David Brooks: Should You Live for Your Résumé … Or Your Eulogy?

David Brooks’ short talk at last mon­th’s TED con­fer­ence is quin­tes­sen­tial David Brooks. If you read his col­umn in the Times, you’ll rec­og­nize his themes and con­cerns right away. It’s a bit preachy, sure. But it will get you think­ing, maybe for a few min­utes, about which self is win­ning out in your life — the self who craves suc­cess, builds a great résumé, and almost invari­ably bruis­es oth­ers — fam­i­ly, friends and strangers — along the way. Or the self “who seeks con­nec­tion, com­mu­ni­ty, love — the val­ues that make for a great eulo­gy.” Just a lit­tle food for thought.

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Rare Audio: Albert Einstein Explains “Why I Am an American” on Day He Passes Citizenship Test (1940)

Most Amer­i­cans by birth, myself includ­ed, have lit­tle rea­son to think about the process of attain­ing our high­ly sought-after nation­al­i­ty. But it only takes a momen­t’s reflec­tion on the mil­lions upon mil­lions of immi­grants who came to the Unit­ed States in the twen­ti­eth cen­tu­ry alone to get us pon­der­ing not just the how but the why of Amer­i­can cit­i­zen­ship. It’s become more rel­e­vant than ever today, when we need not look far to notice how many trans-nation­al projects, careers, cou­ples, and fam­i­lies have sprung up around us. Not only do a wider vari­ety of peo­ple come to Amer­i­ca today, but more Amer­i­cans base them­selves else­where than ever before. For some seri­ous thoughts on chang­ing nations, have a lis­ten to the radio clip above, a brief inter­view with Ger­man-born the­o­ret­i­cal physi­cist (and inter­na­tion­al­ly known icon of sci­ence and intel­li­gence) Albert Ein­stein. Last year, we fea­tured footage of Ein­stein’s 1933 speech in praise of indi­vid­ual lib­er­ty at Lon­don’s Roy­al Albert Hall. He gave it not long after the Nazis took pow­er in his home­land;  just four days lat­er, he set sail for Amer­i­ca and nev­er looked back.

This broad­cast went out in 1940, not long before the Unit­ed States joined the Sec­ond World War, as part of I’m An Amer­i­can, a joint effort of the NBC net­work and the Immi­gra­tion and Nation­al­iza­tion Ser­vice to invite “a num­ber of nat­u­ral­ized cit­i­zens to talk about the Amer­i­can cit­i­zen­ship which they have recent­ly acquired, a pos­ses­sion which we our­selves take for grant­ed, but which is still new and thrilling to them.” Ein­stein, an artic­u­late if still thick­ly accent­ed speak­er of Eng­lish, calls this rare media appear­ance a “self-evi­dent duty,” and prais­es the egal­i­tar­i­an­ism and coop­er­a­tive spir­it that inclines Amer­i­ca toward “the devel­op­ment of the indi­vid­ual and his cre­ative pow­er.” The famed sci­en­tist’s inter­locu­tor, Sec­ond Assis­tant Sec­re­tary of the Depart­ment of Labor Mar­shall E. Dimock, asks him about the rea­sons he appre­ci­ates his new cit­i­zen­ship, why he prefers to live in Amer­i­ca giv­en his “inter­na­tion­al out­look,” and whether he feels Amer­i­ca still lives up to its grand promise of lib­er­ty. Whether you believe Amer­i­ca has improved or gone down­hill since that era, I think you’ll find in Ein­stein’s proud respons­es a reminder that it often takes a for­mer out­sider to clear­ly see the qual­i­ties that have giv­en the coun­try its place in his­to­ry.

Relat­ed Con­tent:

Albert Ein­stein on Indi­vid­ual Lib­er­ty, With­out Which There Would Be ‘No Shake­speare, No Goethe, No New­ton’

Albert Ein­stein Called Racism “A Dis­ease of White Peo­ple” in His Lit­tle-Known Fight for Civ­il Rights

Lis­ten as Albert Ein­stein Reads ‘The Com­mon Lan­guage of Sci­ence’ (1941)

Ein­stein for the Mass­es: Yale Presents a Primer on the Great Physicist’s Think­ing

Albert Ein­stein Hold­ing an Albert Ein­stein Pup­pet (Cir­ca 1931)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Rise of the Patent Troll: An Animated Primer by Kirby Ferguson

Recent­ly, I’ve been spend­ing time inves­ti­gat­ing copy­rights, keen to find out if it’s crick­et for me to impose my vision on cer­tain authors’ long ago work. An author myself, I freely admit, I might not cot­ton to it were some stranger to have her way with my work, with­out per­mis­sion, on a stage, for all to see! Either way, I’d pre­fer things to be set­tled with­out a law­suit.

