Sigmund Freud Appears in Rare, Surviving Video & Audio Recorded During the 1930s

Sigmund Freud

What, I won­der, would Sig­mund Freud have made of Han­ni­bal Lec­tor? The fic­tion­al psy­cho­an­a­lyst, so sophis­ti­cat­ed and in con­trol, moon­light­ing as a blood­thirsty can­ni­bal… a per­fect­ly grim rejoin­der to Freud’s ideas about humankind’s per­pet­u­al dis­con­tent with the painful repres­sion of our dark­est, most anti­so­cial dri­ves. While Freud’s pri­ma­ry taboo was incest, not can­ni­bal­ism, I’m sure he would have appre­ci­at­ed the irony of an ultra-civ­i­lized psy­chi­a­trist who gives full steam to his most pri­mal urges.

Freud—who was born on this day in 1856, in the small town of Freiberg—also had a care­ful­ly con­trolled image, though his pas­sion­ate avo­ca­tion was not for the macabre, sala­cious, or pruri­ent, but for the archae­o­log­i­cal. He once remarked that he read more on that sub­ject than on his own, an exag­ger­a­tion, most like­ly, but an indi­ca­tion of just how much his inter­est in cul­tur­al arti­facts and rit­u­al con­tributed to his the­o­ret­i­cal expli­ca­tion of indi­vid­ual and social psy­chol­o­gy.

In the film above, we see Freud in con­ver­sa­tion with a friend, a pro­fes­sor of archae­ol­o­gy, whom the psy­chi­a­trist con­sult­ed on his exten­sive col­lec­tion of antiq­ui­ties. Lat­er, we see Freud with his dog, then reclin­ing out­doors with a book. Over this footage we hear the nar­ra­tion of Freud’s daugh­ter Anna, who only allowed this film to be viewed by a small cir­cle until her death in 1982.

Though Freud lived many decades into the era of record­ing tech­nol­o­gy, pre­cious lit­tle film and audio of the founder of psy­cho­analy­sis exists. While the home movies at the top may be the only mov­ing image of him, per­haps the only audio record­ing of his voice, above, was made in 1938, the year before his death. At 81 years old, Freud’s advanced jaw can­cer left him in con­sid­er­able tor­ment. Nonethe­less, he agreed to record this brief mes­sage for the BBC from his Lon­don home in Mares­field Gar­dens. Read a tran­script of the speech, and see Freud’s hand­writ­ten copy, below.

I start­ed my pro­fes­sion­al activ­i­ty as a neu­rol­o­gist try­ing to bring relief to my neu­rot­ic patients. Under the influ­ence of an old­er friend and by my own efforts, I dis­cov­ered some impor­tant new facts about the uncon­scious in psy­chic life, the role of instinc­tu­al urges, and so on. Out of these find­ings grew a new sci­ence, psy­cho­analy­sis, a part of psy­chol­o­gy, and a new method of treat­ment of the neu­roses. I had to pay heav­i­ly for this bit of good luck. Peo­ple did not believe in my facts and thought my the­o­ries unsa­vory. Resis­tance was strong and unre­lent­ing. In the end I suc­ceed­ed in acquir­ing pupils and build­ing up an Inter­na­tion­al Psy­cho­an­a­lyt­ic Asso­ci­a­tion. But the strug­gle is not yet over.  –Sig­mund Freud.

Freud-BBC-Manuscript-1

Freud-Manuscript-2

The Library of Con­gress online exhib­it Sig­mund Freud: Con­flict & Cul­ture has many more pri­ma­ry doc­u­ments includ­ing a holo­graph page from Freud’s man­u­script of Civ­i­liza­tion and its Dis­con­tents, in which he the­o­rized the bedrock impulse of ser­i­al killers, fic­tion­al and real: the so-called “Death Dri­ve,” our “human instinct of aggres­sion and self-destruc­tion.”

