Jim Henson Creates an Experimental Animation Explaining How We Get Ideas (1966)

What do ideas look like?

Jim Henson’s looked very much like a Mup­pet nose, as evi­denced by “The Idea Man,” a 1966 three-minute ani­ma­tion, above.

The film was orig­i­nal­ly intend­ed to be part of a live mul­ti­me­dia per­for­mance on The Mike Dou­glas Show. The real star of that seg­ment was Lim­bo, an abstract Mup­pet, whose phys­i­cal man­i­fes­ta­tion was but a dis­em­bod­ied mouth and a pair of eyes, oper­at­ed by two pup­peteers.

Hen­son favored the bod­i­less Lim­bo (who even­tu­al­ly mor­phed in Sesame Street’s Nobody) as a deliv­ery mech­a­nism for some of his more pro­found mus­ings.

His vocal char­ac­ter­i­za­tion imbued Lim­bo with a fair­ly Eey­ore-ish out­look, though occa­sion­al­ly one catch­es an echo of Henson’s most famous cre­ation—Ker­mit the Frog, mak­ing a brief, unbilled appear­ance, here, along with John F. Kennedy, Mad mag­a­zine’s Alfred E. Neu­man, and Kuk­la of Kuk­la, Fran and Ollie.

Lim­bo, now just a dis­em­bod­ied voice as far as you and I are con­cerned, bemoans that all the real­ly good ideas have already been taken—the safe­ty pin, tele­vi­sion, Atom­ic ener­gy…

Even­tu­al­ly, though, he suc­cumbs to the sort of excit­ed curios­i­ty that fired his cre­ator, con­ced­ing the pos­si­bil­i­ty of one “glo­ri­ous­ly mar­velous, great big beau­ti­ful idea,” visu­al­ized as the sort of gid­dy, col­lage pile-up beloved by Ter­ry Gilliam.

Watch more of Henson’s exper­i­men­tal short films here.

The Idea Man” will be added to the Ani­ma­tion sec­tion of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Relat­ed Con­tent:

Watch The Sur­re­al 1960s Films and Com­mer­cials of Jim Hen­son

Jim Henson’s Vio­lent Wilkins Cof­fee Com­mer­cials (1957–1961)

A Young Jim Hen­son Teach­es You How to Make Pup­pets with Socks, Ten­nis Balls & Oth­er House­hold Goods (1969)

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday.

How the World’s Oldest Computer Worked: Reconstructing the 2,200-Year-Old Antikythera Mechanism

In 1900, Greek sponge divers dis­cov­ered a ship­wreck off the Greek island of Antikythera. The arti­facts they came back up with includ­ed mon­ey, stat­ues, pot­tery, and var­i­ous oth­er works of art and craft, as well as a curi­ous lump of bronze and wood that turned out to be by far the most impor­tant item onboard. When an archae­ol­o­gist named Vale­rios Stais took a look at it two years lat­er, he noticed that the lump had a gear in it. Almost a half-cen­tu­ry lat­er, the sci­ence his­to­ri­an Derek J. de Sol­la Price thought this appar­ent­ly mechan­i­cal object might mer­it fur­ther exam­i­na­tion, and almost a quar­ter-cen­tu­ry after that, he and the nuclear physi­cist Char­alam­bos Karaka­los pub­lished their discovery–made by using X‑ray and gam­ma-ray images of the interior–that those divers had found a kind of ancient com­put­er.

“Under­stand­ing how the pieces fit togeth­er con­firmed that the Antikythera mech­a­nism was capa­ble of pre­dict­ing the posi­tions of the plan­ets with which the Greeks were famil­iar — Mer­cury, Venus, Mars, Jupiter and Sat­urn — as well as the sun and moon, and eclipses,” writes Big Think’s Rob­by Berman. “It even has a black and white stone that turns to show the phas­es of the moon.”

Deter­min­ing how it real­ly worked has required the build­ing of var­i­ous dif­fer­ent mod­els of var­i­ous dif­fer­ent kinds, one of which you can see assem­bled, oper­at­ed, and dis­as­sem­bled before your very eyes in the CGI ren­der­ing at the top of the post. Its design comes from the work of his­to­ri­an of mech­a­nism Michael T. Wright, who also put togeth­er the phys­i­cal recre­ation of the Antikythera mech­a­nism you can see him explain just above.

