Microsoft Rolls Out Its New Tablet in Fine Apple Style

This week, Microsoft rolled out its new tablet, sim­ply called Sur­face, which gives you anoth­er way to enjoy our cours­es, moviesebooks, audio books and the rest. In many ways, Sur­face resem­bles the iPad in its look and feel. And when it came to unveil­ing the tablet, Microsoft­’s execs could­n’t think out­side the box cre­at­ed by Steve Jobs. A video made by Read­WriteWeb makes that rather painful­ly yet amus­ing­ly clear.…

Don’t for­get to fol­low us on Twit­terFace­book and now Google+

by | Permalink | Make a Comment ( 2 ) |

Historic Barn Etchings Tell Tale of Hard-Working Children

Since Cana­di­an Con­fed­er­a­tion, it was the pol­i­cy of the Cana­di­an gov­ern­ment to pro­vide edu­ca­tion to Abo­rig­i­nal peo­ples through a sys­tem of church-run Res­i­den­tial Schools. The idea was that by sep­a­rat­ing the chil­dren at an ear­ly age from their par­ents’ influ­ence, they might be more eas­i­ly assim­i­lat­ed into white Cana­di­an soci­ety, includ­ing the Chris­t­ian reli­gion. (A very sim­i­lar fate befell Aus­tralian Abo­rig­i­nal chil­dren after 1931.) The Methodist and Pres­by­ter­ian church­es, and the Unit­ed Church of Cana­da, explic­it­ly sup­port­ed the goals of assim­i­la­tion and Chris­tian­iza­tion.

Mount Elgin Indus­tri­al School, oper­at­ing near Lon­don, Ontario between 1851 and 1946, was one such insti­tu­tion. Apart from attend­ing school itself, the native chil­dren had to work day and night at a near­by barn. Recent­ly, schol­ars dis­cov­ered words and draw­ings all over the barn walls left behind by some of the 1,200 chil­dren forced to work there. Described as the “Dead Sea Scrolls” of this dark chap­ter in Cana­di­an his­to­ry, the words tell a mov­ing tale of chil­dren iso­lat­ed from friends and fam­i­lies, work­ing very hard under less than ide­al cir­cum­stances.

On June 20 2012, a mon­u­ment to the sur­vivors of Cana­di­an res­i­den­tial schools will be unveiled on the site of Mount Elgin Res­i­den­tial School.

Here are some his­tor­i­cal pho­tos of Mount Elgin Res­i­den­tial School.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Salvador Dalí Sketches Five Spanish Immortals: Cervantes, Don Quixote, El Cid, El Greco & Velázquez

A few weeks back, we brought you Sal­vador Dalí’s 100 Illus­tra­tions of Dante’s The Divine Com­e­dy and men­tioned that we were sav­ing Dalí’s draw­ings of Don Quixote for anoth­er day. Well, that day has come.

In the ear­ly 1960s, a Swiss pub­lish­er com­mis­sioned DalĂ­ to cre­ate a print edi­tion cel­e­brat­ing five real and imag­ined fig­ures who loom large in the Span­ish cul­tur­al imag­i­na­tion. The col­lec­tion was called The Five Span­ish Immor­tals, and it fea­tured sketch­es of Cer­vantes, Europe’s first great nov­el­ist and his unfor­get­table pro­tag­o­nist, Don Quixote. The book also paid homage to the medieval hero El Cid; the mas­ter painter El Gre­co; and Diego RodrĂ­guez de Sil­va y Velázquez — some­one The Met calls “the most admired—perhaps the greatest—European painter who ever lived.” Cer­vantes appears above, and the remain­ing quar­tet below.

Don Quixote

El Cid

El Gre­co

Velázquez

by | Permalink | Make a Comment ( 8 ) |

The Karl Marx Credit Card — When You’re Short of Kapital

Is it a tragedy? Is it a farce? In the land once called East Ger­many, in a town once called Karl-Marx-Stadta bank called Sparkasse Chem­nitz ran an online poll let­ting cus­tomers vote for images to place on their cred­it cards. And the hands-down win­ner was Karl Marx, an iron­ic pick giv­en that … well, you don’t need me to explain why.

