Paintings by Caravaggio, Vermeer, & Other Great Masters Come to Life in a New Animated Video

With his short video “Beau­ty,” the Ital­ian direc­tor Rino Ste­fano Tagli­afier­ro takes “a series of well select­ed images from the tra­di­tion of pic­to­r­i­al beau­ty” and uses the “fire of dig­i­tal inven­tion” to ani­mate sen­ti­ments lost on immo­bile can­vass­es. In the video above, you will see works by Car­avag­gio, Ver­meer, Rubens and oth­ers put into dig­i­tal motion. A com­plete list of the paint­ings includ­ed in the video can be found here. Plus there’s a tum­blr with ani­mat­ed GIFs of the paint­ings.  Find more infor­ma­tion, includ­ing a man­i­festo for the video (in Ital­ian), on Tagli­afier­ro’s web site. An Eng­lish trans­la­tion of the man­i­festo appears below the jump.

via Digg

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Relat­ed Con­tent:

Watch an Ani­mat­ed Ver­sion of Rid­ley Scott’s Blade Run­ner Made of 12,597 Water­col­or Paint­ings

Michelangelo’s Hand­writ­ten 16th-Cen­tu­ry Gro­cery List

Take a 3D Vir­tu­al Tour of the Sis­tine Chapel, St. Peter’s Basil­i­ca and Oth­er Art-Adorned Vat­i­can Spaces

Free: The Met­ro­pol­i­tan Muse­um of Art and the Guggen­heim Offer 474 Free Art Books Online

(more…)

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View the Passport Photos of F. Scott Fitzgerald, James Joyce, Virginia Woolf & Other Cultural Icons

woolf passport
Click images to enlarge.

If you’ve had the for­tune of trav­el­ling for leisure, you know that there are three types of memen­toes that unfail­ing­ly elic­it pangs of nos­tal­gia. The first are pho­tographs. The sec­ond are the run­ning com­men­taries we write down in jour­nals and blogs, doc­u­ment­ing the var­i­ous impres­sions, thoughts, and minu­ti­ae we expe­ri­ence. The third are pass­ports. When brim­ming with exit stamps and tat­tered visas, pass­ports are the mark of a world­ly trav­eller: a grimy, well-worn sign to fel­low hos­tel guests that you’re want­ed com­pa­ny when the time comes to com­pare sto­ries.

Today, we bring you sev­er­al pass­port scans from a num­ber of the 20th century’s best-known cul­tur­al fig­ures. Above, you can see a trav­el doc­u­ment belong­ing to Vir­ginia Woolf, who received a 1923 stamp from the For­eign Office. Below we have John Lennon’s entry card into the U.S., which the Bea­t­le received after a bat­tle for per­ma­nent res­i­den­cy that last­ed for sev­er­al years.

Then Mar­i­lyn Monroe’s Depart­ment of Defense-issued ID card, under the name of Nor­ma Jean DiMag­gio. Fur­ther down are the pass­port pho­tos of writ­ers James Joyce and F. Scott Fitzger­ald, accom­pa­nied by their respec­tive fam­i­lies, who were trav­el­ling under the same doc­u­ments. Last­ly, we present to you the most impres­sive­ly dec­o­rat­ed pass­port pages of all, belong­ing to Ella Fitzger­ald:

John Lennon

Lennon_Passport1

Mar­i­lyn

A Marilyn Monroe's ID Card, 1954 (1)

James Joyce and Fam­i­ly

JAMES-JOYCE-WARTIME-FAMILY-PASSPORT

The Fitzger­alds

Fitzgeralds-Passport

Ella Fitzger­ald

Ella-Fitzgerald

For more icon­ic pass­port pho­tos, head to Vintage.es or The Untrav­elled Paths blog.

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

Relat­ed Con­tent:

Rare Footage of Scott and Zel­da Fitzger­ald From the 1920s

Ella Fitzger­ald Sings ‘Sum­mer­time’ by George Gersh­win, Berlin 1968

James Joyce Plays the Gui­tar, 1915

Six Post­cards From Famous Writ­ers: Hem­ing­way, Kaf­ka, Ker­ouac & More

Quentin Tarantino Impersonates His Idol, Elvis Presley

Quentin Taran­ti­no once told an inter­view­er (Howard Stern, if you must know) about the Elvis phase he went through dur­ing his late teenage years. “When I was about eigh­teen-years-old, I got waaaay into rock­a­bil­ly music.” “I was like the sec­ond com­ing of Elvis Pres­ley. I dyed my hair black. I wore it in a big ole pom­padour.” And he put Elvis imper­son­ation on his resume. In 1988, just a year after he shot his first film, My Best Friend’s Birth­day (watch the sur­viv­ing parts here), the still-unknown auteur land­ed a cameo appear­ance on an episode of The Gold­en Girls. He described the appear­ance in a 1994 inter­view with Play­boy:

Well, it was kind of a high point because it was one of the few times that I actu­al­ly got hired for a job. I was one of 12 Elvis imper­son­ators, real­ly just a glo­ri­fied extra. For some rea­son they had us sing Don Ho’s Hawai­ian Love Chant. All the oth­er Elvis imper­son­ators wore Vegas-style jump­suits. But I wore my own clothes,because I was, like, the Sun Records Elvis. I was the hill­bil­ly cat Elvis. I was the real Elvis; every­one else was Elvis after he sold out.

