Download Vintage Film Posters in High-Res: From The Philadelphia Story to Attack of the Crab Monsters

philadelphiastory

FreeVintagePosters.com offers “hun­dreds of high qual­i­ty print­able posters in adver­tis­ing, trav­el, food/drink, art, movies, west­erns, mil­i­tary, mag­ic and much more.” You may have an inter­est in all those facets of human expe­ri­ence, but we imag­ine you’ll find espe­cial­ly appeal­ing the site’s selec­tion of high-res­o­lu­tion film posters, suit­able for print­ing at home or else­where and hang­ing on walls in need of cinephilic flair.

You might, for exam­ple, choose to put up the orig­i­nal poster for George Cuko­r’s The Philadel­phia Sto­ry, which promis­es you a “Howl with Your Favorite Hol­ly­wood Stars” — Cary Grant, Katharine Hep­burn, and James Stew­art, in this case. Or if you pre­fer west­erns to come­dies, per­haps you’d like to print out one of the three avail­able posters of 1971’s John Wayne-star­ring Big Jake, my favorite of which pitch­es the movie with a sim­ple if odd equa­tion: “Big John = Big Jake = Big West­ern.” (Note: you can watch 21 John Wayne west­erns here.)

bigjake

Though the site’s col­lec­tion slants toward clas­sic Amer­i­can films, it also has sheets used to adver­tise them abroad. Below you see the pho­to­col­lage-like Japan­ese poster for Bil­ly Wilder’s Some Like It Hot. And the lover of camp will find much to enjoy as well. Might I sug­gest Attack of the Crab Mon­sters? What­ev­er your taste, if you decide to head out to the print shop and com­mis­sion a paper ver­sion of any of these image files in a larg­er size than you can print at home, do con­sult StandardPosterSize.net, which, true to its name, pro­vides all man­ner of infor­ma­tion on the var­i­ous siz­ings of U.S. stan­dard posters, met­ric stan­dard posters, U.S. movie posters, and U.K. movie posters. If that sounds like a lit­tle too much has­sle, you could always just down­load your favorite poster and set it as your desk­top back­ground. Before you sign off, make sure you check out our col­lec­tion 575 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc. It’s some­thing no cin­e­ma lover should miss.

some-like-it-hot-vintage-movie-poster-japanese-www.freevintageposters.com

via Men­tal Floss

Relat­ed Con­tent:

50 Film Posters From Poland: From The Empire Strikes Back to Raiders of the Lost Ark

Japan­ese Movie Posters of 10 David Lynch Films

100 Great­est Posters of Film Noir

64 Years of Posters for the Cannes Film Fes­ti­val

John Wayne: 21 Free West­ern Films Online

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Mashup Artist “Kutiman” Travels to Tokyo and Creates an Incredible Musical Postcard

Israeli musi­cian and video artist Ophir Kutiel, aka Kuti­man, gained notice culling and remix­ing unre­lat­ed per­form­ers’ Youtube videos for his extreme­ly col­lab­o­ra­tive-feel­ing Thru You project.

With 2011’s Thru Jerusalem, the urge to con­nect fel­low musi­cians went live, as he left his com­put­er to film local instru­men­tal­ists per­form­ing tunes of their choice in var­i­ous city set­tings. Back in Tel Aviv, he edit­ed the results into one of his sig­na­ture mashups, not to men­tion a vir­tu­oso musi­cal trav­el­ogue.

Now he’s trav­eled even fur­ther afield to Tokyo, cap­tur­ing forms both tra­di­tion­al and ultra-mod­ern, for the first in a new series of orig­i­nal shorts from PBS Dig­i­tal Stu­dios.

