Let’s Learn Japanese: Two Classic Video Series to Get You Started in the Language

Say the name “Yan-san” to any­one who’s stud­ied Japan­ese in the last thir­ty years, and you’ll prob­a­bly get a reac­tion of delight­ed recog­ni­tion. It means that, inside or out­side the class­room, they stud­ied with Let’s Learn Japan­ese, a series of edu­ca­tion­al videos pro­duced by the Japan Foun­da­tion. The first “sea­son,” if you like, came out in 1984, the time of an enor­mous Asian eco­nom­ic bub­ble that made the world’s future look Japan­ese, send­ing the lan­guage straight to the top of every inter­na­tion­al busi­ness-mind­ed stu­den­t’s to-do-list. (Sound famil­iar, cur­rent strug­glers with Man­darin?) Its hero, a young man of delib­er­ate­ly ambigu­ous nation­al­i­ty named Yan — the Japan­ese all address him with the every­day hon­orif­ic -san — turns up in Japan for a few years of life in Tokyo and works at an archi­tec­ture firm, helped along by his host fam­i­ly the Katos, his eager­ly team-play­ing co-work­ers (one of whom intro­duces him­self, in Eng­lish, with the phase, “We are friends — okay?”), and a vari­ety of help­ful cit­i­zens and pro­fes­sion­als all across the Land of the Ris­ing Sun.

This may sound like dull stuff — the stuff of run-of-the-mill lan­guage-learn­ing videos — but Let’s Learn Japan­ese raised the bar for this sort of thing, in terms of not just pro­duc­tion val­ue and teach­ing effec­tive­ness but sheer rewatch­a­bil­i­ty. In addi­tion to Yan-san’s life among the Japan­ese peo­ple, Let’s Learn Japan­ese also offers instruc­tion­al seg­ments led by Mary Althaus, still a pro­fes­sor at Toky­o’s Tsu­da Col­lege, and imag­i­na­tive illus­tra­tive skits per­formed by the inde­fati­ga­ble trio of Mine, Kai­hō, and Sug­i­hara. In the more advanced Sea­son 2, released over a decade lat­er in 1995, they’ve become the eeri­ly sim­i­lar Kodama, Andō, and Koy­ana­gi, and Yan-san has become a grad­u­ate stu­dent with girl­friend trou­bles. Hav­ing watched all 52 episodes sev­er­al times through, I can vouch for both its enter­tain­ment val­ue and its effec­tive­ness. (It also spurred me to start vol­un­teer­ing at the Japan Foun­da­tion, Los Ange­les.) So can the for­eign­ers who give a hero’s wel­come to star Nick Muhrin (who, last I heard, still lives in Japan) when they run into him. I know I’ve learned enough to buy Yan-san a drink.

You can find more use­ful Japan­ese-learn­ing mate­ri­als to sup­ple­ment all this in our archive of free lan­guage lessons. It includes resources rang­ing from the For­eign Ser­vice Insti­tute’s dig­i­tized text­books and tapes to pod­casts like the life abroad-ori­ent­ed Japanesepod101 [iTunes Free — Feed] and the ani­me-geared Japan­cast [iTunes Free — Feed]. 皆さんがんばって!

Relat­ed Con­tent:

Learn 48 Lan­guages Online for Free: Span­ish, Chi­nese, Eng­lish & More

Learn Japan­ese Free

“Tsun­doku,” the Japan­ese Word for the New Books That Pile Up on Our Shelves, Should Enter the Eng­lish Lan­guage

Woody Allen Lives the “Deli­cious Life” in Ear­ly-80s Japan­ese Com­mer­cials

Wim Wen­ders Vis­its, Mar­vels at a Japan­ese Fake Food Work­shop

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Butterfly Lands on Flutist’s Face During Flute Competition: The Show Must Go On

Last Mon­day, Yukie Ota, a Japan­ese born flutist now liv­ing in Chica­go, was per­form­ing in the first round of the Carl Nielsen Inter­na­tion­al Flute Com­pe­ti­tion in Den­mark, when a but­ter­fly flit­ted across the stage and land­ed, rather incon­ve­nient­ly, on the bridge of her nose. Not miss­ing a beat — er, a note — Ota took a quick glance at the crit­ter, and played on, unfazed. On the mer­its of her per­for­mance, Ota made it to the final round of the com­pe­ti­tion held on Sat­ur­day. She even­tu­al­ly lost out to Sébas­t­ian Jacot, who appar­ent­ly played the entire com­pe­ti­tion with a dam­aged flute. In oth­er news, you can check out Vladimir Nabokov’s delight­ful but­ter­fly draw­ings here.

via NPR H/T Mike S.

