Electric Guitars Made from the Detritus of Detroit

When Frank Nor­ris plays a gui­tar made by Wal­lace Detroit Gui­tars, he says it “feels like home.” And maybe that’s because Wal­lace Detroit Gui­tars are made with reclaimed wood from aban­doned Detroit homes.

Fol­low­ing the finan­cial cri­sis of 2008, per­haps no Amer­i­can city fared worse than Detroit. The city found itself with 10,000 vacant homes. And even­tu­al­ly the city pur­chased entire blocks and razed the hous­es to the ground. Accord­ing to the Detroit web site Mod­el D, a lot of the wood [from these struc­tures] has­n’t gone to waste. The wood can be found, they write, in “trendy cof­fee hous­es, in table tops, even in the frames of sun­glass­es.” And now high-end elec­tric gui­tars.

Wal­lace Detroit Gui­tars just launched its new web site two days ago, and its first gui­tars, made of cen­tu­ry-old wood, can now be yours.

If you like play­ing gui­tars made of found objects, you might also want to check out anoth­er new com­pa­ny — Bohemi­an Gui­tars. They’ve start­ed build­ing elec­tric gui­tars made of vin­tage oil cans, tak­ing inspi­ra­tion from South African musi­cians who turn used mate­ri­als into playable instru­ments.

via Coudal

Relat­ed Con­tent:

Bri­an May’s Home­made Gui­tar, Made From Old Tables, Bike and Motor­cy­cle Parts & More

The Recy­cled Orches­tra: Paraguayan Youth Play Mozart with Instru­ments Clev­er­ly Made Out of Trash

Artist Ken But­ler Turns One Man’s Trash Into Anoth­er Man’s Quirky Stringed Instru­ment

Alain de Botton’s School of Life Presents Animated Introductions to Heidegger, The Stoics & Epicurus

Why is West­ern phi­los­o­phy so dif­fi­cult, so abstruse, and so damned wordy? Per­haps it’s sim­ply a mat­ter of job secu­ri­ty. It’s gen­er­al­ly well-known, after all, that some of the most tac­i­turn philoso­phers were also some of the poor­est—Lud­wig Wittgen­stein, who was inde­pen­dent­ly wealthy, notwith­stand­ing. But if you fol­low the for­mat Alain de Bot­ton lays out in the phi­los­o­phy depart­ment of his video series, “The Big Ideas,” you can pick up some Hei­deg­ger, a lit­tle Sto­ic thought, and the ideas of Epi­cu­rus each in under ten min­utes of light­heart­ed com­men­tary, accom­pa­nied by quirky ani­ma­tion from a stu­dio called Mad Adam (who favor a very Ter­ry Gilliam-like approach to their art). There are those crit­ics who think de Bot­ton glib and shal­low, a “self-help guru to the British middle-class—a life coach.” In a cer­tain sense, I sup­pose he’d have to agree with that assess­ment, giv­en that his “cul­tur­al enter­prise,” The School of Life, has as its tagline “good ideas for every­day life.” Do the dead Euro­pean philoso­phers of ages past have help­ful tips for our mun­dane 21st cen­tu­ry exis­tence, and do de Botton’s videos do any jus­tice to the qual­i­ty of their thought?

As to the first ques­tion, I sup­pose we’d have to answer, yes. As for the second—I leave it to the philoso­phers to weigh in. At the top of the post, we have Mar­tin Heidegger—“the most incom­pre­hen­si­ble Ger­man philoso­pher that ever lived”—in just over five min­utes. It turns out that “beneath the jar­gon, Hei­deg­ger tells us sim­ple, even at times home­spun truths” about things like mean­ing and free­dom. Once a rank­ing mem­ber of the Nazi par­ty, Hei­deg­ger, de Bot­ton says, “saw the error of his ways,” a claim peo­ple often repeat with­out a great deal of evi­dence. But Heidegger’s Nazi past aside, his thought, de Bot­ton says, helps us get back in touch with the mys­tery of exis­tence, what the philoso­pher called das sein, or “Being.” This term more or less sums up the core of Heidegger’s entire project, and I con­fess I nev­er real­ly grasped what he means by it. Maybe you will after tak­ing de Botton’s very short course.