Mayuko Kobayashi plucks serene­ly at the strings of a koto. Turntab­list KEIZOma­chine!, half of the break­beat duo Hifana, scratch­es in his stu­dio. The diminu­tive Ishii Chizu­ru pounds a taiko drum. Inven­tor May­wa Den­ki (aka Novu­michi Tosa) demon­strates his adorable Ota­ma-Tone. (Cur­rent­ly marked down in the Muse­um of Mod­ern Art’s gift shop, for those look­ing ahead to their hol­i­day shop­ping lists.)

The desire to inte­grate the ancient and the new is best embod­ied by kimono-clad Mako­to Takei, who clos­es his eyes on a high-rise bal­cony as he plays a shakuhachi flute, the ver­ti­cal city serv­ing as back­drop.

Add a pink haired Hara­juku girl, a string of red lanterns, innu­mer­able cell phones, some pixel­lat­ed video game char­ac­ters, an aged tem­ple or two, and sev­er­al teem­ing inter­sec­tions, then blend at top speed!

The prod­uct may be a bit ear­split­ting at times, but that in itself is fit­ting giv­en the loca­tion. Thru Tokyo is a mar­velous audio-visu­al post­card from 21st-cen­tu­ry Edo, Japan.

Relat­ed Kuti­man Videos:

Kuti­man Mash­es Led Zep’s Black Dog: 80 Clips Stitched into One

The Moth­er of All Funk Chords

The Sounds of Jerusalem

Ayun Hal­l­i­day feels the trav­el bug bit­ing yet again. Fol­low her @AyunHalliday

David Sedaris Sings the Oscar Mayer Theme Song in the Voice of Billie Holiday

I’m going to make your Fri­day, right here, right now. Above, we have a clip of David Sedaris doing a dead-on Bil­lie Hol­i­day impres­sion while singing the famous Oscar May­er theme song. The clip is an out­take from a 1998 episode of This Amer­i­can Life where Sedaris talks about his child­hood fan­ta­sy of singing com­mer­cial jin­gles in Hol­i­day’s voice. You can catch the jin­gles around the 9:00 mark (lis­ten here) … and again at the 17:45 mark. But I’d real­ly encour­age you to lis­ten to the full tale from the very start (6:00). Day made?

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Duke Ellington’s Sym­pho­ny in Black, Star­ring a 19-Year-old Bil­lie Hol­i­day

Bil­lie Hol­i­day Sings ‘Strange Fruit’

Bil­lie Holiday–The Life and Artistry of Lady Day: The Com­plete Film

David Sedaris Reads You a Sto­ry By Miran­da July

Find Sto­ries Read by David Sedaris on our list of 800 Free Audio­Books

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Every Word of Joyce’s Ulysses Printed on a Single Poster

Once upon a time Blot­to Design, a design firm based in Berlin, won­dered: what would hap­pen if you print­ed an entire book on a sin­gle poster? Could you still read it? How would it look when framed and hung on a wall?

And so they devel­oped a pro­to­type, liked what they saw, and have since turned 20 large books into posters — books like Home­r’s Ili­ad, Jane Austen’s Pride and Prej­u­dice, Melville’s Moby Dick, and Joyce’s Ulyssesall 265,222 words of it. Posters cost 20 euros a piece. Browse through the shop here. And get more back­sto­ry from Wired here.

Relat­ed Con­tent:

See What Hap­pens When You Run Finnegans Wake Through a Spell Check­er

Hen­ri Matisse Illus­trates 1935 Edi­tion of James Joyce’s Ulysses

Vin­tage Lit­er­ary T‑Shirts

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Noam Chomsky Schools 9/11 Truther; Explains the Science of Making Credible Claims

