A History of Ideas: Animated Videos Explain Theories of Simone de Beauvoir, Edmund Burke & Other Philosophers

The UK’s Open Uni­ver­si­ty has become a depend­able source of very short, online video intro­duc­tions to all sorts of things, from weighty sub­jects like reli­gion, eco­nom­ics, and lit­er­ary the­o­ry to lighter, but no less inter­est­ing fare like the art and sci­ence of bike design. With breezy tone and seri­ous intent, their ani­mat­ed “60-Sec­ond Adven­tures” make seem­ing­ly arcane aca­d­e­m­ic ideas acces­si­ble to laypeo­ple with no pri­or back­ground. Now they’ve teamed up with writer and BBC broad­cast­er Melvyn Bragg of In Our Time fame for a series of video shorts that run just a lit­tle over 60 sec­onds each, with ani­ma­tions by Andrew Park of Cogni+ive, and nar­ra­tion by comedic actor Har­ry Shear­er from Spinal Tap, The Simp­sons, and, most recent­ly, Nixon’s the One.

Drawn from Bragg’s BBC 4 radio pro­gram “A His­to­ry of Ideas,” the shorts intro­duce exact­ly that—each one a pré­cis of a long­stand­ing philo­soph­i­cal prob­lem like Free Will vs. Deter­min­ism (top) or the Prob­lem of Evil (above). Unlike some sim­i­lar­ly rapid out­lines, these videos—like the tie-in Bragg radio program—don’t sim­ply sketch out the issues in abstract; they draw from spe­cif­ic approach­es from fields as diverse as neu­ro­science, moral phi­los­o­phy, the­ol­o­gy, and fem­i­nist the­o­ry. In the video on free will at the top, for exam­ple, Shear­er intro­duces us to the Libet exper­i­ments, per­formed in the 1980s by neu­rol­o­gist Ben­jamin Libet to test our abil­i­ty to make vol­un­tary, con­scious deci­sions. The “Free Will Defense” video above references—at least visu­al­ly—Bertrand Russell’s noto­ri­ous teapot in its rather skep­ti­cal pre­sen­ta­tion of this the­o­log­i­cal bug­bear.

Some of the videos get even more spe­cif­ic, focus­ing in on the work of one thinker whose con­tri­bu­tions are cen­tral to our under­stand­ing of cer­tain con­cepts. Just above in “Fem­i­nine Beau­ty,” we have an intro­duc­tion to exis­ten­tial philoso­pher Simone de Beauvoir’s argu­ment that fem­i­nine beau­ty, and gen­der pre­sen­ta­tion more gen­er­al­ly, is social­ly con­struct­ed by pre­vail­ing patri­ar­chal norms—a con­cept cen­tral to the fem­i­nist work of lat­er thinkers like Judith But­ler. And below, we have the 18th cen­tu­ry con­cept of the “Sub­lime,” a sup­pos­ed­ly high­er, more threat­en­ing and inef­fa­ble aes­thet­ic mode, as dis­cussed in the work of con­ser­v­a­tive polit­i­cal philoso­pher Edmund Burke (also a sub­ject dear to Immanuel Kant, who had his own take on the idea).

See more â€śA His­to­ry of Ideas” short, ani­mat­ed videos—including “Diotima’s Lad­der,” “The Gold­en Ratio,” and “The Harm Prin­ci­ple”—on Youtube or the BBC Radio 4 site. The scripts for the clips, we should add, were writ­ten by Nigel War­bur­ton, whose Phi­los­o­phy Bites pod­cast you should nev­er miss.

And for much more exten­sive dis­cus­sions of these age-old philo­soph­i­cal ques­tions with real liv­ing “philoso­phers, the­olo­gians, lawyers, neu­ro­sci­en­tists, his­to­ri­ans and math­e­mati­cians,” down­load episodes of Melvyn Bragg’s “A His­to­ry of Ideas” show here or on iTunes.

