Mark Bittman’s Most Loved Recipes from The New York Times: Learn to Cook Healthy, Earth-Friendly Meals

Food writer and healthy eat­ing advo­cate Mark Bittman has “no patience” for those who say, “I’d love to cook but I have a lousy kitchen,” but that does­n’t make him a hec­tor­ing meanie in the Top Chef pan­elist mold:

To me the ques­tion was not, “Would I cook this as a native would?” but rather, “How would a native cook this if he had my ingre­di­ents, my kitchen, my back­ground?” It’s obvi­ous­ly a dif­fer­ent dish. But as Jacques Pépin once said to me, you nev­er cook a recipe the same way twice, even if you try. I nev­er main­tained that my way of cook­ing was the “best” way to cook, only that it’s a prac­ti­cal way to cook. (I’m lazy, I’m rushed, and I’m not all that skill­ful, and many peo­ple share those qual­i­ties.)

If you’ve made it to adult­hood with­out learn­ing how to cook, or for that mat­ter, how to eat for the good of your body and the plan­et, Bittman is your man.

With the excep­tion of his baroque, James Beard-inspired scram­bled eggs, his recipes are swift and sim­ple, and his well doc­u­ment­ed flex­i­bil­i­ty makes him a good fit for any num­ber of palates and dietary restric­tions.

Hav­ing intro­duced the world to the idea of eat­ing “veg­an before six,” he ditched his cushy New York Times colum­nist gig to start a plant-based meal kit ser­vice in San Fran­cis­co. The Pur­ple Car­rot’s stat­ed goal is not to get peo­ple to give up meat, but rather to up their intake of home cooked dish­es that are good for their health as well as the envi­ron­ment.

Ergo, he’s like­ly not too cha­grinned that this col­lec­tion of Bittman’s “most-loved recipes,” in a career span­ning more than 1500 bylines at the New York Times, includes such ingre­di­ents as chori­zo, may­on­naise, chick­en, and eggs.

Below you can find a selec­tion (a bak­er’s dozen) of favorite Bittman recipes for chefs at all lev­els, includ­ing absolute begin­ners, to try. (The com­plete list is here.) Their ingre­di­ents are fair­ly straight­for­ward, though Hol­ly Golight­ly types who store books in the oven, may have to upgrade the kitchen with some ramekins and a pas­try cut­ter.

  • Veg­etable Soup: This one pre­sumes a microwave. You can do it the old fash­ioned way by adding some water or boxed veg­etable stock to a stove­top pot. See? Cook­ing is easy!

Find all of Bittman’s New York Times recipes here. And even more on his web­site.

Relat­ed Con­tent:

Michael Pol­lan Explains How Cook­ing Can Change Your Life; Rec­om­mends Cook­ing Books, Videos & Recipes

53 New York Times Videos Teach Essen­tial Cook­ing Tech­niques: From Poach­ing Eggs to Shuck­ing Oys­ters

MIT Teach­es You How to Speak Ital­ian & Cook Ital­ian Food All at Once (Free Online Course)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

A Complete Collection of Wes Anderson Video Essays

What with the lav­ish atten­tion he and his col­lab­o­ra­tors pay to art, design, cos­tum­ing, fram­ing, com­po­si­tion, and edit­ing — and espe­cial­ly con­sid­er­ing the pains he and his col­lab­o­ra­tors take to ref­er­ence and adapt pieces of the art of cin­e­ma that came before them — who does it sur­prise that Wes Ander­son become such a fruit­ful sub­ject for video essay­ists? His films, from the hum­ble fea­ture debut Bot­tle Rock­et and sopho­more break­out Rush­more to more recent exten­sions of his project like Moon­rise King­dom and The Grand Budapest Hotel, can seem made espe­cial­ly for cinephiles handy with Final Cut to take apart, and put back togeth­er again.

