Three cheers for curaÂtion. LimeÂlight, an AusÂtralian culÂture web site, has selectÂed “40 of the most inforÂmaÂtive, repÂreÂsenÂtaÂtive and enterÂtainÂing videos” availÂable on YouTube. And they’ve strung them togethÂer in such a way that they offer a “chronoÂlogÂiÂcal hisÂtoÂry of westÂern clasÂsiÂcal music from the twelfth cenÂtuÂry to the modÂern age,” takÂing you from The MidÂdle Ages and The RenaisÂsance, through the Baroque, ClasÂsiÂcal, and RomanÂtic periÂods, and endÂing with The Birth of ModÂernism and Post-WWII innoÂvaÂtions. The clip above comes from Anton van MunÂster’s film on VivalÂdi, I MusiÂci, which is availÂable on NetÂflix. (If you’re not a subÂscriber, a one month free triÂal is availÂable here.) OthÂer clips put a spotÂlight on Bach, Mozart, Chopin, VerÂdi, WagÂnÂer and othÂers.
JerÂry SeinÂfeld has decidÂed to go on tour, and as if to remind us that his stand-up life preÂcedÂed his decade-plus domÂiÂnance of netÂwork TV, he’s also archived the best bits from a comÂeÂdy career that now spans over 25 years. (He first appeared on nationÂal teleÂviÂsion in 1977.) The new site/archive will feaÂture just a few clips, makÂing new ones availÂable each day. It’s a smart move; the steady trickÂle of new jokes will no doubt keep fans hunÂgry.
For a reminder of the days when it was SeinÂfeld himÂself who was hunÂgry, here’s a set from 1981, his first appearÂance on HBO. He’s being preÂsentÂed by the pitch-perÂfect SmothÂers BrothÂers, who introÂduce the bareÂly known comeÂdiÂan as “JerÂry SteÂinÂfeld.”
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly
The StanÂford EncyÂcloÂpeÂdia of PhiÂlosÂoÂphy calls David Hume (1711–1776) “the most imporÂtant philosoÂpher ever to write in EngÂlish,” and this week the phiÂlosÂoÂphy world celÂeÂbrates the 300th birthÂday of the great ScotÂtish empiricist/skeptic. Around the web, you can find more seriÂous comÂmenÂtary on Hume’s phiÂlosÂoÂphy. Just head over to The PhilosoÂpher’s Zone,PhiÂlosÂoÂphy Bites, or The ParÂtialÂly ExamÂined Life to lisÂten to their enlightÂenÂing podÂcasts. And then you have this: Hume’s phiÂlosÂoÂphy summed up in three slightÂly ribÂald minÂutes. It’s part of a series of YouTube clips that offer idioÂsynÂcratÂic sumÂmaries of the phiÂlosÂoÂphy of ArisÂtoÂtle, Kant, Descartes and othÂer giants.
MeanÂwhile, let us note that you can downÂload free verÂsions of Hume’s major works online. Let us list a few for you:
An Enquiry ConÂcernÂing Human UnderÂstandÂing Audio — Text
DiaÂlogues ConÂcernÂing NatÂurÂal ReliÂgionAudio — Text
96 years ago today, Orson Welles, the “ultiÂmate auteur,” was born in Kenosha, WisÂconÂsin. Hence his earÂly nickÂname, The Kenosha Kid. NowaÂdays, we rememÂber Welles as arguably the greatÂest direcÂtor of the 20th cenÂtuÂry, a superb actor on stage and screen, and a pioÂneerÂing radio dramaÂtist. To celÂeÂbrate his 96th birthÂday, we have dipped into our archives and pulled togethÂer some of Welles’ finest artisÂtic works, all now freely availÂable online:
The Stranger
Welles’ third film, The Stranger, a 1946 film noir thriller, was a comÂmerÂcial sucÂcess upon release. The same couldÂn’t be said for CitÂiÂzen Kane. The Stranger feaÂtures Edward G. RobinÂson huntÂing a Nazi fugiÂtive (Welles himÂself) who marÂries the daughÂter (LoretÂta Young) of a Supreme Court jusÂtice. The film, now availÂable online in its entireÂty, is one of the first post WWII films to show footage of conÂcenÂtraÂtion camps. You can find this film, and othÂers menÂtioned below, in our colÂlecÂtion of Free Movies Online.