Relat­ed Con­tent:

120+ Free Online Phi­los­o­phy Cours­es

“Hei­deg­ger in the Kitchen”: Alain de Botton’s Video Essay Explains the Philosopher’s Con­cept of Being

8‑Bit Phi­los­o­phy: Pla­to, Sartre, Der­ri­da & Oth­er Thinkers Explained With Vin­tage Video Games

The His­to­ry of Phi­los­o­phy With­out Any Gaps – Peter Adamson’s Pod­cast Still Going Strong

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Radio David Byrne: Stream Free Music Playlists Created Every Month by the Frontman of Talking Heads

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Pho­to cour­tesy of LivePict.com CC-BY-SA‑3.0.

David Byrne has played many roles: front­man of Talk­ing Heads, archi­tec­tur­al observ­er, com­pos­er of opera (specif­i­cal­ly opera about Imel­da Mar­cos, for­mer first lady of the Philip­pines, the coun­try from which I write this post today), enthu­si­as­tic musi­cal col­lab­o­ra­tor, urban cycling advo­cate — and that only counts the ones he’s played here in Open Cul­ture posts. (Some­day, we’ve got to write up his love of Pow­er­point.) But did you know he’s also done a free inter­net radio show, and for near­ly a decade at that? “For one or two days a month I queue up David Byrne’s Radio Sta­tion on the web and lis­ten to his two-hour loop of new, won­der­ful, deli­cious tunes,” writes Kevin Kel­ly in a Cool Tools post from 2008, just over halfway into the life of the show so far. “Rock-star Byrne is a pro­fes­sion­al musi­cal pio­neer, admirably eclec­tic in his taste, yet astute­ly dis­crim­i­nat­ing at the same time. Over years of lis­ten­ing to all kinds of music — exper­i­men­tal, indie, inter­na­tion­al, fringe, clas­si­cal, pop — he’s heard enough to make some great rec­om­men­da­tions.”

Kel­ly cites such tan­ta­liz­ing Byrnean playlists as “Ice­landic Pop,” “Opera high­lights,” “Eclec­tic Stuff,” and â€śAfrican Fusion Pop.” More recent ses­sions, which can run for three hours or longer, include “South­ern Writ­ers,” “Songs of Burt Bacharach,” and “Raga Rock.” A new playlist comes out every month. You can list to his August playlist, “Cus­tom Jack­ets, Now and Then,” a cel­e­bra­tion of women “who have been taint­ed or touched by coun­try music” includ­ing Neko Case, Emmy­lou Har­ris, Gillian Welch, and Lucin­da Williams. You can also hear a brand new Novem­ber playlist on the davidbyrne.com front page, which uses a new­er audio play­er than all the pre­vi­ous install­ments. “Viva Mex­i­co Part 1” promis­es a selec­tion of artists from that vibrant coun­try who “have found ways to incor­po­rate their Mex­i­can musi­cal her­itage and cul­ture into what might be called the glob­al pop form,” result­ing not in “imi­ta­tions of North Amer­i­can or UK alt-rock” but songs that “sound like noth­ing but them­selves.” And if you can’t trust David Byrne to know musi­cal unique­ness when he hears it, who can you trust?

Relat­ed Con­tent:

David Byrne: How Archi­tec­ture Helped Music Evolve

David Byrne: From Talk­ing Heads Front­man to Lead­ing Urban Cyclist

David Byrne’s Grad­u­a­tion Speech Offers Trou­bling and Encour­ag­ing Advice for Stu­dents in the Arts

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Charles Dickens Gave His Cat “Bob” a Second Life as a Letter Opener

dicken's cat letter opener
Image via New York Pub­lic Library

Increas­ing­ly Face­book seems a vir­tu­al pet ceme­tery, with images of recent­ly depart­ed cats and dogs but­tressed with words of heart­break and con­so­la­tion. It feels hard-heart­ed to scroll past with­out lay­ing a com­ment at each fresh­ly dug cyber-mound, even when one has no per­son­al rela­tion­ship with the deceased, or, to large degree, the own­er. The lazy man may “like” news of a beloved Airedale’s demise, but acknowl­edg­ment can­not always be said to equal respect.

And what, pray tell, is the pro­to­col after? How many min­utes should elapse before it is accept­able to post Throw­back Thurs­day shots of one’s younger, big-haired self? What if one acci­den­tal­ly sends a Far­mville noti­fi­ca­tion to the bereaved?

