Rare Footage of Allen Ginsberg, Jack Kerouac & Other Beats Hanging Out in the East Village (1959)

We don’t often think of the Beats as fam­i­ly men, and that’s because the most promi­nent of them weren’t, except William Bur­roughs for a time (a trag­ic sto­ry or two for anoth­er day). But friends of Gins­berg and Ker­ouac like Lucien and Francesca Carr and Robert and Mary Frank brought chil­dren into the poets’ lives, and you can see them all above, relax­ing at the Har­mo­ny Bar & Restau­rant in New York’s East Vil­lage in 1959.

This rare silent footage unites the three Carr and two Frank chil­dren in a rare appear­ance of the Beats togeth­er on film. The mus­ta­chioed Lucien Carr —a char­ac­ter with his own dark sto­ry—can be seen seat­ed next to Ker­ouac.  The Franks, père and mère, were both artists in their own right—London-born Mary a trained dancer, sculp­tor, and painter, and Robert an impor­tant Amer­i­can pho­tog­ra­ph­er and doc­u­men­tary film­mak­er.

Dan­ger­ous Minds spec­u­lates that it’s Robert Frank behind the cam­era, both because we don’t see him in front of it and because Frank would that same year direct the short film Pull My Daisy (above), fea­tur­ing both Gins­berg and Ker­ouac and adapt­ed from Kerouac’s play Beat Gen­er­a­tion. (Frank appar­ent­ly denies he shot the footage at the top). Pull My Daisy also includes famous Beats like Gre­go­ry Cor­so, musi­cian David Amram, and Ginsberg’s part­ner, poet Peter Orlovsky. In a pre­vi­ous post on that film, Open Culture’s Col­in Mar­shall described it as craft­ed with “great delib­er­ate­ness, albeit the kind of delib­er­ate­ness meant to cre­ate the impres­sion of thrown-togeth­er, ram­shackle spon­tane­ity.”

To learn more about the Beats’ appear­ances on film—as them­selves, in char­ac­ter, and through their adapt­ed work, see this excel­lent fil­mog­ra­phy. And just above, watch a mash-up of most of those var­i­ous cin­e­mat­ic appear­ances in a trail­er pro­duced by Cine­fam­i­ly for the IFC and Sun­dance series “Beats on Film.”

via The Wall Break­ers/Dan­ger­ous Minds

Relat­ed Con­tent:

Pull My Daisy: 1959 Beat­nik Film Stars Jack Ker­ouac and Allen Gins­berg, Shot by Robert Frank

William S. Burrough’s Avant-Garde Movie ‘The Cut Ups’ (1966)

Bob Dylan and Allen Gins­berg Vis­it the Grave of Jack Ker­ouac (1975)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Kandinsky, Mondrian, Munch & Fleming Entered Public Domain in 2015 — But Welles, Achebe, and “Purple People Eater” Didn’t

kandinskybluered

As you faith­ful read­ers of Open Cul­ture know, we love noth­ing more than when impor­tant works of humankind fall into the pub­lic domain. Accord­ing to cur­rent Unit­ed States copy­right law, a work stays out of the pub­lic domain for 70 years after its author’s death; for cor­po­rate “works-for-hire,” 95 years after its pub­li­ca­tion. This means that, the­o­ret­i­cal­ly, new things arrive in the pub­lic domain each and every year. Since we’ve just start­ed a new one, what has the pub­lic domain gained?

On Jan­u­ary 1, 2015, accord­ing to Duke Uni­ver­si­ty’s Cen­ter for the Study of the Pub­lic Domain, pub­lic-domain read­ers received “the writ­ings of Rachel Carl­son, Ian Flem­ing, and Flan­nery O’Con­nor” — in Cana­da, that is. As for Euro­peans, they can now freely enjoy “the works of Antoine de Saint-Exupéry, Wass­i­ly Kandin­sky, Piet Mon­dri­an, Edvard Munch, and hun­dreds of oth­ers.” But what of the Amer­i­cans? Alas, “no pub­lished works will enter our pub­lic domain until 2019,” owing to an exten­sion of U.S. copy­right law leg­is­la­tion that pushed up retroac­tive copy­right by 95 years for any­thing cre­at­ed between 1923 and 1977 — a legal event that may, some whis­per, have had the endorse­ment of a cer­tain cor­po­ra­tion in pos­ses­sion of a cer­tain high­ly lucra­tive car­toon mouse.

