Anyone Can Change the World: The Animated Wisdom of Nobel Peace Prize Winner Jody Williams

Here’s a lit­tle ani­ma­tion for those times when the unlike­li­hood of win­ning pub­lic recog­ni­tion for your work has you deject­ed to the point of inac­tion.

Chil­dren are repeat­ed­ly told that they can change the world, and, in my expe­ri­ence, most of them seem to believe that this is true.

How is it, then, that so many adults are par­a­lyzed by feel­ings of pow­er­less­ness? Did some­thing hap­pen in mid­dle school, or are the prob­lems of the world so immense? (Both, prob­a­bly.) Why both­er, right?

Activist Jody Williams may have won a Nobel Prize, but she’s also a fan of start­ing small.

The Roy­al Soci­ety for the Arts enlist­ed ani­ma­tor Katy Davis to mine William’s lec­ture  “Any­one Can Change the World” for its nar­ra­tive pos­si­bil­i­ties. It’s a good argu­ment against suc­cumb­ing to the siren song of your flat screen TVs. It’s also a good argu­ment for engag­ing with your com­mu­ni­ty.

Williams cru­sad­ed against land mines, but her advice holds true for more mod­est endeav­ors, too, be it school lunch pol­i­cy reform or fin­ish­ing that nov­el or short sto­ry.

If a cou­ple of min­utes of dog­gies don’t set you to rights, her com­plete lec­ture is below.

Relat­ed Con­tent:

The Pow­er of “Out­ro­spec­tion” — A Way of Life, A Force for Social Change — Explained with Ani­ma­tion

Manuel Lima Visu­al­izes Knowl­edge in Our Inter­con­nect­ed World in a Brand New RSA Ani­mat­ed Video

The Pow­er of Empa­thy: A Quick Ani­mat­ed Les­son That Can Make You a Bet­ter Per­son

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the long run­ning zine, The East Vil­lage Inky. Fol­low her @AyunHalliday

James Joyce’s Dirty Love Letters Read Aloud by Martin Starr, Paget Brewster & Other TV Comedy Actors (NSFW)

(Be warned, these videos are Not Safe for Work. And unless you can deal with strong lan­guage, you should skip watch­ing these clips.)

Last year we fea­tured James Joyce’s “dirty let­ters” to his wife, orig­i­nal­ly writ­ten in 1909 but not dis­cov­ered in all their cere­bral­ly erot­ic glo­ry until this cen­tu­ry. For Valen­tine’s Day, the sketch com­e­dy video site Fun­ny or Die cap­i­tal­ized on the avail­abil­i­ty of these high­ly detailed, fan­ta­sy-sat­u­rat­ed Joycean mash notes by hav­ing them read dra­mat­i­cal­ly. For this task the pro­duc­ers round­ed up five well-known actors, such as Mar­tin Starr from such comed­ical­ly respect­ed tele­vi­sion shows as Freaks and Geeks and Par­ty Down. You can watch his read­ing above. “I would like you to wear draw­ers with three or four frills, one over the oth­er at the knees and up the thighs, and great crim­son bows in them, so that when I bend down over you to open them and” — but you don’t just want to read it. You want to hear such a mas­ter­piece per­formed.

Off rais­ing the chil­dren in Tri­este, Joyce’s wife Nora wrote replies of a pre­sum­ably sim­i­lar ardor-sat­u­rat­ed nature. Alas, these remain undis­cov­ered, but that unfor­tu­nate fact does­n’t stop actress­es as well as actors from pro­vid­ing oral ren­di­tions of their own. Just above, we have Paget Brew­ster from Friends and Crim­i­nal Minds read­ing aloud anoth­er of Joyce’s love let­ters, one which moves with sur­pris­ing swift­ness from evok­ing “the spir­it of eter­nal beau­ty” to evok­ing “a hog rid­ing a sow.” This series of read­ings also includes con­tri­bu­tions from The Mid­dle­man’s Natal­ie Morales, The Kids in the Hall’s Dave Foley, and Sat­ur­day Night Live’s Michaela Watkins. They all reveal that, with his tex­tu­al cre­ativ­i­ty as well as his close acquain­tance with those places where the roman­tic meets the repul­sive, James Joyce would have made quite a sex­ter today. You can have that idea for free, lit­er­ate sketch com­e­dy video pro­duc­ers of the inter­net.

