Sir Isaac Newton’s Papers & Annotated Principia Go Digital

Cam­bridge Uni­ver­si­ty has had many famous grad­u­ates, but per­haps none is more famous than Isaac New­ton (class of 1665). This week, Cam­bridge con­tin­ues to hon­or New­ton by open­ing a dig­i­tal archive of New­ton’s per­son­al papers, which includes an anno­tat­ed copy of the Prin­cip­ia, the land­mark work where the physi­cist devel­oped his laws of motion and grav­i­ty. The ini­tial archive fea­tures 4,000 pages of scanned mate­ri­als (rough­ly 20% of the com­plete New­ton archive), and even­tu­al­ly Cam­bridge will add mate­r­i­al from Charles Dar­win, anoth­er famous alum, and oth­er sci­en­tif­ic fig­ures.

In Octo­ber, The Roy­al Soci­ety opened its his­tor­i­cal archives to the pub­lic, bring­ing 60,000 peer-reviewed papers to the web, includ­ing Isaac Newton’s first pub­lished research paper. You can dive into this par­al­lel dig­i­tal archive here.

Bonus: If you’re look­ing to bone up on Physics, you can find many free physics cours­es in our big col­lec­tion of Free Online Cours­es. Leonard Susskind’s class on Clas­si­cal Mechan­ics may be of par­tic­u­lar inter­est here.

via The Guardian / ht @eugenephoto

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Download The Beatles’ Yellow Submarine as a Free, Interactive eBook

A year ago, Apple began sell­ing The Bea­t­les’ cat­a­logue of music on iTunes. Now, twelve months and many mil­lions of down­loads lat­er, Apple is giv­ing away The Beat­le’s Yel­low Sub­ma­rine as a free ebook.

It’s not just any ebook. Based on the 1968 film, this ebook fea­tures ani­mat­ed illus­tra­tions, 14 video clips from the orig­i­nal film, audio func­tion­al­i­ty that mag­i­cal­ly turns the book into an audio book, and var­i­ous inter­ac­tive ele­ments. You can “read” the book (down­load it here) on any iPad, iPhone, or iPod touch. Our apolo­gies in advance if you use oth­er devices.

The Yel­low Sub­ma­rine will be added to our col­lec­tion of Free eBooks, which fea­tures 250 clas­sics, includ­ing texts by Isaac Asi­mov, Philip K. Dick, Dos­to­evsky, Kaf­ka, Joyce, Nabokov, Austen, Niet­zsche and oth­ers. Also don’t miss our equal­ly large col­lec­tion of Free Audio Books.

Relat­ed Con­tent:

The Bea­t­les’ Rooftop Con­cert: The Last Gig

Jim­my Page Tells the Sto­ry of Kash­mir

The Bea­t­les Com­plete on Ukulele

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Why is the U.S. F’ed Up? 8 Lectures from Occupy Harvard Teach-In Provide Answers

Last Wednes­day, the Occu­py move­ment gained a lit­tle more intel­lec­tu­al momen­tum when eight fac­ul­ty mem­bers from Har­vard, Boston Col­lege, and N.Y.U. gath­ered in Cam­bridge to present a day­long Teach-In. In one talk, Archon Fung (Ford Foun­da­tion Pro­fes­sor of Democ­ra­cy and Cit­i­zen­ship and Co-Direc­tor of Trans­paren­cy Pol­i­cy Project at Har­vard) took a vague the­sis of the Occu­py move­ment — “Shit is Fucked Up and Bull­shit” — and gave it some aca­d­e­m­ic depth in a data-filled talk called â€śWhy Has Inequal­i­ty Grown in Amer­i­ca? And What Should We Do About It?” The oth­er talks are avail­able on YouTube (see links below) or via audio stream:

Het­ero­dox Eco­nom­ics: Alter­na­tives to Manki­w’s Ide­ol­o­gy - Stephen Mar­glin, Wal­ter Bark­er Pro­fes­sor of Eco­nom­ics, Fac­ul­ty of Arts and Sci­ences, Har­vard Uni­ver­si­ty

