Nine Classic Superman Cartoons Restored and Now on YouTube

At the top of this post, you can watch 1941’s Super­man, a short nom­i­nat­ed for an Acad­e­my Award and (accord­ing to 1,000 ani­ma­tion pro­fes­sion­als) the 33rd great­est car­toon of all time. When you’ve done that, how about eight more of the Man of Steel’s most aes­thet­i­cal­ly dis­tinc­tive, pristine­ly restored ani­mat­ed adven­tures? Warn­er Broth­ers has just post­ed them, free for the watch­ing, to their YouTube chan­nel. They orig­i­nal­ly came out of Fleis­ch­er Stu­dios, which ani­ma­tion buffs will know meant a true mark of qual­i­ty back then. “Then,” in this case, means the ear­ly 1940s, and these Fleis­ch­er-pro­duced Super­man shorts brazen­ly bear the styl­is­tic mark of that era. But if their rich, clean-lined look burst­ing with Tech­ni­col­or strikes our eyes today as vin­tage, it also has a cer­tain retro time­less­ness — if that does­n’t sound like too much of a con­tra­dic­tion in terms. No won­der they call this the Gold­en Age of Ani­ma­tion.

Just below, you’ll find Fleis­cher’s sec­ond Super­man short, Mechan­i­cal Mon­sters, in which our hero bat­tles exact­ly those. After it came Bil­lion Dol­lar Lim­it­ed, The Arc­tic GiantThe Bul­leteers, The Mag­net­ic Tele­cope, Elec­tric Earth­quakeVol­cano, and Ter­ror On The Mid­way and more— all with­in a span of under two years.

After 1942, Para­mount hand­ed the Super­man con­tract to Famous Stu­dios, which rose out of Fleis­cher’s dis­so­lu­tion. Eight addi­tion­al shorts emerged, none now held in regard near­ly as high as any of the Fleis­ch­er pro­duc­tions.

Where Fleis­ch­er pos­sessed a sur­feit of imag­i­na­tion, Famous seemed to suf­fer a deficit. (Their Sec­ond World War-themed Super­man debut was titled Japo­teurs.) But those first eight have enjoyed a long lifes­pan, par­tic­u­lar­ly as high-pro­file influ­ences. The Super­man ani­mat­ed tele­vi­sion series of the 1990s owes them a debt, as does even that same decade’s Bat­man series. Fans of Japan­ese ani­ma­tion will rec­og­nize the lar­ce­nous robots of Mechan­i­cal Mon­sters in Hayao Miyaza­k­i’s series Lupin III and fea­ture Cas­tle in the Sky, and even the thor­ough­ly irrev­er­ent Fox car­toon The Tick paid them homage. So, Hol­ly­wood types strain­ing to dream up the next Super­man fran­chise reboot: spend time with these still-enter­tain­ing, still-impres­sive pieces of ani­ma­tion, Hol­ly­wood car­toons like noth­ing Hol­ly­wood has put out since.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

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via Car­toon Brew

Relat­ed con­tent:

The Best Ani­mat­ed Films of All Time, Accord­ing to Ter­ry Gilliam

When Super Heroes Get Old and Retire to Mia­mi

Free Gold­en Age Comics

Free Vin­tage Car­toons: Bugs Bun­ny, Bet­ty Boop and More

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

Google Presents an Interactive Visualization of 100,000 Stars

Stargaz­ers of all ages will enjoy the lat­est Google exper­i­ment designed for Chrome. One Hun­dred Thou­sand Stars is an inter­ac­tive map of space includ­ing the loca­tions of—you guessed it—more than 100,000 stars.

Ren­dered in three dimen­sions, our know­able, mapped galaxy is both stag­ger­ing­ly vast and easy to nav­i­gate. With imagery and data from NASA and the Euro­pean Space Agency, Google’s Chrome Work­shop built a 3D mod­el of our lit­tle cor­ner of the uni­verse.

You can pre­view One Hun­dred Thou­sand Stars above. Or you can enter the map, click on the upper left cor­ner, and take a tour of your own. You’ll start just beyond the stars that astronomers have stud­ied and named. Swipe all the way into our own solar sys­tem. The first thing you’ll notice is that Plu­to isn’t includ­ed, invit­ing a new mnemon­ic for the plan­et names (My Very Earnest Moth­er Just Served Us Nec­tarines?). That hazy cloud about a light year from the sun is the Oort Cloud, a mass of comets that’s thought to mark the out­er edge of the sun’s grav­i­ta­tion­al pull.

Swipe out a bit to see 87 rel­a­tive­ly near­by stars. Click on their names to read about them. Sir­ius is the bright­est in the night sky, part­ly because of its own lumi­nos­i­ty but also because it is com­par­a­tive­ly close to Earth. Vega is so well stud­ied that its bright­ness is used as the base­line to clas­si­fy stars accord­ing to their col­or.

Swipe out fur­ther for a galac­tic view of the Milky Way. It appears as a beau­ti­ful illu­mi­nat­ed disc cen­tered around a bright bulge. This shape is called the Galac­tic Plane. Click and drag to tilt the disc this way and that. Total­ing to some 400 bil­lion stars and as many plan­ets, the Milky Way does in fact bulge at its cen­ter, though astronomers think that the true core is real­ly an intense black hole.