We don’t often write up videos post­ed by 9–11 Truthers, but you can watch an inter­est­ing exchange when this par­tic­u­lar Truther con­fronts well-known lin­guist and polit­i­cal observ­er Noam Chom­sky dur­ing the ques­tion ses­sion after the lat­ter’s talk at the Uni­ver­si­ty of Flori­da. “You’ve men­tioned quite a few con­tra­dic­tions from the media and their pre­sen­ta­tions on things, and I think the most noto­ri­ous case of this is with Sep­tem­ber 11, 2001,” says the Truther after tak­ing the micro­phone. “You want­ed to see a con­sen­sus of engi­neers and spe­cial­ists that under­stand the actu­al struc­tures of these build­ings and their pos­si­ble col­lapse, and there is such a group. It’s called Archi­tects and Engi­neers for 9–11 Truth.” As the Truther gets into the “con­sen­sus of over 2000 of them,” the mod­er­a­tor inter­rupts, won­der­ing if he actu­al­ly has a ques­tion. (Sure­ly we’ve all endured these moments in ques­tion seg­ment.) But the Truther con­tin­ues: “This con­sen­sus shows that Build­ing 7, the third build­ing that fell on 9/11, fell in freefall speed as the [Nation­al Insti­tute of Stan­dard and Tech­nol­o­gy] report acknowl­edges. Are you ready to come for­ward and jump on board with 9/11?” Thus asked to com­ment on whether the media has cov­ered up the man­ner in which this par­tic­u­lar build­ing col­lapsed, Chom­sky replies with a defense of stan­dard sci­en­tif­ic pro­ce­dures.

“In fact, you’re right that there’s a con­sen­sus among a minis­cule num­ber of archi­tects and engi­neers. They are not doing what sci­en­tists and engi­neers do when they think they’ve dis­cov­ered some­thing. What you do is write arti­cles in sci­en­tif­ic jour­nals, give talks at the pro­fes­sion­al soci­eties, go to the civ­il engi­neer­ing depart­ment at MIT or Flori­da or wher­ev­er you are, and present your results, then pro­ceed to try to con­vince the nation­al acad­e­mies, the pro­fes­sion­al soci­ety of physi­cists and civ­il engi­neers, the depart­ments of the major uni­ver­si­ties, that you’ve dis­cov­ered some­thing. There hap­pen to be a lot of peo­ple around who spend an hour on the inter­net and think they know a lot physics, but it does­n’t work like that. There’s a rea­son there are grad­u­ate schools in these depart­ments.” But has­n’t the gov­ern­ment intim­i­dat­ed those who know the real sto­ry from speak­ing out against the offi­cial line? “Any­body who has any famil­iar­i­ty with polit­i­cal activism knows that this is one of the safest things you can do. It’s almost risk­less. Peo­ple take risks far beyond this con­stant­ly — includ­ing sci­en­tists and engi­neers.” Chom­sky has more to say about the facts we can use, the opin­ions he dis­avows, and the forces dri­ving the Iraq War in the remain­der of the sev­en-minute clip. “We will let you be the judge of his response,” say the video’s notes. Indeed.

via Crit­i­cal The­o­ry

Relat­ed Con­tent:

Noam Chom­sky Slams Žižek and Lacan: Emp­ty ‘Pos­tur­ing’

Clash of the Titans: Noam Chom­sky and Michel Fou­cault Debate Human Nature and Pow­er on Dutch TV, 1971

Noam Chom­sky vs. William F. Buck­ley, 1969

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Men In Commercials Being Jerks About Coffee: A Mashup of 1950s & 1960s TV Ads

Found­ed by Rick Prelinger in 1983, The Prelinger Archives have amassed thou­sands of “ephemer­al” films — adver­tis­ing, edu­ca­tion­al, indus­tri­al, and ama­teur films of “his­toric sig­nif­i­cance” that haven’t been col­lect­ed else­where. We’ve fea­tured some gems from the Archive in months past. Remem­ber How to Spot a Com­mu­nist (1955) or Have I Told You Late­ly I Love You (1958)?

