Cinema History by Titles & Numbers

Between the sim­ple card open­ing D.W. Grif­fith’s 1916 Intol­er­ance to the vibrat­ing neon first onslaught of Gas­par Noé’s 2009 Enter the Void, Ian Albinson’s A Brief His­to­ry of Title Design packs in count­less icon­ic, rep­re­sen­ta­tive, and oth­er­wise fas­ci­nat­ing exam­ples of words that pre­cede movies. As Edi­tor-in-Chief of the blog Art of the Title, Albinson dis­tin­guish­es him­self as just the per­son you’d want to cut togeth­er a video like this. His selec­tions move through the twen­ti­eth cen­tu­ry from The Phan­tom of the Opera, King Kong, and Cit­i­zen Kane, whose stark state­li­ness now brings to mind the very archi­tec­ture of the old movie palaces where they debuted, to the delib­er­ate, tex­tur­al phys­i­cal­i­ty of The Trea­sure of Sier­ra Madre and Lady in the Lake. Then comes the late-fifties/ear­ly-six­ties mod­ernist cool of The Man With the Gold­en Arm and Dr. No, fol­lowed by Dr. Strangelove and Bul­litt, both of which show­case the work of Pablo Fer­ro — a liv­ing chap­ter of title design his­to­ry in his own right. After the bold intro­duc­tions to the block­busters of the sev­en­ties and eight­ies — Star Wars, Sat­ur­day Night Fever, Alien, The Ter­mi­na­tor — but before the fresh­ly extrav­a­gant design work of the cur­rent cen­tu­ry, we find a few intrigu­ing­ly mar­gin­al films of the nineties. How many reg­u­lar cinephiles retain fond mem­o­ries of Freaked, Mim­ic, and The Island of Dr. More­au I don’t know, but clear­ly those pic­tures sit near and dear to the hearts of title enthu­si­asts.

An elab­o­rate work of motion graph­ics in its own right, Evan Seitz’s 123Films takes the titles of four­teen films — not their title sequences, but their actu­al titles — and ani­mates them in numer­i­cal order. If that does­n’t make sense, spend thir­ty sec­onds watch­ing it, and make sure you’re lis­ten­ing. Does­n’t that calm­ly malev­o­lent com­put­er voice sound famil­iar? Does the col­or scheme of that “4” look famil­iar, espe­cial­ly if you read a lot of com­ic books as a kid? And cer­tain­ly you’ll remem­ber which of the sens­es it takes to see dead peo­ple. This video comes as the fol­low-up to Seitz’s ABCin­e­ma, a sim­i­lar movie guess­ing game pre­vi­ous­ly fea­tured on Open Cul­ture. Where that one got you think­ing about film alpha­bet­i­cal­ly, this one will get you think­ing about it numer­i­cal­ly.

Relat­ed Con­tent:

A Brief Visu­al Intro­duc­tion to Saul Bass’ Cel­e­brat­ed Title Designs

450 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc.

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

Tour the Amazon with Google Street View; No Passport Needed

Google Street View launched in 2007, giv­ing web users the abil­i­ty to tour neigh­bor­hoods with a series of 360° panoram­ic maps. The tech­nol­o­gy seemed pret­ty straight­for­ward … until peo­ple real­ized that it was­n’t. Since ‘07, techies have fig­ured out some cool and unex­pect­ed uses for the soft­ware, and Google began using it to offer vir­tu­al tours of famous his­tor­i­cal sites (Pom­peii, Stone­henge and Ver­sailles) and then inter­na­tion­al muse­ums, rang­ing from the MoMA and Met in New York City, to the Uffizi Gallery in Flo­rence, and the Van Gogh Muse­um in Ams­ter­dam. (More on that here.) And now they’re push­ing the lim­its of the tech­nol­o­gy just a bit fur­ther.