My head was so full of copy­right impli­ca­tions and loop­holes, I was unaware that a par­al­lel sit­u­a­tion was blow­ing up beyond all rea­son in the world of patents. Such igno­rance is a lux­u­ry unavail­able to legions of small soft­ware design­ers, pod­cast­ers, and small busi­ness own­ers, as artist and film­mak­er Kir­by Fer­gu­son of “Every­thing is a Remix” fame makes clear in his ani­mat­ed primer, “Rise of the Patent Troll.”

The prob­lem, he says, owes to a gap between cen­turies old patent law and a new tech­nol­o­gy that yields “inven­tions” whose parts can’t be attrib­uted as eas­i­ly as your aver­age sewing machine’s or cot­ton gin’s.

Depict­ed here as hairy, pointy-eared sto­ry­book fig­ures, the real life bad­dies are much more scary—newly formed cor­po­rate enti­ties oppor­tunis­ti­cal­ly seek­ing to enforce patents for dig­i­tal inno­va­tions they don’t real­ly own. Not sur­pris­ing­ly, they’re tar­get­ing the lit­tle guys, indi­vid­u­als who don’t have the resources to defend them­selves when attacked. Yes, in this con­text, a fair­ly renowned come­di­an can be con­sid­ered a lit­tle guy.

Fer­gu­son joined forces with dig­i­tal watch­dogs Elec­tron­ic Fron­tier Foun­da­tion, Pub­lic Knowl­edge, and Engine to make the film, but the prob­lem proves too slip­pery to ful­ly explore in three ani­mat­ed min­utes. I think the car­toon is actu­al­ly bait, to get view­ers like me to sit still for the next three min­utes, in which the artist turns the cam­era on him­self, to enu­mer­ate what cit­i­zens can do to make a pro­posed patent reform bill stick. If it all feels rather urgent, I’m guess­ing there’s a rea­son.

For more back­ground on what patent trolls are all about, don’t miss this episode of This Amer­i­can Life.

Relat­ed Con­tent:

Film­mak­er Kir­by Fer­gu­son Explains How Apple’s iPhone Was A Remixed Cre­ation

Ayun Hal­l­i­day would freak worse than a goat if one of these trolls came after her. Fol­low her @AyunHalliday

Download 35,000 Works of Art from the National Gallery, Including Masterpieces by Van Gogh, Gauguin, Rembrandt & More

Van-Gogh-Self-Portrait

As a young ama­teur painter and future art school dropout, I fre­quent­ly found myself haunt­ed by the faces of two artists, that famous­ly odd cou­ple from my favorite art his­to­ry novelization—and Kirk Dou­glas role and Iggy Pop song—Lust for Life. Vin­cent van Gogh and Paul Gau­guin, above and below respec­tive­ly, the tor­ment­ed Dutch fanat­ic and burly French bully—how, I still won­der, could such a pair have ever co-exist­ed, how­ev­er briefly? How could such beau­ti­ful­ly skewed visions of life have exist­ed at all?

Van Gogh and Gauguin’s sev­er­al self-por­traits still inspire won­der. My younger self had the lux­u­ry of see­ing these par­tic­u­lar two up close and in per­son at the Nation­al Gallery of Art in Wash­ing­ton, DC: Van Gogh’s gaunt and pierc­ing vis­age, Gauguin’s sneer­ing self-par­o­dy.

Now, thanks to the won­ders of dig­i­tal tech­nol­o­gy, my old­er self, and yours, can view and down­load high-res­o­lu­tion pho­tos of both paint­ings, and over 50,000 more from the museum’s vast hold­ings, through NGA Images, “a repos­i­to­ry of dig­i­tal images of the col­lec­tions of the Nation­al Gallery of Art.”