Among oth­er things, the archive fea­tures some 2,000 pub­lic domain films, which peo­ple are free to remix and mashup how­ev­er they like. Some time ago, Shaun Clay­ton got into the spir­it, took a series of 1950’s and 60’s-era cof­fee com­mer­cials from the Archives (like the one below), and “edit­ed them down to just the moments when the guys were the biggest jerks to their wives about cof­fee.” The point of the exer­cise, I’d like to think, was­n’t just to show men being jerks for the sake of it, but to throw into stark relief the dis­turb­ing atti­tudes cours­ing through Amer­i­can adver­tis­ing and cul­ture dur­ing that era. And noth­ing accom­plish­es that bet­ter than mash­ing up the scenes, plac­ing them side by side, show­ing them one after anoth­er. It gives a clear his­tor­i­cal real­i­ty to views we’ve seen treat­ed artis­ti­cal­ly in shows like Mad Men.

Just for the record, I make my own cof­fee.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

This is Cof­fee!: A 1961 Trib­ute to Our Favorite Stim­u­lant (from the Prelinger Archive)

“The Vertue of the COFFEE Drink”: An Ad for London’s First Cafe Print­ed Cir­ca 1652

Black Cof­fee: Doc­u­men­tary Cov­ers the His­to­ry, Pol­i­tics & Eco­nom­ics of the “Most Wide­ly Tak­en Legal Drug”

The His­to­ry of Cof­fee and How It Trans­formed Our World

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Famous Writers Name “Good Books That Almost Nobody Has Read” in The New Republic (1934)

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Here’s a chal­lenge: for every book rec­om­mend­ed to you by Ama­zon, pick one from the site Neglect­ed Books. No fan­cy algo­rithms here, just old-fash­ioned serendip­i­ty, and you’re unlike­ly to see much over­lap. You will be reward­ed with book after fas­ci­nat­ing book that has slipped through the usu­al mar­ket­ing chan­nels and fall­en into obscu­ri­ty. Most of the authors come rec­om­mend­ed by well-known names, mak­ing them writ­ers’ writers—people whose writer­ly dif­fi­cul­ty or pecu­liar sub­ject mat­ter can nar­row their read­er­ship.

This is not entire­ly a fair assess­ment, and in many cas­es, the work that achieves lit­er­ary noto­ri­ety does so by chance, not mass appeal, but it is undoubt­ed­ly the case that cer­tain kinds of writ­ers write for cer­tain kinds of read­ers. The lit­er­ary edi­tor Mal­colm Cow­ley, helm­ing The New Repub­lic in 1934, thought so, and lament­ed a sys­tem that pre­vent­ed books from reach­ing their intend­ed read­ers. In a call to “America’s lead­ing nov­el­ists and crit­ics,” Cow­ley asked for lists of such books—and in per­haps a retroac­tive vin­di­ca­tion of the listicle—published them in two arti­cles, “Good Books That Almost Nobody Has Read” and “More About Neglect­ed Books.” Neglect­ed Books, the web­site, quotes Cowley’s announce­ment:

Each year… a few good books get lost in the shuf­fle. It may not be the fault of the pub­lish­er, the crit­ic, the book­seller, it may not be anybody’s fault except that of the gen­er­al sys­tem by which too many books are dis­trib­uted with an enor­mous lot of bal­ly­hoo to not enough read­ers. Most of the good books are favor­ably reviewed, yet the fact remains that many of them nev­er reach the peo­ple who would like and prof­it by them, the peo­ple for whom they are writ­ten.