PS Apolo­gies for the lengthy ads that pre­cede the videos. They come from Fun­ny or Die and we have no con­trol over them.

Relat­ed Con­tent:

James Joyce’s “Dirty Let­ters” to His Wife (1909)

James Joyce Plays the Gui­tar, 1915

On Blooms­day, Hear James Joyce Read From his Epic Ulysses, 1924

James Joyce, With His Eye­sight Fail­ing, Draws a Sketch of Leopold Bloom (1926)

James Joyce’s Ulysses: Down­load the Free Audio Book

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Free NASA eBook Theorizes How We Will Communicate with Aliens

Douglas A. Vakoch

Dur­ing the past few years, NASA has released a series of free ebooks, includ­ing NASA Earth As Art and var­i­ous inter­ac­tive texts focus­ing on the Webb and Hub­ble space tele­scopes. Last week, they added a new, curi­ous book to the col­lec­tion, Archae­ol­o­gy, Anthro­pol­o­gy, and Inter­stel­lar Com­mu­ni­ca­tion. Edit­ed by Dou­glas A. Vakoch (the Direc­tor of Inter­stel­lar Mes­sage Com­po­si­tion at the SETI Insti­tute), the text con­tem­plates how we’ll go about “estab­lish­ing mean­ing­ful com­mu­ni­ca­tion with an extrater­res­tri­al intel­li­gence.” The schol­ars con­tribut­ing to the vol­ume “grappl[e] with some of the enor­mous chal­lenges that will face human­i­ty if an infor­ma­tion-rich sig­nal ema­nat­ing from anoth­er world is detect­ed.” And to make sure that we’re “pre­pared for con­tact with an extrater­res­tri­al civ­i­liza­tion, should that day ever come,” they draw on “issues at the core of con­tem­po­rary archae­ol­o­gy and anthro­pol­o­gy.” Why archae­ol­o­gy and anthro­pol­o­gy? Because, says Vack­och, com­mu­ni­ca­tion with intel­li­gent life prob­a­bly won’t be through sound, but through images. We will need to read/understand the civ­i­liza­tion we encounter based on what we observe. Vakoch says:

[D]on’t think of “sound worlds” or music or speech as the domains, vehi­cles, or con­tents of ETI [extra ter­res­tri­al intel­li­gence] mes­sages. Regard­less of semi­otic con­cerns, the acces­si­bil­i­ty of acoustic mes­sag­ing must remain doubt­ful. Fur­ther­more, there will be intend­ed and unin­tend­ed aspects of per­for­mance, which elab­o­rate the dif­fi­cul­ties of using sound. In my view avoid­ance of the sound world need not be con­tro­ver­sial.

On the oth­er hand, vision and the use of images would appear to be at least plau­si­ble. Although spec­tral details can­not be con­sid­ered uni­ver­sal, the phys­i­cal arrange­ment of objects on a hab­it­able plan­et’s sur­face will be shaped in part by grav­i­ty (the notion of a hori­zon might well be uni­ver­sal) and thus mul­ti­spec­tral images might plau­si­bly be con­sid­ered worth­while for mes­sages. More gen­er­al­ly, the impli­ca­tions for con­sid­er­ing SETI/CETI as some sort of anthro­po­log­i­cal chal­lenge need teas­ing out.

The 300-page book, Archae­ol­o­gy, Anthro­pol­o­gy, and Inter­stel­lar Com­mu­ni­ca­tion, has been made avail­able in three for­mats, and added to our own col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices:

› Kin­dle read­ers: MOBI [2.8 MB]

› All oth­er eBook read­ers: EPUB [3.8 MB]

› Fixed lay­out: PDF [1.7 MB]

Below you can watch Vakoch give a TEDX talk called,“What Would You Say to an Extrater­res­tri­al?”

via Giz­mo­do/Kim Komand0

by | Permalink | Make a Comment ( 2 ) |

Patti Smith Presents Top Webby Award to Banksy; He Accepts with Self-Mocking Video

Pre­sent­ing at the 18th annu­al Web­by Awards last week, God­moth­er of Punk Pat­ti Smith man­aged to Adele Dazeem street art provo­ca­teur Banksy not once, but twice. Banksky? Ban-ski? It’s a mea­sure of the lady’s august stand­ing that emcee Pat­ton Oswalt passed on the com­ic oppor­tu­ni­ties of this giant blun­der. He did call her “fuck­ing adorable,” but I like to think he did so with the kind­est of inten­tions.

