Classical Music: A History According to YouTube


Three cheers for cura­tion. Lime­light, an Aus­tralian cul­ture web site, has select­ed “40 of the most infor­ma­tive, rep­re­sen­ta­tive and enter­tain­ing videos” avail­able on YouTube. And they’ve strung them togeth­er in such a way that they offer a â€śchrono­log­i­cal his­to­ry of west­ern clas­si­cal music from the twelfth cen­tu­ry to the mod­ern age,” tak­ing you from The Mid­dle Ages and The Renais­sance, through the Baroque, Clas­si­cal, and Roman­tic peri­ods, and end­ing with The Birth of Mod­ernism and Post-WWII inno­va­tions. The clip above comes from Anton van Mun­ster’s film on Vival­di, I Musi­ci, which is avail­able on Net­flix. (If you’re not a sub­scriber, a one month free tri­al is avail­able here.) Oth­er clips put a spot­light on Bach, Mozart, Chopin, Ver­di, Wag­n­er and oth­ers.

Relat­ed Con­tent:

85,000 Clas­si­cal Music Scores (and Free MP3s) on the Web

The Com­plete Organ Works of Johann Sebas­t­ian Bach

The Great­est Com­posers: Accord­ing to The New York Times

via Metafil­ter

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A Daily Dose of Jerry Seinfeld

Jer­ry Sein­feld has decid­ed to go on tour, and as if to remind us that his stand-up life pre­ced­ed his decade-plus dom­i­nance of net­work TV, he’s also archived the best bits from a com­e­dy career that now spans over 25 years. (He first appeared on nation­al tele­vi­sion in 1977.) The new site/archive will fea­ture just a few clips, mak­ing new ones avail­able each day. It’s a smart move; the steady trick­le of new jokes will no doubt keep fans hun­gry.

For a reminder of the days when it was Sein­feld him­self who was hun­gry, here’s a set from 1981, his first appear­ance on HBO. He’s being pre­sent­ed by the pitch-per­fect Smoth­ers Broth­ers, who intro­duce the bare­ly known come­di­an as “Jer­ry Ste­in­feld.”

via NYT

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

David Hume in 3 Minutes … For His 300th Birthday

The Stan­ford Ency­clo­pe­dia of Phi­los­o­phy calls David Hume (1711–1776) “the most impor­tant philoso­pher ever to write in Eng­lish,” and this week the phi­los­o­phy world cel­e­brates the 300th birth­day of the great Scot­tish empiricist/skeptic. Around the web, you can find more seri­ous com­men­tary on Hume’s phi­los­o­phy. Just head over to The Philoso­pher’s Zone, Phi­los­o­phy Bites, or The Par­tial­ly Exam­ined Life to lis­ten to their enlight­en­ing pod­casts. And then you have this: Hume’s phi­los­o­phy summed up in three slight­ly rib­ald min­utes. It’s part of a series of YouTube clips that offer idio­syn­crat­ic sum­maries of the phi­los­o­phy of Aris­to­tle, Kant, Descartes and oth­er giants.

Mean­while, let us note that you can down­load free ver­sions of Hume’s major works online. Let us list a few for you:

  • An Enquiry Con­cern­ing Human Under­stand­ing Audio — Text
  • Dia­logues Con­cern­ing Nat­ur­al Reli­gion Audio — Text
  • Trea­tise of Human Nature Audio — Text

Find more great works in our col­lec­tion of Free Audio Books and eBooks

via The Par­tial­ly Exam­ined Life

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Orson Welles’ Birthday Bash: Three Movies, One Radio Classic, and Two Great Narrations

96 years ago today, Orson Welles, the “ulti­mate auteur,” was born in Kenosha, Wis­con­sin. Hence his ear­ly nick­name, The Kenosha Kid. Nowa­days, we remem­ber Welles as arguably the great­est direc­tor of the 20th cen­tu­ry, a superb actor on stage and screen, and a pio­neer­ing radio drama­tist. To cel­e­brate his 96th birth­day, we have dipped into our archives and pulled togeth­er some of Welles’ finest artis­tic works, all now freely avail­able online:

The Stranger

Welles’ third film, The Stranger, a 1946 film noir thriller, was a com­mer­cial suc­cess upon release. The same could­n’t be said for Cit­i­zen Kane. The Stranger fea­tures Edward G. Robin­son hunt­ing a Nazi fugi­tive (Welles him­self) who mar­ries the daugh­ter (Loret­ta Young) of a Supreme Court jus­tice. The film, now avail­able online in its entire­ty, is one of the first post WWII films to show footage of con­cen­tra­tion camps. You can find this film, and oth­ers men­tioned below, in our col­lec­tion of Free Movies Online.

