The History of Philosophy Visualized

Simon Rap­er at Drunks & Lamp­posts has com­posed a data visu­al­iza­tion of the rela­tions of influ­ence among philoso­phers. This was put togeth­er to demon­strate Rap­er’s data extrac­tion algo­rithm; he col­lect­ed the con­tents of all the “influ­enced by” fields on Wikipedia, dis­play­ing each philoso­pher as a node con­nect­ed to all oth­er philoso­phers that he or she influ­enced. The more con­nec­tions, the big­ger the node. The result is visu­al­ly fas­ci­nat­ing and an inter­est­ing touch­stone for phi­los­o­phy fans.

Who was more impor­tant, Edmund Husserl or Jean-Paul Sartre? Well, you may not have heard of Husserl, but the size of his node is a bit big­ger than Sartre’s, so accord­ing to the graph, he’s had more of an influ­ence on the pro­fes­sion. The fact that Husser­l’s hey­day was thir­ty years ear­li­er than Sartre’s may explain that fact, but as Mark De Sil­va at the New York Times Opin­ion­ater points out, it’s also unclear how well these “influ­enced by” rela­tions in Wikipedia cor­re­late with real influ­ences in the his­to­ry of phi­los­o­phy. Rap­er’s graph seems to pro­vide an excel­lent start for pon­der­ing the ques­tion. More graphs by his­tor­i­cal peri­od can be found here.

Mark Lin­sen­may­er appears on The Par­tial­ly Exam­ined Life Phi­los­o­phy Pod­cast, offer­ing live­ly, in-depth intro­duc­tions to Husserl, Sartre, and many oth­er fig­ures in phi­los­o­phy.

A History of Rock ‘n’ Roll in 100 Riffs

Give the tal­ent­ed Alex Chad­wick 12 min­utes, and he’ll give you A Brief His­to­ry of Rock ‘n’ Roll, with each defin­ing moment rep­re­sent­ed by a famous gui­tar riff. Our jour­ney starts in 1953, with “Mr. Sand­man” by Chet Atkins. Pret­ty soon, and quite seam­less­ly, we get to The Bea­t­les and The Rolling Stones, Hen­drix and Led Zep­pelin, Queen and The Ramones, and even­tu­al­ly some more con­tem­po­rary pair­ings — Green Day and White Stripes. The video is spon­sored by the Chica­go Music Exchange, a store spe­cial­iz­ing in vin­tage gear, like the $32,995 1958 Fend­er Strat played in the clip. A full list of riffs appears below the jump.

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Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

 

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UC Santa Cruz Opens a Deadhead’s Delight: The Grateful Dead Archive is Now Online

“They’re not the best at what they do,” said respect­ed rock pro­mot­er Bill Gra­ham of the Grate­ful Dead. “They’re the only ones that do what they do.” The band devel­oped such an idio­syn­crat­ic musi­cal style and per­son­al sen­si­bil­i­ty that their legion of devot­ed fans, known as “Dead­heads,” tend­ed to fol­low them every­where they toured. The Dead with­stood more than their fair share of clas­sic-rock tur­bu­lence in the thir­ty years from their for­ma­tion in 1965, but did­n’t dis­solve until the 1995 death of found­ing mem­ber and unof­fi­cial front­man Jer­ry Gar­cia. The bereft Dead­heads, still in need of a con­stant flow of their eclec­tic, impro­vi­sa­tion­al, psy­che­del­ic-tra­di­tion­al, jam-inten­sive sound of choice, took a few dif­fer­ent paths: some began fol­low­ing oth­er, com­pa­ra­ble groups; some would go on to rely on acts formed by ex-Dead mem­bers, like Bob Weir and Phil Lesh’s Furthur; some made it their life’s mis­sion to col­lect every­thing in the band’s incom­pa­ra­bly vast col­lec­tion of demos, live record­ings, and son­ic mis­cel­lany.