Cow­ley asked his tar­gets to sug­gest “two or three or four” names and “a few sen­tences iden­ti­fy­ing them.” He got lists from about a dozen writ­ers, includ­ing lions like F. Scott Fitzger­ald,  John Dos Pas­sos, Sin­clair Lewis, Thorn­ton Wilder and crit­ic Edmund Wil­son, who gets a men­tion in both Fitzgerald’s and Dos Pas­sos’ lists. (Fitzger­ald also offered three oth­er titles Miss Lone­ly­hearts by Nathanael West; Sing Before Break­fast by Vin­cent McHugh and Through the Wheat by Thomas Boyd.) Dos Pas­sos, unlike most of the men, names a few women writ­ers, includ­ing Agnes Smed­ley, now revealed to have been a triple agent for the Sovi­ets, the Chi­nese, and Indi­an nation­al­ists, “one of the most pro­lif­ic female spies of the 20th cen­tu­ry.” Dos Pas­sos’ com­men­tary on her auto­bi­og­ra­phy Daugh­ter of Earth—which he mis­re­mem­bers as Woman of Earth—is most­ly under­stat­ed: “An uneven but impres­sive I sup­pose auto­bi­o­graph­i­cal nar­ra­tive of a young woman’s life in a West­ern min­ing camp and in New York.”

Lib­er­tar­i­an jour­nal­ist Susan La Fol­lette, one of the few women writ­ers sur­veyed, offers only one sug­ges­tion, Ilya Ilf and Evge­ny Petrov’s 1931 comedic Russ­ian nov­el The Gold­en Calf. The descrip­tion alone in this L.A. Times review of a 2010 trans­la­tion has me think­ing this may indeed be an over­looked mas­ter­work of total­i­tar­i­an satire. La Fol­lette said as much three years after its pub­li­ca­tion, writ­ing of her dis­ap­point­ment, “I take this quite per­son­al­ly, because so few peo­ple even know about it that I rarely find any­one who can laugh over it with me.”

While The New Repub­lic is well-known as a left-of-cen­ter pub­li­ca­tion, the mean­ing of the Amer­i­can Left in the thir­ties was much more inclu­sive, even of avowed Marx­ists like The New Mass­es edi­tor Isidor Schnei­der, who names Impe­ri­al­ism, and The State and Rev­o­lu­tion by Lenin and Lenin­ism by Joseph Stal­in. Next to the irony of nam­ing two books that thou­sands have been coerced to read, Schnei­der con­trar­i­ly names the The Poems of Ger­ard Man­ley Hop­kins, from the aes­thet­i­cal­ly rad­i­cal, but earnest­ly reli­gious­ly con­ser­v­a­tive Irish Jesuit poet. (The lat­ter two sug­ges­tions did not make pub­li­ca­tion since Schneider’s list was already quite long.) 

As inter­est­ing as the lists them­selves is the selec­tion of respons­es to the sec­ond arti­cle. William Saroy­an writes in to rec­om­mend Grace Stone Coates’ Black Cher­ry as the “finest prose you ever saw.” And leg­endary pub­lish­er Alfred A. Knopf writes with a lengthy and detailed expla­na­tion of the books list­ed that he pub­lished. Of one book named, Franz Kafka’s The Cas­tle, Knopf writes, “The Cas­tle is one of my real­ly inglo­ri­ous fail­ures. It is, as Con­rad Aiken says, a mas­ter­piece. But in the orig­i­nal edi­tion it sold only 715 copies, and since Jan­u­ary 3, 1933, we have been offer­ing it at the rea­son­able price of $1 and only 120 copies have been pur­chased.”

Read more on Cowley’s project at Neglect­ed Books.

Relat­ed Con­tent:

F. Scott Fitzger­ald Cre­ates a List of 22 Essen­tial Books, 1936

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

20 Books Peo­ple Pre­tend to Read (and Now Your Con­fes­sions?)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

The Online Emily Dickinson Archive Makes Thousands of the Poet’s Manuscripts Freely Available