Gauguin_Caricature_Self-Portrait_1889

There you’ll find works by anoth­er obses­sive Dutch self-por­traitist, Rem­brandt van Rijn, such as the lush 1659 paint­ing below. You’ll find paint­ings from the heroes of the var­i­ous Renais­sances and French Impres­sion­ism, from move­ments mod­ern and colo­nial, pas­toral and urban. The col­lec­tion is dizzy­ing, and a lover of art could eas­i­ly lose hours sort­ing through it, sav­ing “open access dig­i­tal images up to 3000 pix­els each […] avail­able free of charge for down­load and use.” The pur­pose of NGA Images is “to facil­i­tate learn­ing, enrich­ment, enjoy­ment, and explo­ration,” and there’s no doubt that it sat­is­fies all of those goals and then some. You can peruse the Gallery’s most request­ed images here.

790px-Rembrandt_van_Rijn_-_Self-Portrait_-_Google_Art_Project

Browse the var­i­ous col­lec­tions, includ­ing one devot­ed to self-por­traits. Con­duct advanced search­es, if you’ve more knowl­edge of the Gallery’s many trea­sures. Use the “light­box arranger” to sort, store, anno­tate, and save your own per­son­al­ized col­lec­tions for future view­ing. You are the cura­tor! And the lucky ben­e­fi­cia­ry of the Nation­al Gallery’s benef­i­cence. While I can tell you from expe­ri­ence that it’s noth­ing like stand­ing face to face with these paint­ings in their in-real-life dimen­sions, tex­tures, lines, and colors—despite the throngs of dis­in­ter­est­ed tourists—it’s at least a close sec­ond. And for stu­dents and edu­ca­tors of the visu­al arts, NGA Images offers an oppor­tu­ni­ty like no oth­er to view and share great works of art often hid­den away from even the museum’s vis­i­tors. Enjoy!

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Where to Find Free Art Images & Books from Great Muse­ums, and Free Books from Uni­ver­si­ty Press­es

The Get­ty Puts 4600 Art Images Into the Pub­lic Domain (and There’s More to Come)

Google Puts Over 57,000 Works of Art on the Web

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Watch Episode 1 of Years of Living Dangerously, The New Showtime Series on Climate Change

Ever since Al Gore’s An Incon­ve­nient Truth came out to crit­i­cal acco­lades, Con­ser­v­a­tive scorn and a hand­ful of Oscars, there has been no short­age of well mean­ing doc­u­men­taries about the per­ils of cli­mate change. Most fea­ture a Hol­ly­wood celebri­ty or two, a lib­er­al amount of lib­er­al guilt, and a dis­tinct sense of preach­ing to the con­vert­ed.

The new Show­time series Years of Liv­ing Dan­ger­ous­ly might have plen­ty of those first two ele­ments but none of the third. In the first episode of the series –which has been released for free on YouTube (above) – Don Chea­dle asks, “Is there a way to dis­cuss cli­mate change with­out pol­i­tics or reli­gion get­ting in the way?” Pro­duc­ers James Cameron, Arnold Schwarzeneg­ger and Jer­ry Wein­traub try valiant­ly to answer that ques­tion in the affir­ma­tive.

The series fea­tures a vari­ety of celebri­ties — Schwarzeneg­ger, Matt Damon, Jes­si­ca Alba – and celebri­ty reporters – Les­ley Stahl, Chris Hayes, Mark Bittman – who inves­ti­gate dif­fer­ent facets of the top­ic.

In Cheadle’s seg­ment, he tracks down an unusu­al fig­ure in the heat­ed, tire­some cli­mate change debate – an Evan­gel­i­cal cli­mate sci­en­tist. In a fas­ci­nat­ing scene, she talks to the devout denizens of Plain­view TX, try­ing to con­vince them that the drought that caused the clos­ing of the local meat­pack­ing plant – the town’s biggest employ­er – was the result of some­thing oth­er than divine will.

Mean­while, New York Times colum­nist Thomas Fried­man traces the ori­gins of the Syr­i­an civ­il war to – you guessed it – cli­mate change. He cross­es into that war torn coun­try (briefly) to dis­cov­er that the seeds of the con­flict were sown by the government’s indif­fer­ent response to a long-run­ning drought.

But the most enter­tain­ing seg­ment is Har­ri­son Ford explor­ing the caus­es of Indonesia’s rapid defor­esta­tion. Appar­ent­ly, palm oil – that anony­mous ingre­di­ent in every­thing from cook­ies to choco­late bars – is such big busi­ness that it’s turn­ing Bor­neo into a burn-scared moon­scape. Who knew?