As to why an artist famous for using the real world as his can­vas should be dubbed “Per­son of the Year” by an out­fit that rec­og­nizes excel­lence on the Inter­net, Smith was noth­ing short of elo­quent. The imper­ma­nence of his oft-ille­gal­ly installed cre­ations make them the per­fect can­di­date “to be archived, shared and stored … through the World Wide Web.” (Appar­ent­ly, she only just real­ized this is a syn­onym for the Inter­net, but no mat­ter. I’m with Oswalt! It would be a cringe­wor­thy admis­sion in just about any­body else, but from her, it’s pret­ty dang cute.)

The nec­es­sar­i­ly low-pro­file hon­oree sur­prised no one by fail­ing to accept his award in per­son. Rather than send­ing Sacheen Lit­tle­feath­er as his proxy, he prof­fered a delight­ful, self-mock­ing short film, which you can see above.

The short revis­its some of the high points of Bet­ter In Than Out, last fal­l’s month-long, piece-a-day takeover of New York City. Keep your eyes peeled for Sirens of the Lambs, a truck haul­ing a load of squeak­ing, osten­si­bly doomed plush farm ani­mal toys and Queens, an inflat­able tag thrown up on his final day as “Artist in Res­i­dence for the City of New York.”

My favorite work from his autum­nal siege of my city was Art Sale, in which he stocked a Cen­tral Park ven­dor table with half a mil­lion dol­lars’ worth of uncred­it­ed sten­cil art, then installed a decid­ed­ly unhip-look­ing senior cit­i­zen to man it. The day’s receipts totaled $420 from a hand­ful of tourists, one of whom suc­cess­ful­ly bar­gained her way into a 2‑for‑1 deal.

I want to know more about these peo­ple who unwit­ting­ly lucked into such a lucra­tive role in 21st-cen­tu­ry art his­to­ry, but to my con­ster­na­tion, they seem to be fly­ing incog­ni­to, just like the artist who so increased their val­ue. You know, the guy who’s all over the inter­net, with­out reveal­ing his iden­ti­ty? The Web­by Awards’ Per­son of the Year!?

Maybe if I spend anoth­er hour pok­ing around online… (A bad use of time, for all but Pat­ti Smith, who claimed it took her 48 min­utes to unsuc­cess­ful­ly down­load the video we can click with such ease, above.)

Relat­ed Con­tent:

Banksy Cre­ates a Tiny Repli­ca of The Great Sphinx Of Giza In Queens

Watch Pat­ti Smith Read from Vir­ginia Woolf, and Hear the Only Sur­viv­ing Record­ing of Woolf’s Voice

Hear Pat­ti Smith Read 12 Poems From Sev­enth Heav­en, Her First Col­lec­tion (1972)

Ayun Hal­l­i­day occa­sion­al­ly tears her­self  free of the Inter­net to labor over The East Vil­lage Inky, an entire­ly hand­writ­ten, illus­trat­ed zine. Fol­low her @AyunHalliday

Thank You, Mask Man: Lenny Bruce’s Lone Ranger Comedy Routine Becomes a NSFW Animated Film (1968)

If you ever real­ly want­ed to know what was the deal between The Lone Ranger and Ton­to, the above video of Thank You, Mask Man might answer a few ques­tions. Warn­ing: it’s seri­ous­ly NSFW.

The audio for Thank You, Mask Man is tak­en from a stand up rou­tine from Lenny Bruce, who ruth­less­ly, hilar­i­ous­ly takes apart the leg­endary crime fight­er. After years of get­ting saved by a masked hero on a white steed, the denizens of a small West­ern town cor­ner him into accept­ing some­thing, any­thing as a token of their grat­i­tude. The hero points to a near­by Native Amer­i­can and says that he wants him. He pro­claims that he wants “to per­form an unnat­ur­al act.” The towns­peo­ple are hor­ri­fied. “I’ve read a lot of expos­es on how bad it is,” the Masked Man explains, “and I want to try it, just once.”