Many impor­tant texts by Freud can be found in our col­lec­tion, 600 Free eBooks for the iPad, Kin­dle & Oth­er Devices. And you’ll inevitably find a few cours­es cov­er­ing Freud’s thought in our col­lec­tion of Free Online Psy­chol­o­gy Cours­es, part of our list of 950 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

How a Young Sig­mund Freud Researched & Got Addict­ed to Cocaine, the New “Mir­a­cle Drug,” in 1894

Jean-Paul Sartre Writes a Script for John Huston’s Film on Freud (1958)

Free Online Psy­chol­o­gy & Neu­ro­science Cours­es

Down­load Sig­mund Freud’s Great Works as Free eBooks & Free Audio Books: A Dig­i­tal Cel­e­bra­tion on His 160th Birth­day

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Global Breakfast Radio Lets You Listen to Radio Broadcasts From Wherever the Sun is Rising

global breakfast radio

“The sun is always ris­ing some­where; break­fast is always just about to hap­pen. Din­ner time in Dakar is break­fast time in Bris­bane.” Enter Glob­al Break­fast Radio, a web site that aggre­gates and streams radio sta­tions from around the world (over 250 sta­tions from more than 120 coun­tries), air­ing broad­casts from wher­ev­er it’s break­fast time right now. “As the sun ris­es on the Green­wich Mean Line, you’ll hear break­fast pro­grammes from around the UK, Ice­land and West Africa; the broad­cast then moves west­wards, fol­low­ing the sun­rise across the Atlantic islands, sweep­ing over Amer­i­ca and then into the Pacific.” That’s how Daniel Jones, one of the co-founders of Glob­al Break­fast Radio, explains the project to Wired.

Right now, in Cal­i­for­nia, it’s near­ly 11:30 pm. But, with a click of the mouse, I can lis­ten to pro­grams kick­ing off the day in Assisi, Italy.  You can start lis­ten­ing right here on your com­put­er. The streamed broad­cast should work in any mod­ern web brows­er. It should also run just fine on your iPhone, iPad and oth­er mobile devices. Enjoy.

via Mefi

Four Charles Bukowski Poems Animated

The poet­ry of Charles Bukows­ki deeply inspires many of its read­ers. Some­times it just inspires them to lead the dis­solute lifestyle they think they see glo­ri­fied in it, but oth­er times it leads them to cre­ate some­thing com­pelling of their own. The qual­i­ty and vari­ety of the Bukows­ki-inspired ani­ma­tion now avail­able on the inter­net, for instance, has cer­tain­ly sur­prised me.

At the top of the post, we have Jonathan Hodg­son’s adap­ta­tion of “The Man with the Beau­ti­ful Eyes,” which puts vivid, col­or­ful imagery to Bukowski’s late poem that draws from his child­hood mem­o­ries of a mys­te­ri­ous, untamed young man in a run-down house whose very exis­tence remind­ed him “that nobody want­ed any­body to be strong and beau­ti­ful like that, that oth­ers would nev­er allow it.” Below, you can watch Moni­ka Umba’s even more uncon­ven­tion­al ani­ma­tion of “Blue­bird”:

With­out any words spo­ken on the sound­track and only the title seen onscreen — a chal­leng­ing cre­ative restric­tion for a poet­ry-based short — Umba depicts the nar­ra­tor’s “blue­bird in my heart that wants to get out.” But the nar­ra­tor, “too tough for him,” beats back the blue­bird’s escape with whiskey, cig­a­rettes, and a pol­i­cy of only let­ting him roam “at night some­times, when every­body’s asleep.”

You’ll find Bradley Bel­l’s inter­pre­ta­tion of “The Laugh­ing Heart,” a poem that advis­es its read­ers not to let their lives “be clubbed into dank sub­mis­sion,” to “be on the watch,” for “there are ways out.” “You can’t beat death,” Bukows­ki writes, “but you can beat death in life, some­times.” In Bel­l’s short, these words come from the mouth of the also famous­ly dis­so­lu­tion-chron­i­cling singer-song­writer Tom Waits, cer­tain­ly Bukowski’s most suit­able liv­ing read­er (and one who, all told, comes sec­ond only to the man him­self). Only fit­ting that one inspir­ing cre­ator deliv­ers the work of anoth­er — in the sort of labor of enthu­si­asm that, too, will inspire its audi­ence to cre­ate.