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Novelist Michael Chabon Sang in a Punk Band During the ’80s: Newly Released Audio Gives Proof

the bats chabon

The bio on Michael Chabon’s web­site is one of the most punk rock author bios I’ve ever seen. Clear­ly, the task of writ­ing it was not left to chance or some pub­li­cist.

Where oth­er authors might lim­it them­selves to the strict­ly pro­fes­sion­al, Chabon spices things up with details on his bar mitz­vah, his failed first mar­riage, and the births of his chil­dren.

Where oth­ers’ time­lines grow weighty with evi­dence of increas­ing fame, his reads more like a diary, writ­ten in the third per­son.

Break­ing of Hank Aaron’s pure record of 755 home runs amid the now-com­mon­place Amer­i­can con­geries of hypocrisy, excess, bad faith, racism and lies final­ly proves too much, and the wrong kind, of base­ball sad­ness; turns his back on the game (8/07)

Pen­e­trates to the secret night­time heart of Dis­ney­land (9/11)

Giv­en his zest for per­son­al mile­stones, it’s sur­pris­ing he didn’t see fit to share that he was once the lead singer in a Pitts­burgh punk band. It would have fit nice­ly between the pho­to in which he and nov­el­ist Jon Arm­strong are garbed as strolling Renais­sance Fes­ti­val play­ers and the moment he enters an Oak­land crawl­space to begin work on The Mys­ter­ies of Pitts­burgh.

He might rethink this omis­sion, now that Mind­cure Records has released the four-track demo that is his band, the Bats’ only stu­dio record­ing. Also pre­served on vinyl is the author’s sole live out­ing with the band, a 21st birth­day gig at the Elec­tric Banana, short­ly before he grad­u­at­ed from the Uni­ver­si­ty of Pitts­burgh and dis­ap­peared into that crawl­space. The label describes his vocals as “snot­ty.” It’s a com­pli­ment in con­text.

Mean­while in the Pitts­burgh Post Gazette, Chabon recalled the Bats as “a fine lit­tle band, a unique assem­blage of diverse strengths and quirks, anchored by one of the most rock-sol­id drum­mers ever to grace the Pitts­burgh scene, and ham­pered only by the weak­ness of their goof­ball front­man.”

Thanks to Mind­cure Records, Open Cul­ture read­ers can sam­ple the self-effac­ing Pulitzer Prize winner’s vin­tage vocal stylings, above. In the clip away, we have him singing “Jet Away.” Chabon may think he sounds “awful,” but I don’t hear any cause for shame.  You can pick up your own copy of The Bats’ album, ‘Demo 5:26:84,′ with Chabon on vocals, here.


Relat­ed Con­tent:

Pat­ti Smith’s Cov­er of Nirvana’s “Smells Like Teen Spir­it” Strips the Song Down to its Heart

Allen Gins­berg & The Clash Per­form the Punk Poem “Cap­i­tal Air,” Live Onstage in Times Square (1981)

The Ramones, a New Punk Band, Play One of Their Very First Shows at CBGB (1974)

Nev­er Mind the Bol­locks, Here’s … John Lydon in a But­ter Com­mer­cial?

 

Ayun Hal­l­i­day’s bio is also a bit out­side the mold. Fol­low her @AyunHalliday

Listen to the Long-Lost Freddie Mercury & Michael Jackson Duet

Some 33 years ago, Queen start­ed work on a track called “There Must Be More to Life Than This,” which fea­tured vocals by Fred­die Mer­cury and Michael Jack­son. Writ­ten dur­ing the Hot Space ses­sions (cir­ca 1981), the song was even­tu­al­ly aban­doned and put on a shelf until Fred­die Mer­cury released his own ver­sion on a 1985 solo album. Now, with the upcom­ing release of a Queen com­pi­la­tion called Queen For­ev­er, you can hear the orig­i­nal. No longer do you have to won­der what a Mer­cury-Jack­son duet might sound like. In fact, you only have to click play above and the sus­pense will be over.

