Frank W. Buckles, The Last U.S. Veteran of World War I

Frank Woodruff Buck­les was born on Feb­ru­ary 1st, 1901. At the age of 16, he enlist­ed in the U.S. Army by con­vinc­ing recruit­ing offi­cers that he was, in fact, 21. In this short film, Buck­les recalls this time so long ago and the last year of the Great War. There are two par­tic­u­lar­ly mov­ing pas­sages in this doc­u­men­tary: when he talks about the dif­fi­cul­ties vet­er­ans expe­ri­enced after return­ing home, and when Buck­les voic­es his opin­ions on war in gen­er­al, and par­tic­u­lar­ly war today (“How did we get involved in this thing, Iraq? It was crazy, we have no damn busi­ness in there.”)

Frank died on Feb­ru­ary 27th, 2011, at the age of 110. The last sur­viv­ing U.S. vet­er­an of World War I, he was prop­er­ly laid to rest at Arling­ton Nation­al Ceme­tery (find video of the cer­e­mo­ny here). There are two trib­utes to Mr Buck­les that offer more insight into his life: a short video by the Unit­ed States Depart­ment of Vet­er­ans Affairs and an obit­u­ary in the Wash­ing­ton Post.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

The Beatles’ Rooftop Concert: The Last Gig Filmed in January 1969

On a cold day in Jan­u­ary 1969, The Bea­t­les, who had­n’t played live since 1966, took to the rooftop of the head­quar­ters of Apple Records, locat­ed at 3 Sav­ile Row, in cen­tral Lon­don. And there they played an impromp­tu last gig, much to the delight of Lon­don­ers on near­by rooftops … and to the cha­grin of the police.

At the time, The Bea­t­les were record­ing their album, Let It Be, and the rooftop show let them run through var­i­ous tracks from that last effort. Songs played dur­ing the set include “Get Back,” where the Bea­t­les were accom­pa­nied by Bil­ly Pre­ston on the key­boards, and “Don’t Let Me Down,” “I’ve Got A Feel­ing,” “One After 909,” and “Dan­ny Boy.” And final­ly “Dig A Pony” and anoth­er ver­sion of “Get Back.” We have the last song above. Watch a full playlist of videos here.

Famous­ly, The Bea­t­les’ live lega­cy ends with the police shut­ting down the show (it was a noise vio­la­tion, you know?) and John Lennon utter­ing the immor­tal words, “I’d like to say thank you on behalf of the group and our­selves, and I hope we passed the audi­tion.” That’s going out in style…

Foot­note: It’s not clear which band played the first rooftop con­cert, but one thing is for sure. Jef­fer­son Air­plane played their own rooftop gig on Decem­ber 7, 1968, and Jean-Luc Godard filmed it. Once again, the police pay a friend­ly vis­it. Watch it here.

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David’s Diary: The New David Sedaris App for Apple & Android

A lit­tle David Sedaris on your mobile device? Yes, please!

Last week, Hachette Dig­i­tal released David’s Dairy, a new app that brings six ani­mat­ed short films inspired by David Sedaris’ diary to your Apple and Android devices. The films are short — most run about 45 sec­onds. They’re char­ac­ter­is­ti­cal­ly quirky and art­ful­ly designed. And the com­plete app costs runs only $1.99. But, at min­i­mum, you get the longest video in the col­lec­tion here for free and then this:

Bonus Mate­r­i­al: In our col­lec­tion of Free Audio Books, you will find two read­ings by David Sedaris. Here they go:

  • “The Mouse and the Snake” from Squir­rel Seeks Chip­munk: A Mod­est Bes­tiary — Free MP3
  • “Solu­tion to Saturday’s Puz­zle” from When You Are Engulfed in Flames - Free MP3

And, you can always down­load a com­plete David Sedaris book (in audio) by tak­ing advan­tage of Audible.com’s Free Tri­al offer.

The Aurora Borealis Viewed from Orbit (and What Creates Those Northern Lights?)

Ear­li­er this week, NASA astro­naut Clay­ton Ander­son tweet­ed a 14 sec­ond time-lapse film of the Auro­ra Bore­alis tak­en from the Inter­na­tion­al Space Sta­tion. The short clip called to mind a more exten­sive view of the North­ern Lights shot by Don Pet­tit, also work­ing in the ISS, back in 2008. (Watch above.) And it raised the basic ques­tion: What caus­es the Auro­ra Bore­alis any­way?

