James Taylor and Joni Mitchell, Live and Together (1970)

in Music | February 5th, 2014

“I’m ready when you are, James.”

“… I know.”

Some­thing extreme­ly sweet was going on between James Tay­lor and Joni Mitchell when they played togeth­er at Lon­don’s Paris The­atre in 1970. You can hear it in these record­ings, taped by the BBC and broad­cast as one of John Peel’s Sun­day Shows.

Mm, just lis­ten to Sweet Baby James’ “mag­ic fin­gers boo­gie up and down those gold­en frets.” Is it any won­der he became the sub­ject of so many songs, two of them Joni’s?

(For the record, here are crit­ic David B. Wil­son’s Top 5 Songs About James Tay­lor:

  1. Joni Mitchell, “See You Some­time”
  2. Car­ly Simon, “We Have No Secrets”
  3. Joni Mitchell, “Just Like This Train”
  4. Car­ly Simon, “Jesse”
  5. James Tay­lor, “That’s Why I’m Here”)

Accord­ing to Joni’s own web­site, James’ “You Can Close Your Eyes,” above, is about her. (That would explain the lit­tle gig­gle at the top.)

He per­formed it solo on his 1971 release, Mud Slide Slim and the Blue Hori­zon.  Joni con­tributed back­ing vocals else­where on the album. In return, he played gui­tar on her Blue.

The gen­er­al pub­lic had to wait anoth­er year to hear  “See You Some­time,” David Wilson’s pick for the num­ber one song about James Tay­lor, but Joni must’ve made sure that James got a pre­view.

As she  lat­er told  Bill Flana­gan of Musi­cian Mag­a­zine, “I wrote a song for James Tay­lor that men­tioned his sus­penders. And then on his next album he went and wore his bloody sus­penders on the cov­er! Well, then the cat was com­plete­ly out of the bag!”

Oh, Joni, I’m not so sure the sus­penders were the give­away.

As for the young man she talks about after “For Free”—the guy who felt he was over the hill at the ripe old age of 21—it’s not James. It’s Neil Young, and the song his gloomy mood inspired was “Cir­cle Game.”  (Good luck find­ing that cut. Once a ubiq­ui­tous boot­leg, with the excep­tion of the songs post­ed here, the con­cert has all but dis­ap­peared, though those who still lis­ten to cds can put it in their bas­kets on Ama­zon’s UK site.)

Relat­ed Con­tent:

James Tay­lor Per­forms Live in 1970, Thanks to a Lit­tle Help from His Friends, The Bea­t­les

James Tay­lor Teach­es You to Play “Car­oli­na in My Mind,” “Fire and Rain” & Oth­er Clas­sics on the Gui­tar

Watch Joni Mitchell Per­form “Both Sides Now” on the First Episode of The John­ny Cash Show (1969)

Ayun Hal­l­i­day was intro­duced to this con­cert as a WBEZ Uncon­cert in the ear­ly 80’s and wor­ries that her home­made cas­sette may one day cease to exist. Fol­low her @AyunHalliday

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The Drawings of Franz Kafka (1907–1917)

in Art, Books | February 4th, 2014

Run­ner 1907–1908

Runner 1907-1908

UK-born, Chica­go-based artist Philip Har­ti­gan has post­ed a brief video piece about Franz Kaf­ka’s draw­ings. Kaf­ka, of course, wrote a body of work, most­ly nev­er pub­lished dur­ing his life­time, that cap­tured the absur­di­ty and the lone­li­ness of the new­ly emerg­ing mod­ern world: In The Meta­mor­pho­sis, Gre­gor trans­forms overnight into a giant cock­roach; in The Tri­al, Josef K. is charged with an unde­fined crime by a mad­den­ing­ly inac­ces­si­ble court. In sto­ry after sto­ry, Kaf­ka showed his pro­tag­o­nists get­ting crushed between the pin­cers of a face­less bureau­crat­ic author­i­ty on the one hand and a deep sense of shame and guilt on the oth­er.