Yes­ter­day Google announced that Street View will let you expe­ri­ence the beau­ty and diver­si­ty of the Ama­zon basin. Once you enter Street View’s Ama­zon tour, you can:

Take a vir­tu­al boat ride down the main sec­tion of the Rio Negro, and float up into the small­er trib­u­taries where the for­est is flood­ed. Stroll along the paths of Tumbi­ra, the largest com­mu­ni­ty in the Reserve, or vis­it some of the oth­er com­mu­ni­ties who invit­ed us to share their lives and cul­tures. Enjoy a hike along an Ama­zon for­est trail and see where Brazil nuts are har­vest­ed. You can even see a for­est crit­ter if you look hard enough!

The video above explains how the project got start­ed and how the images were gath­ered, while also offer­ing a quick demo of the online expe­ri­ence. You can start your voy­age to the Ama­zon here, or head to Google’s blog to learn more about this project cre­at­ed in part­ner­ship with the Ama­zonas Sus­tain­able Foun­da­tion (FAS).

Note: Are you a writer inter­est­ed in edu­ca­tion­al tech­nol­o­gy and open edu­ca­tion­al resources? And, do you want to write for Open Cul­ture? Then drop us a line.

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‘Keep Calm and Carry On’: The Story of the Iconic World War II Poster

In an old Vic­to­ri­an rail­way sta­tion in the pic­turesque vil­lage of Alnwick, Northum­ber­land, just South of the Scot­tish bor­der, is a one-of-a-kind book­store called Barter Books. The New States­man called it “The British Library of sec­ond­hand books.” A mod­el rail­way winds along a track laid out across row upon row of book­shelves in what was once the depar­ture hall. Dur­ing the win­ter months, cus­tomers sit and read by a roar­ing fire in the old wait­ing room.

One day in 2000, the store’s co-own­er, Stu­art Man­ley, was search­ing through a dusty box of books that were bought at auc­tion, when he found a fold­ed-up piece of paper at the bot­tom. He took the paper out, opened it and showed it to his wife and busi­ness part­ner, Mary Man­ley. Nei­ther of them had seen it before. It said: “Keep Calm and Car­ry On.” As the BBC’s Stu­art Hugh­es lat­er put it, “the sim­ple five-word mes­sage is the very mod­el of British restraint and stiff upper lip.”

It turned out that the poster was one of mil­lions that were print­ed on the eve of World War II but nev­er dis­trib­uted. The Man­leys decid­ed to frame the poster and hang it in the shop. Before long, cus­tomers were offer­ing to buy it, so the Man­leys decid­ed to print some copies. Then in 2005 a nation­al news­pa­per sup­ple­ment rec­om­mend­ed the poster as a Christ­mas gift and, as Stu­art Man­ley put it, “all hell broke loose.”

Since that time, tens of thou­sands of the posters have been sold, and the slo­gan has found its way onto t‑shirts and cof­fee mugs and has been the inspi­ra­tion of count­less par­o­dies like “Keep Calm and Par­ty On” and “Freak Out and Run Like Hell.” Removed from its orig­i­nal con­text, the wartime slo­gan has an uncan­ny res­o­nance in today’s world. “It’s very good, almost zen,” psy­chol­o­gist Les­ley Prince told the BBC. “It works as a per­son­al mantra now.”

For the sto­ry of this most improb­a­ble of 21st cen­tu­ry icons, watch the three-minute film above, which was made by Temu­jin Doran in col­lab­o­ra­tion with the design and pro­duc­tion stu­dio Nation.

Van Gogh to Rothko in 30 Seconds

What if you took great works of art, stacked them side by side, and had them tell a sto­ry? You’d have a decid­ed­ly art­ful video … and a great teas­er for the new art­Cir­cles iPad app that brings you col­lec­tions of images curat­ed by well-known fig­ures includ­ing Yves Behar (named one of the “World’s 7 Most Impor­tant Peo­ple in Design”) and John Mae­da (pres­i­dent of Rhode Island School of Design). The app is free on iTunes, and if you pick up the new iPad with reti­na dis­play, you can see where the device real­ly excels. Or at least that was my expe­ri­ence when I gave it a spin.