At the bot­tom the post, you will find “Roll the Dice,” an ani­ma­tion sug­gest­ed by one of our read­ers, Mark.

You can find read­ings of Bukows­ki poems in the poet­ry sec­tion of our col­lec­tion of Free Audio Books.

Relat­ed Con­tent:

The Last (Faxed) Poem of Charles Bukows­ki

Lis­ten to Charles Bukows­ki Poems Being Read by Bukows­ki, Tom Waits and Bono

“Don’t Try”: Charles Bukowski’s Con­cise Phi­los­o­phy of Art and Life

Charles Bukows­ki Sets His Amus­ing Con­di­tions for Giv­ing a Poet­ry Read­ing (1971)

Charles Bukows­ki: Depres­sion and Three Days in Bed Can Restore Your Cre­ative Juices (NSFW)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

What Was It Like to Have Philip Roth as an English Prof?

Image by Thier­ry Ehrmann, via Flickr Com­mons

Writ­ing in The New York Times this week­end, author Lisa Scot­to­line remem­bers her days at the Uni­ver­si­ty of Penn­syl­va­nia, back dur­ing the 1970s, when she took sem­i­nars with then-vis­it­ing pro­fes­sor, Philip Roth. One course the famous nov­el­ist taught was called ““The Lit­er­a­ture of Desire,” which prompt­ed stu­dents to think, “Who wouldn’t want to read dirty books with Philip Roth?”  It turns out the class did­n’t get very sexy. But stu­dents did learn quite a bit. Scot­to­line writes:

Look­ing back, I’ve come to under­stand that he was the best pro­fes­sor I ever had, not only because of his genius, but also because of his dis­tance. We were a group of girls eager to please, to guess at what he want­ed us to say, and to say that for him. We all want­ed to hear about him, or have him tell us how to write, but that was some­thing he stead­fast­ly denied us. By with­hold­ing his own per­son­al­i­ty, thoughts and opin­ions, he forced us back on our own per­son­al­i­ties, thoughts and opin­ions. He made us dis­cov­er what we want­ed to write about, and to write about it the way we want­ed to.

You can read the rest of her account here.

Relat­ed Con­tent:

Free Online Lit­er­a­ture Cours­es from Great Uni­ver­si­ties

Watch Philip Roth, Now 80, Read from His Irrev­er­ent Clas­sic, Portnoy’s Com­plaint

Philip Roth Pre­dicts the Death of the Nov­el; Paul Auster Coun­ters

Philip Roth Reads “In Mem­o­ry of a Friend, Teacher & Men­tor” (A Free Down­load Ben­e­fit­ing a Pub­lic Library)

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James Franco Reads 6 Short Poems from His New Collection

James Fran­co, like Ethan Hawke before him, is one of those movie stars who gets bashed left and right for dar­ing to behave like any oth­er arty young man. How dare he think he can write a nov­el, or paint, or make short films? What a pre­ten­tious idiot, right?!

I would counter that these activ­i­ties out him as a pas­sion­ate read­er who cares deeply about art and movies.

His celebri­ty opens doors that are barred to your aver­age arty young men, but it also ensures that he’ll be scape­goat­ed with­out mer­cy. (An arty young man of my acquain­tance earned some nice pub­lic­i­ty for him­self per­form­ing a one-man show titled “Bring Me the Head of James Fran­co, That I May Pre­pare a Savory Goulash in the Nar­row and Mis­shapen Pot of His Skull.” )

I rarely feel sor­ry for celebs who tweet their wound­ed feel­ings, but I was rather moved by Franco’s poet­ic take on what it’s like to be on the receiv­ing end of all this vit­ri­ol. It’s the first of six poems he reads in the video above, when he shared the stage with his 74-year-old men­tor Frank Bidart, who no doubt enjoyed per­form­ing to a sold out crowd of 800. Franco’s debut poet­ry collection’s title, Direct­ing Her­bert White owes some­thing to Bidart. His poem, “Her­bert White,” is the inspi­ra­tion for a short film direct­ed by Fran­co.

