Awe-Inspiring Interactive 3D Model of the Solar System

We turned off the lights and switched to the biggest mon­i­tor in the house, to get the full plan­e­tar­i­um effect of this won­der­ful web­site. It’s called the Solar Sys­tem Scope, and gives you a chance to observe space from with­in it, rather than duti­ful­ly study­ing it in a text­book or on a screen.

Click­ing on the tele­scope icon to the left lets you tog­gle between three dif­fer­ent per­spec­tives:  The helio­cen­tric view, with the plan­ets and stars spin­ning around you; the panoram­ic view, which repli­cates the feel­ing of watch­ing the skies from the Green­wich obser­va­to­ry; and, since after all we are the cen­ter of the uni­verse, the geo­cen­tric view, which puts the rest of the cos­mos firm­ly in their place, orbit­ing the earth.

In a sec­tion called “What’s Next” the site’s cre­ators (who are you, mys­tery design­ers?) tell us that they are work­ing on a kid-friend­ly ver­sion of the site as well, but  we’re not sure that’s even nec­es­sary.  When we let a curi­ous 8‑year-old try it out ear­li­er today, it took us about an hour to get our com­put­er back.

via Metafil­ter

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Free: Richard Feynman’s Physics Course from Cornell (1964)

We’re beam­ing you back to 1964. Richard Feyn­man, our favorite Bon­go-play­ing, Nobel Prize-win­ning physi­cist, reduces sci­ence to the barest essen­tials, to its most fun­da­men­tal truth. If a the­o­ry does­n’t square with exper­i­ment, it’s wrong. That holds true for clever the­o­ries, ele­gant the­o­ries, and all of the rest.

This clip is just a small out­take from a sev­en-part lec­ture series that Fey­man pre­sent­ed at Cor­nell in 1964, and the lec­tures are all now freely avail­able on the web thanks to Bill Gates. You can watch the full series on our site, or on a Mis­crosoft site, but be warned: if you choose the lat­ter, you’ll need to down­load Microsoft­’s Sil­verlight soft­ware to watch the lec­tures.

For more free physics lessons, don’t miss our col­lec­tion of Free Online Physics Cours­es, part of our larg­er col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Feyn­man fans will also want to see this oth­er open project: The Feyn­man Lec­tures on Physics, The Most Pop­u­lar Physics Book Ever Writ­ten, Now Com­plete­ly Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Soviet Scifi Cinema: The Other Tolstoy in the Movies

Seen by over 20 mil­lion Rus­sians when it came out in 1965, The Hyper­boloid of Engi­neer Garin was a film based on a 1927 nov­el by Alek­sey Niko­layevich Tol­stoy, who is not to be con­fused with his famous rel­a­tive Leo Tol­stoy. This Tol­stoy is gen­er­al­ly thought of as the father of Russ­ian sci­ence fic­tion, and The Garin Death Ray was one of his most famous books (Vladimir Nabokov con­sid­ered it his best).

Hyper­boloid was writ­ten and direct­ed by Alek­san­dr Gintzburg, a high­ly gift­ed cin­e­matog­ra­ph­er who nev­er quite reached the career heights his tal­ent might have war­rant­ed, in part because of his Jew­ish ori­gins, and in part because of the nar­row range of artis­tic free­dom allowed direc­tors work­ing for the State-run cin­e­ma. Gintzburg stayed well with­in that range for this film, which leaves us with an odd­ly com­pelling mix of Sovi­et pro­pa­gan­da and 60’s pop-sci­fi.

As for the plot… we’d rather not give any­thing away. Just think of it as a beau­ti­ful­ly-lit pro­to-1984, with sub­ti­tles and laser beams, star­ring Big Broth­er as the good guy.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Everything Is Rhythm

“Foli” is the word used for rhythm by the Malinke tribe in West Africa. But Foli is not only found in Malinke music, but in all parts of their dai­ly lives. Direct­ed by Thomas Roe­bers, this short film por­trays the peo­ple of Baro, a small town in east­ern-cen­tral Guinea, and gives you a glimpse inside their cul­ture of rhythm. As the Malinke man says, “Tous les choses, c’est du rythme.” (“Every­thing is rhythm.”) What makes this film even more beau­ti­ful is the fact that it was edit­ed so as to reflect Malinke rhythms.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Night Photography: Painting Darkness with Light

Ter­lin­gua was once a min­ing vil­lage in Texas. Now, it’s an old ghost town where Scott Mar­tin and Lance Keimig host The Full Moon Night Pho­tog­ra­phy Work­shop, a field sem­i­nar that teach­es pho­tog­ra­phers to “see” in the dark. Need­less to say, there is an entire­ly dif­fer­ent art to cap­tur­ing images at night, a bun­dle of dif­fer­ent tech­niques and approach­es to mas­ter, includ­ing know­ing how to paint the dark­ness with light. This video runs 6:30 and gets par­tic­u­lar­ly good around the 2:50 mark…

via @MatthiasRascher

How Venice Works: 124 Islands, 183 Canals & 438 Bridges

3,000,000 tourists move through Venice each year. But when the tourists leave the city, 60,000 year-round res­i­dents stay behind, con­tin­u­ing their dai­ly lives, which requires nav­i­gat­ing an arch­i­pel­ago made up of 124 islands, 183 canals and 438 bridges. How this com­pli­cat­ed city works – how the build­ings are defend­ed from water, how the build­ings stand on unsteady ground, how the Vene­tians nav­i­gate this maze of a city – is a pret­ty fas­ci­nat­ing sto­ry. These tech­niques have been worked out over Venice’s 1500 year his­to­ry, and now they’re explored in a cap­ti­vat­ing 17 minute video pro­duced by a Venet­ian gov­ern­ment agency. You can learn more about the inner life of this great city at Venice Back­stage.

via Metafil­ter

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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The Quadrocopter Opera

Physics gets its own lit­tle opera. And you’ll nev­er look at quadro­copters, those ball jug­gling robots, in quite the same way. Nice work “Opera­man­da”…

via @chr1sa

The Ramones Live in 1978: 26 Songs in 54 Minutes

Princes of New York punk, kings of CBG­B’s (take vir­tu­al tour here), and the only Amer­i­cans, then or now, who could pull off skin­ny jeans with impuni­ty, The Ramones were mas­ters of the short and sweet.  Here’s a record­ing of  a live 1978 set at the Pal­la­di­um in New York City: 26 songs, 54 min­utes, all set to clips from old sci-fi movies.

via NPR

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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