Jeff Hale, who lat­er went on to ani­mate that groovy Pin­ball Num­ber Count­down bit on Sesame Street, made the short in 1968, two years after Bruce’s death. The movie had a hard time get­ting booked into the­aters report­ed­ly, in part, because Bruce ruf­fled more than a few feath­ers in the film indus­try. Ulti­mate­ly though Thank You, Mask Man became a sta­ple at gay and cult film fes­ti­vals.

Bruce was, of course, the orig­i­nal bad boy com­ic. He laced his free form, light­ning quick per­for­mances with frank dis­cus­sions of sex, social issues and lots of swear­ing. Nowa­days, F‑bombs are par for the course in a come­di­an club but, back dur­ing the Kennedy admin­is­tra­tion, they were shock­ing. And they got him thrown in jail on sev­er­al occa­sions. You can lis­ten to anoth­er (unan­i­mat­ed) Bruce rou­tine below. It’s com­plete­ly NSFW.

You can find Thank You, Mask Man in the Ani­ma­tion sec­tion of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Relat­ed Con­tent:

Lenny Bruce Riffs and Rants on Injus­tice and Hypocrisy in One of His Final Per­for­mances (NSFW)

George Car­lin Per­forms His “Sev­en Dirty Words” Rou­tine: His­toric and Com­plete­ly NSFW

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow.

19th Century Caricatures of Charles Darwin, Mark Twain, H.M. Stanley & Other Famous Victorians (1873)

Stu­dents and lovers of Vic­to­ri­ana, we have a treat for you. The 1873 book above, Car­toon Por­traits and Bio­graph­i­cal Sketch­es of Men of the Day, offers car­i­ca­tures of forty-nine promi­nent men, and one woman, of the 19th cen­tu­ry, some of them less-than-famous now and some still ver­i­ta­ble giants of their respec­tive fields.

DarwinPortrait

Accom­pa­nied by live­ly biogra­phies, the por­traits were all drawn by illus­tra­tor Fred­er­ick Wad­dy, who is per­haps best known for the draw­ing on page six of a white-beard­ed Charles Dar­win (above) enti­tled “Nat­ur­al Selection”—often repro­duced in col­or and found hang­ing on the office walls of biol­o­gy teach­ers. Dar­win appears sec­ond in Car­toon Por­traits, pre­ced­ed only by Sir Edward Bul­w­er-Lyt­ton of “It was a dark and stormy night” fame.

TwainPortrait

In addi­tion to professor’s offices, you may also encounter some of Waddy’s work at the Nation­al Por­trait Gallery in Lon­don. In his time, Wad­dy was one of the fore­most car­i­ca­tur­ists of the day—an impor­tant posi­tion in peri­od­i­cal pub­lish­ing before the advent of cheap­ly mass-repro­ducible pho­tog­ra­phy. All of the por­traits orig­i­nal­ly appeared in a mag­a­zine called Once a Week, found­ed in a split between Charles Dick­ens and his pub­lish­er Brad­bury and Evans, who start­ed the jour­nal with edi­tor Samuel Lucas in 1859 to com­pete with Dick­ens’ All the Year Round. Once a Week ran until 1880, pub­lish­ing pieces on his­to­ry and cur­rent affairs and occa­sion­al poems by Ten­nyson, Swin­burne, Dante Ros­set­ti and oth­ers. Its pop­u­lar­i­ty was buoyed by Waddy’s draw­ings and the detailed illus­tra­tions of sev­er­al oth­er graph­ic artists. Above, see Mark Twain rid­ing his cel­e­brat­ed jump­ing frog, and just below, poet and crit­ic Matthew Arnold does a high-wire act between two trapezes labelled “Poet­ry” and “Phi­los­o­phy.” Twain’s por­trait is titled “Amer­i­can Humour”— and he is the only Amer­i­can in the series—and Arnold’s is called “Sweet­ness and Light.”