Taran­ti­no appears in the back row, dead cen­ter.

tarantino as elvis
via Mira­max

Relat­ed Con­tent:

Quentin Taran­ti­no Lists the 12 Great­est Films of All Time: From Taxi Dri­ver to The Bad News Bears

Quentin Taran­ti­no Tells You About The Actors & Direc­tors Who Pro­vid­ed the Inspi­ra­tion for “Reser­voir Dogs”

The Pow­er of Food in Quentin Tarantino’s Films

625 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc.

 

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Read Beethoven’s Lengthy Love Letter to His Mysterious “Immortal Beloved” (1812)

ImmortalBeloved

If you’ve ever seen the 1994 fea­ture film where Gary Old­man plays Lud­wig van Beethoven, you know the sig­nif­i­cance of the words “Immor­tal Beloved” from which it takes its title. But have you seen the actu­al arti­fact that inspired it? “Around 1812 Beethoven wrote a long let­ter (10 pages) to a woman who he was obvi­ous­ly quite tak­en with,” says the blog LvB and More. “Sad­ly we will nev­er know for cer­tain who it was. How­ev­er the let­ter itself was dis­cov­ered after Beethoven’s death in a secret draw­er where he also kept the Heili­gen­stadt Tes­ta­ment, some sav­ings and some pic­tures.” There you can find images of the let­ter in ques­tion (the first two pages appear above, the sec­ond two below) and a trans­la­tion from LVBeethoven.com, faith­ful right down to the com­poser’s line breaks, which begins as fol­lows:

July 6
In the morn­ing-

My angel, my all
my self — only a few
words today, and indeed with pen­cil
(with yours)
only tomor­row is my lodg­ing pos­i­tive­ly fixed
what a worth­less waste
of time on such — why
this deep grief, where
neces­si­ty speaks -
can our love exist but
by sac­ri­fices
by not demand­ing every­thing
can you change it, that you
not com­plete­ly mine. I am not
com­plete­ly yours — Oh God

ImmortalBeloved2

Despite the best efforts of Beethoven’s biog­ra­phers (and of the wide­ly dis­put­ed the­o­ry on which the afore­men­tioned movie oper­ates), igno­rant we remain of the iden­ti­ty of the Immor­tal Beloved to whom Beethoven addressed such words of pas­sion. Still, don’t let that stop you from draw­ing your own con­clu­sions, such as you can from exam­i­na­tion of the pages them­selves, also avail­able for perusal at Fu$k Yeah Man­u­scripts. You may remem­ber them from our post on the draw­ings Dos­toyevsky did as he wrote his nov­els, and from there you can draw the cor­rect con­clu­sion that the site offers a deep well of intrigu­ing works in progress, pieces of cor­re­spon­dence, cris de coeur, and var­i­ous com­bi­na­tions there­of.

Relat­ed Con­tent:

Slavoj Žižek Exam­ines the Per­verse Ide­ol­o­gy of Beethoven’s Ode to Joy

Beethoven’s Ode to Joy Played With 167 Theremins Placed Inside Matryosh­ka Dolls in Japan

Richard Feynman’s Let­ter to His Depart­ed Wife: “You, Dead, Are So Much Bet­ter Than Any­one Else Alive” (1946)

James Joyce’s “Dirty Let­ters” to His Wife (1909)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, Asia, film, lit­er­a­ture, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on his brand new Face­book page.

Does God Exist?: William Lane Craig Debates Christopher Hitchens, Sam Harris & Richard Dawkins

Debates are mod­ern glad­i­a­tor contests—predicated on the blunt force of the oppo­nents’ foren­sic sta­mi­na, charis­ma, and per­son­al con­vic­tion. Speak­ers lack­ing in per­son­al­i­ty make for tedious debaters, and sub­stance seems to mat­ter lit­tle when par­ti­sans gath­er to cheer on their cham­pi­on. Rarely do rhetor­i­cal spec­ta­cles sway the faith­ful. At least in our time, they tend to seem more like com­pet­ing pep ral­lies. We’ve learned, for exam­ple, that such high pro­file events as U.S. pres­i­den­tial debates have lit­tle effect on the out­come of elec­tions. But ver­bal con­tests over who will make the best Leader of the Free World can seem mod­est next to debates between the­olo­gians and philoso­phers over the exis­tence of God. After all, we’ve heard more or less the same argu­ments for cen­turies now, and no one’s any clos­er to a “proof.” And though I’m not aware of any­one who argues thus, there is no way to dis­prove God’s exis­tence either.