I should note that the Hot Space ses­sions also pro­duced per­haps our favorite rock duet ever — Fred­die Mer­cury and David Bowie singing “Under Pres­sure.” Don’t miss hear­ing their vocals on this amaz­ing iso­lat­ed track.

How about sign­ing up for our dai­ly email? Once a day, we bun­dle all of our dai­ly posts and drop them in your inbox, in an easy-to-read for­mat. You don’t have to come to us; we’ll come to you!

via Rolling Stone

Relat­ed Con­tent:

Lis­ten to Fred­die Mer­cury and David Bowie on the Iso­lat­ed Vocal Track for the Queen Hit ‘Under Pres­sure,’ 1981

Bri­an May’s Home­made Gui­tar, Made From Old Tables, Bike and Motor­cy­cle Parts & More

Gui­tarist Bri­an May Explains the Mak­ing of Queen’s Clas­sic Song, ‘Bohemi­an Rhap­sody’

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The Guggenheim Puts 109 Free Modern Art Books Online

fernandlegerfive00mess_0001

Back in Jan­u­ary, 2012, we men­tioned that the Guggen­heim (the Frank Lloyd Wright-designed mod­ern art muse­um in NYC) had put 65 art cat­a­logues on the web, all free of charge.

We’re hap­py to report that, between then and now, the num­ber of free texts has grown to 109. Pub­lished between 1937 and 1999, the art books/catalogues offer an intel­lec­tu­al and visu­al intro­duc­tion to the work of Alexan­der Calder, Edvard Munch, Fran­cis BaconGus­tav Klimt & Egon Schiele, Fer­nand Léger, and Kandin­sky. Plus there are oth­er texts (e.g., Mas­ter­pieces of Mod­ern Art and Abstract Expres­sion­ists Imag­ists) that tack­le meta move­ments and themes.

Any­one inter­est­ed in the his­to­ry of the Guggen­heim will want to spend time with a col­lec­tion called “The Syl­labus.” It con­tains five books by Hilla Rebay, the muse­um’s first direc­tor and cura­tor. Togeth­er, they let you take a close look at the art orig­i­nal­ly housed in the Guggen­heim when the muse­um first opened its doors in 1939.

To read any of these 109 free art books, you will just need to fol­low these sim­ple instruc­tions. 1.) Select a text from the col­lec­tion. 2.) Click the “Read Cat­a­logue Online” but­ton. 3.) Start read­ing the book in the pop-up brows­er, and use the con­trols at the very bot­tom of the pop-up brows­er to move through the book. 4.) If you have any prob­lems access­ing these texts, you can find alter­nate ver­sions on Archive.org.

You can find many more free art books from the Get­ty and the Met below.

Relat­ed Con­tent:

Down­load Over 250 Free Art Books From the Get­ty Muse­um

Down­load 397 Free Art Cat­a­logs from The Met­ro­pol­i­tan Muse­um of Art

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

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Pakistani Orchestra Plays Enchanting Rendition of The Beatles’ “Eleanor Rigby”

Last year, we brought you an incred­i­ble cov­er of Dave Brubeck’s clas­sic “Take Five” per­formed by the Pak­istan-based group, the Sachal Stu­dios Orches­tra (also known as the Sachal Jazz Ensem­ble). You can find that song, along with two takes on “The Girl From Ipane­ma,” on their 2011 album Sachal Jazz. You won’t find the Sachal Orchestra’s ver­sion of “Eleanor Rig­by” (above) on that album. This comes to us from Sachal’s 2013 Jazz and All That, a record Guardian crit­ic John Ford­ham calls “smooth-jazz­i­er” than its pre­de­ces­sor and “more impro­vi­sa­tion­al­ly inhib­it­ed.” I must say, if that’s the case, I’ll take my jazz smooth just this once.

