How to explain HenÂry Rollins to someÂone who doesÂn’t know his work? TwenÂty years ago, you could’ve just called him a musiÂcian, the guy who used to sing with Black Flag. At that point he had moved on to front his own band, one which also showÂcased the perÂsonÂalÂiÂty that rouÂtineÂly driÂves jourÂnalÂists through their synÂonyms for “intense.” HavÂing sworn off singing, Rollins these days conÂcenÂtrates on colÂumn writÂing, teleÂviÂsion hostÂing, radio broadÂcastÂing, and politÂiÂcalÂly charged spoÂken-word perÂformÂing. (You can watch him parÂticÂiÂpate in a live readÂing of David FosÂter Wallace’s The Pale King here.) His perÂsonÂalÂiÂty remains in full effect and, unenÂcumÂbered by earÂly punk rockÂ’s demand for emoÂtionÂal bluntÂness, he now projects a more comÂpliÂcatÂed, hardÂer-to-carÂiÂcaÂture image. He still seems driÂven by seething anger at sociÂety’s shortÂcomÂings, but his curÂrent midÂdle-aged mixÂture of rage and benevÂoÂlence (though someÂtimes unsetÂtling in its own way) avoids the raw aggresÂsion with which music hisÂtoÂry has assoÂciÂatÂed him.
Rollins seemÂingÂly nevÂer swalÂlowed punk’s youthÂful nihilism, but now, in full matuÂriÂty, he someÂtimes sounds downÂright motiÂvaÂtionÂal. Case in point: his “LetÂter to a Young AmerÂiÂcan” from Big Think, a warnÂing about the debilÂiÂtatÂing effects of feelÂing spite toward the privÂiÂleged. “You will encounter peoÂple who nevÂer have to pay in full,” he says. “They get to wreck the room and nevÂer have to clean it. They can get all the way through high school and nevÂer underÂstand where a dolÂlar comes from, because they just get it givÂen to them.” While acknowlÂedgÂing the exisÂtence of such peoÂple, often in posiÂtions of powÂer, Rollins recÂomÂmends the stratÂeÂgy of ignorÂing them: “You canÂnot let these peoÂple make you feel that you have in any way been dwarfed or outÂclassed. You must realÂly go for your own and realÂize how short life is. You got what you got, so you’ve got to make the most of it. You realÂly can’t spend a whole lot of time worÂryÂing about his.” Like or disÂlike the HenÂry Rollins perÂsona, how often have you seen a high-proÂfile activist take such a firm stand against resentÂment? A tranÂscript for his “LetÂter to a Young AmerÂiÂcan” can be found here.
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture. FolÂlow him on TwitÂter at @colinmarshall.