The beau­ti­ful nat­ur­al phe­nom­e­non starts deep inside the core of the sun, and the rest of the sto­ry gets explained in a five minute ani­mat­ed video cre­at­ed by Nor­we­gian film­mak­er Per Byhring and the Physics Depart­ment at the Uni­ver­si­ty of Oslo.

Both clips now appear in our col­lec­tion of 125 Great Sci­ence Videos.

via Coudal Part­ners Blend­ed Feed and Brain­Pick­ings

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This is Real Democracy

The Israeli mashup artist Ophir Kutiel, oth­er­wise known as Kuti­man, strikes again. His lat­est cre­ation, “This is Real Democ­ra­cy,” offers a mul­ti­me­dia com­men­tary on the messy state of world affairs. Which way will bank­rupt democ­ra­cies and nascent demo­c­ra­t­ic move­ments take us? It’s unclear and a lit­tle unnerv­ing, or per­haps a reminder of Churchill’s famous dic­tum “Democ­ra­cy is the worst form of gov­ern­ment, except for all those oth­er forms that have been tried.” The mashup cap­tures that sense in its own unique way…

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The Birth of Film: 11 Firsts in Cinema

Today, we’re rewind­ing the video­tape to the ear­ly days of cin­e­ma. We’re start­ing in 1878 and then mov­ing for­ward, watch­ing eleven cin­e­mat­ic firsts, the moments when entire tra­di­tions in film were born. The first hor­ror film. The first west­ern. The first sci-fi film. And all of the rest. Some films we have fea­tured here before, oth­ers not. All appear in our col­lec­tion of 400 Free Movies Online. Sit back and enjoy…

If you’re look­ing for the first movie ever made, you can look back to The Horse In Motion, cre­at­ed by Ead­weard Muy­bridge in 1878. Muy­bridge was asked by Leland Stan­ford (rail­road mag­nate, Cal­i­for­nia sen­a­tor, race-horse own­er, and even­tu­al founder of Stan­ford Uni­ver­si­ty) to answer a pop­u­lar­ly debat­ed ques­tion: When a horse trots, do all four hooves leave the ground simul­ta­ne­ous­ly? Muy­bridge’s stop motion film made it clear that they do.

A great film tra­di­tion – the West­ern – start­ed in 1903 with The Great Train Rob­bery, Edwin S. Porter’s 10 minute film that com­bined west­ern themes with inno­v­a­tive cin­e­mat­ic tech­niques (nar­ra­tive sto­ry­telling, par­al­lel edit­ing, minor cam­era move­ment, loca­tion shoot­ing, etc.). The film famous­ly took its inspi­ra­tion from an event that became the stuff of leg­end: Butch Cassidy’s 1900 train heist, which end­ed with Cas­sidy blow­ing open a safe and escap­ing with $5,000 in cash. Start­ing in the 1920s, John Wayne began shoot­ing the first of many West­erns and took the genre to new heights. You can find 25 Free John Wayne Films right here.

A year before the Wright broth­ers launched the first air­plane flight in 1903, Georges Méliès, a French film­mak­er with already 400 films to his cred­it, direct­ed a film that visu­al­ized a much big­ger human ambi­tion – land­ing a space­craft on the moon. Loose­ly based on works by Jules Vernes (From the Earth to the Moon) and H. G. Wells (The First Men in the Moon), A Trip to the Moon (Le voy­age dans la lune) invent­ed one of our favorite cin­e­mat­ic gen­res – the sci­ence fic­tion movie. Today, many film crit­ics con­sid­er Méliès’ short movie an endur­ing clas­sic. The Vil­lage Voice ranked it #84 on its list of the 100 Best Films of the 20th Cen­tu­ry, and you’ll almost cer­tain­ly rec­og­nize the icon­ic shot at the 4:44 mark.

Chalk anoth­er one up for Georges Méliès. Even before he brought sci-fi to motion pic­tures, Méliès shot Le Manoir du Dia­ble, or The Haunt­ed Cas­tle, in 1896, which many now con­sid­er the first hor­ror movie. In this three minute film, a bat flies into a medieval cas­tle, turns into Mephistophe­les, then gets chased away by a cru­ci­fix. There you have it, the essen­tial ingre­di­ents of the vam­pire film.