The Third Man


The Third Man by crazedig­i­tal­movies

Welles famous­ly starred in The Third Man, a must-see noir film, which won the Grand Prix at the 1949 Cannes Film Fes­ti­val and an Acad­e­my Award for Best Black and White Cin­e­matog­ra­phy in 1950. A half cen­tu­ry lat­er, the British Film Insti­tute named The Third Man the best British film of the 20th cen­tu­ry. Quite a state­ment. You can watch it here.

Free­dom Riv­er

Almost 40 years (and sev­en pres­i­den­tial admin­is­tra­tions) have passed since Orson Welles nar­rat­ed Free­dom Riv­er. And although the ani­ma­tion shows some age, the para­ble, a com­men­tary on Amer­i­ca, still res­onates today. Or, at least I sus­pect many view­ers will think so. You can get the back­sto­ry on this intrigu­ing lit­tle project here.

The War of the Worlds

Back in the late 1930s, Orson Welles launched The Mer­cury The­atre on the Air, a radio pro­gram ded­i­cat­ed to bring­ing dra­mat­ic pro­duc­tions to the Amer­i­can air­waves. The show had a fair­ly short run. It last­ed from 1938 to 1941. But it made its mark. Dur­ing these few years, The Mer­cury The­atre aired The War of the Worlds, an episode nar­rat­ed by Welles that led many Amer­i­cans to believe their coun­try was under Mar­t­ian attack. The leg­endary pro­duc­tion was based on H.G. Wells’ ear­ly sci-fi nov­el, and you can lis­ten to it here. We have more links to Mer­cury The­atre pro­duc­tions here.

Welles Reads Moby Dick

He only gives you two tan­ta­liz­ing min­utes. And he’s para­phras­ing more than read­ing the text itself. But it’s vin­tage Welles. You can find him read­ing anoth­er pas­sage from Melville’s clas­sic here…

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Stanley Kubrick’s Filmography Animated

French graph­ic artist Mar­tin Woutis­seth has put togeth­er this love­ly fil­mog­ra­phy of Stan­ley Kubrick, based on ani­mat­ed posters of his own design, and set to a won­der­ful score by com­pos­er Romain Trouil­let. Woutis­seth’s visu­al inter­pre­ta­tions of each film, from Killer’s Kiss (1955) to Eyes Wide Shut (1999) are works of art in their own right. We espe­cial­ly loved the details on the mask for Eyes Wide Shut at minute 3:00.

You can watch Killer’s Kiss for free at our online movie archive, plus Kubrick­’s first film, Fear & Desire, on Google Video.

via Curios­i­ty Counts

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Bubbles Over Stinson Beach

Ster­ling John­son, oth­er­wise known as the Bub­ble­smith, goes to work at Stin­son Beach, a lit­tle north of San Fran­cis­co. Mark Day cap­tures the artis­tic dis­play with his Canon 550D, and it’s all set to Bach’s Pre­lude in C Major. Like the kid said in Amer­i­can Beau­ty, “Some­times there’s so much beau­ty in the world, I feel like I can’t take it, like my heart’s going to cave in…”

via Sci­ence Dump

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RIP Arthur Laurents, Writer of West Side Story

A sad, lov­ing farewell to the great play­wright, libret­tist and direc­tor Arthur Lau­rents, who died in his sleep today at the age of 93. Mr. Lau­rents was best known for writ­ing Gyp­sy (1959), The Way We Were (1973), and of course the incom­pa­ra­ble West Side Sto­ry (1959), about which this author has noth­ing to say, except that with­out West Side Sto­ry the world as she knows and loves it would cease to exist.

He will be missed.

via  @SteveSilberman

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

50 Classic Russian Films (Including Tarkovsky’s Finest) Now Online

We have pre­vi­ous­ly fea­tured films by the great Russ­ian film­mak­er Andrei Tarkovsky. So we’re over­joyed to report that the Moscow film com­pa­ny Mos­film has just made 5o Russ­ian clas­sics avail­able on YouTube in high def­i­n­i­tion. Accord­ing to Yahoo News, Mos­film has pledged to release five more films each week, all in HD with Eng­lish sub­ti­tles, even­tu­al­ly bring­ing the total for the year to 200.

You can look over the whole list of cur­rent­ly avail­able clas­sics at Mos­film’s YouTube chan­nel. (Non-Russ­ian speak­ers might want to hit Google Trans­late.) In yet anoth­er con­ces­sion to the deca­dence of West­ern cap­i­tal­ism, each film is pre­ced­ed by a short com­mer­cial. We hope some bal­ance has been restored to the uni­verse by the inclu­sion of com­mu­nist dic­ta­tor Joseph Stal­in’s favorite movie, the musi­cal com­e­dy Vol­ga Vol­ga.

Don’t miss our big col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

via Yahoo News

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

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