Notice the tiny icon to “Tog­gle Spec­tral Index” up in the left cor­ner. On one set­ting, each cloud is pix­i­lat­ed to high­light its col­or (a key iden­ti­fi­er for astronomers).

Here’s where it helps to know a lit­tle about stars and how they form. Stars begin as clouds of most­ly hydro­gen, becom­ing grad­u­al­ly so dense through the process of nuclear fusion that even grav­i­ty can­not make them fly apart.

The amount of light a star gives off is mea­sured as dif­fer­ent col­ors and tem­per­a­tures. “Hot­ter” stars are younger and give off more blue light, and so are indi­cat­ed as blue. “Cool” stars are old­er, give off less blue light, and are indi­cat­ed as red.

By the way, the music behind One Hun­dred Thou­sand Stars is by Sam Hulick, whose music gamers may rec­og­nize  from Mass Effect.

Kate Rix writes about dig­i­tal media and edu­ca­tion. Vis­it her web­site and her blog, thenifty.blogspot.com.

Hear the 1962 Beatles Demo that Decca Rejected: “Guitar Groups are on Their Way Out, Mr. Epstein”

It’s been called the biggest mis­take in music his­to­ry. On New Year’s Day 1962, Dec­ca Records had the oppor­tu­ni­ty to hear two new bands. One was Bri­an Poole and the Tremeloes. The oth­er was an obscure group from Liv­er­pool called the Bea­t­les. Of course, Dec­ca chose the Tremeloes. “Gui­tar groups are on their way out, Mr. Epstein,” was what the label’s senior A&R man, Dick Rowe, report­ed­ly said to Bea­t­les man­ag­er Bri­an Epstein. The Bea­t­les, who at that time includ­ed Pete Best on drums, record­ed 15 songs on New Year’s Day at the Dec­ca Stu­dios in Lon­don and select­ed 10 for their demo tape. The orig­i­nal 10-song tape (see the hand-writ­ten list of tracks below) will be auc­tioned today in Lon­don. Orga­niz­ers expect it to sell for around $30,000. Despite all the pre-auc­tion hype, the demo tracks them­selves have been around for decades on boot­leg and “grey mar­ket” records. And they’re online. You can lis­ten below and decide for your­self: If you were a record com­pa­ny exec­u­tive, would you have signed the Bea­t­les?

  1. “Like Dream­ers Do” (Lennon-McCart­ney)
  2. “Mon­ey (That’s What I Want)” (Gordy/Bradford)
  3. “Till There Was You” (Mered­ith Will­son)
  4. “The Sheik of Ara­by” (Smith/Wheeler/Snyder)
  5. “To Know Her is to Love Her” (Phil Spec­tor)
  6. “Take Good Care of My Baby” (King/Goffin)
  7. “Mem­phis, Ten­nessee” (Chuck Berry)
  8. “Sure to Fall (In Love with You)” (Cantrell/Claunch/Perkins)
  9. “Hel­lo Lit­tle Girl” Lennon-McCart­ney)
  10. “Three Cool Cats” (Leiber/Stoller)
  11. “Cry­ing, Wait­ing, Hop­ing” (Bud­dy Hol­ly)
  12. “Love of the Loved” (Lennon-McCart­ney)
  13. “Sep­tem­ber in the Rain” (Warren/Dubin)
  14. “Bésame Mucho” (Con­sue­lo Velásquez)
  15. “Searchin’ ” (Leiber/Stoller)

Relat­ed con­tent:

The Mak­ing of the Bea­t­les Song ‘Tomor­row Nev­er Knows’

‘Here Comes the Sun’: The Lost Gui­tar Solo by George Har­ri­son

The ‘Straw­ber­ry Fields For­ev­er’ Demos: The Mak­ing of a Bea­t­les Clas­sic

New MOOC Introduces You to the Wonderful World of Infographics & Data Visualization

Hans Rosling, a pro­fes­sor of glob­al health at Sweden’s Karolin­s­ka Insti­tute, became some­thing of an inter­net celebri­ty because of his knack for pre­sent­ing data in extreme­ly imag­i­na­tive ways. As you’ll see above, he’s the mas­ter of data visu­al­iza­tion. Now, thanks to a new MOOC from the Knight Cen­ter for Jour­nal­ism in the Amer­i­c­as at the Uni­ver­si­ty of Texas at Austin, you can devel­op some of these skills your­self. The free course, Intro­duc­tion to Info­graph­ics and Data Visu­al­iza­tion, begins on Jan­u­ary 12th and runs 6 weeks. The course is not taught by Rosling (sigh), but the cur­rent ver­sion of the course has drawn more than 2,000 peo­ple from 109 coun­triesIntro­duc­tion to Info­graph­ics and Data Visu­al­iza­tion has been added to our col­lec­tion of our Com­plete List of MOOCs and Cer­tifi­cate Cours­es.