Next up, we have the Sto­ics, not a spe­cif­ic move­ment or group as such, but an entire school of thought that “flour­ished for 480 years in ancient Greece and Rome.” Sto­icism offered a nar­row range of respons­es to the ancient prob­lem de Bot­ton defines as “Life is very dif­fi­cult,” and it appealed to com­mon­ers and aris­to­crats alike because of its uni­ver­sal con­cern with suf­fer­ing. De Bot­ton gives us the gist by refer­ring to the way we typ­i­cal­ly use the word “sto­ic” these days, as a syn­onym for “brave.” He says a bit more, of course, about Stoicism’s answers to life’s chal­lenges, lis­ten above.

Final­ly, we have Greek philoso­pher Epi­cu­rus, who “helps us think about mon­ey, cap­i­tal­ism, and our run­away con­sumer soci­ety.” This despite the fact that Epi­cu­rus pre­dates cap­i­tal­ism and con­sumer soci­ety by well over two-thou­sand years. Nonethe­less, his thought is eter­nal­ly rel­e­vant, giv­en that its pri­ma­ry con­cern, “What makes peo­ple hap­py?” is a prob­lem unlike­ly to be solved in anyone’s life­time. But Epi­cu­rus had some answers, and he pur­veyed them—like de Botton—by found­ing his own school. He and his dis­ci­ples, Epi­cure­ans, were rumored to be debauched and wicked lib­ertines steeped in exces­sive food, drink, and sex. In fact, the oppo­site was true: Epi­cu­rus was an aus­tere and sober man, who urged restraint in mat­ters sex­u­al and fis­cal, mak­ing him, in a way, a gen­uine con­ser­v­a­tive.

De Botton’s “Big Ideas” cur­ricu­lum cur­rent­ly includes two oth­er videos that func­tion as gen­er­al defens­es of the human­i­ties: “What is Art for?” and “What is Lit­er­a­ture for?” Both ques­tions might sound mean­ing­less to some refined aes­thetes, but for a great many peo­ple get­ting on with the painful, some­times drea­ry, and often har­ried busi­ness of dai­ly life, ques­tions about util­i­ty are sen­si­ble enough. New big ideas videos are on the way—in the mean­while, vis­it de Botton’s School of Life Youtube chan­nel for video shorts on “Mood,” “Rela­tion­ships,” and more.

Relat­ed Con­tent:

Free Online Phi­los­o­phy Cours­es

Alain de Bot­ton Shows How Art Can Answer Life’s Big Ques­tions in Art as Ther­a­py

A Guide to Hap­pi­ness: Alain de Bot­ton Shows How Six Great Philoso­phers Can Change Your Life

Alain de Bot­ton Pro­pos­es a Kinder, Gen­tler Phi­los­o­phy of Suc­cess

Mar­tin Hei­deg­ger Talks Phi­los­o­phy with a Bud­dhist Monk on Ger­man Tele­vi­sion (1963)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

The Chemistry Behind the Smell of Old Books: Explained with a Free Infographic

Aroma-Chemistry-The-Smell-of-Books-724x1024

What gives old books that ever-so-dis­tinc­tive smell? Andy Brun­ning, a chem­istry teacher in the UK, gives us all a quick primer with this info­graph­ic post­ed on his web site, Com­pound Inter­est. The visu­al comes accom­pa­nied by this tex­tu­al expla­na­tion. Writes Brun­ning:

Gen­er­al­ly, it is the chem­i­cal break­down of com­pounds with­in paper that leads to the pro­duc­tion of ‘old book smell’. Paper con­tains, amongst oth­er chem­i­cals, cel­lu­lose, and small­er amounts of lignin – much less in more mod­ern books than in books from more than one hun­dred years ago. Both of these orig­i­nate from the trees the paper is made from; fin­er papers will con­tain much less lignin than, for exam­ple, newsprint. In trees, lignin helps bind cel­lu­lose fibres togeth­er, keep­ing the wood stiff; it’s also respon­si­ble for old paper’s yel­low­ing with age, as oxi­da­tion reac­tions cause it to break down into acids, which then help break down cel­lu­lose.

