Eleanor Roosevelt’s Durable Wisdom on Curiosity, Empathy, Education & Responding to Criticism

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First Lady Eleanor Roo­sevelt was a pro­lif­ic colum­nist and writer, with an impres­sive list of clips pro­duced both dur­ing FDR’s tenure in the White House and after­wards. George Wash­ing­ton University’s Eleanor Roo­sevelt Papers Project tal­lies up her out­put: 8,000 columns, 580 arti­cles, 27 books, and 100,000 let­ters (not to men­tion speech­es and appear­ances). Many of those columns and arti­cles can be found on their web­site.

Their archive offers every one of Roosevelt’s “My Day” columns, which ran through Unit­ed Fea­tures Syn­di­cate from 1936–1962. These short pieces act­ed like a dai­ly diary, chron­i­cling Roosevelt’s trav­els, the books she read, the peo­ple she vis­it­ed, her evolv­ing polit­i­cal phi­los­o­phy, and, occa­sion­al­ly, her reflec­tions on such top­ics as edu­ca­tion, empa­thy, apa­thy, friend­ship, stress, and the scourge of exces­sive mail (“I love my per­son­al let­ters and I am real­ly deeply inter­est­ed in much of my mail, but when I see it in a mass I would some­times like to run away! I just closed my eyes in this case and went to bed!”)

The “My Day” archive is a lit­tle dif­fi­cult to navigate—you have to browse by year, or search by keyword—but the archive’s short list of select­ed longer arti­cles is a bit sim­pler to sur­vey. Some of my favorites:

“In Defense of Curios­i­ty” (Sat­ur­day Evening Post, 1935): Roo­sevelt often drew fire for her insa­tiable inter­est in all areas of nation­al life—a char­ac­ter­is­tic that peo­ple thought of as unla­dy­like. This arti­cle argues that women, too, should be curi­ous, and that curios­i­ty is the basis for hap­pi­ness, imag­i­na­tion, and empa­thy.

“How to Take Crit­i­cism” (Ladies Home Jour­nal, 1944): Roo­sevelt had a lot of haters. This longer piece mulls over the dif­fer­ent types of crit­i­cism that she received dur­ing her pub­lic career, and asks how one should dis­tin­guish between wor­thy and unwor­thy cri­tiques.

“Build­ing Char­ac­ter” (The Parent’s Mag­a­zine, 1931): An edi­to­r­i­al on the impor­tance of pro­vid­ing chil­dren with chal­lenges, clear­ly meant to reas­sure par­ents wor­ried about the effects of the Depres­sion on their kids.

“Good Cit­i­zen­ship: The Pur­pose of Edu­ca­tion” (Pic­to­r­i­al Review, 1930): Much of this piece is about the impor­tance of fair com­pen­sa­tion for good teach­ers. “There are many inad­e­quate teach­ers today,” Roo­sevelt wrote. “Per­haps our stan­dards should be high­er, but they can­not be until we learn to val­ue and under­stand the func­tion of the teacher in our midst. While we have put much mon­ey in build­ings and lab­o­ra­to­ries and gym­na­si­ums, we have for­got­ten that they are but the shell, and will nev­er live and cre­ate a vital spark in the minds and hearts of our youth unless some teacher fur­nish­es the inspi­ra­tion. A child responds nat­u­ral­ly to high ideals, and we are all of us crea­tures of habit.”

Relat­ed Con­tent:

“F. Scott Fitzger­ald Tells His 11-Year-Old Daugh­ter What to Wor­ry About (and Not Wor­ry About) in Life, 1933”

“’Noth­ing Good Gets Away’: John Stein­beck Offers Love Advice in a Let­ter to His Son (1958)”

“George Washington’s 110 Rules for Civil­i­ty and Decent Behav­ior”

Rebec­ca Onion is a writer and aca­d­e­m­ic liv­ing in Philadel­phia. She runs Slate.com’s his­to­ry blog, The Vault. Fol­low her on Twit­ter: @rebeccaonion

Lists of the Best Sentences — Opening, Closing, and Otherwise — in English-Language Novels

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I go to encounter for the mil­lionth time the real­i­ty of expe­ri­ence and to forge in the smithy of my soul the uncre­at­ed con­science of my race.