“I will NOT be doing a Wes Ander­son video essay,” says Tony Zhou, cre­ator of the video essay series Every Frame a Paint­ing. “The mar­ket is sat­u­rat­ed and I have noth­ing to add.” Those who have enjoyed Zhou’s astute break­downs of the work of Mar­tin Scors­ese, Jack­ie Chan, Michael Bay, Edgar Wright, Aki­ra Kuro­sawa, David Finch­er, Buster Keaton, and the Coen Broth­ers (as well as the use and abuse of his home­town of Van­cou­ver) pre­vi­ous­ly fea­tured here might con­sid­er that a shame. But he has put togeth­er a list of all the oth­er video essay­ists’ work on Ander­son, which includes Matt Zoller Seitz’s thir­teen pieces:


Bot­tle Rock­et

Rush­more

The Roy­al Tenen­baums

The Life Aquat­ic with Steve Zis­sou

The Dar­jeel­ing Lim­it­ed

Fan­tas­tic Mr. Fox

Moon­rise King­dom

The Grand Budapest Hotel

[Note: All of the videos above are gath­ered here in one place.]

Wes Ander­son: The Sub­stance of Style (five parts)

And Zhou’s list fea­tures video essays from oth­er cre­ators:

Kog­o­na­da

Wes Ander­son // Cen­tered
Wes Ander­son // From Above

Jaume R. Lloret
Wes Ander­son // Vehi­cles

Rishi Kane­r­ia
Red & Yel­low: A Wes Ander­son Super­cut

Paul Waters
Wes Ander­son: A Mini Doc­u­men­tary

Way Too Indie
Mise en Scène & The Visu­al Themes of Wes Ander­son

Zhou also includes three in-depth blog posts by film schol­ar David Bor­d­well on Ander­son­’s shot-con­scious­nessThe Grand Budapest Hotel, and Moon­rise King­dom. “Now, nev­er ask me about Wes Ander­son again,” hav­ing already re-empha­sized that he does not, in any case, take video essay requests. But if you’d like to con­tin­ue see­ing him make video essays on whichev­er sub­jects he does choose going for­ward, have a look at Every Frame a Paint­ing’s Patre­on page to find out how you can sup­port his always-stim­u­lat­ing exam­i­na­tions of nev­er-Ander­son auteurs.

(And if you still can’t do with­out more Ander­son, spend some time with the relat­ed con­tent below.)

Relat­ed Con­tent:

Watch 7 New Video Essays on Wes Anderson’s Films: Rush­more, The Roy­al Tenen­baums & More

What’s the Big Deal About Wes Anderson’s The Grand Budapest Hotel? Matt Zoller Seitz’s Video Essay Explains

Every Frame a Paint­ing Explains the Film­mak­ing Tech­niques of Mar­tin Scors­ese, Jack­ie Chan, and Even Michael Bay

The Geo­met­ric Beau­ty of Aki­ra Kuro­sawa and Wes Anderson’s Films

Watch a Super Cut of Wes Anderson’s Sig­na­ture Slo-Mo Shots

Wes Ander­son Likes the Col­or Red (and Yel­low)

The Per­fect Sym­me­try of Wes Anderson’s Movies

A Glimpse Into How Wes Ander­son Cre­ative­ly Remixes/Recycles Scenes in His Dif­fer­ent Films

Wes Ander­son & Yasu­jiro Ozu: New Video Essay Reveals the Unex­pect­ed Par­al­lels Between Two Great Film­mak­ers

Books in the Films of Wes Ander­son: A Super­cut for Bib­lio­philes

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

American History: An Off-Kilter 1992 Student Film from South Park Creator Trey Parker

Here’s a lit­tle exer­cise:

Spend five min­utes record­ing your­self recap­ping every­thing you know about Japan­ese his­to­ry.

(Inter­na­tion­al Stud­ies majors and Japan­ese cit­i­zens, please sit this one out.)

Most of us will wind up with a pas­tiche that’s heavy on pop cul­ture and rel­a­tive­ly recent events. The aver­age Japan­ese school­child should have no dif­fi­cul­ty iden­ti­fy­ing the glar­ing holes and fac­tu­al errors in our nar­ra­tives.

If this idea amus­es you, you’ll like­ly enjoy Amer­i­can His­to­ry, above, South Park cre­ator Trey Park­er’s ear­ly ani­mat­ed short, a 1993 Stu­dent Acad­e­my Award sil­ver medal­ist.