‘Old book smell’ is derived from this chem­i­cal degra­da­tion. Mod­ern, high qual­i­ty papers will under­go chem­i­cal pro­cess­ing to remove lignin, but break­down of cel­lu­lose in the paper can still occur (albeit at a much slow­er rate) due to the pres­ence of acids in the sur­round­ings. These reac­tions, referred to gen­er­al­ly as ‘acid hydrol­y­sis’, pro­duce a wide range of volatile organ­ic com­pounds, many of which are like­ly to con­tribute to the smell of old books. A select­ed num­ber of com­pounds have had their con­tri­bu­tions pin­point­ed: ben­zalde­hyde adds an almond-like scent; vanillin adds a vanil­la-like scent; eth­yl ben­zene and toluene impart sweet odours; and 2‑ethyl hexa­nol has a ‘slight­ly flo­ral’ con­tri­bu­tion. Oth­er alde­hy­des and alco­hols pro­duced by these reac­tions have low odour thresh­olds and also con­tribute.

The Aro­ma of Books info­graph­ic can be viewed in a larg­er for­mat here. And because it has been released under a Cre­ative Com­mons license, it can be down­loaded for free. For anoth­er expla­na­tion of this phe­nom­e­non — this one in video — see this pre­vi­ous post in our archive:  The Birth and Decline of a Book: Two Videos for Bib­lio­philes

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via IFLScience

Relat­ed Con­tent:

A Secret Book­store in a New York City Apart­ment: The Last of a Dying Breed

Old Books Bound in Human Skin Found in Har­vard Libraries (and Else­where in Boston)

Spike Jonze Presents a Stop Motion Film for Book Lovers

Wear­able Books: In Medieval Times, They Took Old Man­u­scripts & Turned Them into Clothes

13-Year-Old Char­lotte Bron­të & Her Broth­er Wrote Tee­ny Tiny Adven­ture Books, Mea­sur­ing 1 x 2 Inch­es

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Oxford Scientist Explains the Physics of Playing Electric Guitar Solos

You’ve heard it before. A pow­er bal­lad from the 1970s or 1980s is play­ing and there, smack in the mid­dle, is a face-melt­ing gui­tar solo that seems to go all over the place before blow­ing your mind with sheer awe­some­ness. Think Jimi Hen­drix. Think Eric Clap­ton. And espe­cial­ly think Eddie Van Halen. Unlike the piano, which can only play dis­crete notes, the gui­tar can, in the hands of some­one like Sir Eddie, bend notes. It’s a qual­i­ty that recalls the human voice, and it’s most like­ly what has made the elec­tric gui­tar the go-to instru­ment for pop­u­lar music over the past 50 years.

Enter Dr. David Grimes of Oxford Uni­ver­si­ty. While by day he might be work­ing out math­e­mat­i­cal mod­els of oxy­gen dis­tri­b­u­tion to help improve can­cer treat­ment, by night he, too, likes to shred on his elec­tric gui­tar. So, at some point along the line, he decid­ed to apply a lit­tle sci­en­tif­ic rig­or to the instru­ment he loves. “I want­ed to under­stand what it was about these gui­tar tech­niques that allows you to manip­u­late pitch,” he said in an inter­view.

In the name of sci­ence, Grimes was forced to make some pret­ty bru­tal sac­ri­fices. “I took one of my old­est gui­tars down to the engi­neer­ing lab at Dublin City Uni­ver­si­ty to one of the peo­ple I knew there and explained that I want­ed to strip it down to do this exper­i­ment. We had to accu­rate­ly bend the strings to dif­fer­ent extents and mea­sure the fre­quen­cy pro­duced. He was a musi­cian too and looked at me with abject hor­ror. But we both knew it need­ed to be done – We put some nails into my gui­tar for sci­ence.’

Grimes end­ed up writ­ing an aca­d­e­m­ic paper on the top­ic called “String The­o­ry — The Physics of String-Bend­ing and Oth­er Elec­tric Gui­tar Tech­niques.” “It turns out it’s actu­al­ly rea­son­ably straight­for­ward,’ said Grimes. “It’s an exper­i­ment a decent physics under­grad­u­ate could do, and a cool way of study­ing some basic physics prin­ci­ples. It’s also poten­tial­ly use­ful to string man­u­fac­tur­ers and dig­i­tal instru­ment mod­ellers.”