MatthewArnold

Though the book’s title promis­es only “Men of the Day,” it does include one woman, Dr. Eliz­a­beth Gar­rett Ander­son (below, sim­ply titled “M.D.”), the first Eng­lish­woman to offi­cial­ly work as a physi­cian. Her bio­graph­i­cal sketch begins with a long and some­what tor­tu­ous his­tor­i­cal defense for female doc­tors, stat­ing that “social prej­u­dices are almost as hard to erad­i­cate as those of reli­gion. It was not till quite late­ly that the feel­ing against woman’s rights as regard edu­ca­tion was suc­cess­ful­ly com­bat­ed.” Once a Week was a pro­gres­sive-lean­ing mag­a­zine, its edi­tor a not­ed abo­li­tion­ist, and it reg­u­lar­ly pub­lished the work of women writ­ers like Har­ri­et Mar­tineau, Isabel­la Blag­den, and Mary Eliz­a­beth Brad­don, though one won­ders why they didn’t war­rant car­i­ca­tures as well.

DrGarretAnderson

Below, see Wad­dy’s por­trait of cen­tral African explor­er Hen­ry Mor­ton Stan­ley, stand­ing twice the height of the native African next to him. It’s a fit­ting image of colo­nial ego, though the scene may be drawn after a pho­to of Stan­ley with his adopt­ed son Kalu­lu. The title refers to his search for—and famous excla­ma­tion upon discovering—Scottish mis­sion­ary David Liv­ing­stone. All in all, Car­toon Por­traits gives us a fas­ci­nat­ing look at Vic­to­ri­an visu­al media and a rep­re­sen­ta­tive sam­ple of the most pop­u­lar lit­er­ary, sci­en­tif­ic, and polit­i­cal fig­ures in Eng­land dur­ing the mid­dle of the cen­tu­ry. While the names of Wad­dy and his fel­low com­ic artists are hard­ly remem­bered now, the authors of The Smil­ing Muse: Vic­to­ri­ana in the Com­ic Press assert that in their day, “they were the ones who had their fin­gers on the pulse of what we now call the ‘pop­u­lar cul­ture’ of the time.” See The Pub­lic Domain Review for more high­lights from the book.

H.M.Stanley

via The Pub­lic Domain Review

Relat­ed Con­tent:

The British Library Puts Online 1,200 Lit­er­ary Trea­sures From Great Roman­tic & Vic­to­ri­an Writ­ers

Explor­er David Livingstone’s Diary (Writ­ten in Berry Juice) Now Dig­i­tized with New Imag­ing Tech­nol­o­gy

Mark Twain Writes a Rap­tur­ous Let­ter to Walt Whit­man on the Poet’s 70th Birth­day (1889)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Protect and Survive: 1970s British Instructional Films on How to Live Through a Nuclear Attack

In Walk­ing in Ruins, nov­el­ist and adven­tur­ous pedes­tri­an Geoff Nichol­son’s book about the on-foot explo­ration of Eng­land and Amer­i­ca’s dis­used places, the author devotes a fas­ci­nat­ing sec­tion to an Essex “secret nuclear bunker.” Ren­dered un-secret, and indeed unnec­es­sary, by the end of the Cold War, the whole under­ground com­plex under­went con­ver­sion into a for­lorn tourist attrac­tion. “In some of the bunker’s small­er, emp­ti­er rooms, videos were being shown on chunky old TV sets, doc­u­men­taries relat­ed to nuclear war and its sur­vival,” Nichol­son writes. “They includ­ed the noto­ri­ous pub­lic infor­ma­tion series Pro­tect and Sur­vive, twen­ty short episodes, basic ani­ma­tion, strange­ly ahead-of-its-time elec­tron­ic music, and a voice-over by Patrick Allen, deeply unsym­pa­thet­ic and unre­as­sur­ing, though you imag­ine he was sup­posed to be both. The titles in the series includ­ed ‘What to Put in Your Fall­out Room’ and ‘San­i­ta­tion Care and Casu­al­ties.’ ”

“ ‘Stay at Home,’ ” Nichol­son tells us, “remind­ed us that fall­out ‘can set­tle any­where, so no place in the Unit­ed King­dom is safer than any oth­er,’ and my favorite sin­gle sen­tence comes from the episode ‘Refuges’: ‘If you live in a car­a­van or oth­er build­ing of light­weight con­struc­tion with very lit­tle pro­tec­tion against fall­out, your local author­i­ty will be able to advise you on what to do’ — and there was a car­toon image of a tiny car­a­van that looked like it might be blown away by a good sneeze, nev­er mind a nuclear explo­sion.” The com­pi­la­tion above col­lects 51 min­utes of these and oth­er episodes of Pro­tect and Sur­vive, orig­i­nal­ly com­mis­sioned by the British gov­ern­ment in the 1970s and meant for trans­mis­sion only in the case of an immi­nent nuclear attack on the coun­try. But episodes leaked, and the BBC pro­ceed­ed to broad­cast them absent that imme­di­ate threat, there­by ensur­ing the lega­cy of this Cold War media arti­fact beloved of irony-lov­ing Britons — that is to say, Britons — across the coun­try.