sheb-wooley-the-purple-people-eater

For a sense of what this has cost us, the CSPD has put togeth­er a tan­ta­liz­ing list of still-vital works of lit­er­a­ture, film, music, and sci­ence that could have gone pub­lic domain this year, if not for that med­dling exten­sion. It includes Chin­ua Achebe’s Things Fall Apart, Simone de Beau­voir’ Mémoires d’une jeune fille rangéeGra­ham Greene’s Our Man in Havana, Orson Welles’ Touch of Evil, Jacques Tati’s Mon Oncle, Nathan H. Juran’s Attack of the 50-Foot Woman, Chuck Berry’s “John­ny B. Goode,” Sheb Woo­ley’s “Pur­ple Peo­ple Eater.”

To learn more about the art that some parts of the world have new­ly wel­comed into the pub­lic domain, see also Hyper­al­ler­gic’s Pub­lic Domain Day post by Alli­son Meier. Though we could eas­i­ly feel frus­trat­ed by the rich­ness of the mate­r­i­al that Amer­i­ca has refused, in the words of Jus­tice Louis Bran­deis, to let “free as the air to com­mon use,” do remem­ber the exis­tence of a lit­tle some­thing we cit­i­zens of 2015 like to call the inter­net. The increas­ing­ly few bound­aries and lit­tle fric­tion with which it has enabled us to con­nect and com­mu­ni­cate will cer­tain­ly con­tin­ue to alle­vi­ate the cramp reg­u­la­tions like these have put in our style. So even if Amer­i­cans won’t enjoy a mean­ing­ful Pub­lic Domain Day for four years yet, I’d say we still have rea­son to cel­e­brate.

via Hyper­al­ler­gic

Relat­ed Con­tent:

Sher­lock Holmes Is Now in the Pub­lic Domain, Declares US Judge

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

A Cab­i­net of Curiosi­ties: Dis­cov­er The Pub­lic Domain Review’s New Book of Essays

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Steven Spielberg & Alfred Hitchcock Face Off in an Epic Rap Battle (NSFW)

In a throw down between direc­tors Steven Spiel­berg and Alfred Hitch­cock, who do you think would win?

The pio­neer­ing crowd pleas­er?

Or the mas­ter of sus­pense?

If Peter Shukoff and Lloyd Ahlquist, the mak­ers of Epic Rap Bat­tles of His­to­ry refuse to say, I will: nei­ther of them.

Instead, it is action direc­tor Michael Bay (as embod­ied by a bewigged Shukoff), who emerges vic­to­ri­ous, drop­ping into the pro­ceed­ings via heli­copter, to spit that moviemak­ing is all about the “motherfuc&in’ mon­ey”! Artis­ti­cal­ly, he may not have much cur­ren­cy, but there’s no argu­ing that the Trans­form­ers fran­chise has indeed endowed him with the “socks made of silk mon­ey.”

Oth­er unan­nounced com­peti­tors include Stan­ley Kubrick, ped­al­ing down a long hall­way on an ersatz Big Wheel, and Quentin Taran­ti­no, sum­moned, no doubt, by a Hitch­cock taunt that no one will ever pick Samuel L. Jackson’s turn in Juras­sic Park as their favorite Samuel L. Jack­son role.

It’s vul­gar, and NSFW sans head­phones, but as legions of ado­les­cent boys will pas­sion­ate­ly attest, it has its moments. Watch­ing the behind the scenes, below, remind­ed me of all the plan­ning that went into this episode, from spe­cial effects make up to research and green screen. If the end result is not quite to your taste, at least you can rest assured that it’s by design.

Relat­ed Con­tent:

23 Free Hitch­cock Movies Online

Alfred Hitchcock’s Sev­en-Minute Edit­ing Mas­ter Class

Every Frame a Paint­ing Explains the Film­mak­ing Tech­niques of Mar­tin Scors­ese, Jack­ie Chan, and Even Michael Bay

Ter­ry Gilliam Explains The Dif­fer­ence Between Kubrick (Great Film­mak­er) and Spiel­berg (Less So)

Thomas Edi­son and Niko­la Tes­la Face Off in “Epic Rap Bat­tles of His­to­ry”