You can read Grime’s paper here or, if your idea of fun does not include wad­ing through a lot of com­plex equa­tions, you can watch the brief video pre­sen­ta­tion above on his research. And below is a ridicu­lous­ly sweet gui­tar solo from Van Halen. While you watch pon­der the total­ly awe­some physics involved.

via Oxford Uni­ver­si­ty

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow. And check out his blog Veep­to­pus, fea­tur­ing one new draw­ing of a vice pres­i­dent with an octo­pus on his head dai­ly.  The Veep­to­pus store is here.

Relat­ed Con­tent:

Take First-Class Phi­los­o­phy Cours­es Any­where with Free Oxford Pod­casts

The Physics of Guin­ness Beer Demys­ti­fied

The (Beau­ti­ful) Physics of Adding Cream to Your Cof­fee

The Physics of Cof­fee Rings Final­ly Explained

The Physics of the Bike

How to Sing Julia Child’s Mastering the Art of French Cooking

Though she had no ten­der feel­ings for Julie Powell’s Julia/Julie blog, I like to think Julia Child wouldn’t have been entire­ly dis­pleased by the Bush­wick Book Club’s efforts to musi­cal­ize Mas­ter­ing the Art of French Cook­ing, Child’s two vol­ume labor of love (and the inspi­ra­tion for Powell’s cel­e­brat­ed blog).

The “club,” a free float­ing, dis­cus­sion-free group of New York City-based singer-song­writ­ers, start­ed in 2009, when Kurt Vonnegut’s Break­fast of Cham­pi­ons was cel­e­brat­ed with music and the­mat­ic drink spe­cials. In the ensu­ing half-decade, they’ve met month­ly to wres­tle with such titles as The Great Gats­by, Madame Bovary and Dol­ly Parton’s auto­bi­og­ra­phy.

Some con­tri­bu­tions to these events do feel half-baked, as if the per­former delayed start­ing work in case he or she might be able to fin­ish the book on the bus ride to the show. Oth­ers are well craft­ed, as well as insight­ful.

Leslie Graves’ musi­cal recita­tion of Child’s “Flam­ing Tart” is the sort of naughty fun Bessie Smith want­ed in her bowl:

And just before enter­ing 

Put a warm liqueur 

Over the hot caramelized sur­face…

Not, pre­sum­ably, what Child had in mind when she wrote those words, although the hap­pi­ness of her mar­riage is well doc­u­ment­ed. (If we could just have the kitchen and the bed­room, that would be all we need.”)

The link between stom­ach and heart under­scores Hilary Downes’ bossa nova-inflect­ed “Mas­ters of the Table” and Shan­non Pelcher’s gen­tle “Eat­ing” which looks past Child’s tow­er­ing culi­nary achieve­ment to her yearn­ing TV audi­ence.

I did hear a sound mid­way between an egg beat­er and some­one spin­ning beneath her Bon Appetit-engraved tomb­stone when club founder Susan Hwang slipped the phrase “walk­ing corpses” into Child’s “List of Equip­ment.” But she bal­anced the scales with a sin­cere com­pli­ment to the all-too-rare sound of Child’s unmis­tak­able voice.

(This made me so nos­tal­gic, I had to rus­tle up Dan Aykroyd’s taste­less but clas­sic imper­son­ation from 1978…)

Stuff your­self on the entire evening’s songs using the link at the top of this page.

Or, should you crave a dif­fer­ent sort of fare, join the Bush­wick Book Club on the Fry­ing Pan Octo­ber 29, when they con­sid­er The Shin­ing by Stephen King.

