Le Flaneur: Time Lapse Video of Paris Without the People

Luke Shep­ard, a stu­dent at the Amer­i­can Uni­ver­si­ty of Paris, began work­ing on Le Fla­neur as part of a project for school, but it quick­ly took on a life of its own. He used a Nikon D90 DSLR cam­era to take over 2,000 pho­tos of Paris at night, and then used Adobe After Effects and Pre­miere Pro to pro­duce this impres­sive tour of a world that most of us rarely see – Paris with­out Parisians. In Eng­lish, “fla­neur” trans­lates rough­ly as “stroller,” “loafer,”  or per­haps “aim­less walk­er,”  and, in an inter­view with Nation­al Geo­graph­ic Trav­el­er, Shep­ard explained that he was  inspired to shoot these images in part by late-night plea­sure rides on his bicy­cle.

(Note: Some view­ers may pre­fer to watch with the vol­ume off, as the chase scene-ready sound­track detracts a bit from the eerie sense of a vir­tu­al­ly desert­ed city.  For more time-lapse pho­tog­ra­phy, check out these videos of Mec­ca, New York City, and the Milky Way.)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Elizabeth Taylor on “What’s My Line?” (1954)

Eliz­a­beth Tay­lor, a star for sev­en decades, died ear­li­er today of con­ges­tive heart fail­ure. She was 79 years old. To pay quick trib­ute, we’re high­light­ing Tay­lor’s 1954 appear­ance on “What’s My Line?,” the longest-run­ning game show in Amer­i­can tele­vi­sion his­to­ry (1950 — 1967). A good way to remem­ber Tay­lor – hav­ing a lit­tle fun in her prime.

The film men­tioned at the end of the scene – The Last Time I Saw Paris stars – also hap­pens to be avail­able at the Inter­net Archive for free. Enjoy

Relat­ed Con­tent:

Sal­vador Dali (and Oth­er VIPs) on “What’s My Line?”

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Leonard Cohen Reads “The Future” (Not Safe for Work)

If you’ve been feel­ing the End Times’ icy breath a lit­tle close on your shoul­ders these past few weeks, we rec­om­mend a healthy dose of Leonard Cohen. You can start with this 20-minute inter­view from 1993, con­duct­ed by Bar­bara Gowdy of the Cana­di­an lit­er­ary series, Imprint. And click “play” with cau­tion — it starts with Cohen read­ing the very NSFW poem “The Future,” from his epony­mous 1992 album.

The sec­ond you hear that famous blue bari­tone say “Give me absolute con­trol over every liv­ing soul,” you know the apoc­a­lypse can cer­tain­ly wait till the poem’s over. Or maybe it can’t, but at least you’ll have spent your last few moments lis­ten­ing to Leonard Cohen.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Vari­ety, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Kutiman’s Trip to Jerusalem

The Israeli artist Ophir Kutiel, oth­er­wise known as Kuti­man, returns to YouTube with a rather dif­fer­ent project. No Moth­er of All Funk Chords. No Kuti­man-Thru-You. No new take on the remix, but rather a three-day stroll through Jerusalem with a Canon T21. An ancient, holy city seen through a mod­ern lens. The back­ground music is a Kuti­man orig­i­nal with Ita­mar Duari on per­cus­sion…

Lawrence Krauss: Every Atom in Your Body Comes From a Star

Lawrence Maxwell Krauss, author of the best-sell­ing book The Physics of Star Trek, is a the­o­ret­i­cal physi­cist and Pro­fes­sor of Physics at Ari­zona State Uni­ver­si­ty. His research focus­es on the begin­ning and the end of the uni­verse.

