The Bill Gates colÂlege tour rolled through StanÂford UniÂverÂsiÂty in late April. And Gates brought with him a mesÂsage for stuÂdents: PhilÂanÂthropy counts. No matÂter how young you are, you can start thinkÂing about givÂing back.
His visÂit feaÂtured a large pubÂlic talk where he drove home this point. (Get the full talk in video or audio here.) Then, like any good teacher, he held office hours and answered stuÂdent quesÂtions posed through FaceÂbook. Watch his responsÂes above.
HuffÂPo has pulled togethÂer a list of The 12 GreatÂest LitÂerÂary One-Hit WonÂders. And it’s a strange list indeed. When you think of “one-hit wonÂders,” you think of memÂoÂrable songs recordÂed by very unmemÂoÂrable artists – artists who got their 15 minÂutes of fame and then fell right off the radar. MeanÂwhile, the HuffÂPo list includes some of the most endurÂing names in AmerÂiÂcan litÂerÂaÂture – F. Scott FitzgerÂald, J.D. Salinger, and HerÂman Melville. They gave us their big novÂels – The Great GatsÂby, The CatchÂer in the Rye, and Moby Dick – then wrote some othÂer lastÂing pieces of ficÂtion, both short and long. They hardÂly fadÂed into oblivÂion. And, years latÂer, we’re cerÂtainÂly not askÂing, “what ever hapÂpened to old what’s his name?”
British filmÂmakÂer TemuÂjin Doran may be betÂter known for his strong, highÂly opinÂionÂatÂed views on democÂraÂcy and polÂiÂtics, but his adapÂtaÂtion of Ernest HemÂingÂway’s memÂoir, A MoveÂable Feast, is someÂthing else entireÂly.
Though still narÂratÂed in Doran’s charÂacÂterÂisÂtiÂcalÂly urgent, restÂless tone, Spring offers a quiÂet tribÂute to Parisian urbanÂiÂty and the richÂness of seaÂsonÂalÂiÂty, capÂtured with cinÂeÂmatÂic minÂiÂmalÂism and eeriÂly indulÂgent aesÂthetÂic ausÂterÂiÂty.
Maria PopoÂva is the founder and ediÂtor in chief of Brain PickÂings, a curatÂed invenÂtoÂry of eclecÂtic interÂestÂingÂness and indisÂcrimÂiÂnate curiosÂiÂty. She writes for Wired UK, GOOD MagÂaÂzine, BigÂThink and HuffÂinÂgÂton Post, and spends a disÂturbÂing amount of time curatÂing interÂestÂingÂness on TwitÂter.
I live in SilÂiÂcon ValÂley where it’s easy to assume that you’re livÂing at the cenÂter of techÂnoÂlogÂiÂcal innoÂvaÂtion. But, as Sarah Lacy reminds us today in TechCrunch, SilÂiÂcon ValÂley will probÂaÂbly not realÂize the promise of e‑learning. Rather, it will be investors and entreÂpreÂneurs in Brazil, India, South Africa and othÂer emergÂing marÂkets. Why will they get the job done? Because their eduÂcaÂtionÂal sysÂtems haven’t fulÂly matured. They’re still a work-in-progress. And this creÂates an enviÂronÂment much more favorÂable to innoÂvaÂtion. You can get the rest of her thinkÂing here.
This week, TheNew York Times began a phiÂlosÂoÂphy blog called The Stone, modÂerÂatÂed by Simon CritchÂley. The series will address “issues both timeÂly and timeÂless – art, war, ethics, genÂder, popÂuÂlar culÂture and more.” And it will ask: “What does phiÂlosÂoÂphy look like today? Who are philosoÂphers, what are their conÂcerns and what role do they play in the 21st cenÂtuÂry?”
Not everyÂone is hapÂpy with the choice of CritchÂley as modÂerÂaÂtor, but it looks like there will be parÂticÂiÂpants to suit all temÂperaÂments: “NanÂcy Bauer, Jay BernÂstein, Arthur C. DanÂto, Todd May, NanÂcy SherÂman, Peter Singer and othÂers.”
CritchÂley begins with a quesÂtion bound to invite snarky comÂments: What is a PhilosoÂpher? Such comÂments have a long hisÂtoÂry (I’ve includÂed a YouTube clip of my all-time favorite parÂoÂdy above). And so the natÂurÂal startÂing point for any answer to that quesÂtion is the popÂuÂlar conÂcepÂtion of philosoÂpher as bullÂshit artist and “absent-mindÂed bufÂfoon”: “Socrates tells the stoÂry of Thales, who … was lookÂing so intentÂly at the stars that he fell into a well.” That’s a conÂcepÂtion that, I have to admit, trouÂbled me when I was a phiÂlosÂoÂphy gradÂuÂate stuÂdent and led me to drop out. And it has trouÂbled philosoÂphers hisÂtorÂiÂcalÂly: many a sober treaÂtise begins with the unflatÂterÂing comÂparÂiÂson of phiÂlosÂoÂphy to the empirÂiÂcal sciÂences and the statÂed goal of remÂeÂdyÂing this defiÂcienÂcy. And some strains of anaÂlytÂic phiÂlosÂoÂphy argue that the soluÂtion to philoÂsophÂiÂcal probÂlems is to realÂize that there are no such probÂlems, and that phiÂlosÂoÂphy has a relÂaÂtiveÂly modÂest supÂportÂing role in clarÂiÂfyÂing the founÂdaÂtions of sciÂence.