Image via Wiki­me­dia Com­mons

By its very nature, an arti­fact as fas­ci­nat­ing and as incom­plete as this draws all sorts of the­o­ries about the specifics of its design, pur­pose, and even its age. (It dates back to some­where between 205 and 100 BC.) In 2012, Tony Freeth and Alexan­der Jones pub­lished their own mod­el, dif­fer­ent from Wright’s, of this “machine designed to pre­dict celes­tial phe­nom­e­na accord­ing to the sophis­ti­cat­ed astro­nom­i­cal the­o­ries cur­rent in its day, the sole wit­ness to a lost his­to­ry of bril­liant engi­neer­ing, a con­cep­tion of pure genius, one of the great won­ders of the ancient world,” — but one which “didn’t real­ly work very well.” Some of the prob­lems has to do with the lim­i­ta­tions of ancient Greek astro­nom­i­cal the­o­ry, and some with the unre­li­a­bil­i­ty of its lay­ers of hand­made gears.

More recent research, adds Berman, has dis­cov­ered that “the device was built by more than one per­son on the island of Rhodes, and that it prob­a­bly wasn’t the only one of its kind,” indi­cat­ing that the ancient Greeks, despite the appar­ent defi­cien­cies of the Antikythera mech­a­nism itself, “were appar­ent­ly even fur­ther ahead in their astro­nom­i­cal under­stand­ing and mechan­i­cal know-how than we’d imag­ined.” Now watch the video just above, in which the Apple engi­neer makes his own Antikythera mech­a­nism with an entire­ly more mod­ern set of com­po­nents, and just imag­ine what the ancient Greeks could have accom­plished had they devel­oped Lego.

via Big Think

Relat­ed Con­tent:

Intro­duc­tion to Ancient Greek His­to­ry: A Free Online Course from Yale

How the Ancient Greeks Shaped Mod­ern Math­e­mat­ics: A Short, Ani­mat­ed Intro­duc­tion

How Ancient Greek Stat­ues Real­ly Looked: Research Reveals their Bold, Bright Col­ors and Pat­terns

Mod­ern Artists Show How the Ancient Greeks & Romans Made Coins, Vas­es & Arti­sanal Glass

Dis­cov­er the “Brazen Bull,” the Ancient Greek Tor­ture Machine That Dou­bled as a Musi­cal Instru­ment

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Watch 100 Randomly Ticking Metronomes Miraculously Achieve Synchronicity

It’s always sat­is­fy­ing to impose order on chaos, espe­cial­ly if it doesn’t involve bel­low­ing at a room­ful of jacked up teenagers.

Wit­ness the exper­i­ment above.

Mem­bers of Ikeguchi Lab­o­ra­to­ry, a Japan­ese orga­ni­za­tion ded­i­cat­ed to the analy­sis and pre­dic­tion of non­lin­ear phe­nom­e­na, placed 100 ran­dom­ly tick­ing metronomes on a hang­ing plat­form, curi­ous as to how long it would take them to syn­chro­nize.

(SPOILER ALERT! They start synch­ing up around the 1 minute, 20 sec­ond mark.)

How? Why? Is this some mys­ti­cal, musi­cal vari­ant of men­stru­al syn­chrony?

Nope. Physics is doing the heavy lift­ing here.

The key is that the plat­form hold­ing the metronomes is not fixed. It affects their move­ment by mov­ing in response to theirs.

To put it anoth­er way, KE = 0.5 • m • v2. Which is to say Kinet­ic Ener­gy = 0.5 • mass of object • (speed of object)2.

If you’re look­ing for anoth­er sci­en­tif­ic expla­na­tion, here’s how Giz­mo­do puts it: “the metronomes are trans­fer­ring ener­gy to the plat­form they’re on, which then trans­fers that ener­gy back to the metronomes—until they all sync up and start hit­ting the beat in one glo­ri­ous wave­length.”

By the two and a half minute mark, some view­ers will be rar­ing to delve into fur­ther study of ener­gy trans­fer­ence.

Oth­ers, their brains implod­ing, may elect to down­shift into a pure­ly audi­to­ry expe­ri­ence.