Parker’s Japan­ese-born Uni­ver­si­ty of Col­orado class­mate, Junichi Nishimu­ra, pro­vid­ed the nar­ra­tion, begin­ning with Christo­pher Colum­bus in 1492 and end­ing with the “Japan bash­ing” 41st pres­i­dent, George H.W. Bush. High­lights along the way include the Salem Witch Tri­als, the Boston Tea Par­ty, the assas­si­na­tions of Pres­i­dents Lin­coln and Kennedy, Leave It to Beaver, and that time Bush barfed at a state din­ner host­ed by Japan­ese Prime Min­is­ter Kiichi Miyaza­wa.

He also remem­bers the Alamo, prov­ing one Red­dit wag’s hypoth­e­sis: If there’s one thing peo­ple remem­ber about the Alamo, it is to remem­ber the Alamo…

And then….

Park­er and anoth­er class­mate, Chris Graves, his soon-to-be DP on Can­ni­bal: The Musi­cal, ani­mat­ed the results using the most rudi­men­ta­ry of paper cut outs. It’s easy to spot the fledg­ling South Park style, as well as Python ani­ma­tor Ter­ry Gilliam’s influ­ence. This may be Amer­i­can his­to­ry, but the anony­mous top hat­ted hordes bear an awful­ly close resem­blance to South Park’s res­i­dent Cana­di­ans, Ter­rance and Phillip.

If the pho­net­ic spellings of non-native speak­er Nishimura’s pro­nun­ci­a­tion makes you uncom­fort­able, it’s worth not­ing that he not only worked as an ani­ma­tor on South Park, but also rep­re­sent­ed his coun­try by play­ing “Pres­i­dent” Hiro­hi­to on the extreme­ly fun­ny (and NSFW) “Chin­pokomon” episode.

Amer­i­can His­to­ry will be added to the Ani­ma­tion sec­tion of our col­lec­tion,

via Boing­Bo­ing

Relat­ed Con­tent:

The Zen Wis­dom of Alan Watts Ani­mat­ed by the Cre­ators of South Park, Trey Park­er and Matt Stone

John Green’s Crash Course in U.S. His­to­ry: From Colo­nial­ism to Oba­ma in 47 Videos

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Read her most recent dra­ma-in-real com­ic on Nar­ra­tive­ly. Fol­low her @AyunHalliday

Unearthed Songs by Jeff Buckley Now Streaming Online (Free For a Limited Time)

buckley you and i

A quick fyi: Thanks to NPR, you can now stream You and I, a not-yet released album fea­tur­ing long-lost record­ings by Jeff Buck­ley, the singer-song writer who died in 1997, just as he seemed poised to be the heir appar­ent to Bob Dylan and Bruce Spring­steen. Here’s how NPR describes the album that will be offi­cial­ly released next week:

You And I col­lects 10 of his demos, which were record­ed in Feb­ru­ary 1993, short­ly after he’d signed to his label. For more than 20 years, they sat for­got­ten in the vaults — and, more to the point, were nev­er boot­legged or oth­er­wise cir­cu­lat­ed. New­ly unearthed, they show­case a late-bloom­ing 26-year-old artist who’s still find­ing and har­ness­ing his voice: learn­ing how to manip­u­late its gale-force pow­er, learn­ing when and whether to hold back, and learn­ing how to ful­ly trans­late his influ­ences into a sound of his own.

The songs are most­ly cov­ers of artists like The SmithsBob Dylan, Sly & The Fam­i­ly Stone, and Led Zep­pelin. You can stream the album below, or hear it over at NPR. But hur­ry up, it will only be free for a lim­it­ed time.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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3,900 Pages of Paul Klee’s Personal Notebooks Are Now Online, Presenting His Bauhaus Teachings (1921–1931)

Klee Notebooks 1

Paul Klee led an artis­tic life that spanned the 19th and 20th cen­turies, but he kept his aes­thet­ic sen­si­bil­i­ty tuned to the future. Because of that, much of the Swiss-Ger­man Bauhaus-asso­ci­at­ed painter’s work, which at its most dis­tinc­tive defines its own cat­e­go­ry of abstrac­tion, still exudes a vital­i­ty today.