Relat­ed Con­tent:

Julia Child Shows How to Edit Video­tape with a Meat Cleaver, and Cook Meat with a Blow Torch

Remem­ber­ing Julia Child on Her 100th Birth­day with Her Clas­sic Appear­ance on the Let­ter­man Show

How Cook­ing Can Change Your Life: A Short Ani­mat­ed Film Fea­tur­ing the Wis­dom of Michael Pol­lan

Ayun Hal­l­i­day is an author whose Zinester’s Guide to NYC inspired a pret­ty great song of its own. Fol­low her @AyunHalliday

Muddy Waters, Howlin’ Wolf, Sister Rosetta Tharpe & Other American Blues Legends Perform in the UK (1963–66)


What is Amer­i­can music? Like most things it depends on who you ask. Who­ev­er it is, you’re bound at least to hear jazz… or coun­try, blues, and rock ‘n’ roll. You might even get those last three all at once. There was a brief time in the six­ties when we did, with the resur­gence of the coun­try blues, or folk blues, as it was called for the Amer­i­can Folk-Blues fes­ti­val, a long-run­ning Euro­pean tour of the Delta’s most revered names: Son­ny Boy Williamson, Mud­dy Waters, Lon­nie John­son, Big Joe Williams, Light­nin’ Hop­kins, Sug­ar Pie DeSan­to, Howl­in’ Wolf, Big Joe Turn­er, and Sis­ter Roset­ta Tharpe. And that’s only to name a very few. Just to get your feet wet, see all those names above per­form, in order. The footage was filmed for broad­cast on British TV between 1963 and 1966. Son­ny Boy Williams opens, strid­ing onstage in a dap­per suit, umbrel­la, bowler hat, and leather case. He takes his time arriv­ing, and in the pause between his announce­ment of “Keep It to Your­self” and the first note, he has com­plete­ly mes­mer­ized the audi­ence. Next Mud­dy Waters, with his easy charis­ma (at 5:10), deliv­ers “Got My Mojo Work­ing” like a rock ‘n’ roll hyp­no­tist, and leaves the crowd dazed.

The mojo works. Whether tra­di­tion­al acoustic or elec­tri­fied hybrid blues, you will get chills at least once dur­ing each song. That is, if you like Amer­i­can music. The British kids in the audi­ence sure did. At the tour’s first British stop, Man­ches­ter in 1962, Mick Jag­ger, Kei­th Richards, Bri­an Jones, and Jim­my Page were in the crowd. It’s said that in Lon­don, Erics Bur­don and Clap­ton watched the show. But while those young dudes invad­ed the States, the Folk Blues Tour kept rolling through Ger­many, France, the UK and points East, every year until 1972, then again from 1980 to 1985. A stag­ger­ing num­ber of those per­for­mances were record­ed and released on LP and CD. Scroll through this discog­ra­phy to get a sense of the embar­rass­ing wealth of blues the entire col­lec­tion rep­re­sents. As a bonus for col­lec­tors, the albums boast some of the coolest cov­ers to ever grace a live com­pi­la­tion. If these albums sound any­thing like the film com­pi­la­tion above, then they’ve cap­tured these musi­cians at their best—if also at times their least edgy and most com­posed. But it’s no won­der. For a great many of the blues artists rep­re­sent­ed, All­mu­sic crit­ic Bruce Elder notes, “these were the largest audi­ences they’d ever played to, and the first (and often only) decent mon­ey they ever made.”

Relat­ed Con­tent:

Crumb’s Heroes of Blues, Jazz & Coun­try Fea­tures 114 Illus­tra­tions of the Artist’s Favorite Musi­cians

Zep­pelin Took My Blues Away: An Illus­trat­ed His­to­ry of Zeppelin’s “Copy­right Indis­cre­tions”

Djan­go Rein­hardt Demon­strates His Gui­tar Genius in Rare Footage From the 1930s, 40s & 50s

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Open Culture Picks Our 10 Avant-Garde Favorites on Ubuweb: Joyce, Borges, Sontag, Wittgenstein & More