Close your eyes and lis­ten as the last hold outs fall into rhyth­mic step with the rest of the herd. A pleas­ant­ly har­mo­nious sound, not unlike that moment when a room­ful of jacked up teens sim­mers down, achiev­ing the sort of bliss­ful hive mind that’s a balm to teacher’s fraz­zled soul.

Crav­ing more?  Ikeguchi Lab­o­ra­to­ry also filmed their metronomes in tri­an­gu­lar, cir­cu­lar and X‑shaped for­ma­tions, avail­able for your view­ing plea­sure on the lab’s YouTube chan­nel.

via The Kid Should See This

Relat­ed Con­tent:

Watch What Hap­pens When 100 Metronomes Per­form Györ­gy Ligeti’s Con­tro­ver­sial Poème Sym­phonique

The Remark­able Physics of Ants: Watch Them Turn into Flu­ids and Solids at Will

The Mys­te­ri­ous Physics Behind How Bikes Ride by Them­selves

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday

Hip 1960s Latin Teacher Translated Beatles Songs into Latin for His Students: Read Lyrics for “O Teneum Manum,” “Diei Duri Nox” & More

Click here (and then click the image) to view in a larg­er for­mat.

I’ve inter­act­ed with many enter­tain­ing lan­guage-learn­ing resources in var­i­ous classes—from minis­eries in Span­ish to com­ic books in French—all geared toward mak­ing the unfa­mil­iar lan­guage rel­e­vant to dai­ly life. Learn­ing coun­ter­in­tu­itive pro­nun­ci­a­tions, pars­ing a new sys­tem of gram­mar, or mem­o­riz­ing the gen­ders of word after word can be labo­ri­ous and intim­i­dat­ing in the class­room. Doing so in every­day pop cul­tur­al set­tings, not as much.

When it comes to the teach­ing of dead lan­guages, the resources can seem less approach­able. I cer­tain­ly appre­ci­ate the lit­er­ary and rhetor­i­cal genius of Vir­gil, Ovid, Horace, Cicero, and Julius Cae­sar. But dur­ing my high school years, I did not always find their work easy to read in Eng­lish, much less in for­mal clas­si­cal Latin. The ela­tion I felt after suc­cess­ful­ly trans­lat­ing a pas­sage was some­times damp­ened as I puz­zled over his­tor­i­cal notes and gloss­es that often left me with more ques­tions than answers.

Click here (and then click the image) to view in a larg­er for­mat.

That’s not at all to say that stu­dents of Latin shouldn’t be exposed to cul­tur­al and his­tor­i­cal con­text or read the finest exem­plars of the writ­ten lan­guage. Only that a break from the heavy stuff now and then goes a long way. Might I sub­mit to Latin instruc­tors one inge­nious tool from Eddie O’Hara, for­mer British Labour Par­ty MP and clas­sics teacher? O’Hara passed away in May of last year, and just this past week, his son Ter­ry O’Hara tweet­ed these trans­la­tions of Bea­t­les songs (includ­ing two Christ­mas tunes) his father made in the 60s for his stu­dents. At the time, these were the height of pop cul­ture rel­e­vance, and, while a far cry from the com­plex­i­ties of the Aeneid, a fun way for Latin learn­ers to relate to a lan­guage that can seem cold and impos­ing.

I will admit, my Latin has fall­en into such a state that I can’t imme­di­ate­ly vouch for the accu­ra­cy or ele­gance of these trans­la­tions (“cue fierce argu­ments among Latin gram­mar­i­ans,” replies one Twit­ter user), but there’s no rea­son to doubt Mr. O’Hara knew his stuff. ““He was a born edu­ca­tor,” his son remem­bers, “He was a teacher and clas­si­cist by back­ground and he had a strong inter­est in edu­ca­tion­al mat­ters and Greek cul­tur­al her­itage.” Edu­cat­ed him­self at Mag­dalen Col­lege, Oxford, O’Hara taught at Perse School, Cam­bridge, Birken­head School, and in the ear­ly 70s, C.F. Mott Col­lege in the Bea­t­les’ own Liv­er­pool.

Click here (and then click the image) to view in a larg­er for­mat.