100 years ago, J. Sear­le Daw­ley wrote and direct­ed Franken­stein. It took him three days to shoot the short, 12-minute movie (when most films were actu­al­ly shot in just one day). It marked the first time that Mary Shel­ley’s lit­er­ary cre­ation was adapt­ed to film. And, some­what notably, Thomas Edi­son had a hand (albeit it an indi­rect one) in mak­ing the film. The first Franken­stein was shot at Edi­son Stu­dios, the pro­duc­tion com­pa­ny owned by the famous inven­tor.

In ear­ly 1920, Robert Wiene pre­miered in Berlin his silent film The Cab­i­net of Dr. Cali­gari. Ever since, crit­ics have lav­ished praise upon Cali­gari, call­ing it a mod­el of Ger­man expres­sion­ist film, the great­est hor­ror film of ear­ly cin­e­ma, and an impor­tant influ­ence on direc­tors lat­er work­ing in the film noir tra­di­tion. And, what’s more (spoil­er alert), Wiene’s film intro­duced the first ‘twist end­ing’ to cin­e­ma. Today, you can watch this ground­break­ing film in its entire­ty above, or by down­load­ing it from the Inter­net Archive.

Get more cin­e­mat­ic firsts after the jump.

(more…)

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Kenneth Branagh Stars in Radio Dramatization of Epic Soviet Novel, Life and Fate (Free Audio)

Le Monde has called Life and Fate “the great­est Russ­ian nov­el of the twen­ti­eth cen­tu­ry,” and Mar­tin Amis once described its author, Vasi­ly Gross­man, as “the Tol­stoy of the USSR.” Now, if you haven’t read the nov­el, you can begin to under­stand the rea­son for all of the high praise.

Start­ing this week, the BBC will air an eight-hour drama­ti­za­tion of the mas­ter­piece that offered a sweep­ing account of the siege of Stal­in­grad, one of the blood­i­est bat­tles of World War II. Although orig­i­nal­ly writ­ten in 1959, the book was offi­cial­ly cen­sored in the Sovi­et Union until 1988 because, in the esti­ma­tion of the appa­ratchiks, it threat­ened to do more harm to the USSR than Paster­nak’s Doc­tor Zhiva­go.

Ken­neth Branagh and David Ten­nant star in the 13-episode series that will be broad­cast from 18 to 25 Sep­tem­ber on Radio 4. You can access the audio files online or via iTues, RSS Feed, and oth­er for­mats here.

For more drama­ti­za­tions of lit­er­ary clas­sics, please vis­it:

Aldous Hux­ley Reads Dra­ma­tized Ver­sion of Brave New World

HG Wells’ The War of the Worlds Nar­rat­ed by Orson Welles

Free Audio Books: Down­load Great Books for Free

50 Clas­sic Russ­ian Films (Includ­ing Tarkovsky’s Finest) Now Online

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Foo Fighters “Perform” for Westboro Baptist Church

If you’re not famil­iar with The West­boro Bap­tist Church, it’s a hate group seem­ing­ly mas­querad­ing as a reli­gious orga­ni­za­tion based in Tope­ka, Kansas. It has only 71 mem­bers, most­ly from the same fam­i­ly, and they’re known for taste­less­ly trav­el­ing across the U.S. and protest­ing against homo­sex­u­al­i­ty and gay rights at the funer­als of fall­en U.S. sol­diers. A log­i­cal con­nec­tion, right?

In late August, the “church” brought its mem­bers to Kansas City to protest at the Foo Fight­ers con­cert, cit­ing the band’s sup­port of “for­ni­ca­tion, adul­tery, idol­a­try and fags.” And the band did­n’t back down. Dave Grohl & Co. sang a mock­ing ver­sion of a homo­erot­ic tune Keep It Clean (above), all while wear­ing the same truck­er garb they had worn in a NSFW video to pro­mote their “Hot Buns” tour. The “Hot Buns” video (below) was shot around the same time, seem­ing­ly also to tweak the West­boro clan. Watch the cen­sored ver­sion below, and the uncen­sored ver­sion here.

via @jessebdylan

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