Wall Street’s Role in the Euro­pean Finan­cial Cri­sis - Richard Park­er, Lec­tur­er in Pub­lic Pol­i­cy and Senior Fel­low at the Shoren­stein Cen­ter, Kennedy School of Gov­ern­ment, Har­vard Uni­ver­si­ty

The Occu­py Move­ment and Stu­dent Debt Refusal — Andrew Ross, Pro­fes­sor of Social and Cul­tur­al Analy­sis, New York Uni­ver­si­ty

Eco­nom­ics for the 99% — Juli­et Schor, Pro­fes­sor of Soci­ol­o­gy, Boston Col­lege

Booms and Busts: The Legal Dynam­ics of Mod­ern Mon­ey — Chris­tine Desan, Pro­fes­sor of Law, Har­vard Law School, Har­vard Uni­ver­si­ty

Fear and Pow­er — Brad Epps, Pro­fes­sor of Romance Lan­guages & Lit­er­a­tures and Depart­ment Chair for Stud­ies in Women, Gen­der, and Sex­u­al­i­ty, Fac­ul­ty of Arts and Sci­ences, Har­vard Uni­ver­si­ty

Vig­i­lance, Inquiry, Alien­ation & Hope at Har­vard and in the USA - John Wom­ack, Robert Woods Bliss Pro­fes­sor of Latin Amer­i­can His­to­ry and Eco­nom­ics, Fac­ul­ty of Arts and Sci­ences, Har­vard Uni­ver­si­ty

Relat­ed Con­tent:

Noam Chom­sky at Occu­py Boston

Har­vard Thinks Big, a TED-Esque Event

Jean-Paul Sartre Breaks Down the Bad Faith of Intellectuals

How many of the great philoso­phers have you actu­al­ly heard speak? This clip comes from the 1976 doc­u­men­tary Sartre by Him­self, which fea­tures dis­cus­sions with Jean-Paul Sartre and his near-equal­ly famous part­ner Simone de Beau­voir, among oth­ers. The film was released with Eng­lish sub­ti­tles in 1979, a year before Sartre died.

In this clip, Sartre crit­i­cizes mod­ern intel­lec­tu­als as “spe­cial­ist work­ers in prac­ti­cal knowl­edge,” who apply “uni­ver­sal notions and prac­tices” to par­tic­u­lar pur­pos­es deter­mined by a polit­i­cal estab­lish­ment. This can cause a con­flict of con­science: Sartre gives the exam­ple of sci­en­tists work­ing on the atom­ic bomb, but also pro­fes­sors whose efforts sole­ly ben­e­fit a small group of pros­per­ous stu­dents. Sartre thinks intel­lec­tu­als use this kind of con­flict to feel bet­ter about themselves–they may sign peti­tions, side with the work­ing class, etc.–while still not seri­ous­ly ques­tion­ing them­selves. Intel­lec­tu­als rage against the machine but are still play­ing their assigned role in it. “[They are] very pleased to have an unhap­py con­science, because that is what allows [them] to denounce.”

This is an exam­ple of his famous notion of “bad faith,” where we dis­as­so­ci­ate our­selves from our actions, or more com­mon­ly where we claim to have more lim­it­ed choic­es than we actu­al­ly do. Bad faith is pos­si­ble because of the nature of the self, accord­ing to Sartre: there is no pre­de­ter­mined “human nature” or “true you,” but instead you are some­thing built over time, by your own freely cho­sen actions, too often using the roles and char­ac­ter­is­tics oth­ers assign to you.

Ear­ly in his career, he con­struct­ed a the­o­ry of con­scious­ness and the self that makes this plau­si­ble. The work in which he did this, “The Tran­scen­dence of the Ego,” is the sub­ject of the most recent episode of The Par­tial­ly Exam­ined Life phi­los­o­phy pod­cast, pro­filed in this ear­li­er Open Cul­ture post. The pod­cast has since tak­en off: it’s cur­rent­ly fea­tured on the main pod­cast page in the iTunes store and has bro­ken the top 40 in â€śtop audio pod­casts,” reach­ing #1 in the phi­los­o­phy cat­e­go­ry.

Vis­it the Par­tial­ly Exam­ined Life web page, get the episodes on iTunes, and sub­scribe to the PEL blog feed.