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Existential Moments with Theo Jansen and His Amazing Kinetic Sculptures, the Strandbeests

One gets the impres­sion that Theo Jansen sub­scribes to Dan­ish Philoso­pher Soren Kierkegaard’s max­im : Once you label me, you negate me.

(Aw hell, just acci­den­tal­ly negat­ed Kierkegaard again…)

In any event, no sin­gle label can suf­fice where Jansen is con­cerned. A mak­er of kinet­ic sculp­tures who resists defin­ing him­self as an artist. A trained physi­cist who cel­e­brates evo­lu­tion as a ‘mir­a­cle.’ An ear­ly morn­ing opti­mist. An evening depres­sive. An engi­neer of life, pre­oc­cu­pied by death.

All this is to say, Theo Jansen is an orig­i­nal, as com­pelling as the awe­some, lum­ber­ing crea­tures he con­jures from plas­tic tub­ing and wind. Hear him speak for him­self, above. Watch his Strand­beests in action below. And don’t feel bad if the labels you’ve spent a life­time amass­ing begin to feel a bit nar­row com­pared.

- Ayun Hal­l­i­day built a Rube Gold­berg Device under duress.

 

Introducing 200 Free Educational Resources for K‑12 Students: Spread the Word & Tell Us Your Favorites

We got busy dur­ing the Thanks­giv­ing hol­i­day and put togeth­er a long-planned col­lec­tion of free edu­ca­tion­al resources for K‑12 stu­dents and their par­ents and teach­ers. We’re just get­ting start­ed with the list, and we’re hop­ing you could help make it bet­ter with your own sug­ges­tions. Right now the col­lec­tion fea­tures 200 help­ful resources, includ­ing free video lessons/tutorialsfree mobile appsfree audio­books, ebooks and text­booksqual­i­ty YouTube chan­nelsfree for­eign lan­guage lessonstest prep mate­ri­als; and free web resources in aca­d­e­m­ic sub­jects such as lit­er­a­ture, his­to­ry, sci­ence and com­put­ing. We hope you make good use of it with your fam­i­lies. We hope you tell a friend. And, right now, we hope you’ll tell us what great resources we’re miss­ing. We’d real­ly appre­ci­ate it if you would send us your thoughts.

You can start brows­ing here: 200 Free K‑12 Edu­ca­tion­al Resources: Video Lessons, Web Sites, Apps & More.

You can find this list in the future by click­ing on K‑12 Resources in the top nav­i­ga­tion bar.

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Watch The Mind of a Chef, the Unconventional Travel-Cooking Show Online (for a Limited Time)

Ear­li­er this month, PBS pre­miered The Mind of a Chef, a 16-episode series that fea­tures nar­ra­tor Antho­ny Bour­dain tak­ing view­ers inside the mind of the award-win­ning Kore­an-Amer­i­can chef David Chang. In the series pre­miere above, David “dis­sects the roots of his pas­sion for ramen dish­es and tsuke­men on a trip to Japan,” giv­ing you an overview of the famous noo­dle and tak­ing you right to a ramen fac­to­ry. If the first episode, um, whets your appetite, then you’ll want to spend time with nine oth­er episodes from the series. They’re now post­ed online for a lim­it­ed time, cour­tesy of PBS, and they each run about 20 min­utes. But don’t dil­ly dal­ly, some will go offline on Novem­ber 30.

via Kot­tke

Relat­ed Con­tent:

Wim Wen­ders Vis­its, Mar­vels at a Japan­ese Fake Food Work­shop

Woody Allen Lives the “Deli­cious Life” in Ear­ly-80s Japan­ese Com­mer­cials

Johnny Cash Sings “Man in Black” for the First Time, 1971

Recent­ly we fea­tured a video of Neil Young per­form­ing on The John­ny Cash Show in 1971. Today we bring you anoth­er extra­or­di­nary moment from the very same episode: John­ny Cash intro­duc­ing his now-clas­sic song, “Man in Black.”

It’s from a spe­cial called “John­ny Cash on Cam­pus” which aired on Feb­ru­ary 17, 1971. The per­for­mance was taped in front of an all-stu­dent audi­ence at the Ryman Audi­to­ri­um in down­town Nashville. A few days ear­li­er Cash had trav­eled across town to vis­it stu­dents on the cam­pus of Van­der­bilt Uni­ver­si­ty and, as he explains here in the intro­duc­tion, an idea began brew­ing.

1971 was a time of wide­spread stu­dent protests over the Viet­nam War and oth­er issues. The Kent State shoot­ings had hap­pened the year before. As a protest song, “Man in Black” shows Cash’s abil­i­ty to reach across gen­er­a­tions and appeal to audi­ences much wider than those usu­al­ly afford­ed to coun­try music.

When Cash first played the song at Ryman Audi­to­ri­um it was so new he need­ed cue cards to fol­low the words. The video offers a rare glimpse of an artist try­ing out a major work when the paint was still wet.

Relat­ed con­tent:

John­ny Cash: Singer, Out­law and, Briefly, Tele­vi­sion Host

The 1969 Bob Dylan-John­ny Cash Ses­sions: Twelve Rare Record­ings

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