Nonethe­less, with the rise of reli­gious fer­vor world­wide, and rejec­tion of the same by vocif­er­ous sec­u­lars, we’ve seen so-called “New Athe­ists” mount chal­lenge after chal­lenge to the author­i­ty and valid­i­ty of reli­gious institutions—primarily those rep­re­sent­ing the big three monotheisms. The philo­soph­i­cal­ly inclined reli­gious have their heavy­weights as well. Bio­la Uni­ver­si­ty pro­fes­sor of phi­los­o­phy and evan­gel­i­cal Chris­t­ian William Lane Craig has tak­en on the man­tle of defend­er not only of his par­tic­u­lar brand of faith but of the exis­tence of God gen­er­al­ly. Craig is a skilled orator—his fans like to point out that he “wins” all of his debates, though what exact­ly that means is unclear. His crit­ics call him every­thing from “dis­hon­est” and “sleazy” to an apol­o­gist for geno­cide and reli­gious­ly moti­vat­ed pseu­do­science. What­ev­er you think of Craig, he cer­tain­ly does draw a crowd. But so do his most famous antag­o­nists. Today, we bring you two such exis­tence of God debates: at the top, see Craig debate the unflap­pable Christo­pher Hitchens on his home turf of Bio­la. And direct­ly above, he takes on Sam Har­ris at Notre Dame.

You may be won­der­ing, if you’ve fol­lowed these squab­bles at all, whether the infa­mous evo­lu­tion­ary biol­o­gist Richard Dawkins has stepped into the ring with Craig. He has. Dawkins appeared with skep­ti­cal authors Michael Sher­mer and Matt Rid­ley in an intel­lec­tu­al wrestle­ma­nia of sorts at a Mex­i­can con­fer­ence called “Ciu­dad de las Ideas” (City of Ideas). On the oth­er side of the stage sat Craig, his col­league Doug Geivett, and rab­bi David Wolpe. You can see the event above—each speak­er gets up and steps into a lit­er­al ring, com­plete with bright red ropes, and the result is less a debate than bewil­der­ing series of meta­phys­i­cal sales pitch­es. Dawkins him­self did not con­sid­er it a debate. Though he’s made plen­ty of ene­mies among athe­ists and believ­ers alike, accused of intol­er­ance, slop­py rea­son­ing, sex­ism, and worse, Dawkins has won adher­ents for declar­ing a prin­ci­pled stand against appear­ing with Craig in a true debate for­mat, cit­ing Craig’s “dark side” as a “deplorable apol­o­gist for geno­cide.” As with all these attacks and ripostes, not to men­tion the uni­verse-sized ques­tions, you’ll sim­ply have to make up your own mind.

via Metafil­ter

Relat­ed Con­tent:

Christo­pher Hitchens: No Deathbed Con­ver­sion for Me, Thanks, But it was Good of You to Ask

The Unbe­liev­ers, A New Film Star­ring Richard Dawkins, Lawrence Krauss, Wern­er Her­zog, Woody Allen, & Cor­mac McCarthy

Reli­gion: Free Cours­es Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

In 1968, Artist Imagines What John, Paul, George & Ringo Will Look Like When They’re 64

beatles64

When I get old­er los­ing my hair,
Many years from now,
Will you still be send­ing me a valen­tine
Birth­day greet­ings bot­tle of wine?

Paul McCart­ney’s wist­ful song “When I’m Six­ty-Four” was released on the Bea­t­les’ 1967 album Sgt. Pep­per’s Lone­ly Hearts Club Band. The next year, an artist named Michael Leonard tried to imag­ine what the young musi­cians might look like four decades lat­er — on their 64th birth­days. We nev­er got a chance to fig­ure out whether he sized up Lennon and Har­ri­son cor­rect­ly. But we know that Paul, even at 71 today, nev­er got jow­ly. And Ringo nev­er went the suit route. You can see for your­self when the two per­form at the Gram­mys on Jan­u­ary 26.

Don’t miss any­thing from Open Cul­ture. Sign up for our Dai­ly Email or RSS Feed. And we’ll send cul­tur­al curiosi­ties your way, every day. 