If only we had a Vic­to­ri­an we could ask.

Prefer­ably, Charles Dick­ens.

He went to his reward eleven years before “Poor Cher­ry,” the first dog plant­ed in Hyde Park’s small pet ceme­tery, but he was a keen observ­er of mourn­ing cus­toms.

He was also an ani­mal lover, as his daugh­ter, Mamie not­ed in My Father as I Recall Him:

On account of our birds, cats were not allowed in the house; but from a friend in Lon­don I received a present of a white kit­ten — Williami­na — and she and her numer­ous off­spring had a hap­py home at “Gad’s Hill.” … As the kit­tens grow old­er they became more and more frol­ic­some, swarm­ing up the cur­tains, play­ing about on the writ­ing table and scam­per­ing behind the book­shelves. But they were nev­er com­plained of and lived hap­pi­ly in the study until the time came for find­ing them oth­er homes. One of these kit­tens was kept, who, as he was quite deaf, was left unnamed, and became known by ser­vants as “the mas­ter’s cat,” because of his devo­tion to my father. He was always with him, and used to fol­low him about the gar­den like a dog, and sit with him while he wrote. One evening we were all, except father, going to a ball, and when we start­ed, left “the mas­ter” and his cat in the draw­ing-room togeth­er. “The mas­ter” was read­ing at a small table, on which a light­ed can­dle was placed. Sud­den­ly the can­dle went out. My father, who was much inter­est­ed in his book, relight­ed the can­dle, stroked the cat, who was look­ing at him pathet­i­cal­ly he noticed, and con­tin­ued his read­ing. A few min­utes lat­er, as the light became dim, he looked up just in time to see puss delib­er­ate­ly put out the can­dle with his paw, and then look appeal­ing­ly towards him. This sec­ond and unmis­tak­able hint was not dis­re­gard­ed, and puss was giv­en the pet­ting he craved. Father was full of this anec­dote when all met at break­fast the next morn­ing.

One anec­dote Mamie chose not to include is that when Dick­ens’ Bob, the deaf kit­ten men­tioned above, left this earth­ly plane, the mas­ter turned him into a let­ter open­er.

Well, not the whole cat, actu­al­ly. Just a sin­gle paw, which the author had stuffed and attached to an ivory blade. The blade is engraved “C.D. In Mem­o­ry of Bob 1862” which is more grave mark­er than most pussy­cats can hope for.

Should any­one ever pub­lish a His­to­ry of Charles Dick­ens in 100 Objects, count on this object to make the cut.

Still, it’s an odd­i­ty most con­tem­po­rary West­ern­ers would view with dis­taste. (But not all. The Mor­bid Anato­my Museum’s fre­quent small mam­mal taxi­dermy work­shops draw might­i­ly from the ranks of Brook­lyn hip­sters.)

I cer­tain­ly felt the need to hus­tle my then 12-year-old son past this unusu­al sou­venir when it was dis­played as part of the New York Pub­lic Library’s cozy exhib­it, Charles Dick­ens: The Key to Char­ac­ter. The kid’s an ani­mal lover who was in Oliv­er!  at the time. I feared he’d respond with Tale of Two Cities-lev­el peas­ant rage, which is accept­able, except when there’s a show that must go on.

Pre­served!, a British taxi­dermy blog spon­sored by the Arts and Human­i­ties Research Coun­cil offers a ten­der take on Dick­ens’ moti­va­tion. Over the years, he had sev­er­al ani­mals, includ­ing a pet raven, stuffed, but his close­ness with Bob called for a spe­cial approach. 19th-cen­tu­ry lit­er­a­ture schol­ar Jen­ny Pyke writes that “the taxi­der­mied cat paw stands out in its tac­tile soft­ness and emo­tion­al ten­der­ness. Most often, as pop­u­lar as it was in the nine­teenth cen­tu­ry, taxi­dermy was con­sumed visu­al­ly only, dis­played in glass cas­es or crowd­ed cab­i­nets. With Bob’s paw, Dick­ens cre­at­ed an object meant to be held dai­ly.”