— James Joyce, A Por­trait of the Artist as a Young Man

For what do we live, but to make sport for our neigh­bors, and laugh at them in our turn?

— Jane Austen, Pride and Prej­u­dice

There is noth­ing more atro­cious­ly cru­el than an adored child.

— Vladimir Nabokov, Loli­ta

You’ve almost cer­tain­ly read all three of these sen­tences before, or even if you don’t remem­ber the lines in par­tic­u­lar, you’ve prob­a­bly read the famous nov­els they come from. The Amer­i­can Schol­ar high­lights them as three of the ten finest in Eng­lish-lan­guage lit­er­a­ture, along­side oth­er sen­tences com­posed by the likes of F. Scott Fitzger­ald, John Hersey, and Ernest Hem­ing­way. Writ­ing at Poynter.org, Roy Peter Clark explains just what makes these sen­tences so great, from Joyce’s use of “forge” (“For the nar­ra­tor it means to strength­en met­al in fire. But it also means to fake, to coun­ter­feit, per­haps a gen­tle tug at [the pro­tag­o­nist’s] hubris”) to Austen’s struc­tur­al ele­gance (“Who could not admire a sen­tence with such a clear demar­ca­tion begin­ning, mid­dle, and end?”) to Nabokov’s reflec­tion of his nar­ra­tor’s self-delu­sion.

At The Atlantic, Joe Fassler has sep­a­rate­ly col­lect­ed 22 writ­ers’ own favorite nov­el-open­ing lines, a list that includes the one from Nabokov’s high­ly quotable nov­el and anoth­er from lat­er in Joyce’s oeu­vre:

Loli­ta, light of my life, fire of my loins.

— Vladimir Nabokov, Loli­ta, cho­sen by Jonathan Santofler

State­ly, plump Buck Mul­li­gan came from the stair­head, bear­ing a bowl of lath­er on which a mir­ror and a razor lay crossed.

— James Joyce, Ulysses, cho­sen by Lydia Davis

I have nev­er seen any­thing like it: two lit­tle discs of glass sus­pend­ed in front of his eyes in loops of wire.

— J.M. Coet­zee, Wait­ing for the Bar­bar­ians, cho­sen by Antho­ny Mar­ra

If all these don’t sati­ate your appetite for well-wrought sen­tences, the Amer­i­can Book Review has not just its own run­down of the 100 best first lines from nov­els, but of the 100 best last lines as well, a list that fea­tures Coet­zee’s grim colo­nial fable as well as the work of Franzen him­self:

This is not the scene I dreamed of. Like much else nowa­days I leave it feel­ing stu­pid, like a man who lost his way long ago but press­es on along a road that may lead nowhere.

— J.M. Coet­zee, Wait­ing for the Bar­bar­ians

She was sev­en­ty-five and she was going to make some changes in her life.

— Jonathan Franzen, The Cor­rec­tions

“You can trust me,” R.V. says, watch­ing her hand.” “I’m a man of my

— David Fos­ter Wal­lace, The Broom of the Sys­tem

Before you leave a com­ment point­ing out that appar­ent frag­ment of Wal­lace’s sen­tence just above, let me reas­sure you that it appears exact­ly like that in The Broom of the Sys­tem â€” the nov­el just stops there — and that, if you read all the way to that point, you’ll find it a pret­ty bril­liant choice. This just goes to show that the sen­tence, though undoubt­ed­ly the fun­da­men­tal unit for any writer (“All you have to do is write one true sen­tence,” Hem­ing­way would say), always needs a con­text. This meta-list of best-sen­tence lists at Metafil­ter has many more high-qual­i­ty sen­tences for you to admire, and a fair few intrigu­ing enough to send you right out to go read them in con­text.