In addi­tion to his role as a states­man, the Liv­er­pool Echo remem­bers O’Hara’s many decades as “a pop­u­lar teacher who brought class­es to life trans­lat­ing Bea­t­les lyrics into Latin.” We do not have any indi­ca­tion of whether he actu­al­ly tried to sing the lyrics, though his stu­dents sure­ly must have attempt­ed it. What must the cho­rus of “All My Lov­ing” sound like as “Ita totum amorem dabo, Tibi totum, numquam cess­a­ba”? Or “She Loves You” as “Amat te, mehercle”? Singing them to myself, I can see that O’Hara was sen­si­tive to the meter of the orig­i­nal Eng­lish in his Latin ren­der­ings. But I’d real­ly love to see some­one set these to music and make a video. Any of our read­ers up to the chal­lenge?

Final­ly, since ear­ly six­ties Bea­t­les lyrics aren’t as like­ly to engage stu­dents in 2017, what pop cul­tur­al mate­r­i­al would you trans­late today—classics teach­ers out there—to reach the bemused, bewil­dered, and the bored? If you’re already hard at work using hip resources in the class­room, please do share them with us in the com­ments!

Note: To view the images in a larg­er for­mat, please click on the links to these indi­vid­u­als images: Image 1 - Image 2Image 3. When the image opens, click on it again to zoom in.

via Ted Gioia

Relat­ed Con­tent:

Learn Latin, Old Eng­lish, San­skrit, Clas­si­cal Greek & Oth­er Ancient Lan­guages in 10 Lessons

What Ancient Latin Sound­ed Like, And How We Know It

The Sto­ry of Lorem Ipsum: How Scram­bled Text by Cicero Became the Stan­dard For Type­set­ters Every­where

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Mesmerizing GIFs Illustrate the Art of Traditional Japanese Wood Joinery — All Done Without Screws, Nails, or Glue

Tra­di­tion­al Japan­ese car­pen­try, whether used to build a din­ner table or the entire house con­tain­ing it, does­n’t use screws, nails, adhe­sives, or any oth­er kind of non-wood­en fas­ten­er. So how do its con­struc­tions hold togeth­er? How have all those thou­sands of wood­en hous­es, tables, and count­less oth­er objects and struc­tures stood up for dozens and even hun­dreds of years, and so solid­ly at that? The secret lies in the art of join­ery and its elab­o­rate cut­ting tech­niques refined, since its ori­gin in the sev­enth cen­tu­ry, through gen­er­a­tions and gen­er­a­tions of steadi­ly increas­ing mas­tery — albeit by a steadi­ly dwin­dling num­ber of mas­ters.

“Even until recent times when car­pen­try books began to be pub­lished, mas­tery of these wood­work­ing tech­niques remained the fierce­ly guard­ed secret of fam­i­ly car­pen­try guilds,” writes Spoon & Tam­ago’s John­ny Strat­e­gy. If you find it dif­fi­cult to grasp how sim­ply cut­ting two pieces of wood in a cer­tain way could unite them as if they’d grown togeth­er in the first place, have a look at a Twit­ter feed called The Join­ery, run by a young enthu­si­ast who has col­lect­ed a great many of these car­pen­try books. He’s used them, in com­bi­na­tion with mechan­i­cal design soft­ware skills pre­sum­ably honed in his career in the auto indus­try, to cre­ate ele­gant­ly ani­mat­ed visu­al expla­na­tions of Japan­ese car­pen­try’s tried-and-true join­ery meth­ods.

Arch­dai­ly points to the work of archi­tect Shigeru Ban as one exam­ple of how this “unique­ly Japan­ese wood aes­thet­ic” has sur­vived into the mod­ern day, but the man behind The Join­ery imag­ines even more ambi­tious pos­si­bil­i­ties: “3D print­ing and wood­work­ing machin­ery has enabled us to cre­ate com­pli­cat­ed forms fair­ly eas­i­ly,” he tells Spoon & Tam­a­go. “I want to orga­nize all the join­ery tech­niques and cre­ate a cat­a­log of them all,” so that any­one with the tools might poten­tial­ly make use of their beau­ty and stur­di­ness in hith­er­to unimag­ined new con­texts. And so anoth­er tra­di­tion­al Japan­ese craft that has looked doomed to out­mod­ed obliv­ion, what with all the more advanced and effi­cient fab­ri­ca­tion and con­struc­tion tech­niques devel­oped over the past 1400 years, may well thrive in the future. To learn more about the art of join­ery, you’ll want to explore this 1995 book, The Com­plete Japan­ese Join­ery.