Those who would con­sid­er all that just more evi­dence of Franco’s insup­port­able pre­ten­tious­ness should con­sid­er the oppos­ing view­point, cour­tesy of non-movie star poet Bidart, who told the Chica­go Tri­bune:

 “I’m almost 75. At some point you know the para­me­ters of your life. The ter­ri­fy­ing thing about get­ting old­er is the feel­ing that every­thing that hap­pens from now on will be a species of some­thing that has already hap­pened. Becom­ing friends with James changed that: I no longer feel I can antic­i­pate the future. Which is lib­er­at­ing.”

Per­haps all that fran­tic, cross-media cre­ative expres­sion can result in some­thing more than a snarky one-man show.

Because

Because I played a knight,
And I was on a screen,
Because I made a mil­lion dol­lars,
Because I was hand­some,
Because I had a nice car,
A bunch of girls seemed to like me.

But I nev­er met those girls,
I only heard about them.
The only peo­ple I saw were the ones who hat­ed me,
And there were so many of those peo­ple.
It was easy to for­get about the peo­ple who I heard
Like me, and shit, they were all fuck­ing four­teen-year-olds.

And I holed up in my place and read my life away,
I watched a mil­lion movies, twice,
And I didn’t under­stand them any bet­ter.

But because I played a knight,
Because I was hand­some,

This was the life I made for myself.

Years lat­er, I decid­ed to look at what I had made,
And I watched myself in all the old movies, and I hat­ed that guy I saw.

But he’s the one who stayed after I died.

You can see James Fran­co and Frank Bidart’s Chica­go Human­i­ties Fes­ti­val appear­ance in its entire­ty here. Find more poet­ry read­ings in the poet­ry sec­tion of our col­lec­tion of Free Audio Books.

Relat­ed Con­tent:

James Fran­co Reads a Dream­i­ly Ani­mat­ed Ver­sion of Allen Ginsberg’s Epic Poem ‘Howl’

James Fran­co Reads Short Sto­ry in Bed for The Paris Review

Lis­ten to James Fran­co Read from Jack Kerouac’s Influ­en­tial Beat Nov­el, On the Road

Ayun Hal­l­i­day is a  Freaks and Geek diehard who gets all her Lohan-relat­ed intel from the poet­ry of James Fran­co and  d‑listed. Fol­low her@AyunHalliday

Vintage Footage of Leo Tolstoy: Video Captures the Great Novelist During His Final Days

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“My life came to a stand­still,” wrote Leo Tol­stoy in his 1882 con­ver­sion mem­oir A Con­fes­sion, “I could not breathe, eat, drink, and sleep, and I could not help doing these things.” So Tolstoy’s described his “arrest of life,” a peri­od of severe depres­sion that led to a very deep, per­son­al brand of faith in his late mid­dle age. The tow­er­ing Russ­ian nov­el­ist renounced world­ly desires and came to iden­ti­fy with the poor, the for­mer serfs of his aris­to­crat­ic class. Tolstoy’s rad­i­cal reli­gious anar­chism in his final years spread his fame far among the peas­antry just as his lit­er­ary achieve­ments had brought him world­wide renown among the read­ing pub­lic. So famous was Tol­stoy, William Nick­ell tells us, that Russ­ian crit­ic Vasi­ly Rozanov wrote that “to be a Russ­ian and not have [seen] Tol­stoy was like being Swiss and not hav­ing seen the Alps.”

Nick­ell describes the occa­sions that Tol­stoy appeared on film, the new medi­um that allowed the author’s mil­lions of ador­ing fans to get a glimpse of him. Just as his life was punc­tu­at­ed by a rad­i­cal depar­ture from his ear­li­er atti­tudes, his medi­um was in for a shock as film for­ev­er changed the way sto­ries were told.