On his deathbed, the famous­ly tor­tured writer implored his friend Max Brod to burn his unpub­lished work. Brod ignored his friend’s plea and instead pub­lished them – nov­els, short sto­ries and even his diaries. In those diaries, Kaf­ka doo­dled inces­sant­ly – stark, graph­ic draw­ings infused with the same angst as his writ­ing. In fact, many of these draw­ings have end­ed up grac­ing the cov­ers of Kafka’s books.

“Quick, min­i­mal move­ments that con­vey the typ­i­cal despair­ing mood of his fic­tion” says Har­ti­gan of Kafka’s art. “I am struck by how these sim­ple ges­tures, these zigza­gs of the wrist, con­tain an econ­o­my of mark mak­ing that even the most expe­ri­enced artist can learn some­thing from.”

In his book Con­ver­sa­tions with Kaf­ka, Gus­tav Janouch describes what hap­pened when he came upon Kaf­ka in mid-doo­dle: the writer imme­di­ate­ly ripped the draw­ing into lit­tle pieces rather than have it be seen by any­one. After this hap­pened a cou­ple times, Kaf­ka relent­ed and let him see his work. Janouch was aston­ished. “You real­ly didn’t need to hide them from me,” he com­plained. “They’re per­fect­ly harm­less sketch­es.”

“Kaf­ka slow­ly wagged his head to and fro – ‘Oh no! They are not as harm­less as they look. These draw­ing are the remains of an old, deep-root­ed pas­sion. That’s why I tried to hide them from you…. It’s not on the paper. The pas­sion is in me. I always want­ed to be able to draw. I want­ed to see, and to hold fast to what was seen. That was my pas­sion.”

Check out some of Kafka’s draw­ings below:

Horse and Rid­er 1909–1910

Horse and Rider 1909-1910

Three Run­ners 1912–1913

Three Runners 1912-1913

The Thinker 1913

The Thinker 1913

Fenc­ing 1917

Fencing 1917

via Arts­Cen­tre

Relat­ed Con­tent:

Find Works by Kaf­ka in our Free eBooks col­lec­tion

Watch Franz Kaf­ka, the Won­der­ful Ani­mat­ed Film by Piotr Dumala

The Art of William Faulkn­er: Draw­ings from 1916–1925

Vladimir Nabokov Makes Edi­to­r­i­al Tweaks to Franz Kafka’s Novel­la

Vladimir Nabokov’s Delight­ful But­ter­fly Draw­ings

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow.

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How Vinyl Records Are Made: A Primer from 1956

in Music | February 4th, 2014

The arrival of the com­pact disc was thought to be the death sen­tence for LPs. Vinyl was big, impre­cise, and stuck in the past: CDs were the wave of the future. Recent years, how­ev­er, have seen a sur­pris­ing trend. Vinyl col­lec­tors have man­aged to weath­er the dig­i­tal music storm of the ‘80s and ‘90s, while com­pact discs, hav­ing seen bet­ter days, have dropped in pop­u­lar­i­ty. In fact, accord­ing to The Tele­graph, LP sales are bet­ter than they’ve been at any point over the past 12 years. Although it is the hob­by­ist col­lec­tor and the DJ who have buoyed vinyl sales for many years, the recent surge in LP pop­u­lar­i­ty is, in part, due to younger fans who pre­fer the expe­ri­ence of lis­ten­ing to vinyl records over dig­i­tal down­loads. Daft Punk, Arc­tic Mon­keys, The Nation­al, and Vam­pire Week­end are just some of the A‑list bands tak­ing advan­tage of the trend.

But how are LPs man­u­fac­tured today? Pret­ty much the exact way they’ve been pro­duced through­out the past 50 years, actu­al­ly. Many of the LP press­ing plants use restored press­es, bought sec­ond-hand for about $25,000. The video above, made in 1956 by RCA Vic­tor, gives a detailed descrip­tion of the process. After the sound record­ing, the audio is trans­ferred to a lac­quer mas­ter disc.

