Watch Nina Simone Sing the Black Pride Anthem, “To Be Young, Gifted and Black,” on Sesame Street (1972)

in Music, Television | December 27th, 2016

In her brief 34 years, Lorraine Hansberry left a formidable legacy as the first African-American and the youngest playwright to win the coveted New York Critics’ Circle Award for A Raisin in the Sun. (It was also the first play by a black writer to be produced on Broadway.) What’s more, Hansberry was a committed civil rights campaigner, from a family who had fought housing segregation in the Supreme Court. She herself organized with Martin Luther King, Jr., Harry Belafonte, Lena Horne, James Baldwin, and many others; wrote for Paul Robeson’s Freedom; and joined the first lesbian civil rights organization, the Daughters of Bilitis, contributing to their magazine, The Ladder.

Hansberry was indeed “Young, Gifted, and Black,” which also happens to be the title of an autobiography published after her death from pancreatic cancer in 1965, and of a posthumously produced play. But the title has maybe most famously lived on in a tribute to Hansberry by her friend, the prodigiously gifted Nina Simone. Among Simone’s many mentors, Hansberry “offered her a special bond,” writes Claudia Roth Pierpont at The New Yorker, and pushed her into activism. “We never talked about men or clothes,” Simone wrote in her memoir, I Put a Spell on You, “It was always Marx, Lenin and revolution—real girls’ talk.” After the 1963 Baptist Church bombing in Birmingham, Simone dedicated herself to the movement with a passion for justice and liberation.

And yet, “for every lyric about lynchings and the struggle for equality,” notes the Blanton Museum, “Simone would write another about freedom and black pride, reinforcing her belief that African American men and women should know the beauty of their blackness.” As she put it in an interview, “My job is to somehow make [black people] curious enough, or persuade them, by hook or crook, to get them more aware of themselves and where they came from and what is already there.” What was already there included the work of friends like James Baldwin and Lorraine Hansberry, from whom Simone drew “To Be Young, Gifted and Black,” one of the “most triumphant anthems of the black pride movement of the 1970s.”

At the top of the post, you can see Simone sing the song to four young kids on a 1972 episode of Sesame Street, bringing them the news: “There’s a world waiting for you.” As she announces in the song itself, “We must begin to tell our young” the importance of their culture and history. The young responded with gratitude for Simone’s advocacy. In the short Sesame Street clip, the four adorable kids look on admiringly, and one girl sings along. The inspiration for the song came not only from Hansberry’s influence on Simone’s political consciousness, but also from a photograph of Hansberry she saw in the New York Times.

The picture, “caught hold of me,” Simone says in the brief interview clip above, “I remember getting a feeling in my body.… I knew what I wanted it to say in essence.… I really think that she gave it to me.” After the short interview, you can see Simone perform the song in a 1969 session at Morehouse College, to rapturous applause from the audience. “To Be Young, Gifted and Black” has been covered by duo Bob & Marcia, Donny Hathaway, Aretha Franklin, and—most recently, Solange Knowles. Though none of these artists have had the intimate, personal connection to the lyrics and their inspiration that Nina Simone did, all of them have helped transmit her message. Even in the face of gross injustice and seemingly implacable opposition to equality and civil rights, “There’s a world waiting for you / This is a quest that’s just begun.”

Watch a New Nina Simone Animation Based on an Interview Never Aired in the U.S. Before

Chris Rock Reads James Baldwin’s Still Timely Letter on Race in America: “We Can Make What America Must Become”

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

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Stephen King Explains the Key to His Creativity: Not Losing the Dream-State Thinking All Children Are Born With

in Psychology, Writing | December 27th, 2016

While nothing could make me personally want to return to childhood, children do, for better or for worse, perceive the world more vividly than adults. The best writing for kids makes rich narrative use of that fact, as do stories about but not for kids by writers who haven’t forgotten their pre-grown-up selves’ experience of reality. Stephen King, for instance, hardly writes children’s literature, but his novels about the fear that seeps into every corner of working-class America often include very young characters. Not only does King write plausibly from their psychological point of view, he uses that point of view as an engine of his entire project.