Mark Lin­sen­may­er hosts The Par­tial­ly Exam­ined Life and fronts a band called New Peo­ple.

Stephen Fry Introduces the Strange New World of Nanoscience

What is nano? And how will nanoscience (the study of phe­nom­e­na and manip­u­la­tion of mate­ri­als at the nanoscale) shape our future, from the way we build hous­es to how we cure dis­eases? It’s all explained in a snap­py 17 minute video nar­rat­ed by Stephen Fry (British writer, actor and direc­tor). Pro­duced in part­ner­ship with Cam­bridge Uni­ver­si­ty, NANO YOU was named the best short film at the Scin­e­ma Sci­ence Film Fes­ti­val in 2010.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Stephen Fry & Friends Pay Trib­ute to Christo­pher Hitchens

Stephen Fry on Phi­los­o­phy and Unbe­lief

Stephen Fry Gets Ani­mat­ed about Lan­guage

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HDR Skies: Beautiful Time-Lapse Film of the French Countryside

French pho­tog­ra­ph­er Tan­guy Lou­vi­gny cre­at­ed this time-lapse film of bucol­ic Nor­mandy and Brit­tany using High Dynam­ic Range (HDR) imag­ing tech­niques.

From for­est floor to set­ting sun, Lou­vi­gny’s shots ren­der fine detail across an extreme­ly wide range of lumi­nos­i­ty. To achieve this he used the auto-brack­et­ing fea­ture of his Canon EOS 400D and 60D cam­eras to cre­ate three dif­fer­ent expo­sures for each frame in the film. (At 30 frames per sec­ond, that’s 90 expo­sures for each sec­ond of screen time.) Lou­vi­gny then merged each set of three expo­sures into one image using Pho­toma­trix Pro 4.0 soft­ware, selec­tive­ly tone map­ping each sequence to hold detail in some areas while allow­ing oth­ers to go dark.

To cre­ate the mov­ing-cam­era effects, Lou­vi­gny designed and built his own robot­ic three-axis motion sys­tem using Tetrix motors and a LEGO Mind­storms con­trol sys­tem, which he pro­grammed in ROBOTC lan­guage. This allowed him to auto­mate the tor­toise-like dol­ly, pan and tilt move­ments. Lou­vi­gny edit­ed the dig­i­tal film in Adobe Pre­miere and After Effects soft­ware. To top it off he com­posed his own music on a Roland MC-808 groove­box. For more infor­ma­tion, go to the pho­tog­ra­pher’s web­site and Vimeo page.

Relat­ed Con­tent:

Invent­ing the Dig­i­tal Cam­era: A Short Por­trait of Steven Sas­son

Darren’s Big DIY Cam­era

Walt Dis­ney Presents the Super Car­toon Cam­era

Jazz for Cows

The French love their jazz. The peo­ple love it. Their cows love it no less.

Here we have The New Hot 5, a New Orleans-style band, bring­ing their act to the pas­tures of Autrans, France, and treat­ing the audi­ence to an Amer­i­can clas­sic, “When the Saints Go March­ing In.” You can learn more about The New Hot 5 at jazzforcows.com.

Speak­ing of France, we have added French lessons by Carnegie Mel­lon and the BBC added to our col­lec­tion of Free Lan­guage Lessons.

Relat­ed Con­tent:

Mari­achi Band Ser­e­nades Bel­u­ga Whale at Mys­tic Aquar­i­um

John Coltrane Plays Only Live Per­for­mance of A Love Supreme

Vin­tage Djan­go

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Philip Glass & Lou Reed at Occupy Lincoln Center: An Artful View

Last week, com­pos­er Philip Glass and rock leg­end Lou Reed embraced the Occu­py Wall Street move­ment. Ini­tial video & audio clips cap­tur­ing their appear­ances were shod­dy at best. Now Jean Thevenin (who joined the protest at Lin­coln Cen­ter Plaza) has giv­en us a bet­ter view, pro­duc­ing a short, ele­gant film sim­ply called Vis­i­ble Shape. The accom­pa­ny­ing music is “Protest” from Satya­gra­ha, writ­ten by Philip Glass and per­formed by New York City Opera Orches­tra.

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