These vin­tage films will be added to our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Relat­ed Con­tent:

Duck and Cov­er, or: How I Learned to Elude the Bomb

How a Clean, Tidy Home Can Help You Sur­vive the Atom­ic Bomb: A Cold War Film from 1954

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Fear and Desire: Stanley Kubrick’s First and Least-Seen Feature Film (1953)

Ask film­go­ers to name their favorite Stan­ley Kubrick pic­tures, and you’ll hear many of the same titles over and over again: Spar­ta­cusDr. Strangelove2001: A Space OdysseyA Clock­work Orange. These and the five oth­er fea­ture films Kubrick direct­ed between 1960 and his death in 1999 hold per­ma­nent pride of place as some of the most endur­ing and influ­en­tial works in the his­to­ry of the form. His fourth pic­ture, 1957’s Kirk Dou­glas-star­ring, World War I‑set Paths of Glo­ry, has drawn a good share of crit­i­cal acclaim, but noth­ing before it in his body of work has yet com­mand­ed the lev­el of respect asso­ci­at­ed with Kubrick and his cin­e­mat­ic lega­cy.

In 1956, he’d made the noir The Killing on the cheap; the pre­vi­ous year, he’d made the noir Killer’s Kiss on the cheap­er. But before even those came Fear and Desire, Kubrick­’s very first fea­ture, an exis­ten­tial war movie pro­duced in 1953 with mon­ey raised from his wealthy drug­store-own­ing uncle and pro­ceeds from a job shoot­ing sec­ond-unit on a doc­u­men­tary about the life of Abra­ham Lin­coln. You can watch the whole film, which has fall­en into the pub­lic domain, at the top of the post, or in a restored ver­sion, pre­ced­ed by a brief 1966 inter­view with Kubrick, right here.

By the time of Fear and Desire, Kubrick had already logged a cer­tain amount of film­mak­ing prac­tice direct­ing shorts. Still, he could nev­er quite get over his own per­cep­tion of the movie, which he made at age 24 fresh from his job as a pho­tog­ra­ph­er at Look mag­a­zine. He con­sid­ered the film “a bum­bling ama­teur film exer­cise” and “com­plete­ly inept odd­i­ty.” He lat­er, hav­ing burned the neg­a­tive, sought to pre­vent its screen­ing and dis­tri­b­u­tion when­ev­er pos­si­ble. Yet it had its high-pro­file appre­ci­a­tors even at the time of release: “Its over­all effect is entire­ly wor­thy of the sin­cere effort put into it,” said the New York Times; “Worth watch­ing for those who want to dis­cov­er high tal­ent at the moment it appears,” said crit­ic-schol­ar Mark Van Doren. Though far rougher than every film Kubrick would go on to make, Fear and Desire offers sev­er­al moments that reveal him as the direc­tor we now know he would go on to become. Grant­land’s Steven Hyden, in an arti­cle on the movie, quotes an attendee at one of its par­tic­u­lar­ly dis­as­trous pre­view screen­ings who remem­bers that “there were gig­gles in the wrong places, and it all seemed over­done and over­wrought.” He also quotes Kubrick­’s full reflec­tion on the expe­ri­ence in a New York Times Mag­a­zine pro­file: “Pain is a good teacher.”

Find Fear and Desire list­ed in our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Relat­ed Con­tent:

Stan­ley Kubrick’s Very First Films: Three Short Doc­u­men­taries

Killer’s Kiss: Where Stan­ley Kubrick’s Film­mak­ing Career Real­ly Begins

Stan­ley Kubrick’s Rare 1965 Inter­view with The New York­er

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

« Go BackMore in this category... »
Quantcast