True to my philoÂsophÂiÂcal pediÂgree, I think that the quesÂtion is in a way its own answer: philoÂsophÂiÂcal probÂlems natÂuÂralÂly elide into the probÂlem of what phiÂlosÂoÂphy is and what it is that philosoÂphers do. One levÂel of reflecÂtion tends to lead to the next, and doubt to self-doubt. PhilosoÂphers are peoÂple who spend their time tryÂing to figÂure out what they’re doing with their time and why they’re doing it. And so for instance, quesÂtions about how we should live (ethics) and what we can know (episÂteÂmolÂoÂgy) are also quesÂtions about whether the life of the mind is worthÂwhile and whether philoÂsophÂiÂcal purÂsuits are propÂerÂly sciÂenÂtifÂic. The unavoidÂable state of affairs here is that phiÂlosÂoÂphy falls perÂpetÂuÂalÂly into one criÂsis (or well) after anothÂer –recent departÂment cloÂsures are just one examÂple.
One way of remÂeÂdyÂing the nagÂging thought that phiÂlosÂoÂphy is mereÂly a retreat from worldÂly affairs, pracÂtiÂcalÂiÂty, and life in genÂerÂal is to do preÂciseÂly what TheNew York Times has done here, and try to iniÂtiÂate more popÂuÂlar and less acaÂdÂeÂmÂic conÂverÂsaÂtions about the subÂject. (And to get in a plug, it’s what I and two othÂer phiÂlosÂoÂphy grad school dropouts have tried to do with our podÂcast, The ParÂtialÂly ExamÂined Life; and what I think Open CulÂture does with its focus on the interÂsecÂtion of eduÂcaÂtion and new media).
For CritchÂley, the quesÂtion of time is paraÂmount to answerÂing his openÂing quesÂtion: newsÂpaÂpers and blogs are typÂiÂcalÂly focused on timeÂliÂness rather than timeÂlessÂness, and they’re meant for busy peoÂple who want to quickÂly absorb “inforÂmaÂtion.”
But that tenÂsion is inherÂentÂly philoÂsophÂiÂcal.
Wes Alwan lives in Boston, MassÂaÂchuÂsetts, where he works as a writer and researcher and attends the InstiÂtute for the Study of PsyÂchoÂanalyÂsis and CulÂture. He also parÂticÂiÂpates in The ParÂtialÂly ExamÂined Life, a podÂcast conÂsistÂing of inforÂmal disÂcusÂsions about philoÂsophÂiÂcal texts by three phiÂlosÂoÂphy gradÂuÂate school dropouts.
As Robert Bly notÂed in his book, The SciÂence in SciÂence FicÂtion, some of the most intriguÂing sciÂenÂtifÂic ideas have origÂiÂnatÂed not in labs, but in sci-fi books and movies. With Iron Man 2 hitÂting the screens, SidÂney Perkowitz, a physiÂcist at Emory UniÂverÂsiÂty, talks about whether the sciÂence in the new pop movie has any roots in sciÂenÂtifÂic realÂiÂty – or, for that matÂter, whether it might inspire any new sciÂenÂtifÂic thinkÂing down the road. He offers his thoughts above. In addiÂtion to writÂing HolÂlyÂwood SciÂence: Movies, SciÂence and the End of the World, Perkowitz sits on the adviÂsoÂry board of the SciÂence and EnterÂtainÂment Exchange, a NationÂal AcadÂeÂmy of SciÂences proÂgram that tries to bring more sciÂenÂtifÂic accuÂraÂcy to mass marÂket enterÂtainÂment.
David Lynch is no stranger to comÂmerÂcials. In the past, he lent his filmÂmakÂing talÂents to Calvin Klein, GiorÂgio Armani and othÂers (watch the ads here). And now it’s Dior. Shot in ShangÂhai, Lynch’s interÂnet movie, Lady Blue ShangÂhai, runs 16 minÂutes and stars the Oscar-winÂning French actress MarÂiÂon CotilÂlard. Although largeÂly givÂen free reign here, Lynch had to include a few basic eleÂments: images of a Dior bag, Old ShangÂhai, and the Pearl TowÂer. The short movie is the third in a series of mini-feaÂtures launched on christiandior.com. You can watch the first part above, the secÂond part here.
You can now find Lady Blue ShangÂhai in our colÂlecÂtion of Free Movies Online, along with sevÂerÂal othÂer short David Lynch films.
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