And he left behind not just those 9,000 pieces of art (not count­ing the hand pup­pets he made for his son), but plen­ty of writ­ings as well, the best known of which came out in Eng­lish as Paul Klee Note­books, two vol­umes (The Think­ing Eye and The Nature of Nature) col­lect­ing the artist’s essays on mod­ern art and the lec­tures he gave at the Bauhaus schools in the 1920s.

Klee Notebooks 2

“These works are con­sid­ered so impor­tant for under­stand­ing mod­ern art that they are com­pared to the impor­tance that Leonardo’s A Trea­tise on Paint­ing had for Renais­sance,” says Mono­skop. Their descrip­tion also quotes crit­ic Her­bert Read, who described the books as  “the most com­plete pre­sen­ta­tion of the prin­ci­ples of design ever made by a mod­ern artist – it con­sti­tutes the Prin­cip­ia Aes­thet­i­ca of a new era of art, in which Klee occu­pies a posi­tion com­pa­ra­ble to Newton’s in the realm of physics.”

Klee Notebooks 3

More recent­ly, the Zen­trum Paul Klee made avail­able online almost all 3,900 pages of Klee’s per­son­al note­books, which he used as the source for his Bauhaus teach­ing between 1921 and 1931. If you can’t read Ger­man, his exten­sive­ly detailed tex­tu­al the­o­riz­ing on the mechan­ics of art (espe­cial­ly the use of col­or, with which he strug­gled before return­ing from a 1914 trip to Tunisia declar­ing, “Col­or and I are one. I am a painter”) may not imme­di­ate­ly res­onate with you. But his copi­ous illus­tra­tions of all these obser­va­tions and prin­ci­ples, in their vivid­ness, clar­i­ty, and reflec­tion of a tru­ly active mind, can still cap­ti­vate any­body  — just as his paint­ings do.

Klee Notebooks 4

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Mono­skop

Relat­ed Con­tent:

The Home­made Hand Pup­pets of Bauhaus Artist Paul Klee

Down­load Orig­i­nal Bauhaus Books & Jour­nals for Free: Gropius, Klee, Kandin­sky, Moholy-Nagy & More

Kandin­sky, Klee & Oth­er Bauhaus Artists Designed Inge­nious Cos­tumes Like You’ve Nev­er Seen Before

815 Free Art Books from World Class Muse­ums: The Met, the Guggen­heim, the Get­ty & LACMA

The Nazi’s Philis­tine Grudge Against Abstract Art and The “Degen­er­ate Art Exhi­bi­tion” of 1937

Bauhaus, Mod­ernism & Oth­er Design Move­ments Explained by New Ani­mat­ed Video Series

Down­load All 36 of Jan Vermeer’s Beau­ti­ful­ly Rare Paint­ings (Most in Stun­ning High Res­o­lu­tion)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Pink Floyd’s “Another Brick in the Wall” Played with Medieval Instruments, and Kickstart More Medieval Covers

Last year, we intro­duced you to Stary Olsa, a band from East­ern Europe (Belarus, to be pre­cise) who has a knack for rework­ing famous rock songs in a Medieval Belaru­sian folk style. Our orig­i­nal post fea­tured adap­ta­tions of clas­sic songs by The Bea­t­les, Red Hot Chili Pep­pers, Metal­li­ca and Deep Pur­ple. Above you can watch Stary Olsa play “Anoth­er Brick in the Wall” by Pink Floyd on the Belaru­sian TV-show “Leg­ends Live.” Part of the rea­son we’re fea­tur­ing the band again is because Stary Olsa has launched a Kick­starter cam­paign to fund the record­ing of its 12th album, Old Time Rock n Roll, which will bring more met­al music back to the Mid­dle Ages. You can watch the video for the cam­paign below, and make your con­tri­bu­tion, how­ev­er big or small, here. They’ll super appre­ci­ate any sup­port you can offer. Enjoy.

