Endeavour’s Launch Viewed from Booster Cameras

in Astronomy, Science, Video - Science | May 26th, 2011

Here’s the good stuff that nerdgasms are made of. NASA has released a video that lets you hitch a ride on the May 16th launch of the Space Shut­tle Endeav­our. The video runs 37 min­utes; it’s nar­rat­ed by a NASA offi­cial; and it loops around and lets you see the launch from sev­er­al dif­fer­ent van­tage points.

You start with liftoff, trav­el­ing at 1300 miles per hour. Then, about two min­utes lat­er, the rock­et boost­ers sep­a­rate from the shut­tle, and you then twist with them. The sec­ond loop starts around the 7:20 mark, and don’t miss the splen­did view at 9:40 …

Relat­ed Con­tent:

The Best of NASA Space Shut­tle Videos (1981–2010)

NASA Cap­tures Giant Solar Storm

NASA Zooms into Spi­ral Galaxy

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Kubrick’s A Clockwork Orange: Malcolm McDowell Looks Back

in Film | May 25th, 2011

A few days ago, we linked to the recent Col­lid­er inter­view with Mal­colm McDow­ell, the star of Stan­ley Kubrick­’s 1971 clas­sic, A Clock­work Orange. One of the high­lights of the piece is a short video clip in which the now 68-year-old actor describes the ori­gins of the film’s icon­ic — and hor­rif­i­cal­ly vio­lent — “Singing in the Rain” scene.

You can catch a much younger McDow­ell dis­cussing that same scene in 1972, start­ing at minute 6:30 of the inter­view below. For kicks, slide back to minute 4:15, and watch the cocky 28-year-old give his inter­locu­tor a sharp dress­ing down for dar­ing to sug­gest that Mr. Kubrick could be “dif­fi­cult” to work with:

via @DangerMindsBlog

Relat­ed con­tent:

Stan­ley Kubrick­’s Fil­mog­ra­phy Ani­mat­ed

Killer’s Kiss: Where Stan­ley Kubrick­’s Film­mak­ing Career Real­ly Begins

Kubrick vs. Scors­ese Mon­tage

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Darren’s Big DIY Camera

in Art | May 25th, 2011

Pho­tog­ra­ph­er Dar­ren Samuel­son spent a good year research­ing his big cam­era. Then it was time to build it. The bel­lows came first, craft­ed over two hard weeks on his liv­ing room floor. Next came the rear por­tion of the cam­era, and even­tu­al­ly the front, the rails, and the rest. All told, sev­en months of lov­ing labor went into mak­ing Dar­ren’s big DIY cam­era, capa­ble of pro­duc­ing 14×36-inch neg­a­tives. (By the way, it also used x‑ray film.) At long last, it was time to give things a try at San Fran­cis­co’s Lands End. The short doc­u­men­tary above shows you the rest. Don’t miss the images at the 2:20 mark…

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Jimmy Fallon Nails the Bob Dylan Impersonation

in Comedy, Music | May 24th, 2011

He looks like Bob Dylan. He sings like our birth­day boy Bob Dylan. And yet he’s cov­er­ing per­haps the cheesi­est 80s sit­com theme song ever made — which makes it all the more hilar­i­ous…

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Pop-Motion Animation: A New Take on the Flip Book

in Animation, Film | May 24th, 2011

When Dul­cidio Caldeira of the agency Para­noid BR was com­mis­sioned recent­ly to cre­ate a one-minute com­mer­cial mark­ing MTV Brazil’s 21st birth­day, he end­ed up re-imag­in­ing one of animation’s old­est forms: the flip book. The result is a work of inspired silli­ness, with char­ac­ters like Gene Sim­mons, Slash, Ozzy Osbourne—even Ozzy’s bat—appearing on a long line of bal­loons being popped at a rate of ten per sec­ond. Caldeira and col­lab­o­ra­tors Andre Faria and Guga Ket­zer used a laser to line up hun­dreds of bal­loons along a 656-foot (200-meter) set of tracks. It took them 24 hours to shoot.