It’s not for the squea­mish, but I can see how this can­ni­ly orches­trat­ed hand-hold­ing could bring ongo­ing com­fort. More than the fleet­ing con­do­lences pro­lif­er­at­ing on Face­book, any­way.

via Slate

Relat­ed Con­tent:

Charles Dick­ens’ Hand-Edit­ed Copy of His Clas­sic Hol­i­day Tale, A Christ­mas Car­ol

T.S. Eliot Reads Old Possum’s Book of Prac­ti­cal Cats & Oth­er Clas­sic Poems (75 Min­utes, 1955)

Medieval Cats Behav­ing Bad­ly: Kit­ties That Left Paw Prints … and Peed … on 15th Cen­tu­ry Man­u­scripts

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Watch the New Trailer for the Upcoming Joan Didion Documentary, We Tell Ourselves Stories In Order to Live

It did­n’t take long, only 25 hours, for Grif­fin Dunne and Susanne Ros­tock to raise enough mon­ey on Kick­starter to com­plete a doc­u­men­tary on nov­el­ist and essay­ist Joan Did­ion. Ini­tial­ly hop­ing to raise $80,000, they’ve already received com­mit­ments exceed­ing $211,000, and they still have four days to go.

We Tell Our­selves Sto­ries In Order to Live will be the first and only doc­u­men­tary about Joan Did­ion. And it will be made with Joan, using her own words.  The trail­er for the doc­u­men­tary just pre­miered on Vogue. It’s fit­ting, see­ing that Did­ion land­ed her first job, at Vogue, after win­ning an essay con­test spon­sored by the mag­a­zine. She also pub­lished her sem­i­nal essay, ““On Self Respect” in Vogue in 1961.

You can watch the trail­er above. Also don’t miss our roundup from ear­li­er this year: 13 Mas­ter­ful Essays by Joan Did­ion Free Online

via @michikokakutani

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Watch Harvard Students Fail the Literacy Test Louisiana Used to Suppress the Black Vote in 1964

This sum­mer, we revis­it­ed a lit­er­a­cy test from the Jim Crow South. Giv­en pre­dom­i­nant­ly to African-Amer­i­cans liv­ing in Louisiana in 1964, the test con­sist­ed of 30 ambigu­ous ques­tions to be answered in 10 min­utes. One wrong answer, and the test-tak­er was denied the right to vote. It was all part of the South’s attempt to impede free and fair elec­tions, and ensure that African-Amer­i­cans had no access to pol­i­tics or mech­a­nisms of pow­er.

How hard was the test? You can take it your­self below (see an answer key here)  and find out. Just recent­ly, the same lit­er­a­cy test was also admin­is­tered to Har­vard stu­dents — stu­dents who can, if any­thing, ace a stan­dard­ized test — and not one passed. The ques­tions are tricky. But even worse, if push comes to shove, the ques­tions and answers can be inter­pret­ed in dif­fer­ent ways by offi­cials grad­ing the exam. Carl Miller, a res­i­dent tutor at Har­vard and a fel­low at the law school, told The Dai­ly Mail: “Louisiana’s lit­er­a­cy test was designed to be failed. Just like all the oth­er lit­er­a­cy tests issued in the South at the time, this test was not about test­ing lit­er­a­cy at all. It was a … devi­ous mea­sure that the State of Louisiana used to dis­en­fran­chise peo­ple that had the wrong skin tone or belonged to the wrong social class.” (Some­times the test was also giv­en to poor whites.) Above, you can watch scenes from the Har­vard exper­i­ment and stu­dents’ reac­tions.

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Follow Us on Facebook, Twitter … Or, Better Yet, Get Our Daily Email

Read­ers often ask us, “What’s the best way to make sure that I don’t miss any of your posts?” First and fore­most we rec­om­mend sign­ing up for our dai­ly email. Each day, you will receive an email that tidi­ly wraps up every­thing we’ve fea­tured on the site over a 24 hour peri­od. Faith­ful­ly it will appear in your inbox each day. Sign up for the free email here. And, to ini­ti­ate the email sub­scrip­tion, please make sure that you click the ver­i­fi­ca­tion link in the email you will receive upon reg­is­tra­tion.