King, in a 1989 interview on WAMC’s Public Radio Book Show, elaborated on “the two things that interest me about childhood,” the first being that “it’s a secret world that exists by its own rules and lives in its own culture, and the second that “we forget what it is to be a child and we forget that life, which is kind of exotic and strange.” Though readers often ask him what agonies his childhood must have visited upon him that spurred him to write such vividly horrific fiction, King doesn’t remember anything wrong with his formative years. But he does remember “that we think in a different way as children. We tend to think around corners instead of in straight lines.”

We see these differences animated in the Blank on Blank video at the top of the post, which envisions the adult King in the world of imagination that kids instinctively inhabit and out of which they eventually grow, but to which he regularly returns to write his stories. “Sometimes for a kid, the shortest distance between two points is not a straight line and that’s the way that we think and dream,” he says. “As children we tend to live in this kind of dream state [ … ] and because I equate that sort of dream state with a heightened sort of mental state, I make this easy cross-connection between childhood and strange powers, paranormal powers or whatever, and it has been successful as a fictional device.”

As the source of such bestsellers as Carrie, The Stand, Christine, It, the Dark Tower series, and countless other works, it’s been successful to say the least. If connecting one thing to another in new ways — be those things people, places, events, ideas, feelings, or whatever else — constitutes the central act of creation, then it makes sense that the naturally associative nature of a child’s imagination, harnessed to an adult’s experience and discipline, can produce such abundant and widely resonant results. No coincidence, surely, that youngsters unable to pay attention to the linear progression of the classroom get labeled “dreamers,” a tendency that King has used to his advantage — though he seems to have got most of his textual mileage out of the nightmares.

Related Content:

Stephen King’s Top 20 Rules for Writers

Stephen King Writes A Letter to His 16-Year-Old Self: “Stay Away from Recreational Drugs”

Stephen King on the Magic Moment When a Young Writer Reads a Published Book and Says: “This Sucks. I Can Do Better.”

Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. He’s at work on a book about Los Angeles, A Los Angeles Primer, the video series The City in Cinema, the crowdfunded journalism project Where Is the City of the Future?, and the Los Angeles Review of Books’ Korea Blog. Follow him on Twitter at @colinmarshall or on Faceboo k.

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Edward Hopper’s Iconic Painting Nighthawks Explained in a 7‑Minute Video Introduction

in Art, History | December 26th, 2016

If any one painting stands for mid-twentieth-century America, Nighthawks does. In fact, Edward Hopper’s 1942 canvas of four figures in a late-night New York City diner may qualify as the most vivid evocation of that country and time in any form. For Evan Puschak, better known as the video essayist Nerdwriter, the experience of Nighthawks goes well beyond the visual realm. “I’ve always thought of him in a sort of aromatic way,” says Puschak of the artist, “because his paintings evoke the same kinds of feelings and memories that I get from the sense of smell, as if he was channeling directly into my limbic system, excavating moments that were stored deeply away.”

But Puschak wouldn’t have experienced the early 1940s first-hand, much less the turn-of-the-century period in which Hopper grew up. Nor would have most of the people captivated by Nighthawks today, much less those countless appreciators as yet unborn. How does Hopper, in his most famous painting and many others, at once capture a time and a place while also resonating on a deeper, more universally human level?

Puschak takes up that question in “Look through the Window,” a video essay that examines the power of Hopper’s art, “clean, smooth, and almost too real,” through a breakdown of Nighthawks, an expression of all of the artist’s themes: “loneliness, alienation, voyeurism, quiet contemplation, and more.”

The effectiveness of the painting’s composition, in Puschak’s analysis, comes from such elements as the ambiguity of the relationships between its characters, the strong diagonal lines of the diner’s architecture, the use of light in the darkness, and the windows so clear as to look “as if they’re not even there,” all so memorably realized by Hopper’s painstaking dedication to his work. (His long and involved process, which we’ve previously featured here, even included a kind of storyboarding.) “As slowly and deliberately as he painted,” Puschak says, “he wanted us to look — really look, and to be made vulnerable, as a viewer always is.”