via Arch­Dai­ly

Relat­ed Con­tent:

Watch Japan­ese Wood­work­ing Mas­ters Cre­ate Ele­gant & Elab­o­rate Geo­met­ric Pat­terns with Wood

20 Mes­mer­iz­ing Videos of Japan­ese Arti­sans Cre­at­ing Tra­di­tion­al Hand­i­crafts

The Mak­ing of Japan­ese Hand­made Paper: A Short Film Doc­u­ments an 800-Year-Old Tra­di­tion

Watch a Japan­ese Crafts­man Lov­ing­ly Bring a Tat­tered Old Book Back to Near Mint Con­di­tion

The Art of Col­lo­type: See a Near Extinct Print­ing Tech­nique, as Lov­ing­ly Prac­ticed by a Japan­ese Mas­ter Crafts­man

Japan­ese Crafts­man Spends His Life Try­ing to Recre­ate a Thou­sand-Year-Old Sword

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

An Introduction to Confucius’ Life & Thought Through Two Animated Videos

Though it isn’t wide­ly acknowl­edged, there’s been a long­stand­ing and robust debate at least since the nine­teenth cen­tu­ry over whether or not a his­tor­i­cal Jesus exist­ed. The major­i­ty of Chris­tians dis­miss the evi­dence, or lack there­of, for rea­sons of belief, but on a wider view it’s not at all unique that the his­tor­i­cal founder of a reli­gion or school might be an inven­tion, or might have been noth­ing at all like the tra­di­tion sug­gests. Such ques­tions have arisen about the real­i­ty of the Bud­dha, for exam­ple, or the author­ship of Lao Tzu, writer of the Tao Te Ching, or the his­tor­i­cal exis­tence of his sup­posed con­tem­po­rary Con­fu­cius, founder of the sys­tem of phi­los­o­phy and ethics sim­ply known as Con­fu­cian­ism.

What do we know about Con­fu­cius? “Very lit­tle for cer­tain,” says Alain de Bot­ton in his School of Life intro­duc­to­ry video above. “He’s said to have been born in 551 BC in Chi­na,” and he may have been a stu­dent of Lao Tzu. Con­fu­cius sup­pos­ed­ly served as min­is­ter of crime under the ruler of the state of Lu. Many mun­dane sto­ries about the Chi­nese thinker make his exis­tence seem quite plau­si­ble, though his leg­end picked up mirac­u­lous fea­tures over time. But the say­ings sup­pos­ed­ly by and about Con­fu­cius, his­tor­i­cal or otherwise—like those of Jesus and the Buddha—were only writ­ten down many years after his death, col­lect­ed in the famous Analects (Lun­yu, or “edit­ed con­ver­sa­tions”).

These say­ings became enor­mous­ly pop­u­lar dur­ing the Euro­pean Enlight­en­ment and the 20th cen­tu­ry, writes Char­lotte Allen at The Atlantic, in part because Con­fu­cius remained “agnos­tic on whether a super­nat­ur­al world actu­al­ly exists.” Though he encour­aged par­tic­i­pa­tion in reli­gious rit­u­als, “The Mas­ter,” one of the analects remarks, “nev­er talked of: mir­a­cles; vio­lence; dis­or­ders; spir­its.” What he did talk about what was “the Gold­en Mean: all things in mod­er­a­tion, even mod­er­a­tion itself.” Con­fu­cius was a con­ser­v­a­tive thinker—in the sense that word once had of hold­ing fast to tra­di­tion, encour­ag­ing adher­ence to “rit­u­al pro­pri­ety” and fam­i­ly obser­vances, and respect­ing the rule of law.