And while we’re on the top­ic, here’s anoth­er free app worth check­ing out: “The Life of Art.” Pro­duced by the Get­ty Muse­um in LA, the “Life of Art” gives users a chance to under­stand how objects end up in a muse­um in the first place. Pho­tog­ra­phy, ani­ma­tions, video, and 360 degree rota­tions nar­rate the artis­tic lives of these objects. Find the app here. H/T Kot­tke

Relat­ed Con­tent:

Free: The Guggen­heim Puts 65 Mod­ern Art Books Online

Google App Enhances Muse­um Vis­its; Launched at the Get­ty

MoMA Puts Pol­lock, Rothko & de Koon­ing on Your iPad

Fol­low us on Face­bookTwit­ter and now Google Plus and share intel­li­gent media with your friends! It will bright­en their day.

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Michael Pollan’s Book, Food Rules, Brought to Life with Animation

If you’ve lis­tened to the past decade’s con­ver­sa­tions about food, you’ll have noticed that eat­ing, always a pur­suit, has sud­den­ly become a sub­ject as well. One flank of this move­ment of enthu­si­asts has tak­en up Michael Pol­lan, a pro­fes­sor at UC Berke­ley’s jour­nal­ism school, as its lead­ing light. Whether they agree or dis­agree with his prin­ci­ples, intel­lec­tu­al­ly engaged eaters who don’t have at least a basic famil­iar­i­ty with Pol­lan’s books such as The Omni­vore’s Dilem­ma and In Defense of Food can hard­ly con­sid­er them­selves con­ver­sant in the food ques­tions and con­tro­ver­sies of the day.

Both Pol­lan’s poten­tial boost­ers and detrac­tors alike can get them­selves up to speed with his lat­est vol­ume, Food Rules: An Eater’s Man­u­al, which boils down his culi­nary weltan­schau­ung into a series of sim­ple sen­tences, includ­ing “Eat foods made from ingre­di­ents that you can pic­ture in their raw state or grow­ing in nature,” “Pay more, eat less,” and, “The whiter the bread, the soon­er you’ll be dead.” Pol­lan also takes posi­tions on entire­ly gnarli­er issues, such as the effi­cien­cy (or lack there­of) of agribusi­ness, and that’s when ani­ma­tors like Mar­i­ja Jaci­movic and Benoit Detalle pro­vide their enliven­ing ser­vices. In the two-minute video above, Jaci­movic and Detalle use pieces of actu­al food to illus­trate Pol­lan’s cri­tique of large-scale food pro­duc­tion.

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

Man Flies Like a Bird in The Hague

First a Robot Flies Like a Bird. Then Humans Fly with the Birds. Now Man Flies Like a Bird with Cus­tom-Made Wings. It’s the third part of our unplanned tril­o­gy. Accord­ing to Wired, Dutch engi­neer Jarno Smeets took flight using “using videogame con­trollers, an Android phone and cus­tom-built wings,” and it all hap­pened this past week­end at a park in The Hague. There’s appar­ent­ly some spec­u­la­tion about the authen­tic­i­ty of the video. But Wired seems to think it will hold up. And, no mat­ter what, we’re inclined to sus­pend dis­be­lief and just enjoy this lit­tle moment.

Note: Are you a writer inter­est­ed in edu­ca­tion­al tech­nol­o­gy and open edu­ca­tion­al resources? And, do you want to write for Open Cul­ture? Then drop us a line.

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Astronaut Films Auroras from Above

As the sun’s 11-year cycle of mag­net­ic storms moves clos­er to peak inten­si­ty some­time ear­ly next year, peo­ple who live at high­er lat­i­tudes can expect to see col­or­ful auro­ras light­ing up the night sky. But what would it be like to look down at the auro­ras, or to move through them? In these strik­ing images from NASA, we find out. Astro­naut Don Pet­tit has been orbit­ing the Earth since Decem­ber, as a Flight Engi­neer for Inter­na­tion­al Space Sta­tion Expe­di­tion 30, and while up there he’s been tak­ing advan­tage of the increased solar activ­i­ty by film­ing some of the fire­works in the Earth­’s mag­ne­tos­phere. “We can actu­al­ly fly into the auro­ras,” Pet­tit says in this NASA Sci­ence­Cast. “It’s like being shrunk down and put inside of a neon sign.” To learn more, you can read the arti­cle at NASA Sci­ence News, and to watch oth­er episodes in the series, vis­it the Sci­ence­Casts home page. Find more excel­lent clips in our col­lec­tion of Great Sci­ence Videos.