Many Americans must have felt such vulnerability with a special acuteness at the time Hopper finished painting Nighthawks, “the weeks and days following the bombing of Pearl Harbor, when everyone in New York City was paranoid about another attack.” Everyone, that is, except Edward Hopper, who kept his studio light on and kept on painting beneath it. “The future was very uncertain at this moment in time, as uncertain as the darkness that frames the patrons of this diner, a darkness they’re launched into by Hopper’s composition and our gaze.” Some might say that times, in America and elsewhere, haven’t become much more certain since. We, like Hopper, could do much worse than continuing to create ever more deliberately, and to see ever more clearly.

Painters Painting: The Definitive Documentary Portrait of the New York Art World (1940–1970)

Whitney Museum Puts Online 21,000 Works of American Art, By 3,000 Artists

The Museum of Modern Art (MoMA) Puts Online 65,000 Works of Modern Art

Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. He’s at work on a book about Los Angeles, A Los Angeles Primer, the video series The City in Cinema, the crowdfunded journalism project Where Is the City of the Future?, and the Los Angeles Review of Books’ Korea Blog. Follow him on Twitter at @colinmarshall or on Faceboo k.

by Colin Marshall | Permalink | Make a Comment ( 11 ) |

Hemingway, Fitzgerald, Faulkner: A Free Yale Course

in Literature, Online Courses, Yale | December 26th, 2016

This course taught by Yale professor Wai Chee Dimock examines major works by three iconic American authors–Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner. Along the way, Dimock explores these authors’ “interconnections on three analytic scales: the macro history of the United States and the world; the formal and stylistic innovations of modernism; and the small details of sensory input and psychic life.” You can access the 24 lectures in Hemingway, Fitzgerald, Faulkner on YouTube, or on iTunes in video and audio. Texts discussed in the course include:

Faulkner, William. As I Lay Dying.

Faulkner, William. Light in August.

Faulkner, William. The Sound and the Fury.

Fitzgerald, F. Scott. The Great Gatsby.

Fitzgerald, F. Scott. The Short Stories of F. Scott Fitzgerald: A New Collection.

Fitzgerald, F. Scott. Tender is the Night.

Hemingway, Ernest. For Whom the Bell Tolls.

Hemingway, Ernest. In Our Time.

Hemingway, Ernest. To Have and Have Not.

Find more information about this course, including the syllabus, over at this Yale site.

Hemingway, Fitzgerald, Faulkner has been added to our list of Free Online Literature courses, a subset of our meta collection, 1,700 Free Online Courses from Top Universities.

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How Leo Tolstoy Became a Vegetarian and Jumpstarted the Vegetarian & Humanitarian Movements in the 19th Century

in Food & Drink, Literature, Philosophy, Politics, Religion | December 26th, 2016

Leo Tolstoy is remembered as both a towering pinnacle of Russian literature and a fascinating example of Christian anarchism, a mystical version of which the aristocratic author pioneered in the last quarter century of his life. After a dramatic conversion, Tolstoy rejected his social position, the favored vices of his youth, and the dietary habits of his culture, becoming a vocal proponent of vegetarianism in his ascetic quest for the good life. Thousands of his contemporaries found Tolstoy’s example deeply compelling, and several communes formed around his principles, to his dismay. “To speak of ‘Tolstoyism,’” he wrote, “to seek guidance, to inquire about my solution of questions, is a great and gross error.”

“Still,” writes Kelsey Osgood at The New Yorker, “people insisted on seeking guidance from him,” including a young Mahatma Gandhi, who struck up a lively correspondence with the writer and in 1910 founded a community called “Tolstoy Farm” near Johannesburg.

Though uneasy in the role of movement leader, the author of Anna Karenina invited such treatment by publishing dozens of philosophical and theological works, many of them in opposition to a contrary strain of religious and moral ideas developing in the late nineteenth century. Often called “muscular Christianity,” this trend responded to what many Victorians thought of as a crisis of masculinity by emphasizing sports and warrior ideals and railing against the “feminization” of the culture.

Tolstoy might be said to represent a “vegetable Christianity”—seeking harmony with nature and turning away from all forms of violence, including the eating of meat. In “The First Step,” an 1891 essay on diet and ethical commitment, he characterized the prevailing religious attitude toward food:

I remember how, with pride at his originality, an Evangelical preacher, who was attacking monastic asceticism, once said to me “Ours is not a Christianity of fasting and privations, but of beefsteaks.” Christianity, or virtue in general—and beefsteaks!