Ford’s charis­ma and grav­el­ly bari­tone can turn the most inane line — “That’s a lot of cars” – into some­thing with almost Tal­mu­dic pro­fun­di­ty. It makes for some riv­et­ing view­ing. The show ends with Ford chomp­ing at the bit to inter­view Indonesia’s utter­ly cor­rupt Forestry Min­is­ter. That meet­ing, which occurs in a lat­er episode, promis­es to be a 60 Min­utes-style smack­down. You think Mike Wal­lace was daunt­ing? Try Indi­ana Jones.

Years of Liv­ing Dan­ger­ous­ly pre­mieres on Show­time on April 13.

For a more aca­d­e­m­ic intro­duc­tion to this sub­ject, see Glob­al Warm­ing: A Free Course from UChica­go.

via Kot­tke

Relat­ed Con­tent:

Free: Watch the First Episode of Sil­i­con Val­ley, Mike Judge’s New HBO Series

How Cli­mate Change Is Threat­en­ing Your Dai­ly Cup of Cof­fee

A Song of Our Warm­ing Plan­et: Cel­list Turns 130 Years of Cli­mate Change Data into Music

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow.

Your Body During Adolescence: A Nakedly Unashamed Sex Ed Film from 1955

A straight shoot­ing sex ed film from 1955? That’s hard to imag­ine. In my expe­ri­ence, the films of that peri­od tend to beat around the bush. The ret­i­cence of those shar­ing its play­ing field makes Your Body Dur­ing Ado­les­cence (watch it online here) all the more remark­able. It does­n’t seem so at first. The first minute is devot­ed to observ­ing a group of coed, clean cut, and unsur­pris­ing­ly Cau­casian teens, pos­ing for a year­book pho­to.

The nar­ra­tor seems des­tined to soft ped­dle things, mild­ly tak­ing note of dif­fer­ences in height and weight. I freely admit that I under­es­ti­mat­ed him. The teens in whose class­rooms this work was screened may have audi­bly squirmed at the men­tion of cer­tain words, but our nar­ra­tor is undaunt­ed by penis­es, scro­ta and labia… Shout out to the edu­ca­tion­al con­sul­tants, Dr. Harold S. Diehl, Dean of the Uni­ver­si­ty of Min­neso­ta’s Med­ical School and Ani­ta Laton, an author and pro­fes­sor of Health and Hygiene at San Jose State. Alfred Kin­sey would’ve approved. The dia­grams are less straight­for­ward, but I kind of liked that. They look like Mid Cen­tu­ry Din­ner­ware pat­terns, which is to say, a lot sex­i­er than most of the sex organs one can find on the Inter­net. For fun and com­par­i­son, have a look at Fuzzy Bun­ny’s Guide to You Know What, the Simp­sons’ infa­mous “sex educ­ta­tion” film.

I’d say they both get it right.

via The Atlantic

Relat­ed Con­tent:

Watch Fam­i­ly Plan­ning, Walt Disney’s 1967 Sex Ed Pro­duc­tion, Star­ring Don­ald Duck

The Sto­ry Of Men­stru­a­tion: Walt Disney’s Sex Ed Film from 1946

Ayun Hal­l­i­day is the author of sev­en books, and cre­ator of the award win­ning East Vil­lage Inky zine. Fol­low her @AyunHalliday

Philosophize This!: The Popular, Entertaining Philosophy Podcast from an Unconventional Teacher

philosophize-this

Pod­cast­ing has treat­ed few fields of human inquiry as well as it has phi­los­o­phy. You’ll already know that if you’ve sub­scribed to the phi­los­o­phy pod­casts we’ve fea­tured before, like Phi­los­o­phy BitesThe His­to­ry of Phi­los­o­phy With­out Any Gaps, and The Par­tial­ly Exam­ined Life. Per­haps we can chalk this up to what any­one who has tak­en a course under an astute phi­los­o­phy pro­fes­sor has felt (see our list of 100 Free Phi­los­o­phy Cours­es): the sub­ject sim­ply lends itself bet­ter to con­veyance through the spo­ken words of liv­ing, breath­ing peo­ple, espe­cial­ly those with an enthu­si­asm for the sub­ject. And those who’ve ded­i­cat­ed their lives to phi­los­o­phy, giv­en the field­’s famous­ly per­sis­tent lack of both finan­cial rewards and con­crete answers, tend to have more pure enthu­si­asm for their sub­ject itself than do many oth­er intel­lec­tu­al pro­fes­sion­als. Stephen West, host of the new­er Phi­los­o­phize This! pod­cast [iTunes — Web — RSS — Lib­syn), does­n’t move among intel­lec­tu­al pro­fes­sion­als. He nev­er even took a phi­los­o­phy course him­self, with an astute pro­fes­sor or with­out one. Yet he can teach you about phi­los­o­phy with greater clar­i­ty and engage­ment than most pod­cast­ers can muster even about their favorite tele­vi­sion shows.