Welles famousÂly starred in The Third Man, a must-see noir film, which won the Grand Prix at the 1949 Cannes Film FesÂtiÂval and an AcadÂeÂmy Award for Best Black and White CinÂeÂmatogÂraÂphy in 1950. A half cenÂtuÂry latÂer, the British Film InstiÂtute namedThe Third Man the best British film of the 20th cenÂtuÂry. Quite a stateÂment. You can watch it here.
FreeÂdom RivÂer
Almost 40 years (and sevÂen presÂiÂdenÂtial adminÂisÂtraÂtions) have passed since Orson Welles narÂratÂed FreeÂdom RivÂer. And although the aniÂmaÂtion shows some age, the paraÂble, a comÂmenÂtary on AmerÂiÂca, still resÂonates today. Or, at least I susÂpect many viewÂers will think so. You can get the backÂstoÂry on this intriguÂing litÂtle project here.
The War of the Worlds
Back in the late 1930s, Orson Welles launched The MerÂcury TheÂatre on the Air, a radio proÂgram dedÂiÂcatÂed to bringÂing draÂmatÂic proÂducÂtions to the AmerÂiÂcan airÂwaves. The show had a fairÂly short run. It lastÂed from 1938 to 1941. But it made its mark. DurÂing these few years, The MerÂcury TheÂatre aired The War of the Worlds, an episode narÂratÂed by Welles that led many AmerÂiÂcans to believe their counÂtry was under MarÂtÂian attack. The legÂendary proÂducÂtion was based on H.G. Wells’ earÂly sci-fi novÂel, and you can lisÂten to it here. We have more links to MerÂcury TheÂatre proÂducÂtions here.
Welles Reads Moby Dick
He only gives you two tanÂtaÂlizÂing minÂutes. And he’s paraÂphrasÂing more than readÂing the text itself. But it’s vinÂtage Welles. You can find him readÂing anothÂer pasÂsage from Melville’s clasÂsic here…
French graphÂic artist MarÂtin WoutisÂseth has put togethÂer this loveÂly filÂmogÂraÂphy of StanÂley Kubrick, based on aniÂmatÂed posters of his own design, and set to a wonÂderÂful score by comÂposÂer Romain TrouilÂlet. WoutisÂseth’s visuÂal interÂpreÂtaÂtions of each film, from Killer’s Kiss (1955) to Eyes Wide Shut (1999) are works of art in their own right. We espeÂcialÂly loved the details on the mask for Eyes Wide Shut at minute 3:00.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly
SterÂling JohnÂson, othÂerÂwise known as the BubÂbleÂsmith, goes to work at StinÂson Beach, a litÂtle north of San FranÂcisÂco. Mark Day capÂtures the artisÂtic disÂplay with his Canon 550D, and it’s all set to Bach’s PreÂlude in C Major. Like the kid said in AmerÂiÂcan BeauÂty, “SomeÂtimes there’s so much beauÂty in the world, I feel like I can’t take it, like my heart’s going to cave in…”
A sad, lovÂing farewell to the great playÂwright, libretÂtist and direcÂtor Arthur LauÂrents, who died in his sleep today at the age of 93. Mr. LauÂrents was best known for writÂing GypÂsy (1959),The Way We Were(1973),and of course the incomÂpaÂraÂble West Side StoÂry (1959), about which this author has nothÂing to say, except that withÂout West Side StoÂry the world as she knows and loves it would cease to exist.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
We have preÂviÂousÂly feaÂtured films by the great RussÂian filmÂmakÂer Andrei Tarkovsky. So we’re overÂjoyed to report that the Moscow film comÂpaÂny MosÂfilm has just made 5o RussÂian clasÂsics availÂable on YouTube in high defÂiÂnÂiÂtion. AccordÂing to Yahoo News, MosÂfilm has pledged to release five more films each week, all in HD with EngÂlish subÂtiÂtles, evenÂtuÂalÂly bringÂing the total for the year to 200.
You can look over the whole list of curÂrentÂly availÂable clasÂsics at MosÂfilm’s YouTube chanÂnel. (Non-RussÂian speakÂers might want to hit Google TransÂlate.) In yet anothÂer conÂcesÂsion to the decaÂdence of WestÂern capÂiÂtalÂism, each film is preÂcedÂed by a short comÂmerÂcial. We hope some balÂance has been restored to the uniÂverse by the incluÂsion of comÂmuÂnist dicÂtaÂtor Joseph StalÂin’s favorite movie, the musiÂcal comÂeÂdy VolÂga VolÂga.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly
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