Via: Print Mag­a­zine

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Peter Sellers Performs The Beatles “A Hard Day’s Night” in Shakespearean Voice

in Comedy, Literature, Music | May 24th, 2011

Back in 1964, Peter Sell­ers (aka Chief Inspec­tor Clouse­au in The Pink Pan­ther films) made a cameo appear­ance on “The Music of Lennon and McCart­ney,” a tele­vi­sion pro­gram pro­duced at the height of Beat­le­ma­nia. The schtick? To read the lyrics of A Hard Day’s Night in a way that com­i­cal­ly recalls Lau­rence Olivier’s 1955 per­for­mance of the open­ing solil­o­quy from Richard III. It starts famous­ly “Now is the win­ter of our dis­con­tent …” (See full text here.)

On a very relat­ed note, don’t miss:

Peter Sell­ers Reads The Bea­t­les’ “She Loves You” in Four Voic­es

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For Bob Dylan’s 70th Birthday, Footage From His Earliest NYC Days

in Music | May 24th, 2011

Rock star, folk singer, poet, and nation­al trea­sure Bob Dylan turns 70 today, and just in case you haven’t made plans to mark the occa­sion, we’ve got a few options for you: If you’d like some com­pa­ny, you can check out this Google map of all the sep­tu­a­ge­nar­i­an cel­e­bra­tions world­wide to see if there will be one in your home­town. Or you can re-read Joe Queenan’s bril­liant­ly incor­rect assess­ment of the rebel at 50 in Spy Mag­a­zine. And if you’re feel­ing soli­tary and reflec­tive, there’s always Chron­i­cles Vol. 1 and Dylan­Ra­dio by can­dle­light.

We chose to go with the love­ly “Guess I’m Doing Fine” from the singer’s ear­li­est days in New York City (now avail­able on “The Wit­mark Demos: 1962–1964,” the lat­est install­ment of The Boot­leg Series. Watch the trail­er here). The 20-year old’s voice sounds a bit thin and plain­tive, and the lament per­haps under­cut by the many miles of road he has­n’t yet trav­elled, espe­cial­ly when he moans:

No, I ain’t got my child­hood
Or friends I once did know.
But I still got my voice left,
I can take it any­where I go.

But don’t be too hard on young Bob­by Zim­mer­man… He was a whole lot old­er then, and he’s younger than that now.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Lost Films: Identify Missing Cinema Through Crowdsourcing

in Film | May 23rd, 2011

Can you iden­ti­fy the man in this pic­ture? The archivists at Lost Films hope you can. The image is tak­en from footage of a vin­tage film that no one has been able to iden­ti­fy. Accord­ing to the descrip­tion that goes with the still, all we know now is that this odd­ly-dressed  char­ac­ter is an escaped con­vict named “Hem Lock.” The movie is prob­a­bly Amer­i­can, and it was most like­ly shot some­where around 1923. If you think you can add some more infor­ma­tion, it’s time for you to sign up.

More than 80 per­cent of silent films and a high per­cent­age of old sound films have been lost or are now unac­count­ed for. Lost Films is a col­lab­o­ra­tive effort among film soci­eties in Ger­many, France, Poland, New Zealand, and sev­er­al oth­er coun­tries to help iden­ti­fy and locate some 3,500 lost or miss­ing films through crowd­sourc­ing. Any­one can become a mem­ber and then upload clips and images from “mys­tery movies” to the site, and also com­ment on the as-yet-unti­tled stills and images that have already been uploaded. The site also con­tains a heart­en­ing list of films that have been recent­ly been recov­ered.

The project is fund­ed by the Ger­man Fed­er­al Cul­tur­al Asso­ci­a­tion.

Be sure to find many silent and ear­ly sound movies (among oth­er things) in our col­lec­tion of Free Movies Online.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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