This week, Microsoft rolled out its new tablet, simÂply called SurÂface, which gives you anothÂer way to enjoy our coursÂes, movies, ebooks, audio books and the rest. In many ways, SurÂface resemÂbles the iPad in its look and feel. And when it came to unveilÂing the tablet, MicrosoftÂ’s execs couldÂn’t think outÂside the box creÂatÂed by Steve Jobs. A video made by ReadÂWriteWeb makes that rather painfulÂly yet amusÂingÂly clear.…
Since CanaÂdiÂan ConÂfedÂerÂaÂtion, it was the polÂiÂcy of the CanaÂdiÂan govÂernÂment to proÂvide eduÂcaÂtion to AboÂrigÂiÂnal peoÂples through a sysÂtem of church-run ResÂiÂdenÂtial Schools. The idea was that by sepÂaÂratÂing the chilÂdren at an earÂly age from their parÂents’ influÂence, they might be more easÂiÂly assimÂiÂlatÂed into white CanaÂdiÂan sociÂety, includÂing the ChrisÂtÂian reliÂgion. (A very simÂiÂlar fate befell AusÂtralian AboÂrigÂiÂnal chilÂdren after 1931.) The Methodist and PresÂbyÂterÂian churchÂes, and the UnitÂed Church of CanaÂda, explicÂitÂly supÂportÂed the goals of assimÂiÂlaÂtion and ChrisÂtianÂizaÂtion.
Mount Elgin IndusÂtriÂal School, operÂatÂing near LonÂdon, Ontario between 1851 and 1946, was one such instiÂtuÂtion. Apart from attendÂing school itself, the native chilÂdren had to work day and night at a nearÂby barn. RecentÂly, scholÂars disÂcovÂered words and drawÂings all over the barn walls left behind by some of the 1,200 chilÂdren forced to work there. Described as the “Dead Sea Scrolls” of this dark chapÂter in CanaÂdiÂan hisÂtoÂry, the words tell a movÂing tale of chilÂdren isoÂlatÂed from friends and famÂiÂlies, workÂing very hard under less than ideÂal cirÂcumÂstances.
On June 20 2012, a monÂuÂment to the surÂvivors of CanaÂdiÂan resÂiÂdenÂtial schools will be unveiled on the site of Mount Elgin ResÂiÂdenÂtial School.
Here are some hisÂtorÂiÂcal phoÂtos of Mount Elgin ResÂiÂdenÂtial School.
By proÂfesÂsion, Matthias RaschÂer teachÂes EngÂlish and HisÂtoÂry at a High School in northÂern Bavaria, GerÂmany. In his free time he scours the web for good links and posts the best finds on TwitÂter.
In the earÂly 1960s, a Swiss pubÂlishÂer comÂmisÂsioned DalĂ to creÂate a print ediÂtion celÂeÂbratÂing five real and imagÂined figÂures who loom large in the SpanÂish culÂturÂal imagÂiÂnaÂtion. The colÂlecÂtion was called The Five SpanÂish ImmorÂtals, and it feaÂtured sketchÂes of CerÂvantes, Europe’s first great novÂelÂist and his unforÂgetÂtable proÂtagÂoÂnist, Don Quixote. The book also paid homage to the medieval hero El Cid; the masÂter painter El GreÂco; and Diego RodrĂguez de SilÂva y Velázquez — someÂone The Met calls “the most admired—perhaps the greatest—European painter who ever lived.” CerÂvantes appears above, and the remainÂing quarÂtet below.
Is it a tragedy? Is it a farce? In the land once called East GerÂmany, in a town once called Karl-Marx-Stadt, a bank called Sparkasse ChemÂnitz ran an online poll letÂting cusÂtomers vote for images to place on their credÂit cards. And the hands-down winÂner was Karl Marx, an ironÂic pick givÂen that … well, you don’t need me to explain why.
In response to this selecÂtion, PlanÂet MonÂey has encourÂaged readÂers to post a tagline for the card on TwitÂter, using the hashÂtag #marxÂcard. Here are a few of our favorites so far:
There are Some Things MonÂey Can’t Buy. EspeÂcialÂly If You AbolÂish All PriÂvate PropÂerÂty.
From each accordÂing to their abilÂiÂty, to each accordÂing to his need. For everyÂthing else, there’s #MarxÂcard.
The Marx Card — Because CredÂit is the OpiÂate of the MassÂes.
The Karl Marx MasÂterÂCard — When You’re Short of KapÂiÂtal
Got your own to sugÂgest? cc: us on TwitÂter: @openculture
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
In the last years of his life, Frank ZapÂpa spent much of his remainÂing time doing what he loved best: comÂposÂing.
The 1991 docÂuÂmenÂtary PeefeeyÂatko, by GerÂman-born filmÂmakÂer and comÂposÂer HenÂning LohnÂer, takes us inside ZapÂpa’s secludÂed world to watch and lisÂten as he creÂates symÂphonÂic comÂpoÂsiÂtions on an earÂly digÂiÂtal synÂtheÂsizÂer called a SynÂclavier. The film was made not long after ZapÂpa learned he had terÂmiÂnal canÂcer. Like its subÂject, LohnÂer’s film is eccenÂtric, with scenes from monÂster movies spliced in with footage of ZapÂpa workÂing and talkÂing. “PeefeeyÂatko,” we learn at the end, is BigÂfoot-lanÂguage for “Give me some more Apples.”