You can find some of the great books men­tioned above in our col­lec­tion of 575 Free eBooks.

Relat­ed Con­tent:

Open­ing Sen­tences From Great Nov­els, Dia­grammed: Loli­ta, 1984 & More

Nabokov Reads Loli­ta, Names the Great Books of the 20th Cen­tu­ry

James Joyce Reads From Ulysses and Finnegans Wake In His Only Two Record­ings (1924/1929)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Actresses Lucy Lawless & Jaime Murray Perform Jean-Paul Sartre’s “No Exit” for The Partially Examined Life Podcast

Spartacus sartre

Lucy Law­less (Star of Xena the War­rior Princess and notable con­trib­u­tor to such shows as Spar­ti­ca, Bat­tlestar Galac­ti­ca, and Parks & Recre­ation) pre­vi­ous­ly appeared on the Par­tial­ly Exam­ined Life Phi­los­o­phy Pod­cast in Fall 2012. And, in Spring 2013, she sang with me (under my musi­cian moniker Mark Lint) on an orig­i­nal song called “Things We Should Do Before We Die.” Now she’s joined fel­low PEL host Wes Alwan (“The Valet”) and me to cre­ate an audio­play of Jean-Paul Sartre’s 1944 play “No Exit,” where she plays the work­ing class, hos­tile les­bian Inès Ser­ra­no with a pret­ty hilar­i­ous off-the-cuff gener­i­cal­ly Euro­pean accent against my rel­a­tive­ly dead­pan Joseph Garcin.

The third damned soul in our one-room hell was played by a delight­ful­ly shrieky Jaime Mur­ray, friend and Spar­ta­cus co-star of Lucy’s. You like­ly know Jaime for her role as Lila, the psy­chot­ic main guest star in Sea­son 2 of Dex­ter, and right now she appears in the sci-fi shows Defi­ance and Ware­house 13.

The play is about three dead peo­ple stuck in a room togeth­er, any two of which would prob­a­bly reach some equi­lib­ri­um. But, as a three­some, they enter into a tox­ic dynam­ic where none can get what he or she needs out of the oth­ers.

To hear Lucy, Jamie and me per­form “No Exit,” click below or lis­ten at Partiallyexaminedlife.com.

 

The record­ing was made in sup­port of the Par­tial­ly Exam­ined Life episode dis­cussing Sartre, cov­er­ing this play as well as his essays “Exis­ten­tial­ism is a Human­ism” (1946), and “Bad Faith,” (which con­sti­tutes part 1, chap­ter 2 of Being & Noth­ing­ness, 1943). These con­vey the essence of Sartre’s exis­ten­tial­ism and give a pic­ture of his view of man’s rad­i­cal free­dom (we’re con­demned to be free!) and what for him serves as some sem­blance of an ethics.

For the Sartre episode, click below or lis­ten at Partiallyexaminedlife.com.

 

The audio­play is the sec­ond in a series, with the first being the PEL Play­ers’ per­for­mance of Pla­to’s dia­logue, The Gor­gias.

For those with who want more, PEL offers access to an out­takes reel. The pic­ture above fea­tures both actress­es in Spar­ta­cus.

Mark Lin­sen­may­er is the head hon­cho at The Par­tial­ly Exam­ined Life, the #1 down­loaded phi­los­o­phy pod­cast on the plan­et, which pro­vides amus­ing, in-depth dis­cus­sions of philoso­phers old and new. Mark is also a musi­cian who wrote a song just for this audio­play.