samuelbeckett-ubuweb

If you know about Open Cul­ture, sure­ly you know about Ubuweb. If you don’t, its slo­gan says almost every­thing you need to know about it: “All Avant-Garde. All the Time.” This vast online repos­i­to­ry of cut­ting-edge cul­tur­al arti­facts from a vari­ety of eras also adheres stead­fast­ly to the prin­ci­ple of keep­ing all of its mate­r­i­al free: free in the sense of charg­ing you noth­ing to read, hear or view it, and free in the sense that you can do what­ev­er you want with it. Need­less to say, the site, found­ed by poet Ken­neth Gold­smith in 1996, has made many fans, and Ubuweb itself has tapped quite a few of the high­er-pro­file ones to curate top ten lists. Assem­bled by peo­ple like New York­er music crit­ic Alex Ross, nov­el­ists Hari Kun­zru and Rick Moodyalter­na-pop star Nick “Momus” Cur­rie, these help the poten­tial­ly (and under­stand­ably) bewil­dered find their way through the trove of Ubuwe­b’s media, which is uni­ver­sal­ly influ­en­tial and van­ish­ing­ly obscure, vis­cer­al­ly trans­gres­sive and ver­tig­i­nous­ly intel­lec­tu­al, eter­nal­ly excit­ing and delib­er­ate­ly bor­ing.

This month, Ubuweb called upon our fear­less edi­tor here at Open Cul­ture for a top ten list. Most of the picks have been pre­vi­ous­ly fea­tured on OC. The list runs as fol­lows:

1. Finnegans Wake (1939), Read by Patrick Healy
Open Cul­ture: Hear All of Finnegans Wake Read Aloud: A 35 Hour Read­ing

“The sheer plea­sure one can derive — con­ven­tion­al expec­ta­tions duly set aside — from the almost tac­tile qual­i­ty of Joyce’s prose, its earthy, ancient, elven sounds, seems more to the point of appre­ci­at­ing this odd, frus­trat­ing work. Per­haps, like any well-writ­ten poem, one sim­ply needs to hear it read aloud. Joyce him­self said so, and so you can.”

2. The Craft of Verse: Jorge Luis Borges’ Nor­ton Lec­tures, 1967–68
Open Cul­ture: Jorge Luis Borges’ 1967–8 Nor­ton Lec­tures On Poet­ry (And Every­thing Else Lit­er­ary)

“Near­ing both 70 years of age and total blind­ness, Borges nonethe­less gives a vir­tu­osi­cal­ly wide-rang­ing series of talks, freely reach­ing across forms, coun­tries, eras, and lan­guages with­out the aid of notes. Enti­tled ‘This Craft of Verse,’ these lec­tures osten­si­bly deal with poet­ry. Alas, like many lit­er­ary geeks, I know too lit­tle of poet­ry, but if Borges can’t moti­vate you to learn more, who can?”

3. Three Rare Films by Susan Son­tag
Open Cul­ture: The Film­mak­ing of Susan Son­tag & Her 50 Favorite Films (1977)

“Son­tag, they say, ‘sought to lib­er­ate art from inter­pre­ta­tion (which is a bit iron­ic, of course, for some­one who was essen­tial­ly an exalt­ed crit­ic). When it came to her own film, she made some­thing that intend­ed to delib­er­ate­ly con­found the notion that there was any sort of under­ly­ing mean­ing beyond exact­ly what the audi­ence was see­ing on the screen direct­ly in front of them.’ ”

4.  M.A. Num­mi­nen Sings Wittgen­stein (1983 / 1989)
Open Cul­ture: Lud­wig Wittgenstein’s Trac­ta­tus Gets Adapt­ed Into an Avant-Garde Com­ic Opera

“Giv­en the Trac­ta­tus’s fire­bomb­ing of an entire area of human endeav­or, it’s no sur­prise it hasn’t fared well in many tra­di­tion­al depart­ments, but that hasn’t stopped Wittgenstein’s work from find­ing pur­chase else­where, influ­enc­ing mod­ern artists like Jasper Johns, the Coen Broth­ers, and, not least sure­ly, Finnish avant garde com­pos­er and musi­cian M.A. Num­mi­nen. This odd char­ac­ter, who caused a stir in the 60s by set­ting sex guides to music, took it upon him­self to do the same for many of the Trac­ta­tus’s propo­si­tions, and the results are, well…. Lis­ten for your­self.”