ZapÂpa talks about his wide range of musiÂcal tastes–how from an earÂly age he would lisÂten to rhythm and blues one minute and the French experÂiÂmenÂtal comÂposÂer Edgard Verèse the next. The film includes interÂviews with his felÂlow avant-garde comÂposers John Cage, Pierre Boulez, IanÂnis Xenakis and KarlÂheinz StockÂhausen. To describe his radÂiÂcal eclecÂtiÂcism, ZapÂpa says: “The easÂiÂest way to sum up the aesÂthetÂic would be: anyÂthing, anyÂtime, anyÂplace for no reaÂson at all. And I think with an aesÂthetÂic like that you can have pretÂty good latÂiÂtude for being creÂative.”
PeefeeyÂatko runs 59 minÂutes, and will be added to our expandÂing colÂlecÂtion of Free Movies Online.
This week, Salman Khan returned to his alma mater, MIT, to delivÂer the comÂmenceÂment speech to the 2012 gradÂuÂates. As you know, MIT helped spark the open eduÂcaÂtion moveÂment when it launched its OpenÂCourseÂWare site in 2002. A decade latÂer, the uniÂverÂsiÂty has placed mateÂriÂals for 2100 coursÂes online (find many highÂlightÂed in our colÂlecÂtion of Free Online CoursÂes). So it’s fitÂting that the new face of open eduÂcaÂtion would delivÂer the big speech.
The talk is a bit inwardÂly focused, a celÂeÂbraÂtion of MIT and its HogÂwarts qualÂiÂties. But the latÂter half gets to Khan’s phiÂlosÂoÂphy of life, his recipe for livÂing well in the world. It boils down to 1) being posÂiÂtive and smilÂing when in doubt, 2) surÂrenÂderÂing your ego durÂing times of conÂflict, 3) lisÂtenÂing to othÂers, 4) downÂplayÂing mateÂrÂiÂal conÂcerns and focusÂing on health and relaÂtionÂships, and 5) using a numÂber of thought experÂiÂments to gain perÂspecÂtive on life. Those he explains along the way.…
Last August, we feaÂtured Peter AdamÂson’s podÂcast The HisÂtoÂry of PhiÂlosÂoÂphy WithÂout Any Gaps (iTunes – RSS Feed – Web Site), a chronoÂlogÂiÂcalÂly uninÂterÂruptÂed “look at the ideas and lives of the major philosoÂphers (evenÂtuÂalÂly covÂerÂing in detail such giants as PlaÂto, ArisÂtoÂtle, Aquinas, Descartes, and Kant) as well as the lessÂer-known figÂures of the traÂdiÂtion.” ConÂtinÂuÂing at the rate of one episode a week, AdamÂson and his guest philoÂsophÂiÂcal experts have since covÂered names like Lucretius, Seneca, and Plutarch. They’ve most recentÂly reached AlexanÂder of AphroÂdisias, an espeÂcialÂly astute ancient comÂmenÂtaÂtor on ArisÂtoÂtle and oppoÂnent of StoÂic attiÂtudes toward fate; QuinÂtilÂian, Lucian, Themistius, and the interÂplay between rhetoric and phiÂlosÂoÂphy in the Roman Empire; and the emerÂgence of astronÂoÂmy, ushÂered in by PtoleÂmy durÂing a time when observers still had much to say about astrolÂoÂgy.
Don’t miss the episodes where AdamÂson brings in speÂcialÂists on the parÂticÂuÂlar philosoÂpher, philoÂsophÂiÂcal subÂfield, or quirk in philoÂsophÂiÂcal hisÂtoÂry to which his podÂcastÂing jourÂney brings him. Since our last post on the show, we’ve heard Richard SorabÂji talk about time and eterÂniÂty in ArisÂtoÂtle, James WarÂren on EpiÂcureÂanism, and Raphael Wolf on Cicero, to name but a few. Such is Adamson’s attenÂtion to detail — and dedÂiÂcaÂtion to the Zeno’s ParaÂdox-remÂiÂnisÂcent cause of pure conÂtiÂnuÂity — that, after putting out 85 episodes, he remains in the ancient world. ImagÂine the bounÂty of disÂcusÂsion when he reachÂes, say, the eighÂteenth cenÂtuÂry, let alone the twenÂtiÂeth. To preÂpare yourÂself for that, you’d betÂter start lisÂtenÂing now; a show expressÂly creÂatÂed withÂout gaps must, it seems only natÂurÂal, be expeÂriÂenced withÂout them.
Last year, right before pubÂlishÂing his illusÂtratÂed chilÂdren’s book The MagÂic of RealÂiÂty, Richard Dawkins appeared at The New YorkÂer FesÂtiÂval and walked the crowd through a short thought experÂiÂment. ImagÂine pulling out your famÂiÂly genealÂoÂgy. Now snap a phoÂto of each ancesÂtor going back 185 milÂlion genÂerÂaÂtions. What would it show? First off, your very disÂtant grandÂfaÂther was a fish. SecÂondÂly, you can nevÂer put your finÂger on the very first human being, a proverÂbial Adam and Eve. 185,000,000 snapÂshots can nevÂer capÂture that one moment.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
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