4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

We Are Wired to Be Kind: How Evolution Gave Us Empathy, Compassion & Gratitude

Empa­thy, com­pas­sion and grat­i­tude — these traits don’t usu­al­ly spring to mind when you think about Dar­win­ism and nat­ur­al selec­tion. No, your mind more imme­di­ate­ly drifts toward anti-social char­ac­ter­is­tics like com­pe­ti­tion, sur­vival of the fittest, and self­ish­ness (as in the “self­ish gene”). But above, on the first day of 2015, UC Berke­ley psy­chol­o­gist Dacher Kelt­ner reminds us that evo­lu­tion can bring out the best in us, and Dar­win rec­og­nized that. As Dar­win wrote in The Descent of Man, the strength­en­ing of our capac­i­ty for “sym­pa­thy” played a cen­tral role in human evo­lu­tion:

With mankind, self­ish­ness, expe­ri­ence, and imi­ta­tion, prob­a­bly add .… to the pow­er of sym­pa­thy; for we are led by the hope of receiv­ing good in return to per­form acts of sym­pa­thet­ic kind­ness to oth­ers; and sym­pa­thy is much strength­ened by habit. In how­ev­er com­plex a man­ner this feel­ing may have orig­i­nat­ed, as it is one of high impor­tance to all those ani­mals which aid and defend one anoth­er, it will have been increased through nat­ur­al selec­tion; for those com­mu­ni­ties, which includ­ed the great­est num­ber of the most sym­pa­thet­ic mem­bers, would flour­ish best, and rear the great­est num­ber of off­spring.

That’s not to say that we don’t have a dual nature — a capac­i­ty for being unsym­pa­thet­ic, self­ish, pow­er hun­gry. That’s some­thing Kelt­ner stud­ies too, and, indeed a while back, we told you about his stud­ies show­ing that the wealthy tend to be less sym­pa­thet­ic and giv­ing than the poor. You can find cours­es taught by Kelt­ner on Human Emo­tion and Human Hap­pi­ness in our col­lec­tion of Free Online Psy­chol­o­gy Cours­es, part of our larg­er col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

via Devour

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Apple’s Guided Tour to Using the First Macintosh (1984)

“Smart­phones and lap­tops seem so ubiq­ui­tous to us all,” writes expe­ri­ence design­er Jin­soo An. “But in real­i­ty, the ubiq­ui­tous­ness we expe­ri­ence every day is based on a series of learned behav­iors. Some­one once said that, ‘The only intu­itive inter­face is the nip­ple. Every­thing else is learned.’ ” This, he points out, holds for the sim­ple mag­a­zine as much as it does for the com­put­er mouse — a device which cer­tain gen­er­a­tions use even more intu­itive­ly than they do any­thing involv­ing the print­ed word. But, many com­put­er users found the mouse, just a few years before it achieved ubiq­ui­ty, hard­ly intu­itive at all. “If you can point, you can use a Mac­in­tosh,” insist­ed an ear­ly Apple ad for that inno­v­a­tive desk­top com­put­er.

If, con­vinced, you went on to buy a Mac of your own, and you received with it a print­ed man­u­al includ­ing a sec­tion explain­ing the mechan­ics of mouse usage. “Every move you make with the mouse moves the point­er in exact­ly the same way,” goes one of its sen­tences that would now seem com­i­cal­ly unnec­es­sary. “Usu­al­ly the point­er is shaped like an arrow, but it changes shape depend­ing on what you’re doing.“And for those who found the book too intim­i­dat­ing, Apple also includ­ed a cas­sette tape con­tain­ing a pro­duc­tion called “A Guid­ed Tour of Mac­in­tosh,” in which friend­ly voic­es explain such impor­tant sub­jects as “Mou­s­ing Around,” “What’s the Find­er?,” and “Why Do I Have Win­dows?” to a sound­track by artists from the pow­er­house new-age music label Wyn­d­ham Hill.

An’s post includes the audio of this tech­no-edu­ca­tion­al jour­ney, and at the top of the post you can watch it syn­chro­nized with video of the accom­pa­ny­ing appli­ca­tion that came onboard the com­put­er. We can all have a good laugh at this sort of thing now that we’ve ful­ly inter­nal­ized once-con­fus­ing con­cepts like win­dows, the find­er, and the mouse — but isn’t it more star­tling, in this era when so few peo­ple even con­sid­er read­ing man­u­als that many com­pa­nies seem to have stopped print­ing them entire­ly, to imag­ine any­one, before they dare use their new com­put­er, pop­ping in a tape?

