Leo Strauss: 15 Political Philosophy Courses Online

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In 1949, Leo Strauss, the Ger­man-Jew­ish emi­gré, land­ed at The Uni­ver­si­ty of Chica­go, where he spent decades teach­ing and writ­ing on polit­i­cal phi­los­o­phy, espe­cial­ly the polit­i­cal thought of the Ancients. Strauss’ think­ing skewed con­ser­v­a­tive, and if he was some­times con­tro­ver­sial while alive, he has become only more so in death (1973). Nowa­days he’s con­sid­ered right­ly or wrong­ly the “intel­lec­tu­al god­fa­ther of the neo-con­ser­v­a­tive polit­i­cal move­ment,” if not an “intel­lec­tu­al force behind the Bush admin­is­tra­tion’s plan to invade Iraq.” Although Strauss com­ment­ed occa­sion­al­ly on con­tem­po­rary pol­i­tics (Harper’s has more on that), he spent most of his time work­ing through major philo­soph­i­cal texts, and through his com­men­taries, devel­op­ing his own philo­soph­i­cal posi­tions, which were gen­er­al­ly hos­tile to the Enlight­en­ment project and mod­ern individualism/liberalism.

Strauss was unques­tion­ably an influ­en­tial fig­ure even if he still divides us, and now, cour­tesy of U. Chica­go, you can lis­ten to 15 of his phi­los­o­phy sem­i­nars online. They were record­ed between 1959 and 1973, and some rep­re­sen­ta­tive titles include Montesquieu’s The Spir­it of the Laws (a course that Paul Wol­fowitz took dur­ing the ear­ly 70s), Niet­zsche’s Beyond Good and Evil, Hobbes’ Leviathan, and Hegel’s The Phi­los­o­phy of His­to­ry.

More sem­i­nars will be com­ing online. For now, we have cat­a­logued all 15 exist­ing sem­i­nars in the Phi­los­o­phy sec­tion of our big col­lec­tion of 1100 Free Online Cours­es.

Relat­ed Con­tent:

Wal­ter Kaufmann’s Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

Phi­los­o­phy with John Sear­le: Three Free Cours­es

Exis­ten­tial­ism with Hubert Drey­fus: Four Free Phi­los­o­phy Cours­es

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George Carlin’s “Modern Man” Rap

Forty years after George Car­lin first stopped by The Tonight Show (1966), he made one of his last appear­ances, deliv­er­ing a rap/poem that’s clas­sic Car­lin, a hyp­not­ic riff on mod­ern life and soci­ety. The lyrics appear right below.

I’m a mod­ern man,
A man for the mil­len­ni­um,
Dig­i­tal and smoke free.
A diver­si­fied mul­ti­cul­tur­al post­mod­ern decon­struc­tion­ist,
Polit­i­cal­ly anatom­i­cal­ly and eco­log­i­cal­ly incor­rect.
I’ve been uplinked and down­loaded.
I’ve been inputted and out­sourced.
I know the upside of down­siz­ing.
I know the down­side of upgrad­ing.
I’m a high tech lowlife.
A cut­ting edge state-of-the-art bicoastal mul­ti­tasker,
And I can give you a giga­byte in a nanosec­ond. (The rest after the jump…)
(more…)

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3 Dreams of Black: A Mind-blowing Interactive Music Video

So this is def­i­nite­ly not your grand­ma’s MTV. The clip we’ve post­ed above explains the mak­ing of “3 Degrees of Black,” an inter­ac­tive video made for your brows­er, which was the prod­uct of a col­lab­o­ra­tion between the mul­ti-hyphen­at­ed artist/filmmaker Chris Milk and a group of 20-some­thing genius­es at Plan­et Google. But before you delve into the (admit­ted­ly fas­ci­nat­ing) back­sto­ry, be sure to expe­ri­ence the video for your­self and move your mouse around a bit.