“Eleanor Rig­by,” of course, has always been played by an orches­tra, and its mix­ture of modes makes it a par­tic­u­lar­ly good choice for the sitar soloist, who could have sat in com­fort­ably in stu­dio ses­sions for near­ly every song on the East­ern-inflect­ed Revolver. He shares the spot­light with a dyna­mite tablas play­er (watch for his solo at 1:27). It’s no won­der the Sachal play­ers have made such an impres­sion with their unique inter­pre­ta­tions of stan­dards and clas­sics. Drawn from “vir­tu­osos who cut their teeth in Pakistan’s once-flour­ish­ing Lol­ly­wood film indus­try,” their web­site informs us, “the Sachal Jazz Ensem­ble brings togeth­er some of the most accom­plished clas­si­cal musi­cians of the sub­con­ti­nent.” Lol­ly­wood, Lahore’s once-thriv­ing film indus­try, has still bare­ly recov­ered from the repres­sive regime of Gen­er­al Zia-ul-Haq.

The musi­cians of Sachal are refugees of a sort; res­cued from pover­ty, these “vet­er­an ses­sion play­ers [had been] retired since the 1980s due to var­i­ous anti-music zealotries.” Dur­ing those times, writes Yaqoob Khan Ban­gash, tele­vi­sion dra­ma pro­vid­ed “great suc­cor to a fatigued and demor­al­ized soci­ety.” Musi­cals, how­ev­er, were very much frowned on by the regime, which banned most West­ern-influ­enced pro­duc­tions and shut­tered most of the Lahore stu­dios. We should be glad the Sachal Stu­dios Orches­tra can now per­form and tour. They recent­ly appeared with Wyn­ton Marsalis at Lin­coln Cen­ter in an event, Ford­ham writes, sug­gest­ing that “the most cre­ative phase of Sachal Stu­dios’ heart­en­ing sto­ry of renew­al might just be begin­ning.”

For more on Sachal Stu­dios, watch the intro­duc­to­ry video, “Who We Are…,” above—shot at, where else, the stu­dios at Abbey Road.

Relat­ed Con­tent:

Pak­istani Musi­cians Play Amaz­ing Ver­sion of Dave Brubeck’s Jazz Clas­sic, “Take Five”

Watch Jimi Hendrix’s ‘Voodoo Chile’ Per­formed on a Gayageum, a Tra­di­tion­al Kore­an Instru­ment

A Mid­dle-East­ern Ver­sion of Radiohead’s 1997 Hit “Kar­ma Police”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

 

Leonard Cohen’s New Album, Popular Problems, Is Now Streaming Free for a Limited Time

popular problems

Just thought you’d like to know: NPR’s First Lis­ten site is now stream­ing Leonard Cohen’s new album Pop­u­lar Prob­lems. But it will only be avail­able for a lim­it­ed time. So don’t waste time get­ting your lis­ten­ing par­ty start­ed.

In its review of the album, The Guardian notes that “finan­cial wor­ries may be dri­ving his come­back, but Leonard Cohen’s songs of despair have nev­er sound­ed so full of life.” Lis­ten to the free stream at NPR and see what they mean. (Also find a free stream at The Guardian.) Or pre-order your own copy on Ama­zon or iTunes.

Relat­ed Con­tent:

Ladies and Gen­tle­men… Mr. Leonard Cohen: The Poet-Musi­cian Fea­tured in a 1965 Doc­u­men­tary

Leonard Cohen Plays a Spell­bind­ing Set at the 1970 Isle of Wight Fes­ti­val

Street Artist Plays Leonard Cohen’s “Hal­lelu­jah” With Crys­tal Glass­es

Leonard Cohen Recounts “How I Got My Song,” or When His Love Affair with Music Began

Photos of Jean-Paul Sartre & Simone de Beauvoir Hanging with Che Guevara in Cuba (1960)

sartre che smoke

In 1960, Jean-Paul Sartre and Simone de Beau­voir ven­tured to Cuba dur­ing, as he wrote, the “hon­ey­moon of the rev­o­lu­tion.” Mil­i­tary strong­man Ful­gen­cio Batista’s regime had fall­en to Fidel Cas­tro’s gueril­la army and the whole coun­try was alight with rev­o­lu­tion­ary zeal. As Beau­voir wrote, “after Paris, the gai­ety of the place explod­ed like a mir­a­cle under the blue sky.”

