FYI: If you sign up for a MasÂterÂClass course by clickÂing on the affilÂiÂate links in this post, Open CulÂture will receive a small fee that helps supÂport our operÂaÂtion.
One hears much, these days, about the misÂsions of new tech comÂpaÂnies to “disÂrupt” existÂing indusÂtries, from retail to pubÂlishÂing to taxi cabs to eduÂcaÂtion. We’ve regardÂed that as priÂmarÂiÂly the domain of SilÂiÂcon ValÂley twenÂtysomeÂthings, but why can’t a GerÂman filmÂmakÂer with a nearÂly 55-year career under his belt get in on the action? WernÂer HerÂzog, havÂing already done much to disÂrupt film as we know it, has in recent years turned his attenÂtion toward disÂruptÂing film schools, which comÂpose an indusÂtry not espeÂcialÂly comÂpatÂiÂble with his own vision of the honÂest and rigÂorÂous craft of cinÂeÂma.
We’ve feaÂtured HerÂzog’s in-perÂson Rogue Film School workÂshops before, but now, accordÂing to EnterÂtainÂment WeekÂly’s Derek Lawrence, “online eduÂcaÂtion platÂform MasÂterÂClass announced that HerÂzog is teachÂing an online class on feaÂture and docÂuÂmenÂtary filmÂmakÂing, where the varÂiÂous lessons will include stoÂryÂtelling, cinÂeÂmatogÂraÂphy, interÂview techÂniques, and how to work with actors.” The artiÂcle quotes the makÂer of feaÂtures like FitzÂcarÂralÂdo and Aguirre, the Wrath of God and docÂuÂmenÂtaries like LitÂtle Dieter Needs to Fly and GrizÂzly Man offerÂing someÂthing like a misÂsion stateÂment: “UltiÂmateÂly, my own goal is to be a good solÂdier of cinÂeÂma and if I can inspire one or two of you out there, to become a good solÂdier, then I have done everyÂthing I should do here.”
You can learn more about MasÂterÂclass from the New York Times’ LauÂra M. HolÂson, who describes the enterÂprise, the brainÂchild of Los AngeÂles-raised SilÂiÂcon ValÂley entreÂpreÂneur David RogiÂer, as “a series of online coursÂes taught by peoÂple who are the best in the world at what they do,” includÂing Annie LeiÂbovitz on PhoÂtogÂraÂphy, HerÂbie HanÂcock on Jazz, Jane Goodall on ConÂservÂing the EnviÂronÂment and WernÂer HerÂzog on filmÂmakÂing. HerÂzog’s course can be takÂen by signÂing up for an All Access Pass, which gives you access to every course in the MasÂterÂclass course catÂaÂlogue, includÂing coursÂes from many othÂer filmÂmakÂers.
“You spend way too much time in the film school, it costs way too much monÂey,” says the self-taught filmÂmakÂer in the course’s trailÂer above. “You can learn the essenÂtials of filmÂmakÂing on your own withÂin two weeks.” Or, in the forÂmat that MasÂterÂClass has develÂoped as they go along just like HerÂzog did when he first began makÂing movies (and, givÂen his endurÂing invenÂtiveÂness, conÂtinÂues to do today), you can ostenÂsiÂbly learn it in five hours of online video. You may not capÂture any of HerÂzog’s beloved “ecstaÂtÂic truth” immeÂdiÂateÂly afterÂward, but you’ll sureÂly get your fee’s worth of thrilling stoÂries of the filmÂmakÂing life along the way. Sign up for HerÂzog’s class here.
You can take this class by signÂing up for a MasÂterÂClass’ All Access Pass. The All Access Pass will give you instant access to this course and 85 othÂers for a 12-month periÂod.
RelatÂed ConÂtent:
WernÂer HerÂzog Picks His 5 Favorite Films
PorÂtrait WernÂer HerÂzog: The Director’s AutoÂbiÂoÂgraphÂiÂcal Short Film from 1986
WernÂer HerÂzog Gets Shot DurÂing InterÂview, Doesn’t Miss a Beat
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and style. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer, the video series The City in CinÂeÂma, the crowdÂfundÂed jourÂnalÂism project Where Is the City of the Future?, and the Los AngeÂles Review of Books’ Korea Blog. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.