The play­ing time of the music dic­tates the num­ber of grooves on the disc, and the sound dynam­ics deter­mine the dis­tance between them. As the video explains, the loud pas­sages need more room, while qui­et ones need less. A fine­ly ground and elec­tri­cal­ly heat­ed piece of sap­phire cuts the vinyl with pre­ci­sion. Once it is com­plete, the mas­ter disc is coat­ed in var­i­ous met­als, which, when sep­a­rat­ed, cre­ate a new, sil­ver-faced mas­ter copy. This metal­lic mas­ter can’t be played, and is used to cre­ate a mold, which must be checked for sound qual­i­ty. Final­ly, the mold is used to make a stam­per, which stamps the appro­pri­ate grooves on the records. The record press heats the plas­tic, turn­ing it into a warm, mold­able goo, press­es it, and cools its once the grooves have been stamped. If you got lost some­where along the way, don’t wor­ry. Visu­als help, and the video above should give you an idea of how things hap­pen.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Boing Boing

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

Relat­ed Con­tent: 

A Cel­e­bra­tion of Retro Media: Vinyl, Cas­settes, VHS, and Polaroid Too

Neil Young on the Trav­es­ty of MP3s

World Records: New Pho­to Exhib­it Pays Trib­ute to the Era of Vinyl Records & Turnta­bles

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Ira Glass’ Advice on Achieving Creative Excellence Presented in Two Artful, Typographic Videos

in Creativity, Life, Radio | February 4th, 2014

”All of us who do cre­ative work,” says Ira Glass, cre­ator This Amer­i­can Life, quite pos­si­bly the most respect­ed pro­gram on pub­lic radio, “we get into it because we have good taste.” Yet despite this dis­cern­ment, or indeed because of it, “there’s a gap: for the first cou­ple years that you’re mak­ing stuff, what you’re mak­ing isn’t so good. [ … ] Your taste is good enough that you can tell that what you’re mak­ing is kind of a dis­ap­point­ment to you.” For this rea­son, Glass argues, the taste­ful often fail at their cre­ative endeav­ors entire­ly. “Most every­body I know who does inter­est­ing cre­ative work,” he con­tin­ues, “they went through a phase of years where they had real­ly good taste, and they could tell what they were mak­ing was­n’t as good as they want­ed it to be.” This astute diag­no­sis of a “total­ly nor­mal” syn­drome comes extract­ed from Glass’ talk on the craft of sto­ry­telling, pre­vi­ous­ly fea­tured here on Open Cul­ture.

For­tu­nate­ly for those of us strug­gling with the very taste-abil­i­ty mis­match Glass describes, a solu­tion exists. If you want a quick fix, though, pre­pare for dis­ap­point­ment. “Do a lot of work,” he flat­ly advis­es. “Do a huge vol­ume of work. Put your­self on a dead­line so that every week or every month you know you’re going to fin­ish one sto­ry. Because it’s only by actu­al­ly going through a vol­ume of work that you’re actu­al­ly going to catch up and close that gap.” These words have proven inspir­ing enough that they’ve sure­ly spurred lis­ten­ers on to plow paths of sheer pro­duc­tion through their cho­sen rocky yet fer­tile cre­ative fields. Two lis­ten­ers in par­tic­u­lar, David Shiyang Liu and Frohlocke, appar­ent­ly found them­selves imme­di­ate­ly gal­va­nized to work with the words them­selves, result­ing in the typo­graph­i­cal­ly focused video inter­pre­ta­tions above. Only one ques­tion remains: how large a vol­ume of typo­graph­i­cal­ly focused video inter­pre­ta­tions of Ira Glass’ words did they have to cre­ate before they could make ones this impres­sive?

via Vimeo Staff Picks

Relat­ed Con­tent:

Ira Glass, the Host of This Amer­i­can Life, Breaks Down the Fine Art of Sto­ry­telling

Ira Glass on the Art and Craft of Telling Great Radio Sto­ries

Hen­ry Rollins Tells Young Peo­ple to Avoid Resent­ment and to Pur­sue Suc­cess with a “Monas­tic Obses­sion”

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, Asia, film, lit­er­a­ture, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on his brand new Face­book page.