West begins the series, which has come to eigh­teen episodes since last June, with a two-part talk on the very ori­gins of phi­los­o­phy (Ion­ian and Ital­ian), telling us what, exact­ly, the so-called “pre­so­crat­ic” thinkers thought about the human race and whether it had devel­oped suf­fi­cient­ly advanced sur­vival mechan­ics to begin think­ing about things at all. He then con­tin­ues through his­to­ry and across the globe, explain­ing the ideas of the best-known philoso­phers from Socrates to Aris­to­tle (a two-parter) to the Bud­dha to (most recent­ly) Avi­cen­na, break­ing down how they came to those ideas, and con­nect­ing them to the broad­er philo­soph­i­cal expe­ri­ence in their his­tor­i­cal con­text and ours today (which means ref­er­ences to, among oth­er touch­stones of mod­ern life, The Walk­ing Dead). And lest you doubt the un-degree’d West­’s qual­i­fi­ca­tions, do read his brief auto­bi­og­ra­phy, which tells the sto­ry of how he rose from the worst child­hood I’ve read about in quite some time, guid­ed dur­ing his all-day shifts dri­ving a pal­let jack by the great philoso­phers: “Hume, Kant, Hegel — these men were my fathers. They were the peo­ple who made me ask ques­tions and strive to con­stant­ly improve myself.” You might place West in the tra­di­tion, now some­what with­ered, of the robust “blue-col­lar” think­ing man, draw­ing his need­ed strength from ideas. But giv­en the way he’s har­nessed our era’s tech­nol­o­gy to become a phi­los­o­phy teacher to thou­sands — hun­dreds of whom have left five-star reviews on iTunes, lead­ing to an aston­ish­ing #32 rank­ing in its Top 100 pod­cast chart — I’d say he embod­ies a brand new type of homo philo­soph­i­cus alto­geth­er.

You can lis­ten to the first first episode of Phi­los­o­phize This! above.

Relat­ed Con­tent:

The Par­tial­ly Exam­ined Life: A Phi­los­o­phy Pod­cast

The His­to­ry of Phi­los­o­phy With­out Any Gaps – Peter Adamson’s Pod­cast Still Going Strong

Phi­los­o­phy Bites: Pod­cast­ing Ideas From Pla­to to Sin­gu­lar­i­ty Since 2007

Down­load 100 Free Phi­los­o­phy Cours­es and Start Liv­ing the Exam­ined Life

Take First-Class Phi­los­o­phy Cours­es Any­where with Free Oxford Pod­casts

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Coffee Pot That Fueled Honoré de Balzac’s Coffee Addiction

9 Cafetière de Balzac

Last fall, Ayun Hal­l­i­day revis­it­ed Hon­oré de Balza­c’s Humor­ous Essay, “The Plea­sures and Pains of Cof­fee,” and His Epic Cof­fee Addic­tion. Last night, one of our friends on Twit­ter — @thegliterati — sent this our way: A snap­shot of Balza­c’s cof­fee pot. It bears his ini­tials and cur­rent­ly resides at the Mai­son de Balzac muse­um in Paris. If you ever find your­self in the 16 arrondisse­ment, pay it a vis­it and pay it some thanks.

You can find Balza­c’s cof­fee-fueled clas­sics in our Free eBooks and Free Audio Books col­lec­tions.

Relat­ed Con­tent:

The Curi­ous Sto­ry of London’s First Cof­fee­hous­es (1650–1675)

Hon­oré de Balzac Writes About “The Plea­sures and Pains of Cof­fee,” and His Epic Cof­fee Addic­tion

Men In Com­mer­cials Being Jerks About Cof­fee: A Mashup of 1950s & 1960s TV Ads

The His­to­ry of Cof­fee and How It Trans­formed Our World

Black Cof­fee: Doc­u­men­tary Cov­ers the His­to­ry, Pol­i­tics & Eco­nom­ics of the “Most Wide­ly Tak­en Legal Drug”

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