Relat­ed Con­tent:

Steve Jobs Demos the First Mac­in­tosh in 1984

Hunter S. Thompson’s Edgy 1990s Com­mer­cial for Apple’s Mac­in­tosh Com­put­er

Rid­ley Scott Talks About Mak­ing Apple’s Land­mark “1984” Com­mer­cial, Aired 30 Years Ago on Super Bowl Sun­day

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Marilyn Monroe’s Go-Getter List of New Year’s Resolutions (1955)

Marilyn's Resolutions

The com­mon con­cep­tion of New Year’s res­o­lu­tions frames them as dis­pos­able ideals, not to be tak­en too seri­ous­ly or fol­lowed through past the first few months of win­ter; by spring, we all assume, we’ll be right back to our sloth­ful, glut­to­nous ways. Per­haps the prob­lem lies in the way we approach this year­ly rit­u­al. Lists of the most com­mon res­o­lu­tions tend towards the almost shock­ing­ly banal, such that most people’s desires for change are inter­change­able with their friends and neigh­bors and might as well be script­ed by greet­ing card com­pa­nies. I’d haz­ard it’s impos­si­ble to be pas­sion­ate about half-thoughts and boil­er­plate ambi­tion.

But there are those few peo­ple who real­ly pour their hearts into it, cre­at­ing lists so indi­vid­u­al­ized and authen­tic that the doc­u­ments expose their inner lives, their hopes, fears, loves, strug­gles, and deep, per­son­al yearn­ings and aspi­ra­tions. One such list that cir­cu­lates often, and which we fea­tured last year, is this gem from Woody Guthrie cir­ca 1943. It’s so com­plete­ly him, so much in his voice, that no one else could have writ­ten it, even in par­o­dy. This year, we direct your atten­tion to the list above, from Mar­i­lyn Mon­roe, writ­ten at the end of 1955 when the star was 29.

Already well-known for her act­ing in such fine films as All About Eve, Gen­tle­men Pre­fer Blondes, and The Sev­en Year Itch, Mon­roe had recent­ly been accept­ed to Lee Strasberg’s Actors Stu­dio. As Lists of Note puts it, “judg­ing by this list, she was deter­mined to make the most of her oppor­tu­ni­ties.” I’m not sure what to make of the odd use of ran­dom let­ters at the begin­ning of each res­o­lu­tion, but what the list does offer us is a glimpse into Monroe’s deep commitment—despite her feel­ing that her life was “miserable”—to grow­ing and devel­op­ing as an actor and a per­son.

See a full tran­script of her list of res­o­lu­tions below.

Must make effort to do

Must have the dici­pline to do the fol­low­ing –

z – go to class – my own always – with­out fail

x – go as often as pos­si­ble to observe Strass­berg’s oth­er pri­vate class­es

g – nev­er miss actor’s stu­dio ses­sions

v – work when­ev­er pos­si­ble – on class assign­ments – and always keep work­ing on the act­ing exer­cis­es

u – start attend­ing Clur­man lec­tures – also Lee Strass­berg’s direc­tors lec­tures at the­ater wing – enquire about both

l – keep look­ing around me – only much more so – observ­ing – but not only myself but oth­ers and every­thing – take things (it) for what they (it’s) are worth

y – must make strong effort to work on cur­rent prob­lems and pho­bias that out of my past has arisen – mak­ing much much much more more more more more effort in my anal­i­sis. And be there always on time – no excus­es for being ever late.

w – if pos­si­ble – take at least one class at uni­ver­si­ty – in lit­er­a­ture –

o – fol­low RCA thing through.

p – try to find some­one to take danc­ing from – body work (cre­ative)

t – take care of my instru­ment – per­son­al­ly & bod­i­ly (exer­cise)

try to enjoy myself when I can – I’ll be mis­er­able enough as it is.

via Lists of Note

Relat­ed Con­tent:

The 430 Books in Mar­i­lyn Monroe’s Library: How Many Have You Read?

Woody Guthrie’s Doo­dle-Filled List of 33 New Year’s Res­o­lu­tions From 1943

The Sci­ence of Willpow­er: 15 Tips for Mak­ing Your New Year’s Res­o­lu­tions Last from Dr. Kel­ly McGo­ni­gal

The Top 10 New Year’s Res­o­lu­tions Read by Bob Dylan

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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