EarÂliÂer this year, at the age of 70, John IrvÂing pubÂlished his 13th novÂel, In One PerÂson. The title is from ShakeÂspeare’s Richard II: “Thus play I in one perÂson many peoÂple, and none conÂtentÂed.” “In One PerÂson,” writes Charles BaxÂter in The New York Review of Books, “comÂbines sevÂerÂal genÂres. It is a novÂel about a bisexÂuÂal man’s comÂing out graftÂed onto a comÂing-of-age stoÂry, graftÂed onto a porÂtrait-of-the-artist, graftÂed onto a theÂater novÂel. The book is very enterÂtainÂing and relies on verÂbal showÂmanÂship even when the events narÂratÂed are grim, a tonal inconÂgruity charÂacÂterÂisÂtic of this author. The book’s theme, it’s fixed idea, is that actors and writÂers and bisexÂuÂals harÂbor many perÂsons withÂin one perÂson.”
In this five-minute film from Time magÂaÂzine we get just a glimpse of the perÂson, or peoÂple, called John IrvÂing. It’s an interÂestÂing glimpse. DirecÂtor Shaul Schwarz and his crew filmed the writer at his sprawlÂing house in East Dorset, VerÂmont. The sheer size of the place gives some sense of the popÂuÂlarÂiÂty of IrvÂing’s novÂels, which include The World AccordÂing to Garp, The Cider House Rules and A Prayer for Owen Meany. The house has a wrestling gym where IrvÂing works out and an office where he writes the old-fashÂioned way–with pen and paper–by winÂdows lookÂing out onto the forestÂed hills of southÂern VerÂmont. “I can’t imagÂine being alive and not writÂing, not creÂatÂing, not being the archiÂtect of a stoÂry,” says IrvÂing near the end of the film. “I do sufÂfer, I supÂpose, from the deluÂsion that I will be able to write someÂthing until I die. That’s my intenÂtion, my hope.”
RelatÂed ConÂtent:
John IrvÂing: The Road Ahead for AspirÂing NovÂelÂists