mu­nists’ excite­ment about their dis­cov­ery even had them con­duct­ing “spe­cial pro­pa­gan­da tours through the tun­nel and to have exhib­it­ed the wire­tap­ping and oth­er record­ing appa­ra­tus that the Amer­i­cans are sup­posed to have installed inside it.”

This amus­ing chap­ter of Cold War his­to­ry might have seemed, to Amer­i­ca at the time, like the kind of foiled effort — though one of an inge­nu­ity admired on both sides of the Iron Cur­tain — best buried at the back of the espi­onage archives. But now, thanks to an exec­u­tive order requir­ing the Cen­tral Intel­li­gence Agency to release “nonex­empt his­tor­i­cal­ly valu­able records 25 years or old­er” as well as the dogged efforts of jour­nal­ist Michael Best, you can read over 12 mil­lion pages of pre­vi­ous­ly clas­si­fied doc­u­ments at CREST, the CIA Records Search Tool. In addi­tion to the files on the “Berlin Tun­nel” oper­a­tion, it offers copi­ous mate­r­i­al on much else, such as vin­tage espi­onage tech­niques like writ­ing with invis­i­ble ink and unde­tectably open­ing sealed let­ters and CIA research into spir­i­tu­al­ist heal­ingtelepa­thy, and oth­er psy­chic pow­ers.

For quite some time before now, you tech­ni­cal­ly could have looked up all of this infor­ma­tion your­self, pro­vid­ed you felt like going to the Nation­al Archives in Col­lege Park, Mary­land, and pulling it up on one of the four com­put­ers made avail­able to do so — but only between the hours of 9 a.m. and 4:30 p.m. The fact that you can now do it from the com­fort of your brows­er owes in large part to the efforts of Best, who raised $15,000 on Kick­starter to go man­u­al­ly print out all (or at least some) of those twelve mil­lion pages and upload them to the inter­net, there­by prod­ding the CIA to save the ink-and-paper mon­ey and just do it them­selves.

Some of the pro­jec­t’s back­ers, no doubt, want­ed specif­i­cal­ly to see what the CIA’s archives have to say about space aliens, a stock of infor­ma­tion you may recall that we fea­tured here just last year. “The pub­li­ca­tion of the files rep­re­sents a poten­tial moth­er­lode of back­ground mate­r­i­al for researchers, jour­nal­ists and curi­ous hob­by­ists,” write the New York Times’ Daniel Vic­tor and Erin McCann, not long before admit­ting that “most of the files are pret­ty bor­ing,” a result of “reg­u­lar bureau­crat­ic col­la­tion.” But then, that kind of method­i­cal gath­er­ing and orga­niz­ing of infor­ma­tion has long con­sti­tut­ed most of the work of nation­al intel­li­gence: even the short-lived “Tun­nel of Love” gath­ered enough data to keep its proces­sors busy for years after it became a Sovi­et tourist spot.

Relat­ed Con­tent:

FBI’s “Vault” Web Site Reveals Declas­si­fied Files on Hem­ing­way, Ein­stein, Mar­i­lyn & Oth­er Icons

The CIA Puts Hun­dreds of Declas­si­fied Doc­u­ments About UFO Sight­ings Online, Plus 10 Tips for Inves­ti­gat­ing Fly­ing Saucers

His­to­ry Declas­si­fied: New Archive Reveals Once-Secret Doc­u­ments from World Gov­ern­ments

Declas­si­fied CIA Doc­u­ment Reveals That Ben Franklin (and His Big Ego) Put U.S. Nation­al Secu­ri­ty at Risk

75 Years of CIA Maps Now Declas­si­fied & Made Avail­able Online

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Watch Mr. Rogers Persuade Congress to Stop Cutting PBS Budget in 1969

Yes­ter­day, the news broke that the Trump admin­is­tra­tion will appar­ent­ly be slash­ing fed­er­al spend­ing, to the tune of $10.5 tril­lion over 10 years. Accord­ing to The Hill, the “depart­ments of Com­merce and Ener­gy would see major reduc­tions in fund­ing.” And “the Cor­po­ra­tion for Pub­lic Broad­cast­ing [aka PBS] would be pri­va­tized, while the Nation­al Endow­ment for the Arts and Nation­al Endow­ment for the Human­i­ties would be elim­i­nat­ed entire­ly.”

Attempts to cut fund­ing for the arts is noth­ing new. Above, we take you back to 1969, when Richard Nixon planned to reduce PBS’ fund­ing from $20 mil­lion to $10 mil­lion. That is, until Fred Rogers, the gen­tle cre­ator of Mis­ter Rogers’ Neigh­bor­hood, spent six short min­utes before Sen­a­tor John Pas­tore, the chair­man of the Sub­com­mit­tee on Com­mu­ni­ca­tions, and made his pitch for pub­licly-fund­ed edu­ca­tion­al tele­vi­sion. In those 360 sec­onds, Rogers gets the gruff sen­a­tor to do a com­plete 180 – to end up say­ing “It looks like you just earned the 20 mil­lion dol­lars.”