Relat­ed Con­tent:

Jean-Paul Sartre’s No Exit: A BBC Adap­ta­tion Star­ring Harold Pin­ter (1964)

Wal­ter Kaufmann’s Clas­sic Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

The Exis­ten­tial­ism Files: How the FBI Tar­get­ed Camus, and Then Sartre After the JFK Assas­si­na­tion

100 Free Online Phi­los­o­phy Cours­es

Watch Episode #4 of Neil deGrasse Tyson’s Cosmos: The Big Bang, Black Holes & More (US Viewers)

On Sun­day evening, Fox aired the lat­est episode of Neil deGrasse Tyson’s Cos­mos series. This episode, called “A Sky Full of Ghosts,” explored some more out-of-this-world sub­jects — the speed of light and how it helps us under­tand the Big Bang; the sci­en­tif­ic work of Isaac New­ton, William Her­schel, James Clerk Maxwell; Albert Ein­stein’s The­o­ry of Rel­a­tiv­i­ty; dark stars; black holes; and more. US view­ers can watch the entire­ty of Episode 4 online (above), along with pre­vi­ous episodes in the series below (or on Hulu). For view­ers out­side the US, we have some­thing per­haps bet­ter for you: Carl Sagan’s Orig­i­nal Cos­mos Series on YouTube. Plus, we have a bunch of Free Online Astron­o­my Cours­es in our col­lec­tion of 875 Free Online Cours­es. Enjoy.

Pre­vi­ous Episodes:

Episode #1: “Stand­ing Up in the Milky Way”

Episode #2: “Some of the Things That Mol­e­cules Do”

Episode #3: “When Knowl­edge Con­quered Fear”

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New York Public Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Download and Use

1863CentralPark

When I was a kid, my father brought home from I know not where an enor­mous col­lec­tion of Nation­al Geo­graph­ic mag­a­zines span­ning the years 1917 to 1985. I found, tucked in almost every issue, one of the magazine’s gor­geous maps—of the Moon, St. Peters­burg, the Himalayas, East­ern Europe’s ever-shift­ing bound­aries. I became a car­tog­ra­phy enthu­si­ast and geo­graph­i­cal sponge, por­ing over them for years just for the sheer enjoy­ment of it, a plea­sure that remains with me today. Whether you’re like me and sim­ply love the imag­i­na­tive exer­cise of trac­ing a map’s lines and con­tours and absorb­ing infor­ma­tion, or you love to do that and you get paid for it, you’ll find innu­mer­able ways to spend your time on the new Open Access Maps project at the New York Pub­lic Library. The NYPL announces the release with the expla­na­tion below:

The Lionel Pin­cus & Princess Firyal Map Divi­sion is very proud to announce the release of more than 20,000 car­to­graph­ic works as high res­o­lu­tion down­loads. We believe these maps have no known US copy­right restric­tions.* To the extent that some juris­dic­tions grant NYPL an addi­tion­al copy­right in the dig­i­tal repro­duc­tions of these maps, NYPL is dis­trib­ut­ing these images under a Cre­ative Com­mons CC0 1.0 Uni­ver­sal Pub­lic Domain Ded­i­ca­tion. The maps can be viewed through the New York Pub­lic Library’s Dig­i­tal Col­lec­tions page, and down­loaded (!), through the Map Warp­er.

What does this mean? Sim­ply put, â€śit means you can have the maps, all of them if you want, for free, in high res­o­lu­tion.” Maps like that above, of New York’s Cen­tral Park, issued in 1863, ten years before Fred­er­ick Law Olm­st­ed and Calvert Vaux com­plet­ed their his­toric re-design.

Can you—as I did with my neat­ly fold­ed, yel­low­ing archive—have all the maps in full-col­or print? Well, no, unless you’re pre­pared to bear the cost in ink and paper and have some spe­cial­ized print­ing equip­ment that can ren­der each map in its orig­i­nal dimen­sions. But you can access some­thing worlds away from what I could have imagined—a dig­i­tal enhance­ment tech­nol­o­gy called â€śwarp­ing,” also known as “geo­rec­ti­fi­ca­tion.”