While he confessed himself “not horrified by this association,” it is only because “there is no bad odor, no sound, no monstrosity, to which man cannot become so accustomed that he ceases to remark what would strike a man unaccustomed to it.” The killing and eating of animals, Tolstoy came to believe, is a horror to which—like war and serfdom—his culture had grown far too accustomed. Like many an animal rights activist today, Tolstoy conveyed his horror of meat-eating by describing a slaughterhouse in detail, concluding:

[I]f he be really and seriously seeking to live a good life, the first thing from which he will abstain will always be the use of animal food, because, to say nothing of the excitation of the passions caused by such food, its use is simply immoral, as it involves the performance of an act which is contrary to the moral feeling—killing.

[W]e cannot pretend that we do not know this. We are not ostriches, and cannot believe that if we refuse to look at what we do not wish to see, it will not exist.… [Y]oung, kind, undepraved people—especially women and girls—without knowing how it logically follows, feel that virtue is incompatible with beefsteaks, and, as soon as they wish to be good, give up eating flesh.

The idea of vegetarianism of course preceded Tolstoy by hundreds of years of Hindu and Buddhist practice. And its growing popularity in Europe and America preceded him as well. “Tolstoy became an outspoken vegetarian at the age of 50,” writes Sam Pavlenko, “after meeting the positivist and vegetarian William Frey, who, according to Tolstoy’s son Sergei Lvovich, visited the great writer in the autumn of 1885.” Tolstoy’s dietary stance fit in with what Charlotte Alston describes as an “increasingly organized” international vegetarian movement taking shape in the late nineteenth century.

Like Tolstoy in “The First Step,” proponents of vegetarianism argued not only against cruelty to animals, but also against “the brutalization of those who worked in the meat industry, as butchers, slaughtermen, and even shepherds and drovers.” But vegetarianism was only one part of Tolstoy’s religious philosophy, which also included chastity, temperance, the rejection of private property, and “a complete refusal to participate in violence or coercion of any kind.” This marked his dietary practice as distinct from many contemporaries. Tolstoy and his followers “made the link between vegetarianism and a wider humanitarianism explicit.”

“How was it possible,” Alston summarizes, “to regard the killing of animals for food as evil, but not to condemn the killing of men through war and capital punishment? Not all members of the vegetarian movement agreed.” Some saw “no connection between the questions of war and diet.” Tolstoy’s philosophical argument against all forms of violence was not original to him, but it resonated all over the world with those who saw him as a shining example, including his two daughters and eventually his wife Sophia, who all adopted the practice of vegetarianism. A book of their recipes was published in 1874, and adapted by Pavlenko for his Leo Tolstoy: A Vegetarian’s Tale. (See one example here—a family recipe for macaroni and cheese.)

In her study Tolstoy and His Disciples, Alston details the Russian great’s wide influence through not only his diet but the totality of his spiritual practices and unique political and religious views. Interestingly, unlike many animal rights activists of his day and ours, Tolstoy refused to endorse legislation to punish animal cruelty, believing that punishment would only result in the perpetuation of violence. “Non-violence, non-resistance and brotherhood were the principles that lay at the basis of Tolstoyan vegetarianism,” she observes, “and while these principles meant that Tolstoyans cooperated closely with vegetarians, they also kept them in many ways apart.”

via History Buff

Watch Glass Walls, Paul McCartney’s Case for Going Vegetarian

Tolstoy and Gandhi Exchange Letters: Two Thinkers’ Quest for Gentleness, Humility & Love (1909)

Leo Tolstoy’s Masochistic Diary: I Am Guilty of “Sloth,” “Cowardice” & “Sissiness” (1851)

Leo Tolstoy Creates a List of the 50+ Books That Influenced Him Most (1891)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

by Josh Jones | Permalink | Make a Comment ( 2 ) |

How to Make a Replica of 1900-Year-Old Glass Fish: A Brilliant Video from the British Museum

in Art, History, Museums | December 26th, 2016

All due respect to the British Museum, but the title of its “How to Make a Glass Fish Replica” video, above is a tad misleading.