Relat­ed con­tent 

Flash­mob Per­forms The Bea­t­les’ ‘Here Comes the Sun’ in Madrid Unem­ploy­ment Office

Eric Clapton’s Iso­lat­ed Gui­tar Track From the Clas­sic Bea­t­les Song, ‘While My Gui­tar Gen­tly Weeps’ (1968)

The Bea­t­les: Unplugged Col­lects Acoustic Demos of White Album Songs (1968)

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“The Tolkien Professor” Presents Three Free Courses on The Lord of the Rings

tolkien prof

A quick update: Last year, we told you about Corey Olsen, an Eng­lish Pro­fes­sor at Wash­ing­ton Col­lege, who start­ed pub­lish­ing online lec­tures on the writ­ing of J.R.R. Tolkien. We ini­tial­ly fea­tured his lec­ture series on The Hob­bit. Now “The Tolkien Pro­fes­sor,” as Olsen is oth­er­wise known, presents a series of online cours­es on The Lord of the Rings tril­o­gy:

  • Lord of the Rings I: The Road Goes Ever OniTune­sU
  • Lord of the Rings II: The Two Tow­ersiTune­sU — Web
  • Lord of the Rings III: Return of the King - iTunes U — Web

As a bonus, you can access Olsen’s Under­grad­u­ate Sur­vey Course on Tolkien (avail­able on the web). The 14-week course was pre­sent­ed and record­ed at Wash­ing­ton Col­lege in the Spring of 2010.

All of Olsen’s cours­es are cat­a­logued in the Lit­er­a­ture sec­tion of our col­lec­tion of 825 Free Online Cours­es.

Relat­ed Con­tent:

Lis­ten to J.R.R. Tolkien Read a Lengthy Excerpt from The Hob­bit (1952)

Lis­ten to J.R.R. Tolkien Read Poems from The Fel­low­ship of the Ring, in Elvish and Eng­lish (1952)

Fan­tas­tic BBC Footage of J.R.R. Tolkien in 1968

Free Audio: Down­load the Com­plete Chron­i­cles of Nar­nia by C.S. Lewis

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Read David Foster Wallace’s Notes From a Tax Accounting Class, Taken to Help Him Write The Pale King

Wallace_26

Click images once to enlarge, and twice to zoom in.

There are two ways to gath­er mate­r­i­al for a book. The first is to live life to the full. Ernest Hem­ing­way fished, fought, and went to bull­fights. Her­man Melville and Charles Bukows­ki slept their way through an impres­sive por­tion of the West­ern world. Jack Ker­ouac spent years trav­el­ling before he reached the crit­i­cal moment where he was ready to write On The Road. These authors lived with a pal­pa­ble inten­si­ty, and used their expe­ri­ences as fuel for their writ­ing. Oth­ers, how­ev­er, did not rely on first­hand accounts. Elmore Leonard paid a leg­man named Gregg Sut­ter to do his research, using Sutter’s accounts of loca­tions as the scaf­fold­ing for his descrip­tions. Nathan Eng­lan­der wrote a fine­ly-tuned nov­el about the dis­ap­peared dur­ing Argentina’s Dirty War hav­ing only vis­it­ed Buenos Aires for a week. He did a lot of read­ing.

In writ­ing The Pale King, a nov­el of 1980s IRS agents stul­ti­fied by bore­dom in Peo­ria, Illi­nois, David Fos­ter Wal­lace joined the lat­ter group. Although Wal­lace had left an unfin­ished man­u­script when he com­mit­ted sui­cide in 2008, he had spent more than a decade work­ing on it. In fact, a year after the release of his opus, Infi­nite Jest, Wal­lace enrolled in account­ing class­es at Illi­nois State Uni­ver­si­ty to learn about pre­cise­ly what IRS agents did. Accord­ing to The New York Times’ Jen­nifer Schuessler, the author began “plow­ing through shelves of tech­ni­cal lit­er­a­ture, tran­scrib­ing notes on tax scams, cri­te­ria for audit and the prob­lem of ‘agent ter­ror­ism’ into a series of note­books.”

Today, we bring you two pages of his notes (click the images to enlarge). In the first, above, Wal­lace has jot­ted down a few key points about accru­al and defer­ral, along­side what is like­ly a note to self on the subject’s dif­fi­cul­ty: “A BITCH.”

In the sec­ond, below, Wal­lace writes, “‘You’re home free, you did it,’ says teacher. Account­ing is sea of dis­parate data threat­en­ing to drown us. One ‘escapes,’ ‘gets out safe­ly’ from a clos­ing cycle.” Cryp­tic? You bet. But not as cryp­tic to the untrained eye as “ACCOUNTANTS ARE THE COWBOYS OF INFORMATION,” scrawled diag­o­nal­ly across the bot­tom of the page.

For an astute inter­pre­ta­tion of these notes, I urge you to head over to The New York­er and read Seth Colter Walls’David Fos­ter Wallace’s Tax Class­es.”

Wallace_26_2

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

Relat­ed Con­tent:

30 Free Essays & Sto­ries by David Fos­ter Wal­lace on the Web

David Fos­ter Wallace’s Love of Lan­guage Revealed by the Books in His Per­son­al Library

The David Fos­ter Wal­lace Audio Archive: A Lit­tle Gift For the Novelist’s 50th Birth­day

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