His say­ings include a ver­sion of the Gold­en Rule, and he “is said to have taught his dis­ci­ples the cul­ti­va­tion of per­son­al virtue.… ven­er­a­tion of one’s par­ents, love of learn­ing, loy­al­ty to one’s supe­ri­ors, kind­ness to one’s sub­or­di­nates, and a high regard for all of the cus­toms, insti­tu­tions, and rit­u­als that make for civil­i­ty.” One can see his appeal to many lib­er­al West­ern philoso­phers, who have often advanced rad­i­cal the­ses along­side the con­ser­v­a­tive val­ues Max Weber char­ac­ter­ized as the Protes­tant eth­ic. Thomas Paine, writes Allen, “list­ed Con­fu­cius with Jesus and the Greek philoso­phers as the world’s great moral teach­ers” in the Age of Rea­son, and Ezra Pound had a par­tic­u­lar­ly high regard for the Chi­nese thinker.

This kind of ven­er­a­tion has meant that “to many edu­cat­ed West­ern­ers, Con­fu­cius is the very emblem of Chi­nese civ­i­liza­tion and reli­gious belief.” Or as the TED-Ed video above puts it, “most peo­ple rec­og­nize his name and know that he is famous for hav­ing said… some­thing.” In this video intro­duc­tion to Con­fu­cius, the philosopher’s biog­ra­phy plays a very promi­nent role, and it does make for an engag­ing sto­ry. But we should be aware that the details of his life are high­ly con­test­ed by schol­ars in the East and West. The only sources date from “well after his death,” notes the Stan­ford Ency­clo­pe­dia of Phi­los­o­phy, and “tak­en togeth­er paint con­tra­dic­to­ry pic­tures of his per­son­al­i­ty and the events in his life.” Some schol­ars even claim he was an inven­tion of the Jesuits, who may have cre­at­ed the Con­fu­cius char­ac­ter to accord with their West­ern desire for a per­son­al founder.

But we need not believe bio­graph­i­cal details or decide between schol­ar­ly con­tro­ver­sies to appre­ci­ate Con­fu­cian thought. As de Bot­ton makes clear, Con­fu­cius’ respect for tradition—though cer­tain­ly patri­ar­chal and hierarchical—also gives us a lot of insight into how and why we should heed peo­ple with exper­tise and supe­ri­or knowl­edge, why we should val­ue edu­ca­tion and dif­fi­cult study, and why per­son­al integri­ty mat­ters in civic life. Though we can­not ver­i­fy his life sto­ry, we can see it as a pop­u­lar nar­ra­tive alle­go­ry for his ideas. Con­fu­cius exhort­ed his dis­ci­ples to obey their lead­ers, yet he also insist­ed that those lead­ers be benev­o­lent and hon­or­able.

It is said that Con­fu­cius left Lu, where he had served faith­ful­ly as a min­is­ter, when the Duke received a gift of cour­te­sans and hors­es from a neigh­bor­ing ruler, and began to spend all his time cavort­ing, and mis­us­ing the state’s resources. Thus, accord­ing to the tra­di­tion, began a peri­od of wan­der­ing as the philoso­pher pon­dered the cul­ti­va­tion of char­ac­ter. You can read the Analects for your­self in a num­ber of translations—including this free online ver­sion from Robert Eno. And if you wish to immerse your­self more ful­ly in the study of Con­fu­cian­ism and Chi­nese phi­los­o­phy and cul­ture more gen­er­al­ly, you can do so for free through Harvard’s edX course on Chi­na or, through Coursera’s “Clas­sics of Chi­nese Human­i­ties: Guid­ed Read­ings,” taught by Ou Fan Leo Lee, Pro­fes­sor of Chi­nese Cul­ture at The Chi­nese Uni­ver­si­ty of Hong Kong.

Relat­ed Con­tent:

Free Online Phi­los­o­phy Cours­es

East­ern Phi­los­o­phy Explained with Three Ani­mat­ed Videos by Alain de Botton’s School of Life

The His­to­ry of Phi­los­o­phy With­out Any Gaps Pod­cast, Now at 239 Episodes, Expands into East­ern Phi­los­o­phy

Alan Watts Intro­duces Amer­i­ca to Med­i­ta­tion & East­ern Phi­los­o­phy: Watch the 1960 TV Show, East­ern Wis­dom and Mod­ern Life

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Triumphant Night When a Teacher Saved His Students from a Motorcycle Gang: A True, Hand-Animated Story

“Sur­vival of the fittest, this still exists even today. If you’re weak, peo­ple pick on you, they take advan­tage. And if you don’t respond to what they do, they will con­tin­u­al­ly pick on you. You have to fright­en them and attack first.”