Relat­ed Con­tent:

With Medieval Instru­ments, Band Per­forms Clas­sic Songs by The Bea­t­les, Red Hot Chili Pep­pers, Metal­li­ca & Deep Pur­ple

Finnish Musi­cians Play Blue­grass Ver­sions of AC/DC, Iron Maid­en & Ron­nie James Dio

Pak­istani Musi­cians Play Amaz­ing Ver­sion of Dave Brubeck’s Jazz Clas­sic, “Take Five”

Watch Jimi Hendrix’s ‘Voodoo Chile’ Per­formed on a Gayageum, a Tra­di­tion­al Kore­an Instru­ment

 

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The Anti-Slavery Alphabet: 1846 Book Teaches Kids the ABCs of Slavery’s Evils

anti-slavery-alphabet_1846-1

Fre­quent­ly, I see sto­ries in the edu­ca­tion news report­ing on a text­book com­pa­ny, school board, or cur­ricu­lum attempt­ing to min­i­mize or erase the his­to­ry of slav­ery in the Unit­ed States. One recent exam­ple made nation­al news: a text­book pub­lished by McGraw-Hill that described the Atlantic slave trade as bring­ing “mil­lions of work­ers from Africa to the Unit­ed States to work on agri­cul­tur­al plan­ta­tions.”

Roni Dean-Burren—mother of the stu­dent who noticed the “error” and her­self an educator—pointed out, writes NPR, that “while the book describes many Euro­peans immi­grat­ing as inden­tured ser­vants,” there was “no men­tion in this les­son of Africans forced to the U.S. as slaves.” It’s pret­ty egre­gious­ly bad his­tor­i­cal fram­ing; describ­ing slaves as migrant “work­ers” is at best gross under­state­ment and at worst dis­in­for­ma­tion.

anti-slavery-alphabet_1846-4

The text­book com­pa­ny main­tains it was a mis­take, oth­ers have alleged a delib­er­ate white­wash of a his­to­ry that makes many peo­ple uncom­fort­able. Sim­i­lar­ly heat­ed con­tro­ver­sies have arisen around cer­tain puz­zling­ly cheer­ful chil­dren’s books. I won’t weigh in here on the pol­i­tics of these debates, but I am very curi­ous about why teach­ing the his­to­ry of slav­ery is such a con­tentious issue in class­rooms across the coun­try.

If you were to ask most teach­ers, they would—one hopes—denounce U.S. slav­ery as a great moral wrong and praise its end as self-evi­dent­ly nec­es­sary. So what would it look like to teach the sub­ject that way? Well, for one thing, teach­ers and par­ents might refer to pri­ma­ry doc­u­ments like “The Anti-Slav­ery Alpha­bet,” an abo­li­tion­ist teach­ing tool writ­ten by Quak­ers Han­nah and Mary Townsend and sold at the Philadel­phia Female Anti-Slav­ery soci­ety fair in 1846.

anti-slavery-alphabet_1846-5

The alpha­bet, writes The Man in the Gray Flan­nel Suit, “con­sists of six­teen leaves, print­ed on one side, with the print­ed pages fac­ing each oth­er and hand-sewn into a paper cov­er. Each of the let­ter illus­tra­tions is hand-col­ored.” Cer­tain­ly a labor of love, and though tar­get­ed to young chil­dren, it is instruc­tive for stu­dents of all ages to see how abo­li­tion­ist ped­a­gogy framed these issues, refus­ing to soft-ped­al the “wretched” con­di­tions slaves endured.

Nor does this text shy away from direct­ly relat­ing these con­di­tions to the com­mod­i­ty mar­ket that sus­tained them. In the page below, for exam­ple, chil­dren learn that the sug­ar “put into your pie and tea / Your can­dy, and your cake,” comes from slave labor. Dit­to the “poi­so­nous and nasty” tobac­co the gen­tle­men chew.

anti-slavery-alphabet_1846-13

The lan­guage, as is typ­i­cal of the time, is occa­sion­al­ly sen­ti­men­tal or stern­ly moral­is­tic, but the facts do not suf­fer much for it. Is this pro­pa­gan­da? Cer­tain­ly, for a point of view that would take anoth­er 20 years, a bloody civ­il war, and a long strug­gle through a failed Recon­struc­tion and bru­tal Jim Crow era to take hold nation­wide, pock­ets of reac­tionar­ies notwith­stand­ing.