“Three Dreams of Black” is a song from the new album “Rome,” itself a col­lab­o­ra­tion between Amer­i­can pro­duc­er Dan­ger Mouse and Ital­ian com­pos­er Daniel Lup­pi, fea­tur­ing Jack White and Norah Jones. The song is a per­fect choice for a trip­py, mul­ti-faceted project like this, which com­bines video, 2D and 3D graph­ics, and the user her­self. And yes, we know the whole “exper­i­ment” is basi­cal­ly just an adver­tise­ment for Google Chrome, but after spend­ing some time in their dream­scape, we’re cool with that.

via Metafil­ter

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

A Brief History of Light

No light, no civ­i­liza­tion. It’s pret­ty much that sim­ple. And it’s this sim­ple idea that m ss ng p eces, a Brook­lyn-based cre­ative com­pa­ny, explores ever so art­ful­ly in The Sto­ry of Light. Here’s how they intro­duce the video:

We have used light for sur­vival, to learn by, to enter­tain and express our­selves, mold expe­ri­ences, and illu­mi­nate our imag­i­na­tions. Inspired by such a sin­gu­lar sto­ry we set out to cre­ate a hand­made sto­ry­book fan­ta­sy illus­trat­ing mile­stones in the his­to­ry of light. Each chap­ter invites us through the annals of his­to­ry, lead­ing to present day where a new set of pos­si­bil­i­ties are yet to be real­ized in the light of tomor­row.

When you reach the end of the video, you’ll real­ize that the clip also dou­bles as a com­mer­cial for GE’s new led light bulb. Lend­ing an air of cool­ness to a dowdy con­glom­er­ate (GE)  is no easy feat. But it’s prob­a­bly not so tough when you’ve already made GE Cap­i­tal, a huge recip­i­ent of 2008 bailout mon­ey, look ever so hip. GE Cap­i­tal + Tay­lor Gui­tars = I think I will buy a Mar­tin, thank you very much.

You can learn more about the mak­ing of The Sto­ry of Light with this video

via PSFK

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Lars von Trier Expelled from Cannes

Lars von Tri­er stepped on the third rail Wednes­day when he called him­self a Nazi and Hitler sym­pa­thiz­er in jest. The joke did­n’t go over so well, and, his apolo­gies (some­times sound­ing sin­cere, some­times not so much) did­n’t win peo­ple over. Today, Cannes offi­cials took an unprece­dent­ed step, declar­ing him per­sona non gra­ta at the fes­ti­val. This marks the first time Cannes has exiled a direc­tor in its 64 year his­to­ry. What will Lars do next? The prova­ca­teur sug­gests that he will return to his native Den­mark and shoot porn films:

I want to be sur­round­ed by porn peo­ple who love me for what I am, who say, ‘Where do you want the erec­tion, where do you want the pen­e­tra­tion.’ Where it’s not com­pli­cat­ed. There would­n’t be a porn star run­ning out there say­ing ‘Lars said this or Lars said that.’

He also might want to add hir­ing a few good han­dlers to the to-do list. Mean­while, if you’re look­ing for a few clas­sic Dan­ish films, we have Vampyr and La Pas­sion de Jeanne d’Arc, both by Carl Theodor Drey­er, in our col­lec­tion of Free Movies Online.

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The Climate Scientist Rap (Warning: Offensive Language)

In this high­ly NSFW video pro­duced by the Aus­tralian tele­vi­sion show Hun­gry Beast, a posse of bona fide, degree-hold­ing cli­mate sci­en­tists put the ulti­mate smack­down on cli­mate change deniers. By NSFW, we mean that the rap is “more exple­tive-rid­den than the lat­est Lil’ Wayne sin­gle.” Still, after a few lis­tens we did find a cou­plet clean enough to quote:

We’re scientists/What we speak is true
Unlike Andrew Bolt/Our work is PEER REVIEWED!

If you feel like drop­ping $1.69, you can also buy the extend­ed sin­gle on iTunes.

Relat­ed Con­tent:

Hayek vs. Keynes Rap

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

The National Jukebox: Play 10,000 Songs Released Between 1901 and 1925

The Nation­al Juke­box, the new dig­i­tal musi­cal play­er of the Library of Con­gress, fea­tures more than 10,000 songs released by the Vic­tor Talk­ing Machine Com­pa­ny between 1901 and 1925 (with the promise of more to come). You can build your own playlist from the many gen­res of music avail­able, which include some extreme­ly rare record­ings from dif­fer­ent gen­res includ­ing 0perablues, yodel­ing, jazz, and much, much more.

We also love the dis­claimer on the web­site’s front page: WARNING: His­tor­i­cal record­ings may con­tain offen­sive lan­guage. It’s quite easy to see why the warn­ing is nec­es­sary, espe­cial­ly after some time spent lis­ten­ing to the com­e­dy sec­tion.

If you want to see a Vic­tor Talk­ing Machine in action, you can watch one get­ting demoed here.

via @kirstinbutler

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

3D Street Art

The title says it all. The art­work is pret­ty mind-blow­ing. The sound­track? Not so much. But you can’t have it all. Thanks to anony­mous user for send­ing…

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