I’m sure no malice was intended, but “making” a DIY fish-shaped vessel reminiscent of some 22 found in the ancient Kushan storerooms at Begram, Afghanistan is no one’s definition of an easy craft project. (Unless you’re willing to fudge with some Elmer’s, some blue felt, and an empty peanut butter jar…)

Glass Specialist Bill Gudenrath of the Corning Museum of Glass is an historian of glassworking techniques from ancient Egypt through the Renaissance and clearly expert at his craft, but he doesn’t appear to be too keen on supplying explanatory blow-by-blows. Nor would I be, bustling around a red hot glass oven, without so much as a Johnny Tremain-style leather apron to protect me. I’m not even sure I’d want the distraction of a video camera in my face.

But if, as the title implies, the goal is to produce a duplicate of this whimsical 1900-year-old guppy, the process must be broken down.

From what this casual viewer was able to piece together, the steps would go something like:

1. Twirl a red hot metal pipe in the forge until you have a healthy glob of molten glass. Apparently it’s not so different from making cotton candy.

2. Roll the glass blob back and forth on a metal tray.

3. Blow into the pipe’s non-glowing end to form a bubble.

4. Repeat steps 1–3

5. Roll the pipe back and forth on a metal sawhorse while seated, applying pinchers to taper the blob into a recognizably fishy-shape.

(Don’t worry about its proximity to your bare forearms and khaki-covered thighs! What could possibly go wrong?)

6. Twirl it like a baton.

(Depending on the length of your arms, your nascent glass fish may come dangerously close to the cement floor. Try not to sweat it.)

7. Use scissors and pinchers to tease out a nipple-shaped appendage that will become the fish’s lips.

8. Use another poker to apply various bloops of molten glass. (Novices may want to practice with a hot glue gun to get the hang of this — it’s trickier than it looks!) Pinch, prod and drape these bloops into eye and fin shapes. A non-electric crimping iron will prove handy here.

9. Use blue glass, tweezers and crimping iron to personalize your fish-shaped vessel’s distinctive dorsal and anal fins.

10. Tap on the pipe to crack the fish loose. (Careful!)

11. Score the distal end with a glass cutting tool.

(This step should prove a cinch for anyone who ever used a craft kit to turn empty beer and soda bottles into drinking glasses!)

12. Smooth rough edges with another loop of molten glass and some sort of electric underwater grinding wheel.

Optional 13th step: Read this description of a furnace session, to better acquaint yourself with both best glassblowing practices and the proper names for the equipment. Or get the jump on Christmas 2017 with this true how-to guide to producing hand blown glass ornaments.

Not planning on blowing any glass, fish-shaped or otherwise, any time soon?

Explore the somewhat mysterious history of the 1900-year-old fish-shaped original here, compliments of the British Museum’s St John Simpson, senior curator for its pre-Islamic collections from Iran and Arabia.

Glass: The Oscar-Winning “Perfect Short Documentary” on Dutch Glassmaking (1958)

How to Bake Ancient Roman Bread Dating Back to 79 AD: A Video Primer

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Her play Zamboni Godot is opening in New York City in March 2017. Follow her @AyunHalliday.

by Ayun Halliday | Permalink | Make a Comment ( None ) |

Fill Your New Kindle, iPad, iPhone, eReader with Free eBooks, Audio Books, Online Courses & More

in Uncategorized | December 25th, 2016

Santa left a new Kindle, iPad, Kindle Fire or other media player under your tree. He did his job. Now we’ll do ours. We’ll tell you how to fill those devices with free intelligent media — great books, movies, courses, and all of the rest. And if you didn’t get a new gadget, fear not. You can access all of these materials right on a computer. Here we go:

Free eBooks: You have always wanted to read the great works. And now is your chance. When you dive into our Free eBooks collection you will find 800 great works by some classic writers (Dickens, Dostoevsky, Austen, Shakespeare and Tolstoy) and contemporary writers (Philip K. Dick, Isaac Asimov, and Kurt Vonnegut). The collection also gives you access to the 51-volume Harvard Classics.

If you’re an iPad/iPhone user, the download process is super easy. Just click the “iPad/iPhone” links and you’re good to go. Kindle and Nook users will generally want to click the “Kindle + Other Formats links” to download ebook files, but we’d suggest watching these instructional videos (Kindle – Nook) beforehand.