In response to this selec­tion, Plan­et Mon­ey has encour­aged read­ers to post a tagline for the card on Twit­ter, using the hash­tag #marx­card. Here are a few of our favorites so far:

  • There are Some Things Mon­ey Can’t Buy. Espe­cial­ly If You Abol­ish All Pri­vate Prop­er­ty.
  • From each accord­ing to their abil­i­ty, to each accord­ing to his need. For every­thing else, there’s #Marx­card.
  • The Marx Card — Because Cred­it is the Opi­ate of the Mass­es.
  • The Karl Marx Mas­ter­Card — When You’re Short of Kap­i­tal

Got your own to sug­gest? cc: us on Twit­ter: @openculture

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Read­ing Marx’s Cap­i­tal with David Har­vey (Free Course)

by | Permalink | Make a Comment ( 9 ) |

Peefeeyatko: A Look Inside the Creative World of Frank Zappa

In the last years of his life, Frank Zap­pa spent much of his remain­ing time doing what he loved best: com­pos­ing.

The 1991 doc­u­men­tary Peefeey­atko, by Ger­man-born film­mak­er and com­pos­er Hen­ning Lohn­er, takes us inside Zap­pa’s seclud­ed world to watch and lis­ten as he cre­ates sym­phon­ic com­po­si­tions on an ear­ly dig­i­tal syn­the­siz­er called a Syn­clavier. The film was made not long after Zap­pa learned he had ter­mi­nal can­cer. Like its sub­ject, Lohn­er’s film is eccen­tric, with scenes from mon­ster movies spliced in with footage of Zap­pa work­ing and talk­ing. “Peefeey­atko,” we learn at the end, is Big­foot-lan­guage for “Give me some more Apples.”

Zap­pa talks about his wide range of musi­cal tastes–how from an ear­ly age he would lis­ten to rhythm and blues one minute and the French exper­i­men­tal com­pos­er Edgard Verèse the next. The film includes inter­views with his fel­low avant-garde com­posers John Cage, Pierre Boulez, Ian­nis Xenakis and Karl­heinz Stock­hausen. To describe his rad­i­cal eclec­ti­cism, Zap­pa says: “The eas­i­est way to sum up the aes­thet­ic would be: any­thing, any­time, any­place for no rea­son at all. And I think with an aes­thet­ic like that you can have pret­ty good lat­i­tude for being cre­ative.”

Peefeey­atko runs 59 min­utes, and will be added to our expand­ing col­lec­tion of Free Movies Online.

Relat­ed Con­tent:

Frank Zap­pa Debates Cen­sor­ship on CNN’s Cross­fire (1986)

A Young Frank Zap­pa Plays the Bicy­cle on The Steve Allen Show (1963)

John Cage Per­forms Water Walk on “I’ve Got a Secret” (1960)

Salman Khan Returns to MIT, Gives Commencement Speech, Likens School to Hogwarts


This week, Salman Khan returned to his alma mater, MIT, to deliv­er the com­mence­ment speech to the 2012 grad­u­ates. As you know, MIT helped spark the open edu­ca­tion move­ment when it launched its Open­Course­Ware site in 2002. A decade lat­er, the uni­ver­si­ty has placed mate­ri­als for 2100 cours­es online (find many high­light­ed in our col­lec­tion of Free Online Cours­es). So it’s fit­ting that the new face of open edu­ca­tion would deliv­er the big speech.