5. Aldous Huxley’s Vision­ary Expe­ri­ence
Open Cul­ture: Aldous Hux­ley, Psy­che­delics Enthu­si­ast, Lec­tures About “the Vision­ary Expe­ri­ence” at MIT (1962)

“Hux­ley had already gained world­wide fame for his views on bet­ter liv­ing, which was some­times achieved, he believed, through psy­che­del­ic drugs. This might have already sound­ed like old hat in, say, the San Fran­cis­co of the late 1960s, let alone the 70s and onward, but in these record­ings Hux­ley says his piece in — I still can’t quite believe it — the MIT of the ear­ly 1960s. But diag­nosed a cou­ple years before with the can­cer that would claim his life the next, he had noth­ing to lose by spread­ing the word of his sub­stance-induced dis­cov­er­ies.”

6. Jacques Derrida’s Inter­view with Ornette Cole­man [PDF]
Open Cul­ture: Philoso­pher Jacques Der­ri­da Inter­views Jazz Leg­end Ornette Cole­man: Talk Impro­vi­sa­tion, Lan­guage & Racism (1997)

“Trans­lat­ing Coleman’s tech­nique into ‘a domain that I know bet­ter, that of writ­ten lan­guage,’ Der­ri­da ven­tures to com­pare impro­vi­sa­tion to read­ing, since it ‘doesn’t exclude the pre-writ­ten frame­work that makes it pos­si­ble.’ For him, the exis­tence of a framework—a writ­ten composition—even if only loose­ly ref­er­enced in a jazz per­for­mance, ‘com­pro­mis­es or com­pli­cates the con­cept of impro­vi­sa­tion.’ ”

7. Joey Ramone Sings a Piece by John Cage Adapt­ed from James Joyce’s Finnegans Wake: “The Won­der­ful Wid­ow of Eigh­teen Springs,”
Open Cul­ture: Hear Joey Ramone Sing a Piece by John Cage Adapt­ed from James Joyce’s Finnegans Wake

“Ramone’s inter­pre­ta­tion of the piece is enthralling sim­ply as a piece of record­ed music.  But it’s also a fas­ci­nat­ing piece of cul­tur­al his­to­ry, rep­re­sent­ing a con­flu­ence of the fore­most fig­ures in ear­ly twen­ti­eth cen­tu­ry mod­ernist lit­er­a­ture, mid-cen­tu­ry avant-garde music, and late cen­tu­ry punk rock.”

8. The Avant-Garde Project
Open Cul­ture: The Avant-Garde Project: An Archive of Music by 200 Cut­ting-Edge Com­posers, Includ­ing Stravin­sky, Schoen­berg, Cage & More

“Every sphere of record­ed music has its crate-dig­gers, those hap­py to flip through hun­dreds — nay, hun­dreds of thou­sands — of obscure, for­got­ten vinyl albums in search of their subgenre’s even obscur­er, more for­got­ten gems. This holds espe­cial­ly true, if not in num­ber than in avid­i­ty, for enthu­si­asts of the 20th-cen­tu­ry clas­si­cal-exper­i­men­tal-elec­troa­coustic tra­di­tion that The Avant-Garde Project takes as its preser­va­tion man­date.”

9. Alice Tok­las Reads Her Hashish Fudge Recipe
Open Cul­ture: Alice B. Tok­las Reads Her Famous Recipe for Hashish Fudge (1963)

“In this 1963 record­ing from Paci­fi­ca Radio, Tok­las reads her noto­ri­ous recipe. The snack ‘might pro­vide an enter­tain­ing refresh­ment for a Ladies’ Bridge Club or a chap­ter meet­ing of the DAR,’ Tok­las notes in her reedy, dig­ni­fied voice.”

10. Jean Bau­drillard Sings!
Open Cul­ture: Jean Bau­drillard Reads His Poet­ry, Backed By All-Star Arts Band (1996)

“Known to hip aca­d­e­m­ic types and avant-garde-ists, Bau­drillard’s maybe the kind of thinker who gets name-dropped more than read (and he’s no easy read). But in the audio clip above, he reads to us, from his poet­ry no less, while backed by the swirling abstract sounds of The Chance Band. It’s an odd, one-time, assem­blage of artists and thinkers Ubuweb describes as ‘unbe­liev­able but true!’ ”

If you’ve already seen every­thing on it, con­grat­u­la­tions: you can con­sid­er your­self a true, shall we say, OC OG.

