The Shape of A Story: Writing Tips from Kurt Vonnegut

A few years ago, Open Cul­ture read­ers list­ed Slaugh­ter­house Five as one of your top life-chang­ing books. But Kurt Von­negut was not only a great author. He was also an inspi­ra­tion for any­one who aspires to write fic­tion – see for exam­ple his 8 rules for writ­ing fic­tion, which starts with the so-obvi­ous-it’s-often-for­got­ten reminder nev­er to waste your read­er’s time.

In this video, Von­negut fol­lows his own advice and sketch­es some bril­liant blue­prints for envi­sion­ing the “shape” of a sto­ry, all in less than 4 min­utes and 37 sec­onds.

FYI. Orig­i­nal works by Von­negut appear in Free Audio Books and Free eBooks col­lec­tions.

Relat­ed Con­tent:

Ray Brad­bury Gives 12 Pieces of Writ­ing Advice to Young Authors (2001)

John Steinbeck’s Six Tips for the Aspir­ing Writer and His Nobel Prize Speech

Writ­ing Tips by Hen­ry Miller, Elmore Leonard, Mar­garet Atwood, Neil Gaiman & George Orwell

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

How Walt Disney Cartoons Are Made: 1939 Documentary Gives an Inside Look

Walt Dis­ney’s 1937 pro­duc­tion, Snow White and the Sev­en Dwarfs, broke new ground on a num­ber of fronts. It was 1) the first cel-ani­mat­ed fea­ture film ever pro­duced; 2.) the first ani­mat­ed film made in col­or — tech­ni­col­or actu­al­ly; and 3.) Dis­ney’s first ani­mat­ed film, one of many com­mer­cial and artis­tic hits to come. (Catch a quick clip here.)

Two years lat­er, Dis­ney pro­duced an in-house doc­u­men­tary, How Walt Dis­ney Car­toons Are Made, that walks you through the stages of Snow White’s devel­op­ment – the writ­ing of the first sto­ry lines, the draft­ing of the ani­ma­tion sequences, the hand paint­ing of 250,000 cel­lu­loid frames (done by “pret­ty girls,” as they say) and beyond. Back in the day, Amer­i­can film­go­ers watched this footage in the cin­e­ma, the trail­er before the main fea­ture film.

Mean­while, you can also watch online Para­moun­t’s 1939 answer to Dis­ney’s big hit — Gul­liv­er’s Trav­els, anoth­er cel-ani­mat­ed Tech­ni­col­or fea­ture film direct­ed by Dave Fleis­ch­er, who lat­er brought us an ani­mat­ed ver­sion of Super­man (1941).

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Relat­ed Con­tent:

Don­ald Duck Wants You to Pay Your Tax­es (1943)

Disney’s Oscar-Win­ning Adven­tures in Music

Don­ald Duck Dis­cov­ers Glenn Beck: A Remix

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Inside Job, Oscar-Winning Documentary, Now Online (Free)

In late Feb­ru­ary, Charles Fer­gu­son’s film – Inside Job – won the Acad­e­my Award for Best Doc­u­men­tary. And now the film doc­u­ment­ing the caus­es of the 2008 glob­al finan­cial melt­down has made its way online. A cor­rupt finan­cial indus­try, its cor­ro­sive rela­tion­ship with politi­cians, aca­d­e­mics and reg­u­la­tors, and the tril­lions of dam­age done, it all gets doc­u­ment­ed in this film that runs a lit­tle shy of 2 hours.

Inside Job can be pur­chased on DVD at Ama­zon. We all love free, but let’s remem­ber that good projects cost real mon­ey to devel­op, and they could use real finan­cial sup­port. So please con­sid­er buy­ing a copy.

Hope­ful­ly watch­ing or buy­ing this film won’t be a point­less act, even though it can right­ly feel that way. As Charles Fer­gu­son remind­ed us dur­ing his Oscar accep­tance speech, we are three years beyond the Wall Street cri­sis and tax­pay­ers (you) got fleeced for bil­lions. But still not one Wall Street exec is fac­ing crim­i­nal charges. Wel­come to your plu­toc­ra­cy…

More than 20 Years Before “Lost” — “The New People”

There was a good deal of time-trav­el in the ABC hit series Lost, one of the more ambi­tious and pop­u­lar shows of the past decade. But nei­ther Jack, Sawyer, Hur­ley, nor any of our oth­er beloved 21st cen­tu­ry cast­aways ever went back to the year 1969. If they had, and if they’d had access to a TV, they might have found them­selves watch­ing a show about — them­selves.

Well, sort of. The New Peo­ple ran on Fri­day nights on ABC from Sep­tem­ber 1969 through Jan­u­ary 1970 (It last­ed only 17 episodes). We’ll take a shot at sum­ma­riz­ing the gen­er­al premise, which might ring a cou­ple of bells:

A plane crash­es on a remote island in the Pacif­ic, leav­ing its mot­ley group of sur­vivors strand­ed and fight­ing about what to do next.… As they explore their new home, they find an entire town, ful­ly stocked with pro­vi­sions and weapons, but creep­i­ly emp­ty. Soon the sur­vivors dis­cov­er that this island was once set up .…to be an Atom­ic Ener­gy Com­mis­sion test­ing site!

No Lost fan can live with­out a con­spir­a­cy the­o­ry, but we’re pret­ty sure there was noth­ing fishy in the com­mon­al­i­ties, and in the end, are we not all chil­dren of Gilli­gan? Fur­ther­more, there’s a good deal more to the plot, which includes racial con­flict, ado­les­cent angst (the sur­vivors are all col­lege stu­dents), and a healthy dose of Lord of the Flies-style chaos. Full episodes are not online, but at TVob­scu­ri­ties you can find a wealth of relat­ed con­tent, clips, links to reviews, and even the theme song, with lyrics.

Also, be sure to check out the episode guide, which real­ly does intrigue. Num­ber 12, for exam­ple:

The Pied Piper of Pot. Step­pen­wolf  thinks his fel­low islanders are too uptight, so he grows potent mar­i­jua­na that threat­ens to send the stu­dents into a har­row­ing, one-way trip.

The New Peo­ple was pro­duced by Aaron Spelling, who went on to bring us Char­lie’s Angels, The Love Boat, Hart to Hart, and Bev­er­ly Hills 90210, among many, many oth­ers. But we’re not sure if he ever did come up with anoth­er char­ac­ter as com­pelling as Step­pen­wolf.

(Thanks to Bryan Thomas)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.


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