To see all of “The Anti-Slav­ery Alpha­bet,” vis­it The Man in the Gray Flan­nel Suit or the Mis­sis­sip­pi Depart­ment of Archives and His­to­ry, who allow you to zoom in and exam­ine each page close­ly. For more con­tem­po­rary books for chil­dren on the his­to­ry of slav­ery, see this list of “13 Hon­est Books About Slav­ery.” And for a wealth of pri­ma­ry abo­li­tion­ist doc­u­ments from the late 18th to the late 19th ( as well as more recent texts on mod­ern slav­ery) see the archive of “50 Essen­tial Doc­u­ments” at the Abo­li­tion Sem­i­nar, an “edu­ca­tion­al tool for teach­ers, stu­dents, and all who fight for free­dom.

anti-slavery-alphabet_1846-14

via Mash­able

Relat­ed Con­tent:  

1.5 Mil­lion Slav­ery Era Doc­u­ments Will Be Dig­i­tized, Help­ing African Amer­i­cans to Learn About Their Lost Ances­tors

Freed Slave Writes Let­ter to For­mer Mas­ter: You Owe Us $11,680 for 52 Years of Unpaid Labor (1865)

Visu­al­iz­ing Slav­ery: The Map Abra­ham Lin­coln Spent Hours Study­ing Dur­ing the Civ­il War

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

World Science U Lets You Take Free Physics Courses from Leading Minds in the Field

Two years ago, World Sci­ence U debuted on the net, promis­ing to bring free sci­ence cours­es to any­one, from high school­ers to retirees. (We wrote about it here.) The cours­es would be taught by the top sci­en­tists in their fields, fea­tur­ing lec­tures, ani­ma­tions, inter­ac­tive exer­cis­es, feed­back, and even vir­tu­al office hours. At the time, how­ev­er, Bri­an Greene’s project to bring the lat­est in research on string the­o­ry, par­ti­cle physics, dark ener­gy, rel­a­tiv­i­ty and more fea­tured only two cours­es.

Since then, World Sci­ence U has tak­en off. It now offers “Sci­ence Unplugged,” a series of short videos that offer answers to layper­son ques­tions about sci­ence; “Mas­ter Class­es” which are short class­es about var­i­ous sub­jects (most­ly in physics) that take a few hours to com­plete; and “Uni­ver­si­ty Cours­es” which take eight to ten weeks to com­plete and are designed for the more advanced learn­er. These lat­ter two offer­ings offer cer­tifi­cates upon com­ple­tion.

The cur­rent ros­ter of lec­tures is impres­sive: MIT’s Alan Guth teach­es Infla­tion­ary Cos­mol­o­gy; U. Chicago’s Michael Turn­er (who coined the term “dark ener­gy”) presents the Dark Side of the Uni­verse; Stan­ford’s Andrei Linde takes you into the Mul­ti­verse; and Cal­tech’s Maria Spirop­u­lu probes Nature’s Con­stituents, to name a few Mas­ter Class­es. Mean­while Bri­an Greene cur­rent­ly teach­es two of the uni­ver­si­ty cours­es: “Spe­cial Rel­a­tiv­i­ty: A Math-Based Intro­duc­tion” and (high­light­ed above) “Space, Time and Ein­stein: A Con­cep­tu­al Tour of Spe­cial Rel­a­tiv­i­ty.”

All of the cours­es are absolute­ly free but the videos are only avail­able if you reg­is­ter with World Sci­ence U.

Relat­ed Con­tent:

Free Online Physics Cours­es

Bri­an Greene Breaks Down Einstein’s The­o­ry of Grav­i­ta­tion­al Waves for Stephen Col­bert

The Ori­gins Project Brings Togeth­er Neil DeGrasse Tyson, Richard Dawkins, Lawrence Krauss, Bill Nye, Ira Fla­tow, and More on One Stage

Michio Kaku & Bri­an Green Explain String The­o­ry in a Nut­shell: Ele­gant Expla­na­tions of an Ele­gant The­o­ry

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the artist inter­view-based FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

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