At the time, Sartre and de Beau­voir were inter­na­tion­al­ly renown, the intel­lec­tu­al pow­er cou­ple of the 20th cen­tu­ry. Beauvoir’s book, The Sec­ond Sex (1949), laid the ground­work for the fem­i­nism move­ment, and her book The Man­darins won France’s high­est lit­er­ary award in 1954. Sartre’s name had become a house­hold word. The phi­los­o­phy he cham­pi­oned – Exis­ten­tial­ism – was being read and debat­ed around the world. And his polit­i­cal activism — loud­ly con­demn­ing France’s war in Alge­ria, for instance — had giv­en him real moral author­i­ty. When Sartre was arrest­ed in 1968 for civ­il dis­obe­di­ence, Charles de Gaulle par­doned him, not­ing, “You don’t arrest Voltaire.” As Deirdre Bair notes in her biog­ra­phy of Beau­voir, “Sartre became the one intel­lec­tu­al whose pres­ence and com­men­tary emerg­ing gov­ern­ments clam­ored for, as if he alone could val­i­date their rev­o­lu­tions.” So it’s not ter­ri­bly sur­pris­ing that Fidel Cas­tro wined and dined the two dur­ing their month in Cuba.

sartre-beauvoir-and-che-in-cuba

Cuban pho­tog­ra­ph­er Alber­to Kor­da cap­tured the cou­ple as they met with Cas­tro, Che Gue­vara and oth­er lead­ers of the rev­o­lu­tion. One pic­ture (above) is of Gue­vara in his com­bat boots and trade­mark beret, light­ing a cig­ar for the French philoso­pher. Sartre looks small and unhealthy com­pared to the strap­ping, mag­net­ic rev­o­lu­tion­ary. Sartre was appar­ent­ly impressed by the time he spent with the gueril­la leader. When Che died in Bolivia sev­en years lat­er, Sartre famous­ly wrote that Gue­vara was “not only an intel­lec­tu­al but also the most com­plete human being of our age.”

Lat­er, Kor­da caught them as they were guid­ed through the streets of Havana. And as you can see (below), that icon­ic image of Gue­vara, lat­er plas­tered on T‑shirts and Rage Against the Machine album cov­ers, is on that same role of film.

When the cou­ple returned to Paris, Sartre wrote arti­cle after arti­cle extolling the rev­o­lu­tion. Beau­voir, who was equal­ly impressed, wrote, “For the first time in our lives, we were wit­ness­ing hap­pi­ness that had been attained by vio­lence.”

KordaFilmRollChe

Yet their enthu­si­asm for the regime cooled when they returned to Cuba a year lat­er. The streets of Havana had lit­tle of the joy as the pre­vi­ous year. When they talked to fac­to­ry work­ers, they heard lit­tle but par­rot­ing of the offi­cial par­ty line. Beau­voir and Sartre ulti­mate­ly denounced Cas­tro (along with a bunch of oth­er intel­lec­tu­al lumi­nar­ies like Gabriel Gar­cia Mar­quez and Octavio Paz) in an open let­ter that crit­i­cized him for the arrest of Cuban poet Her­ber­to Padil­lo.

You can read more about the life and pho­tog­ra­phy of Alber­to Kor­da in the 2006 book, Cuba: by Kor­da.

Pho­tos above by Alber­to Kor­da.

via Crit­i­cal The­o­ry

Relat­ed Con­tent: 

Philosophy’s Pow­er Cou­ple, Jean-Paul Sartre and Simone de Beau­voir, Fea­tured in 1967 TV Inter­view

Jean-Paul Sartre Breaks Down the Bad Faith of Intel­lec­tu­als

Wal­ter Kaufmann’s Clas­sic Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrowAnd check out his blog Veep­to­pus, fea­tur­ing one new draw­ing of a vice pres­i­dent with an octo­pus on his head dai­ly.  The Veep­to­pus store is here.

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