Relat­ed Con­tent:

Avant-Garde Media: The UbuWeb Col­lec­tion

Exten­sive Archive of Avant-Garde & Mod­ernist Mag­a­zines (1890–1939) Now Avail­able Online

Take a Vir­tu­al Tour of the 1913 Exhi­bi­tion That Intro­duced Avant-Garde Art to Amer­i­ca

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

A Free Cartoon Biography of Ayn Rand: Her Life & Thought

rand cartoon bio

Ayn Rand is one of the most divi­sive fig­ures in 20th Cen­tu­ry Amer­i­can thought. In some cir­cles, par­tic­u­lar­ly on Wall Street and in Wash­ing­ton DC think tanks, she’s seen as a patron saint of lais­sez faire cap­i­tal­ism. She preached the virtues of indi­vid­u­al­ism and decried gov­ern­ment hand­outs and tax­es before it was cool, after all. In oth­er cir­cles, her best­selling books are thought to be lit­tle more than jus­ti­fi­ca­tions of socio­path­ic behav­ior couched in stilt­ed, preachy prose. Whit­tak­er Cham­bers famous­ly dis­missed her final book, Atlas Shrugged, in a review for William F. Buck­ley’s Nation­al Review: “Out of a life­time of read­ing, I can recall no oth­er book in which a tone of over­rid­ing arro­gance was so implaca­bly sus­tained. Its shrill­ness is with­out reprieve. Its dog­ma­tism is with­out appeal.”

Yet Rand’s thought found a great deal of appeal among Amer­i­can con­ser­v­a­tives. Alan Greenspan, the for­mer head of the Fed­er­al Reserve, was a mem­ber of Rand’s inner cir­cle. For­mer vice pres­i­den­tial can­di­date Paul Ryan and like­ly pres­i­den­tial con­tender Rand Paul are both not­ed fol­low­ers. Whether you agree with her or not, Rand is some­one you need to under­stand if you want to get a sense of what’s going on with Amer­i­can pol­i­tics. So for those of you who might blanche at the thought of wad­ing through one of her phone­book-sized tomes, check out Dar­ryl Cunningham’s car­toon biog­ra­phy of Rand.

Cun­ning­ham traces her life — her family’s loss of wealth and prop­er­ty at the hands of the Bol­she­viks dur­ing the Russ­ian Rev­o­lu­tion, her immi­gra­tion to Amer­i­ca at age 21, and her even­tu­al rise in fame and for­tune. Ele­gant­ly and con­cise­ly, Cun­ning­ham not only lays out Rand’s phi­los­o­phy but also paints a com­plex por­trait of a deeply con­tra­dic­to­ry per­son. All with the help of car­toons.

Rand preached the virtue of indi­vid­u­al­i­ty but she ruth­less­ly excom­mu­ni­cat­ed any­one in her cult-like inner cir­cle who devi­at­ed from her ide­ol­o­gy. She praised rea­son over emo­tion but her spec­tac­u­lar­ly com­pli­cat­ed per­son­al life was rid­dled with pet­ty jeal­ousies and long sim­mer­ing feuds. She abhorred gov­ern­ment aid for the poor but she lived on Social Secu­ri­ty at the end of her life. And per­haps strangest of all, con­sid­er­ing the cur­rent Amer­i­can polit­i­cal cli­mate, Rand vocal­ly sup­port­ed both athe­ism and abor­tion rights, but she has been utter­ly embraced by the Amer­i­can right.

You can see a page of Cunningham’s work above, or you can read his entire work, 66 pages of com­ic good­ness, at ACT-I-VATE.

via io9

Relat­ed Con­tent:

The His­to­ry of Eco­nom­ics & Eco­nom­ic The­o­ry Explained with Comics, Start­ing with Adam Smith

William F. Buck­ley Flogged Him­self to Get Through Atlas Shrugged

Ayn Rand Talks Athe­ism with Phil Don­ahue

Great Shake­speare Plays Retold with Stick Fig­ures in Three Sim­ple Draw­ings

Free Online Phi­los­o­phy Cours­es

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow. And check out his blog Veep­to­pus, fea­tur­ing one new draw­ing of a vice pres­i­dent with an octo­pus on his head dai­ly.  The Veep­to­pus store is here.

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Open Culture was founded by Dan Colman.