Fact Checking Bill Murray: A Short, Comic Film from Sundance 2008

Bill Mur­ray, sure­ly both Amer­i­ca’s most and least approach­able movie star, seems for almost every­thing yet unavail­able for almost any­thing. Rarely grant­i­ng inter­views, lim­it­ing him­self (most­ly) to roles he actu­al­ly cares about, and famous­ly work­ing with­out an agent, he tends to pop up in places you would­n’t expect him to. Well, aside from Wes Ander­son films, where he’s remained a con­sis­tent pres­ence since 1998’s Rush­more — but remem­ber how star­tling it felt to see the star of Ground­hog Day turn up in such a rel­a­tive­ly small-scale, low-con­cept, gen­re­less pro­duc­tion in the first place? More recent­ly, his extend­ed cameo in Ruben Fleis­cher’s Zom­bieland has become, in the full­ness of time, that pic­ture’s very rai­son d’être. Not long before that, he appeared in a selec­tion at the 2008 Sun­dance Film Fes­ti­val: it was­n’t the lat­est fea­ture from a Wes Ander­son or a Sofia Cop­po­la or a Jim Jar­musch, and in fact not a fea­ture at all, but Peter Kari­nen and Bri­an Sac­ca’s short FCU: Fact Check­ers Unit.

Kari­nen and Sac­ca star as two low­ly fact-check­ers at Dic­tum, a pub­li­ca­tion solid­ly in the tra­di­tion the Unit­ed King­dom calls “lads’ mags.” (“SEX WORK OUTS,” insists one cov­er blurb.) Faced with a draft of an arti­cle on celebri­ty sleep­ing tips that rec­om­mends drink­ing a glass of warm milk before bed, “like Bill Mur­ray,” the fel­lows kneel before a shrine to Alex Tre­bek — their per­son­al god of facts — don their Fact Check­ers Unit wind­break­ers, and go look­ing for Mur­ray’s house. Sens­ing their stum­bling pres­ence, Mur­ray finds our heroes hud­dled in the bath­tub almost imme­di­ate­ly after they’ve bro­ken in. True to his rep­u­ta­tion, Mur­ray has not been easy to find, but true to his pub­lic per­sona, he proves placid­ly will­ing and able to hang out when found. After an evening of M*A*S*H, mar­ti­nis, check­ers, and lounge singing, the FCU boys dis­cov­er the truth about Bill Mur­ray and milk. I won’t, er, spoil it.

I can’t help but admire this cast­ing coup; Kari­nen and Sac­ca must have gone through just as much has­sle as the FCU did to find Bill Mur­ray. (That, or they hap­pened to know him through some coin­ci­den­tal con­nec­tion none of us could ever repli­cate.) Even more impres­sive, in its way, is how they seem­ing­ly craft­ed the struc­ture of FCU: Fact Check­ers Unit to accom­mo­date whichev­er hard-to-come-by celebri­ty they could have man­aged to come by. Per­haps a big­ger fan than I knows of some deep, long-estab­lished con­nec­tions between Bill Mur­ray, lad’s mags, M*A*S*H, and warm milk, but noth­ing stops me from imag­in­ing the Kevin Spacey ver­sion. In fact, I’d like to see the Kevin Spacey ver­sion. Insert a new celebri­ty each week while hold­ing all else equal, and the con­cept could become an avant-garde web series.

You can find this film list­ed in our col­lec­tion of Free Movies Online.

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

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