In those ear­ly days, how­ev­er, it was very often sim­ply a means of record­ing his­to­ry, and we should be glad of that. It means we too can see Tol­stoy, at the top on his 80th birth­day. We see him vig­or­ous­ly saw­ing logs and pious­ly giv­ing alms to the poor. Also includ­ed in the ini­tial footage are Tolstoy’s wife Sofya, his daugh­ter Alek­san­dra, and aide and edi­tor Vladimir Chertkov. Then, at 1:04, the scene shifts to Tolstoy’s deathbed and scenes of his funer­al. The remain­ing 11 min­utes give us some uniden­ti­fied footage of the author. (If you’re able to read the title cards in Russ­ian, please let us know!).

Just above, see a more com­plete film of Tolstoy’s death and funer­al pro­ces­sion. The author died at age 82 after he abrupt­ly decid­ed to leave his wife, tak­ing only a few pos­ses­sions and his doc­tor. Read the dra­mat­ic sto­ry of Tolstoy’s last ten days in this trans­lat­ed excerpt from Pavel Basinsky’s award win­ning Leo Tol­stoy: Escape from Par­adise.

Relat­ed Con­tent:

Rare Record­ing: Leo Tol­stoy Reads From His Last Major Work in Four Lan­guages, 1909

The Com­plete Works of Leo Tol­stoy Online: New Archive Will Present 90 Vol­umes for Free (in Russ­ian)

Study Finds That Read­ing Tol­stoy & Oth­er Great Nov­el­ists Can Increase Your Emo­tion­al Intel­li­gence

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

All of Bach for Free! New Site Will Put Performances of 1080 Bach Compositions Online


Bach wrote 1080 com­po­si­tions dur­ing his life­time. And now thanks to the new and cer­tain­ly ambi­tious All of Bach web site, you can even­tu­al­ly watch the Nether­lands Bach Soci­ety (found­ed in 1921) per­form each and every one of those com­po­si­tions. The site fea­tures 13 per­for­mances so far (see below), which means there’s only anoth­er 1067 to go. A new Bach record­ing will go live every Fri­day. So you mark your cal­en­dars and check in week­ly for the next 20 years. Thanks to Erik for send­ing this our way!

First record­ings:

Relat­ed Con­tent:

A Big Bach Down­load: All of Bach’s Organ Works for Free

The Genius of J.S. Bach’s “Crab Canon” Visu­al­ized on a Möbius Strip

Video: Glenn Gould Plays the Gold­berg Vari­a­tions by J.S. Bach

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Neil deGrasse Tyson Moonwalking

A cou­ple weeks ago, we showed you the Pre-His­to­ry of Michael Jackson’s Moon­walk, high­light­ing a med­ley of the fan­cy foot moves of Cab Cal­loway, Sam­my Davis Jr., Fred Astaire and some less­er-known fig­ures like Rub­ber­neck Holmes and Earl “Snake­hips” Tuck­er. Some­one could just as eas­i­ly make anoth­er mon­tage, a Post-His­to­ry of Michael Jack­son’s Moon­walk, and it would sure­ly have to include the clip above. It fea­tures our favorite astro­physi­cist Neil deGrasse Tyson strut­ting his stuff at StarTalk Live last year. In the back­ground, you can see anoth­er great moon­walk­er, Buzz Aldrin, on the stage.

Episode #9 of Tyson’s Cos­mos reboot airs on Fox tonight. US view­ers can watch episodes 1–8 on Hulu here. The orig­i­nal Cos­mos with Carl Sagan appears here.

Relat­ed Con­tent:

Neil deGrasse Tyson Lists 8 (Free) eBooks Every Intel­li­gent Per­son Should Read

Watch Episode #1 of Neil deGrasse Tyson’s Cos­mos Reboot on Hulu (US View­ers)

Neil deGrasse Tyson on the Stag­ger­ing Genius of Isaac New­ton

Neil deGrasse Tyson Talks Aster­oid Physics & “Non New­ton­ian Solids” with Inspir­ing 9‑Year-Old Stu­dent

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