It’s unlike­ly that Mr. Rogers could get the same trac­tion today. Quite the con­trary, his sweet­ness and sin­cer­i­ty would like­ly be mocked quite mer­ci­less­ly, a sign of how coarse our soci­ety has become these days.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Mr. Rogers Intro­duces Kids to Exper­i­men­tal Elec­tron­ic Music by Bruce Haack & Esther Nel­son (1968)

Mr. Rogers Takes Break­danc­ing Lessons from a 12-Year-Old (1985)

Mis­ter Rogers Turns Kids On to Jazz with Help of a Young Wyn­ton Marsalis and Oth­er Jazz Leg­ends (1986)

 

by | Permalink | Make a Comment ( 2 ) |

Download & Print Free Shepard Fairey Protest Posters

Shep­ard Fairey prob­a­bly first crossed your radar when he drew the icon­ic “Hope” poster so asso­ci­at­ed with Barack Oba­ma’s 2008 cam­paign. Now, he returns with anoth­er set of posters to help protest the inau­gu­ra­tion of one Don­ald J. Trump. If you head over to the Ampli­fi­er Foun­da­tion web site, you can down­load and print a series of posters (shown above) by Fairey. The same applies to a num­ber of posters designed by oth­er artists, includ­ing Jes­si­ca Sabo­gal and Ernesto Yer­e­na.

The images cap­ture the “shared human­i­ty of our diverse Amer­i­ca” and con­demn the exclu­sion­ary poli­cies of the incom­ing admin­is­tra­tion. And thanks to the $1.3 mil­lion raised through a suc­cess­ful Kick­starter cam­paign, these posters will fig­ure into a larg­er Inau­gu­ra­tion Day plan. Here’s how it will work:

Much of Wash­ing­ton will be locked down on Inau­gu­ra­tion Day, and in some areas there will be severe restric­tions on signs and ban­ners.  But we’ve fig­ured out a hack.  It’s called the news­pa­per!  On Jan­u­ary 20th, if this cam­paign suc­ceeds, we’re going to take out full-page ads in the Wash­ing­ton Post with these images, so that peo­ple across the capi­tol and across the coun­try will be able to car­ry them into the streets, hang them in win­dows, or paste them on walls.

You’re wel­come to print and post these posters around your town–wherever it’s legal­ly per­mit­ted to do so. To down­load the posters, click here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

2,200 Rad­i­cal Polit­i­cal Posters Dig­i­tized: A New Archive

A Gallery of Visu­al­ly Arrest­ing Posters from the May 1968 Paris Upris­ing

Artist Shep­ard Fairey Curates His Favorite YouTube Videos

Google Puts Online 10,000 Works of Street Art from Across the Globe

 

by | Permalink | Make a Comment ( 25 ) |

Learn What Old Norse Sounded Like, with UC Berkeley’s “Cowboy Professor, Dr. Jackson Crawford

If you want to study anoth­er lan­guage, by all means feel free to study such wide­ly spo­ken ones as Eng­lish, Span­ish, and Chi­nese. But obscu­ri­ty, as we all learn at one point or anoth­er grow­ing up, also has an appeal, though we often need some­one cool to give us a hint as to which obscu­ri­ties to pur­sue. One “cow­boy pro­fes­sor” has, since the videos he posts to Youtube have begun to gain pop­u­lar­i­ty, emerged as the cool guy who may well turn a gen­er­a­tion of schol­ars-to-be on to the study of Old Norse. Though he holds an aca­d­e­m­ic posi­tion at the Uni­ver­si­ty of Cal­i­for­nia, Berke­ley, “Wyoming’s Dr. Jack­son Craw­ford,” as he refers to him­self, seems to spend at least part of his time in what he describes as “the Wilder­ness of the Amer­i­can West.”

He also shoots his videos out there, an appro­pri­ate­ly sub­lime back­drop for the dis­cus­sion of the mechan­ics of the Old Norse lan­guage, orig­i­nal­ly spo­ken by the Scan­di­na­vians of the 9th through the 13h cen­turies, and the myth and poet­ry com­posed in it.

Here we have three of Craw­ford’s videos meant to address ques­tions of gen­er­al curios­i­ty about Old Norse: what the lan­guage sound­ed like, and, in two parts, how best to pro­nounce the names of the var­i­ous gods, places, and oth­er ele­ments of its mythol­o­gy, from Óðinn (whom you might have seen referred to as Odin) to Val­hǫll (Val­hal­la) to Ásgarðr (Asgard).

Jack­son also gives read­ings from the 13th-cen­tu­ry Poet­ic Edda, arguably the most influ­en­tial piece of Scan­di­na­vian lit­er­a­ture ever writ­ten, and one which he recent­ly trans­lat­ed into mod­ern Eng­lish. Per­haps a sam­ple:

Þagalt ok hugalt
skyli þjóðans barn,
ok vígd­jarft vera.
Glaðr ok reifr
skyli gum­na hverr,
unz sinn bíðr bana.