You can always fol­low us on Twit­ter (@openculture) where we high­light our dai­ly posts, plus many oth­er cul­tur­al curiosi­ties found on the web. Def­i­nite­ly give that a shot.

You can also like our Face­book page, and then Face­book will decide whether you get to see our posts. They just do the think­ing for you. Lucky you.

Final­ly, con­sid­er sub­scrib­ing to our RSS feed, espe­cial­ly if you use feed read­ers like Feed­ly. That will let you keep tabs on each and every post. The RSS address is: http://feeds.feedburner.com/OpenCulture

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Download 135 Free Philosophy eBooks: From Aristotle to Nietzsche & Wittgenstein


Nietzsche

Just want­ed to give you a quick heads up that we’ve recent­ly spun out a col­lec­tion of Free Phi­los­o­phy eBooks (from our larg­er, more diverse col­lec­tion of 600 Free eBooks). Right now, you will find 110 clas­sic works on the new list — foun­da­tion­al texts writ­ten by Aris­to­tle, Descartes, Hegel and Kant, not to men­tion Kierkegaard, Wittgen­stein and Niet­zsche, too. The list will keep grow­ing at a steady clip. But if you see any cru­cial texts miss­ing, please let us know, and we will try to get them added ASAP. Of course, we’re look­ing for works in the pub­lic domain.

You can gen­er­al­ly down­load the Free Phi­los­o­phy eBooks to your Kin­dle, iPad, iPhone and oth­er devices. (Kin­dle users can use these instruc­tions to get .mobi files onto their devices.) Or, in most cas­es, we give you the option to read the books in your web brows­er. Take your pick.

As a quick last note, you might want to com­ple­ment the Phi­los­o­phy eBooks with our big list of Free Online Phi­los­o­phy Cours­es. The two col­lec­tions go hand in hand.

Fol­low us on Face­bookTwit­ter and Google Plus and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox.

Relat­ed Con­tent:

28 Impor­tant Philoso­phers List the Books That Influ­enced Them Most Dur­ing Their Col­lege Days

The Epis­te­mol­o­gy of Dr. Seuss & More Phi­los­o­phy Lessons from Great Children’s Sto­ries

44 Essen­tial Movies for the Stu­dent of Phi­los­o­phy

Down­load 100 Free Phi­los­o­phy Cours­es and Start Liv­ing the Exam­ined Life

The Har­vard Clas­sics: A Free, Dig­i­tal Col­lec­tion

1,700 Free Online Cours­es from Top Uni­ver­si­ties

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The Great War: Video Series Will Document How WWI Unfolded, Week-by-Week, for the Next 4 Years

This ambi­tious project deserves a men­tion: Medi­akraft Net­works has launched a video series on Youtube that will doc­u­ment how World War I unfold­ed, week-by-week, over a four-year peri­od, from 1914 to 1918. A new video will be released every Thurs­day, and it will reflect on what hap­pened dur­ing the same week 100 years pri­or. Launched in late July, the series has already cov­ered 16 weeks of The Great War, with lat­est video show­ing how World War I became a defen­sive war and trench­es began to scar the land. Host­ed by Indy Nei­dell (read an inter­view with him here), each video fea­tures archival footage from British PathĂ©, the news­reel archive com­pa­ny that put over 85,000 his­tor­i­cal films on YouTube ear­li­er this year.

the great war video series

You can watch all 16 episodes above, along with a few help­ful primers that explain why the War start­ed in the first place. To view new videos as they get released, keep tabs on this Youtube page. There should even­tu­al­ly be close to 300 episodes. Quite an under­tak­ing!

As a side note, I noticed that a Dutch pod­cast (in Eng­lish) will cov­er “The First World War in 261 weeks.” That’s the title of the pod­cast itself. Find it here.

via Kottke.org

Relat­ed Con­tent:

Free: British Pathé Puts Over 85,000 His­tor­i­cal Films on YouTube

Free Online His­to­ry Cours­es

The His­to­ry of Rome in 179 Pod­casts

Learn The His­to­ry of Phi­los­o­phy in 197 Pod­casts (With More to Come)

Read Joyce’s Ulysses Line by Line, for the Next 22 Years, with Frank Delaney’s Pod­cast

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