The talk is a bit inward­ly focused, a cel­e­bra­tion of MIT and its Hog­warts qual­i­ties. But the lat­ter half gets to Khan’s phi­los­o­phy of life, his recipe for liv­ing well in the world. It boils down to 1) being pos­i­tive and smil­ing when in doubt, 2) sur­ren­der­ing your ego dur­ing times of con­flict, 3) lis­ten­ing to oth­ers, 4) down­play­ing mate­r­i­al con­cerns and focus­ing on health and rela­tion­ships, and 5) using a num­ber of thought exper­i­ments to gain per­spec­tive on life. Those he explains along the way.…

by | Permalink | Make a Comment ( 1 ) |

The History of Philosophy Without Any Gaps — Peter Adamson’s Podcast Still Going Strong

Last August, we fea­tured Peter Adam­son’s pod­cast The His­to­ry of Phi­los­o­phy With­out Any Gaps (iTunes â€“ RSS Feed â€“ Web Site), a chrono­log­i­cal­ly unin­ter­rupt­ed “look at the ideas and lives of the major philoso­phers (even­tu­al­ly cov­er­ing in detail such giants as Pla­to, Aris­to­tle, Aquinas, Descartes, and Kant) as well as the less­er-known fig­ures of the tra­di­tion.” Con­tin­u­ing at the rate of one episode a week, Adam­son and his guest philo­soph­i­cal experts have since cov­ered names like Lucretius, Seneca, and Plutarch. They’ve most recent­ly reached Alexan­der of Aphro­disias, an espe­cial­ly astute ancient com­men­ta­tor on Aris­to­tle and oppo­nent of Sto­ic atti­tudes toward fate; Quin­til­ian, Lucian, Themistius, and the inter­play between rhetoric and phi­los­o­phy in the Roman Empire; and the emer­gence of astron­o­my, ush­ered in by Ptole­my dur­ing a time when observers still had much to say about astrol­o­gy.

Don’t miss the episodes where Adam­son brings in spe­cial­ists on the par­tic­u­lar philoso­pher, philo­soph­i­cal sub­field, or quirk in philo­soph­i­cal his­to­ry to which his pod­cast­ing jour­ney brings him. Since our last post on the show, we’ve heard Richard Sorab­ji talk about time and eter­ni­ty in Aris­to­tle, James War­ren on Epi­cure­anism, and Raphael Wolf on Cicero, to name but a few. Such is Adamson’s atten­tion to detail — and ded­i­ca­tion to the Zeno’s Para­dox-rem­i­nis­cent cause of pure con­ti­nu­ity — that, after putting out 85 episodes, he remains in the ancient world. Imag­ine the boun­ty of dis­cus­sion when he reach­es, say, the eigh­teenth cen­tu­ry, let alone the twen­ti­eth. To pre­pare your­self for that, you’d bet­ter start lis­ten­ing now; a show express­ly cre­at­ed with­out gaps must, it seems only nat­ur­al, be expe­ri­enced with­out them.

Relat­ed con­tent:

The Par­tial­ly Exam­ined Life: A Phi­los­o­phy Pod­cast

Phi­los­o­phy Bites: Pod­cast­ing Ideas From Pla­to to Sin­gu­lar­i­ty Since 2007

55 Free Phi­los­o­phy Cours­es

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

Richard Dawkins Explains Why There Was Never a First Human Being

Last year, right before pub­lish­ing his illus­trat­ed chil­dren’s book The Mag­ic of Real­i­ty, Richard Dawkins appeared at The New York­er Fes­ti­val and walked the crowd through a short thought exper­i­ment. Imag­ine pulling out your fam­i­ly geneal­o­gy. Now snap a pho­to of each ances­tor going back 185 mil­lion gen­er­a­tions. What would it show? First off, your very dis­tant grand­fa­ther was a fish. Sec­ond­ly, you can nev­er put your fin­ger on the very first human being, a prover­bial Adam and Eve. 185,000,000 snap­shots can nev­er cap­ture that one moment.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Free Online Biol­o­gy Cours­es

Dar­win: A 1993 Film by Peter Green­away

Grow­ing Up in the Uni­verse: Richard Dawkins Presents Cap­ti­vat­ing Sci­ence Lec­tures for Kids (1991)

Richard Dawkins & John Lennox Debate Sci­ence & Athe­ism

by | Permalink | Make a Comment ( 53 ) |

« Go BackMore in this category... »
Quantcast