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Teddy Roosevelt’s 10 Rules For Reading: Seek Enjoyment, Spurn Fads, Read What You Like

in Books, History | February 4th, 2014

Theodore_Roosevelt_circa_1902

Ted­dy Roo­sevelt seems to us a para­dox today, and did in his time as well: A man’s man hunter, cow­boy, and war hero, who sup­pos­ed­ly saved the game of foot­ball from extinc­tion (Roo­sevelt wor­ried that ban­ning the game would pro­duce “mol­ly­cod­dles instead of vig­or­ous men”); also, a Har­vard-edu­cat­ed New York pro­gres­sive and tree­hug­ging con­ser­va­tion­ist hero, who re-defined pres­i­den­tial style with Brooks Broth­ers three-piece suits and uni­forms. And for all of his pub­lic hero­ics, Roo­sevelt was also a dot­ing father who gave his nick­name to the most uni­ver­sal­ly cud­dly species of bear. Per­haps some of the best rep­re­sen­ta­tions of Roo­sevelt’s per­son­al ethos are pho­tographs of his com­bi­na­tion library and gun room, hung with hunt­ing tro­phies and skins in the home he built for his fam­i­ly in Oys­ter Bay, New York (below—see more at the appro­pri­ate­ly named “Art of Man­li­ness”).

trfirstfloorlibrary

One sig­nif­i­cant rea­son Roo­sevelt could embody seem­ing­ly wide­ly diver­gent traits was that he was a devour­er of books, read­ing tens of thou­sands in his life­time, absorb­ing thou­sands of points of view from every pos­si­ble source. But Roo­sevelt did not read the way we do today—rapidly tak­ing in infor­ma­tion for its own sake, with auto­mat­ed ser­vices com­pil­ing rec­om­men­da­tions from the meta­da­ta (a phe­nom­e­non Susan Jaco­by has indict­ed as part of our hyper-par­ti­san, group­think cul­ture). He read accord­ing to his whim, putting plea­sure ahead of prof­it and dis­dain­ing fads and rigid cul­tur­al norms. He was, lit­er­ary site Book Riot sup­pos­es, “prob­a­bly the most well-read pres­i­dent, and per­haps one of the most well-read men in all of his­to­ry.”

Book Riot points us toward a few pages of Roosevelt’s auto­bi­og­ra­phy, in which—amidst picaresque chap­ters like “In Cow­boy Land” and heavy ones like “The Pres­i­den­cy; Mak­ing an Old Par­ty Progressive”—Roosevelt paus­es to detail his thoughts on read­ing in a par­tic­u­lar­ly prag­mat­ic chap­ter titled “Out­doors and Indoors.” Although Roo­sevelt does not present his con­tem­pla­tion as an eas­i­ly digestible list of rules, as is the fash­ion now, Book Riot has seen fit to con­dense his thought. Below see the first five of their list, “Ted­dy Roosevelt’s 10 Rules for Read­ing.” I’d be will­ing to bet that if every­one fol­lowed Teddy’s advice, we could up the woe­ful nation­al lit­er­a­cy quo­tient with­in a few short years.

1. “The room for choice is so lim­it­less that to my mind it seems absurd to try to make cat­a­logues which shall be sup­posed to appeal to all the best thinkers. This is why I have no sym­pa­thy what­ev­er with writ­ing lists of the One Hun­dred Best Books, or the Five-Foot Library [a ref­er­ence to the Har­vard Clas­sics]. It is all right for a man to amuse him­self by com­pos­ing a list of a hun­dred very good books… But there is no such thing as a hun­dred books that are best for all men, or for the major­i­ty of men, or for one man at all times.”

2. “A book must be inter­est­ing to the par­tic­u­lar read­er at that par­tic­u­lar time.”

3. “Per­son­al­ly, the books by which I have prof­it­ed infi­nite­ly more than by any oth­ers have been those in which prof­it was a by-prod­uct of the plea­sure; that is, I read them because I enjoyed them, because I liked read­ing them, and the prof­it came in as part of the enjoy­ment.”

4. “The read­er, the booklover, must meet his own needs with­out pay­ing too much atten­tion to what his neigh­bors say those needs should be.”

5. “He must not hyp­o­crit­i­cal­ly pre­tend to like what he does not like.”

Head over to Book Riot for the remain­ing five of Roo­sevelt’s “rules,” along with some wit­ty com­men­tary.