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This, explains the NYPL, “is the process where dig­i­tal images of maps are stretched, plac­ing the maps them­selves into their geo­graph­ic con­text, ren­dered either on the web­site or with tools such as Google Earth.” For exam­ple, below see a “warp­ing” of the 1916 Redraft of the 1660 “Castel­lo Plan” for then-New Ams­ter­dam over a cur­rent-day Google Earth image of low­er Man­hat­tan (and note how much the island has been expand­ed past its 17th cen­tu­ry shores). The “warp­ing” tech­nol­o­gy is open access, mean­ing that “any­body with a com­put­er can cre­ate an account, log in, and begin warp­ing and trac­ing maps.” User con­tri­bu­tions remain, “a la Wikipedia,” and add “one more piece to this new his­tor­i­cal geo­graph­ic data mod­el.”

Castello_Plan_Warp

The “warp­er” is a spe­cial fea­ture that helps place his­tor­i­cal maps in a mod­ern visu­al field, but it in no way ruins the enjoy­ment of those maps as archival pieces or art objects. You can see car­tog­ra­ph­er John Wol­cott Adams orig­i­nal 1916 Castel­lo Plan redraft below, and vis­it NYPL’s Dig­i­tal Col­lec­tions for a high res­o­lu­tion image, ful­ly zoomable and, yes, print­able. For more on the incred­i­ble warp­ing tech­nol­o­gy NYPL makes avail­able to us, see this extend­ed blog post, “Unbind­ing the Atlas: Work­ing with Dig­i­tal Maps.” Over ten thou­sand of the collection’s maps are of New York and New Jer­sey, dat­ing from 1852 to 1922, includ­ing prop­er­ty, zon­ing, and topo­graph­ic maps. In addi­tion, over one thou­sand of the maps depict Mid-Atlantic cities from the 16th to the 19th cen­turies, and over 700 are topo­graph­ic maps of the Aus­tro-Hun­gar­i­an Empire between 1877 and 1914. That should be enough to keep any ama­teur or pro­fes­sion­al map-lover busy for a good long while. Start dig­ging into the maps here.

1660CastelloPlan

Relat­ed Con­tent:

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Down­load 15,000+ Free Gold­en Age Comics from the Dig­i­tal Com­ic Muse­um

Down­load Over 250 Free Art Books From the Get­ty Muse­um

14,000 Free Images from the French Rev­o­lu­tion Now Avail­able Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Download De La Soul’s New Mixtape “Smell the Da.I.S.Y.” for Free

free delasoul download

Last month, De La Soul cel­e­brat­ed the 25th anniver­sary of their debut album 3 Feet High and Ris­ing by let­ting fans down­load near­ly their entire back cat­a­log of albums for free.

This month, the hip hop trio is giv­ing away new music — their mix­tape â€śSmell the Da.I.S.Y.,” which fea­tures their col­lab­o­ra­tions with the late-great hip hop artist,  J Dil­la.

Hap­py down­load­ing.…

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An Introduction to Dylanology, or How to Understand Bob Dylan by Digging Through His Garbage

You may nev­er have heard of “Dylanol­o­gy” before, but rest assured that the field cov­ers the intel­lec­tu­al ter­ri­to­ry you sus­pect it does. Even if you have heard of Dylanol­o­gy, you may nev­er have heard of A.J. Weber­man, the man who holds rea­son­able claim to hav­ing fathered the dis­ci­pline. In John Reil­ly’s musi­cal­ly bio­graph­i­cal 1969 short film above, The Bal­lad of A.J. Weber­man, we wit­ness the tit­u­lar Bob Dylan obses­sive engag­ing in one of his many research meth­ods: in this case, the also neol­o­gism-anoint­ed pur­suit of gar­bol­o­gy. This “sci­ence” has Weber­man go through Dylan’s trash “in order to gath­er scraps of evi­dence to sup­port his the­o­ries,” says the dili­gent fan’s entry in the web’s Bob Dylan Who’s Who. These the­o­ries include, accord­ing to Rolling Stone’s Marc Jacob­son, the notion that “Dylan, the most angel-head­ed head of the gen­er­a­tion, had fall­en prey to a Manchuri­an Can­di­date-style gov­ern­ment plot to hook him up to sen­si­bil­i­ty-dead­en­ing hard dope.”