Free Audio Books: What better way to spend your free time than listening to some of the greatest books ever written? This page contains a vast number of free audio books — 700 works in total — including texts by Arthur Conan Doyle, James Joyce, Jane Austen, Edgar Allan Poe, George Orwell and more recent writers — Italo Calvino, Vladimir Nabokov, Raymond Carver, etc. You can download these classic books straight to your gadgets, then listen as you go.

[Note: If you’re looking for a contemporary book, you can download one free audio book from Audible.com. Find details on Audible’s no-strings-attached deal here.]

Free Online Courses: This list brings together over 1150 free online courses from leading universities, including Stanford, Yale, MIT, UC Berkeley, Oxford and beyond.

These full-fledged courses range across all disciplines — history, physics, philosophy, psychology, business, and beyond. Most all of these courses are available in audio, and roughly 75% are available in video. You can’t receive credits or certificates for these courses (click here for courses that do offer certificates). But the amount of personal enrichment you will derive is immeasurable.

Free Movies: With a click of a mouse, or a tap of your touch screen, you will have access to 725 great movies. The collection hosts many classics, westerns, indies, documentaries, silent films and film noir favorites. It features work by some of our great directors (Alfred Hitchcock, Orson Welles, Andrei Tarkovsky and more) and performances by cinema legends: John Wayne, Jack Nicholson, Audrey Hepburn, Charlie Chaplin, and beyond. On this one page, you will find thousands of hours of cinema bliss.

Free Language Lessons: Perhaps learning a new language is high on your list of New Year’s resolutions. Well, here is a great way to do it. Take your pick of 46 languages, including Spanish, French, Italian, Mandarin, English, Russian, Dutch, even Finnish, Yiddish and Esperanto. These lessons are all free and ready to download.

Free Textbooks: And one last item for the lifelong learners among you. We have scoured the web and pulled together a list of 200 Free Textbooks. It’s a great resource particularly if you’re looking to learn math, computer science or physics on your own. There might be a diamond in the rough here for you.

Thank Santa, maybe thank us, and enjoy that new device.…

by OC | Permalink | Make a Comment ( 2 ) |

The Employment: A Prize-Winning Animation About Why We’re So Disenchanted with Work Today

in Animation, Business | December 24th, 2016

What did Argentine filmmaker Santiago Grasso have in mind when he created the prize-winning animation El Empleo (The Employment) five years ago? Was it something about the dehumanizing quality of many jobs in the modern service economy? Or the grim shift towards menial labor after the great recession of 2007-08? Or, nowadays in 2016, could you see a commentary on the work that will be left once automation finishes displacing living, breathing employees–everyone from burger flippers to hedge fund managers? Robots will do the work, people will be the doormats, and maybe (as Elon Musk suggests) the government can pay us all a bare minimum wage?

The Employment will be added to our collection of Free Animations, a subset of our larger meta list, 4,000+ Free Movies Online: Great Classics, Indies, Noir, Westerns, Documentaries & More.

via The Creators Project

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If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!

Charles Bukowski Rails Against 9‑to‑5 Jobs in a Brutally Honest Letter (1986)

William Faulkner Resigns From His Post Office Job With a Spectacular Letter (1924)

by OC | Permalink | Make a Comment ( 2 ) |

Watch Nina Simone Sing the Black Pride Anthem, “To Be Young, Gifted and Black,” on Sesame Street (1972)

Stephen King Explains the Key to His Creativity: Not Losing the Dream-State Thinking All Children Are Born With

Edward Hopper’s Iconic Painting Nighthawks Explained in a 7‑Minute Video Introduction

Hemingway, Fitzgerald, Faulkner: A Free Yale Course

How Leo Tolstoy Became a Vegetarian and Jumpstarted the Vegetarian & Humanitarian Movements in the 19th Century

How to Make a Replica of 1900-Year-Old Glass Fish: A Brilliant Video from the British Museum

Fill Your New Kindle, iPad, iPhone, eReader with Free eBooks, Audio Books, Online Courses & More

The Employment: A Prize-Winning Animation About Why We’re So Disenchanted with Work Today

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