Those strong words come from Ralph Whims, a teacher who, one night back in 1973, agreed to chap­er­one a school dance in a church base­ment. It was a pret­ty ordi­nary affair, until a 20-mem­ber bik­er gang barged in, unin­vit­ed, and start­ed harass­ing the kids. What to do? Retreat? Or step for­ward and restore order? That’s the sto­ry, appar­ent­ly all true, told by the short ani­ma­tion, The Chap­er­one, cre­at­ed by Fras­er Munden. (His own father once had Ralph Whims as an ele­men­tary school teacher in Mon­tre­al.) This empow­er­ing short film has been screened at 70 film fes­ti­vals and won 25 awards. You can get more back­sto­ry on the film by read­ing an inter­view with the direc­tor here.

The Chap­er­one will be added to the Ani­ma­tion sec­tion of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

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Relat­ed Con­tent:

James Joyce Picked Drunk­en Fights, Then Hid Behind Ernest Hem­ing­way; Hem­ing­way Called Joyce “The Great­est Writer in the World”

10 Rules for Stu­dents and Teach­ers Pop­u­lar­ized by John Cage

Hunter S. Thomp­son Gets Con­front­ed by The Hell’s Angels: Where’s Our Two Kegs of Beer? (1967)

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Captivating GIFs Reveal the Magical Special Effects in Classic Silent Films

The ear­ly silent come­di­ans were dare­dev­ils and mas­ters of phys­i­cal com­e­dy, but they weren’t *that* crazy. In a series of gifs that show the secrets of silent film­mak­ing, the trick­ery behind some of silent cinema’s most impres­sive shots are revealed. The per­son behind these brief ani­ma­tions is a poster from Red­dit called Auir2blaze.

Harold Lloyd did indeed hang from a clock face on the side of a build­ing in his clas­sic Safe­ty Last! (watch the scene up top), but as the gif shows, a mat­tress was only a few feet below, safe­ly out of shot. The angle of the cam­era, the edit­ing that had gone before, and the actu­al city scene unfold­ing in the back­ground all cre­at­ed the illu­sion that Lloyd was dan­gling many sto­ries above Los Ange­les.

Sim­i­lar­ly, Char­lie Chap­lin rolling back­wards on skates to the edge of a dan­ger­ous drop is magical…in that the mag­ic lies in the excel­lent real­is­tic mat­te paint­ing work that replaced a floor with ver­tig­i­nous open air.

As Auir2blaze explains, “The cra­zi­est thing about silent movie effects is that every­thing basi­cal­ly had to be done in cam­era. If you were film­ing mul­ti­ple ele­ments to cre­ate a com­plex shot that con­tained mul­ti­ple ele­ments and you messed up one part, the whole piece of film would be ruined.”

Which in turn makes these effects even more impres­sive. Not every spe­cial effect shot was a stunt. In anoth­er exam­ple, Auir2blaze shows how Mary Pick­ford (view on this page) was able to kiss her dou­ble on the cheek: They shot the actress sit­ting still, and pro­ject­ed the footage onto a screen cut out in the shape of the actress, which Pick­ford then kissed. One might say, “crude but effec­tive” until you think about the del­i­ca­cy need­ed to make the screen, and the brains behind these effects.

Many of these effects relied on large depth of field, which meant that sets and actors would have to be lit very bright­ly. In the world of film, cam­era lights can get very hot, and old movie sets must have been like ovens. (For more dis­cus­sion and film tech geek­ery, the orig­i­nal Red­dit page has many good threads.)

It shows that film­mak­ing has always been a magician’s art form, and that some­times a prac­ti­cal effect can be worth 100 times a computer’s out­put.

via Twist­ed­Sifter

Relat­ed Con­tent:

101 Free Silent Films: The Great Clas­sics

The Pow­er of Silent Movies, with The Artist Direc­tor Michel Haz­anavi­cius

Three Great Films Star­ring Char­lie Chap­lin, the True Icon of Silent Com­e­dy

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

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