The page also men­tions that “after three years of self-pub­lic­i­ty” as the “world’s lead­ing Dyla­nol­o­gist,” Weber­man “final­ly met Dylan in 1971.” But much of his noto­ri­ety comes not just from hav­ing met Dylan in the flesh, not just from habit­u­al­ly dig­ging through Dylan’s garbage, and not just (or so he claims) hav­ing tak­en a right­ful beat­ing at the hands of Dylan, but from hav­ing con­versed with Dylan, can­did­ly and at length, over the tele­phone. These chats even­tu­al­ly emerged on vinyl as the album Robert Zim­mer­man vs. A.J. Weber­man, and you can hear the whole thing at Ubuweb, or below:

Intro­duc­tion

Jan­u­ary 6, 1971

Jan­u­ary 9, 1971

“The con­ver­sa­tions were record­ed in Jan­u­ary, 1971, in the weeks fol­low­ing a demon­stra­tion out­side Bob’s NYC apart­ment orga­nized by Weber­man [ … ] a mis­guid­ed 60’s rad­i­cal who felt (cor­rect­ly enough) that by the ear­ly 70’s, rock music had ceased to be a force for rad­i­cal polit­i­cal upheaval in the U.S. and had been co-opt­ed by the estab­lish­ment,” writes one con­trib­u­tor to the Dylan Who’s Who. “Like any of Bob’s songs, they must be heard to be tru­ly under­stood.”

Relat­ed Con­tent:

Bob Dylan Final­ly Makes a Video for His 1965 Hit, “Like a Rolling Stone”

Bob Dylan Reads From T.S. Eliot’s Great Mod­ernist Poem The Waste Land

Hear the Nev­er-Before-Released Bob Dylan Song “Pret­ty Saro” (1970)

The 1969 Bob Dylan-John­ny Cash Ses­sions: Twelve Rare Record­ings

Bob Dylan and George Har­ri­son Play Ten­nis, 1969

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Jorge Luis Borges, After Going Blind, Draws a Self-Portrait

borges self portrait blind

Jorge Luis Borges (1899–1986), one of the great writ­ers to come out of Argenti­na, went blind when he was  only 55 years old. As unset­tling as it must have been, it was­n’t par­tic­u­lar­ly a sur­prise. He once told The New York Times, â€śI knew I would go blind, because my father, my pater­nal grand­moth­er, my great-grand­fa­ther, they had all gone blind.”

In the years fol­low­ing that life-chang­ing moment, Borges nev­er learned braille and could no longer read. But he did con­tin­ue to write; he served as the direc­tor of Argenti­na’s Nation­al Library; he trav­eled and deliv­ered an impor­tant series of lec­tures at Har­vard on poet­ry (click to lis­ten); and he even took a stab at draw­ing — some­thing he did fair­ly well ear­li­er in life. (See our pre­vi­ous post: Two Draw­ings by Jorge Luis Borges Illus­trate the Author’s Obses­sions.)

Above, you can see a self por­trait that Borges drew in the base­ment of the famous Strand Book­store in New York City. Accord­ing to the Times, he did this “using one fin­ger to guide the pen he was hold­ing with his oth­er hand.” After mak­ing the sketch, Borges entered the main part of the book­store and start­ed “lis­ten­ing to the room, the stacks, the books,” and made the remark­able obser­va­tion “You have as many books as we have in our nation­al library.”

If you’ve ever been to The Strand, you know how many books it holds. Indeed, the store boasts of being “New York City’s leg­endary home of 18 Miles of new, used and rare books.” My guess is that Argenti­na’s nation­al library might have a few more vol­umes than that. But who is real­ly count­ing?

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Jorge Luis Borges’ 1967–8 Nor­ton Lec­tures On Poet­ry (And Every­thing Else Lit­er­ary)

Borges: Pro­file of a Writer Presents the Life and Writ­ings of Argentina’s Favorite Son, Jorge Luis Borges

Jorge Luis Borges Chats with William F. Buck­ley on Fir­ing Line (1977)

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