Relat­ed Con­tent:

‘The Right of the Peo­ple to Rule’: Lis­ten to Theodore Roo­sevelt Speak­ing 100 Years Ago Today

Study Finds That Read­ing Tol­stoy & Oth­er Great Nov­el­ists Can Increase Your Emo­tion­al Intel­li­gence

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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Neil Gaiman Reads Dr. Seuss’ Green Eggs and Ham

in K-12, Literature | February 3rd, 2014

This morn­ing, we’re serv­ing up some green eggs and ham. Or rather Neil Gaiman is. When­ev­er I think about some­one read­ing Dr. Seuss’ clas­sic chil­dren’s book, I can’t help but think back to Jesse Jack­son’s clas­sic read­ing on SNL in 1991. But who knows, maybe 20 years from now, anoth­er gen­er­a­tion might call to mind this ver­sion by the unshaven Gaiman. If the read­ing whets your appetite a bit, don’t miss our col­lec­tion of Neil Gaiman’s Free Short Sto­ries, which includes, among oth­er things, audio & video record­ings of @neilhimself read­ing his own sto­ries. We’ve got some more good Dr. Seuss mate­r­i­al below.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

via Metafil­ter

Relat­ed Con­tent:

Fake Bob Dylan Sings Real Dr. Seuss

The Epis­te­mol­o­gy of Dr. Seuss & More Phi­los­o­phy Lessons from Great Children’s Sto­ries

New Archive Show­cas­es Dr. Seuss’s Ear­ly Work as an Adver­tis­ing Illus­tra­tor and Polit­i­cal Car­toon­ist

550 Free Audio Books: Down­load Great Books for Free

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New Carl Sagan Archive Features His Digitized Home Movies, Student Journalism, Draft of His Pale Blue Dot & More

in Archives, Astronomy, History, Science | February 3rd, 2014

Sev­er­al days ago, we brought you a rare Carl Sagan sketch, where the young sci­en­tist depict­ed an imag­ined his­to­ry of inter­stel­lar space flight. In that post, we made brief men­tion of the Seth Mac­Far­lane Col­lec­tion of the Carl Sagan and Ann Druyan Archive, which mer­its to be high­light­ed in its own right: its arrival means that the Inter­net now has access to a vast repos­i­to­ry of the emi­nent sci­ence educator’s orig­i­nal papers and per­son­al arti­facts.

His­to­ri­ans, biog­ra­phers, and die-hard Sagan devo­tees will inevitably want to vis­it the Library of Con­gress in per­son to view the full archive, which con­tains over 1700 box­es of mate­r­i­al. The lay read­er curi­ous about Sagan’s life, how­ev­er, won’t need to make the trek to the U.S. cap­i­tal to sam­ple the archive’s con­tents. That’s because the Library of Con­gress has uploaded a por­tion of the col­lec­tion online, includ­ing sundry fas­ci­nat­ing bio­graph­i­cal pieces. Above, you can view a dig­i­tized set of the Sagan fam­i­ly’s silent home movies, where young Carl shows off his boy­hood box­ing prowess, rides horse­back, and plays piano (pre­cious­ly, we pre­sume).

It was dur­ing high school that Sagan began to fill out intel­lec­tu­al­ly. His senior year­book is tes­ti­mo­ny to both his inter­est in sci­ence and the human­i­ties: not only was Sagan pres­i­dent of both the sci­ence and chem­istry clubs, he also led the French club, served as an edi­tor on his school’s news­pa­per, debat­ed, took part in the­atre pro­duc­tions, and was a mem­ber of the pho­tog­ra­phy club.

sagan archive

Indeed, Sagan dis­played his uncan­ny abil­i­ty to merge sci­ence with the human­i­ties in Wawawhack, his high school news­pa­per, writ­ing a piece enti­tled “Space, Time, and The Poet.” He begins by say­ing, “it is an exhil­a­rat­ing expe­ri­ence to read poet­ry and observe its cor­re­la­tion with mod­ern sci­ence. Pro­found sci­en­tif­ic thought is hard­ly a rar­i­ty among the poets.” Through­out the piece, Sagan goes on to draw from vers­es by Alfred Lord Ten­nyson, T. S. Eliot, John Mil­ton, and Robert Frost.