Grate­ful Dead com­pletists now have anoth­er source of solace in the Grate­ful Dead Archive Online from the Uni­ver­si­ty of Cal­i­for­nia, San­ta Cruz. Lest you assume your­self Dead-savvy enough to have already seen and heard every­thing this archive could pos­si­bly con­tain, behold the new­ly added item fea­tured on the front page as I type this: Jer­ry Gar­ci­a’s Egypt­ian tour lam­i­nate. Accord­ing to the press release, the archive’s inter­net pres­ence fea­tures “near­ly 25,000 items and over 50,000 scans” from the uni­ver­si­ty’s phys­i­cal archive, includ­ing “works by some of the most famous rock pho­tog­ra­phers and artists of the era, includ­ing Herb Greene, Stan­ley Mouse, Wes Wil­son and Susana Mill­man.” Rest assured that it offers plen­ty of non-obscu­ran­tist Dead-relat­ed plea­sures, includ­ing tele­vi­sion appear­ances, radio broad­casts, posters, and fan record­ings of con­certs. Like any rich sub­ject, the Grate­ful Dead pro­vides its enthu­si­asts a life­time of mate­r­i­al to study. UC San­ta Cruz, a school often asso­ci­at­ed in the pub­lic imag­i­na­tion with the Dead­’s greater San Fran­cis­co Bay Area ori­gins as well as their pen­chant for laid-back good times, has just made it that much eas­i­er to plunge into.

Relat­ed con­tent:

Van Mor­ri­son, Jef­fer­son Air­plane & The Grate­ful Dead: Watch Clas­sic Con­certs from Wolfgang’s Vault

Free Grate­ful Dead Con­cert Archive

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

 

Evolver: A Darwinist Reimagination of The Beatles’ 1966 album

The Evolver T‑Shirt, it’s the per­fect gift for the sci­ence believin’ Bea­t­les fan.  It’s obvi­ous­ly a play on The Bea­t­les’ great 1966 album Revolver. And, over at Boing­Bo­ing, Mark Frauen­felder asked read­ers to rethink the titles of var­i­ous songs on the album — to imag­ine them in evo­lu­tion­ary terms. Here are some of the cre­ative sug­ges­tions:

Tax­man = Macaques, Man

And Your Bird Can Sing = And Your Chimp Can Swing

I’m Only Sleep­ing = I’m Only Simi­an

Doc­tor Robert = Doc­tor Fos­sey

I Want to Tell You = I Want to Groom You

Tomor­row Nev­er Knows = Too Many Bono­bos

Per­son­al­ly, I think “Tomor­row Nev­er Knows” could stay just as it is. Does­n’t it already cap­ture the Dar­win­ian spir­it in its own way?

Relat­ed Con­tent:

Vin­tage Lit­er­ary T‑Shirts

Darwin’s Per­son­al Library Goes Dig­i­tal: 330 Books Online

Dar­win: A 1993 Film by Peter Green­away

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William Shatner Sings O Canada (and Happy Canada Day)

There’s some­thing time­less about William Shat­ner. The man hard­ly looks his age — 81 — though syn­thet­ic enhance­ments prob­a­bly have some­thing to do with it. And he has­n’t lost his gift for shtick. Back in the 1960s, Shat­ner began talk-singing his way through var­i­ous songs. Per­haps you’ll recall his ren­di­tion of “Lucy in the Sky with Dia­monds” record­ed in 1968, which we recent­ly fea­tured on our list of The 15 Worst Cov­ers of Bea­t­les Songs Ever. A good four decades lat­er, the tra­di­tion con­tin­ues. For Cana­da Day, eh, we have the Shat recit­ing the nation­al anthem, O Cana­da, is his inim­itable way. The clip was record­ed in 2011 when Canada’s Gov­er­nor Gen­er­al gave Shat­ner a Life­time Achieve­ment Award. Thanks to Denise for the tip.

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