This past Jan­u­ary, Krauss attend­ed the World Eco­nom­ic Forum in Davos and was asked by 99 Faces TV to talk about his work. In a rel­a­tive­ly short 381 sec­onds, he speaks about the scale of the uni­verse, the con­cept of dark ener­gy and explains how “you real­ly are star­dust.” That is to say, every lit­tle atom in your body comes from a super­no­va (or explod­ing star). Krauss elab­o­rates on this poet­ic thought in this 2009 video (def­i­nite­ly rec­om­mend­ed), and he’ll have more to say in his new book, A Uni­verse from Noth­ing.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Charismatic Psychoanalyst Jacques Lacan Gives Public Lecture (1972)

The footage above is from an extreme­ly rare – and unex­pect­ed­ly enter­tain­ing – video of the philoso­pher and psy­cho­an­a­lyst Jacques Lacan (1901–1981), giv­ing a lec­ture at The Catholic Uni­ver­si­ty of Lou­vain in 1972. The film is notable for a cou­ple of rea­sons:

1. In France, Lacan’s rock star sta­tus owed much to his pop­u­lar pub­lic sem­i­nars. The charis­mat­ic icon­o­clast had been giv­ing free pub­lic lec­tures for decades, and those lec­tures were usu­al­ly packed with stu­dents, col­leagues, skep­tics, young rad­i­cals … and fans. The video gives you an idea of what the fuss was all about. Even at 70, Lacan still owns the room, and he has the pres­ence of a stage actor, com­plete with dra­mat­ic paus­es, iron­ic self-reflec­tion, and pitch-per­fect storms of emo­tion (see minute 15:07).

2. At minute 21:37, a polit­i­cal­ly inspired heck­ler tries to ambush him. It’s a moment right out of a com­e­dy show, if the com­e­dy show were chic and grainy and edit­ed by Jean-Luc God­dard. Note the grace with which Lacan neu­tral­izes the poor guy, lights his cig­ar and then con­cludes the lec­ture, even though the fall­out from their encounter is still stuck in his hair.

Lacan’s ideas have fall­en a bit out of fash­ion in the past two decades, par­tic­u­lar­ly in the U.S., where psy­cho­analy­sis has been nudged out of the spot­light by neu­ro­science and post-struc­tural­ism has lost ground to post-colo­nial stud­ies. But Lacan still has his fans, notably the “Elvis of Phi­los­o­phy,” Slavoj Zizek, who dom­i­nates YouTube the way his pre­de­ces­sor once did salons.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Vari­ety, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Alain de Botton Tweets Short Course in Political Philosophy

Alain de Bot­ton has mas­tered the art of pop­u­lar­iz­ing great phi­los­o­phy. His books, lec­tures, tele­vised pro­grams and the Lon­don-based School of Life – they all help de Bot­ton get great ideas “out there.” And now he turns to Twit­ter. On Fri­day, @AlaindeBotton tweet­ed a short course in polit­i­cal phi­los­o­phy in sev­en parts. The course, with each les­son pre­sent­ed in 140 char­ac­ters or less, begins like this:

1: Pla­to: We should be ruled not by lead­ers cho­sen by a major­i­ty, but by those who are most intel­li­gent.

2. St Augus­tine: We should not try to build par­adise on earth. Aim for tol­er­a­ble gov­ern­ment, true gov­ern­ment only pos­si­ble in the next life.

3. Machi­avel­li: Politi­cian must choose between serv­ing the inter­ests of coun­try and the inter­ests of Chris­t­ian moral­i­ty. Can’t have both.

You can fin­ish the course here, and start fol­low­ing us on Twit­ter here, where we post a steady flow of cul­tur­al good­ies through­out the day. If you like Open Cul­ture, you will love our Twit­ter stream (and our Face­book page)…

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Adieu Alfred

The actor Michael Gough died this past week. He was 94 years old, and best remem­bered for his role as Alfred the But­ler in the Bat­man movies. (We pay quick trib­ute to that role above). Beyond that, Gough had a long stage career, begin­ning back in the mid 1940s, and played char­ac­ter roles in films rang­ing from campy hor­ror films to Out of Africa. The Guardian revis­its his life and act­ing career in fin­er detail right here…

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