Mix­ing sci­ence and lit­er­a­ture would remain one of Sagan’s spe­cial­ties, and would even­tu­al­ly lead to his writ­ing The Pale Blue Dot: A Vision of Human Future In Space (1994). The book dis­cuss­es humankind’s place in the uni­verse, past, present, and future, and a PDF ver­sion of the anno­tat­ed sec­ond draft, pic­tured below, is avail­able in the archive.

sagan archive 3

For more of the dig­i­tized col­lec­tion, vis­it Seth Mac­Far­lane Col­lec­tion of the Carl Sagan and Ann Druyan Archive.

via Boing Boing

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

Relat­ed Con­tent:

Carl Sagan’s Under­grad Read­ing List: 40 Essen­tial Texts for a Well-Round­ed Thinker

Free Mini Course: Carl Sagan Presents Six Lec­tures on Earth, Mars & Our Solar Sys­tem … For Kids (1977)

Carl Sagan, Stephen Hawk­ing & Arthur C. Clarke Dis­cuss God, the Uni­verse, and Every­thing Else

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1967 Cookbook Features Recipes by the Rolling Stones, Simon & Garfunkel, Barbra Streisand & More

in Books, Food & Drink, Music | February 3rd, 2014

Singers-and-SwingersCover

Am I alone in think­ing that the “dozens of nut­ty, turned-on, easy-to-pre­pare recipes” in 1967’s Singers and Swingers in the Kitchen bear more than pass­ing resem­blance to the fes­tive­ly pho­tographed dish­es in Bet­ty Crock­er’s 1965 New Boys and Girls Cook Book?

Could Son­ny and Cher, Simon and Gar­funkel, and Her­man’s Her­mits — to name a few of the “top scene­mak­ers” Singers and Swingers author Rober­ta Ash­ley des­ig­nates as the “groovi­est gourmets hap­pen­ing” — real­ly shared a com­mon palate with Bet­ty and her child-chefs?

stones recipe
It’s hard to imag­ine 1967’s rock stars” eat­ing this stuff, let alone mak­ing it. The Rolling Stones’ “Hot Dogs on the Rocks” sounds more suit­ed to Mick Jag­ger’s hot pot at the Lon­don School of Eco­nom­ics than the back of a “Ruby Tues­day” era tour bus. I don’t recall Kei­th Richards men­tion­ing them in Life.

(Though take away the recipe’s three mid­dle words, and you’re left with the title of a cer­tain mul­ti-plat­inum dou­ble hits album. Coin­ci­dence?)

 

betty-crocker-rocket

Mov­ing on to Singers and Swingers’ sal­ad course, Mon­kee Peter Tork’s “Mad Man­darin Sal­ad” (click here for ingre­di­ents) sounds like it would taste quite sim­i­lar to the New Boys and Girls Cook Book’s “Rock­et Sal­ad”, above. Canned fruit fea­tures promi­nent­ly in both, but “Rock­et Sal­ad” is way more phal­lic, and thus more rock n’ roll.

 

barbra-streisands-coffee-ice-cream-001

“Bar­bra Streisand’s Instant Cof­fee Ice Cream” sounds sophis­ti­cat­ed, may­haps because cof­fee, like alco­hol, has no place in the Bet­ty Crock­er New Boys and Girls’ realm. It seems like it would uphold the Singers and Swingers’ man­date by being “easy-to-pre­pare”. Dare I say “easy enough for a child to pre­pare”? So my own moth­er told the Indi­anapo­lis Star some­time in the late 60’s. The evi­dence is below. Just like Bar­bra’s, my moth­er’s recipe required marsh­mal­lows and a blender.

coffeemallow

And, oh by the way, don’t miss Simon and Garfunkel’s Pota­to Pan­cake Recipe. It’s to die for…

Relat­ed Con­tent: 

The Recipes of Icon­ic Authors: Jane Austen, Sylvia Plath, Roald Dahl, the Mar­quis de Sade & More

Learn to Make Borscht with Neko Case and Get a Taste of Her New Album

Alice B. Tok­las Talks About Her Famous Recipe for Hashish Fudge

Ayun Hal­l­i­day con­tin­ues to lust after Bet­ty Crock­er’s Enchant­ed Cas­tle Cake. Fol­low her @AyunHalliday

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