483px-Emily_Dickinson_daguerreotype

Per­haps the most famous of all lit­er­ary reclus­es, despite her­self, Emi­ly Dick­in­son left a posthu­mous­ly dis­cov­ered cache of poet­ry that did not receive a prop­er schol­ar­ly treat­ment until the pub­li­ca­tion of The Poems of Emi­ly Dick­in­son by Thomas H. John­son in 1955, which made avail­able Dickinson’s com­plete body of 1,775 poems in their intend­ed state of punc­tu­a­tion and cap­i­tal­iza­tion. For the first time, read­ers out­side the small Dick­in­son fam­i­ly cir­cle could read the work she cir­cu­lat­ed pri­vate­ly in so-called “fas­ci­cles” as well as the hun­dreds of poems no one had seen dur­ing her life­time.  There is some ques­tion over whether Dick­in­son wished to pub­lish for a wider audi­ence. She shared her work only with fam­i­ly and friends, some of whom pub­lished ten of her poems in news­pa­pers between 1850 and 1866, most like­ly with­out her knowl­edge or con­sent. Many urged Dick­in­son to pub­lish. Author Helen Hunt Jack­son wrote to her: “You are a great poet—and it is a wrong to the day you live in, that you will not sing aloud.” Nev­er­the­less, Dick­in­son “hes­i­tat­ed,” an impor­tant word in her lex­i­con, expres­sive of her pro­found agnos­tic doubts about the val­ue of fame, suc­cess, and immor­tal­i­ty.

Pos­si­bly due to the lack of schol­ar­ly inter­est before Johnson’s col­lec­tion, Dickinson’s trove of man­u­script drafts has remained scat­tered across sev­er­al archives, send­ing researchers hoof­ing it to sev­er­al insti­tu­tions to view the poet’s hand­i­work. As of today, that will no longer be nec­es­sary with the inau­gu­ra­tion of the online Emi­ly Dick­in­son Archive, “an open-access web­site for the man­u­scripts of Emi­ly Dick­in­son” that brings togeth­er thou­sands of man­u­scripts held by Har­vard, Amherst, the Boston Pub­lic Library, the Library of Con­gress, and four oth­er col­lec­tions. Though noth­ing can sub­sti­tute for the almost mys­ti­cal feel­ing of being in the phys­i­cal pres­ence of a favorite author’s arti­facts, the site is an enor­mous boon to schol­ars and lay read­ers alike, since it is open to any­one, unlike most spe­cial col­lec­tions in uni­ver­si­ty libraries (although brows­ing the thou­sands of hand­writ­ten images can be exhaust­ing unless one knows what to look for).

DickinsonHopeBuilds

As The New York Times describes it, the archives’ cre­ation led to some dis­sention among par­tic­i­pat­ing insti­tu­tions. For the past year, Amherst has main­tained an online data­base of their Dick­in­son col­lec­tion (includ­ing the man­u­script of “The way Hope builds his house,” above). Har­vard has been more reluc­tant to make its man­u­scripts avail­able. Nev­er­the­less, the project’s gen­er­al edi­tor, Leslie M. Mor­ris, says that the aim of the archive “was to down­play the issue of own­er­ship and focus on Emi­ly Dick­in­son and her man­u­scripts.” No behind the scenes wran­gling seems to have inter­fered with the website’s ease of use. Read­ers can search the text of man­u­script images or browse images by library col­lec­tion, first line, date, recip­i­ent (of let­ters), or edi­tion. The site also includes a “Lex­i­con,” with def­i­n­i­tions of the poet­’s favorite words from her own dic­tio­nary, Webster’s 1844 Amer­i­can Dic­tio­nary of the Eng­lish Lan­guage, and users can also search for poems by word. All in all it’s an impres­sive project made all the more so by its free avail­abil­i­ty.

Relat­ed Con­tent:

The Sec­ond Known Pho­to of Emi­ly Dick­in­son Emerges.

Hear Walt Whit­man (Maybe) Read­ing the First Four Lines of His Poem, “Amer­i­ca” (1890)

Penn Sound: Fan­tas­tic Audio Archive of Mod­ern & Con­tem­po­rary Poets

The James Mer­rill Dig­i­tal Archive Lets You Explore the Cre­ative Life of a Great Amer­i­can Poet

Bill Mur­ray Reads Poet­ry at a Con­struc­tion Site

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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