A noble man should
be silent, thought­ful,
and bold in bat­tle.
But every man should also
be cheer­ful and hap­py,
till the inevitable day of death.

In addi­tion to that and oth­er impres­sive CV items, he also came up with the runes and Old Norse dia­logue for the hit Dis­ney movie Frozen — just in case you had any con­cerns as to the lan­guage’s pro­fes­sion­al prac­ti­cal­i­ty. Explore his Youtube chan­nel here.

via Digg

Relat­ed Con­tent:

Hear Homer’s Ili­ad Read in the Orig­i­nal Ancient Greek

What Ancient Latin Sound­ed Like, And How We Know It

What Shake­speare Sound­ed Like to Shake­speare: Recon­struct­ing the Bard’s Orig­i­nal Pro­nun­ci­a­tion

Hear The Epic of Gil­gamesh Read in the Orig­i­nal Akka­di­an, the Lan­guage of Mesopotamia

Hear Beowulf Read In the Orig­i­nal Old Eng­lish: How Many Words Do You Rec­og­nize?

Learn Latin, Old Eng­lish, San­skrit, Clas­si­cal Greek & Oth­er Ancient Lan­guages in 10 Lessons

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Watch an Epic, 4‑Hour Video Essay on the Making & Mythology of David Lynch’s Twin Peaks

If you’re like me, every lit­tle bit of infor­ma­tion doled out for the upcom­ing third sea­son of Twin Peaks is like a series of clues found along a dark path through the Ghost­wood Nation­al For­est. We’ve seen brief views of some major char­ac­ters. We’ve heard Ange­lo Badala­men­ti con­firm he’s back to score the series. We picked up and speed read the Mark Frost-writ­ten Secret His­to­ry. We know that it will be 18 hours of pure David Lynch and Mark Frost, and that what­ev­er it may do, it won’t go all wonky and not-so-good like the ter­ri­ble trough in the mid­dle of Sea­son Two. And now we have a date for the pre­miere: May 21.

So it’s not time to brew cof­fee, or put a cher­ry pie in the oven, just yet. Instead, it’s time to bone up on the series itself and ask our­selves, is Twin Peaks a failed series that needs to be rec­ti­fied? Or if Lynch and Frost had nev­er agreed to revis­it their icon­ic work, would we still have a cohe­sive work?

Video essay­ist Joel Bocko says yes, and has made what is prob­a­bly the defin­i­tive and most thor­ough analy­sis of the series out there on the web.

I first stum­bled across Jour­ney Through Twin Peaks one night, and think­ing that it was only one short video essay I start­ed watch­ing. My mis­take: episode one was only the first in a 28-chap­ter series that totaled over four hours, arranged in four parts. And, yes, I sat and watched the whole damn thing.

Bocko is good, real good. This is not uncrit­i­cal fan wor­ship. This is a man, like many of us, who fell in love with the tran­scen­dent heights of the show and suf­fered through its mis­er­able lows, but, through that mis­ery, fig­ured out what made the show such a game-chang­er.

One impor­tant thing Bocko does is give Mark Frost his due. Usu­al­ly hid­den behind the art and the mythos of Lynch, Frost brought much to the show, from the detec­tive pro­ce­dur­al frame­work to themes of the occult and Theos­o­phy. Bocko shows how Lynch came out of the Twin Peaks expe­ri­ence with a com­plete­ly dif­fer­ent and much more com­plex idea of char­ac­ter. Before Peaks, Lynch’s work saw good and evil exist­ing not just on oppo­site sides of the spec­trum, but as dif­fer­ent char­ac­ters. (Think of Blue Vel­vet.) In the films he makes after­wards, dop­pel­gangers, fugue states, and self-nega­tion, along with the spir­i­tu­al con­fu­sion that come with it, are cen­tral to Lynch’s work.

But that’s just one of the many insights wait­ing for you in this reward­ing ana­lyt­i­cal work, which also takes in Fire Walk With Me and Mul­hol­land Dr. through to Inland Empire. Suf­fice it to say, it’s full of spoil­ers, so pro­ceed with cau­tion.

On the oth­er hand, if you don’t have time before the pre­miere, you can always watch the first sea­son in under a minute here.

via Wel­come to Twin Peaks

Relat­ed Con­tent:

Twin Peaks Tarot Cards Now Avail­able as 78-Card Deck

David Lynch’s Twin Peaks Title Sequence, Recre­at­ed in an Adorable Paper Ani­ma­tion

Hear the Music of David Lynch’s Twin Peaks Played by the Exper­i­men­tal Band, Xiu Xiu: A Free Stream of Their New Album

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the artist inter­view-based FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

« Go BackMore in this category... »
Quantcast