Bill Gates Holds Office Hours; Talks about Giving Back

The Bill Gates col­lege tour rolled through Stan­ford Uni­ver­si­ty in late April. And Gates brought with him a mes­sage for stu­dents: Phil­an­thropy counts. No mat­ter how young you are, you can start think­ing about giv­ing back.

His vis­it fea­tured a large pub­lic talk where he drove home this point. (Get the full talk in video or audio here.) Then, like any good teacher, he held office hours and answered stu­dent ques­tions posed through Face­book. Watch his respons­es above.

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HuffPo on Literary One-Hit Wonders

Huff­Po has pulled togeth­er a list of The 12 Great­est Lit­er­ary One-Hit Won­ders. And it’s a strange list indeed. When you think of “one-hit won­ders,” you think of mem­o­rable songs record­ed by very unmem­o­rable artists – artists who got their 15 min­utes of fame and then fell right off the radar. Mean­while, the Huff­Po list includes some of the most endur­ing names in Amer­i­can lit­er­a­ture  â€“  F. Scott Fitzger­ald, J.D. Salinger, and Her­man Melville. They gave us their big nov­els – The Great Gats­by, The Catch­er in the Rye, and Moby Dick – then wrote some oth­er last­ing pieces of fic­tion, both short and long. They hard­ly fad­ed into obliv­ion. And, years lat­er, we’re cer­tain­ly not ask­ing, “what ever hap­pened to old what’s his name?”

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Spring: A Short Film Based on Hemingway’s Memoir

British film­mak­er Temu­jin Doran may be bet­ter known for his strong, high­ly opin­ion­at­ed views on democ­ra­cy and pol­i­tics, but his adap­ta­tion of Ernest Hem­ing­way’s mem­oir, A Move­able Feast, is some­thing else entire­ly.

Though still nar­rat­ed in Doran’s char­ac­ter­is­ti­cal­ly urgent, rest­less tone, Spring offers a qui­et trib­ute to Parisian urban­i­ty and the rich­ness of sea­son­al­i­ty, cap­tured with cin­e­mat­ic min­i­mal­ism and eeri­ly indul­gent aes­thet­ic aus­ter­i­ty.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of eclec­tic inter­est­ing­ness and indis­crim­i­nate curios­i­ty. She writes for Wired UK, GOOD Mag­a­zine, Big­Think and Huff­in­g­ton Post, and spends a dis­turb­ing amount of time curat­ing inter­est­ing­ness on Twit­ter.

Insults Shakespeare Style

Search­ing for a sting­ing insult that has a nice lit­er­ary qual­i­ty? Let the Shake­speare Insult Find­er be your guide. And, if you find your­self need­ing a good insult on the go, you can always down­load a free app for the iPhone.

“Your means are very slen­der, and your waste is great.”
–Hen­ry IV, part 2

(Thanks Veron­i­ca!)

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Beyond Silicon Valley: Online Education in Emerging Markets

I live in Sil­i­con Val­ley where it’s easy to assume that you’re liv­ing at the cen­ter of tech­no­log­i­cal inno­va­tion. But, as Sarah Lacy reminds us today in TechCrunch, Sil­i­con Val­ley will prob­a­bly not real­ize the promise of e‑learning. Rather, it will be investors and entre­pre­neurs in Brazil, India, South Africa and oth­er emerg­ing mar­kets. Why will they get the job done? Because their edu­ca­tion­al sys­tems haven’t ful­ly matured. They’re still a work-in-progress. And this cre­ates an envi­ron­ment much more favor­able to inno­va­tion. You can get the rest of her think­ing here.

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The New York Times Starts New Philosophy Blog

This week, The New York Times began a phi­los­o­phy blog called The Stone, mod­er­at­ed by Simon Critch­ley. The series will address “issues both time­ly and time­less – art, war, ethics, gen­der, pop­u­lar cul­ture and more.” And it will ask: “What does phi­los­o­phy look like today? Who are philoso­phers, what are their con­cerns and what role do they play in the 21st cen­tu­ry?”

Not every­one is hap­py with the choice of Critch­ley as mod­er­a­tor, but it looks like there will be par­tic­i­pants to suit all tem­pera­ments: “Nan­cy Bauer, Jay Bern­stein, Arthur C. Dan­to, Todd May, Nan­cy Sher­man, Peter Singer and oth­ers.”

Critch­ley begins with a ques­tion bound to invite snarky com­ments: What is a Philoso­pher? Such com­ments have a long his­to­ry (I’ve includ­ed a YouTube clip of my all-time favorite par­o­dy above). And so the nat­ur­al start­ing point for any answer to that ques­tion is the pop­u­lar con­cep­tion of philoso­pher as bull­shit artist and “absent-mind­ed buf­foon”: “Socrates tells the sto­ry of Thales, who … was look­ing so intent­ly at the stars that he fell into a well.” That’s a con­cep­tion that, I have to admit, trou­bled me when I was a phi­los­o­phy grad­u­ate stu­dent and led me to drop out. And it has trou­bled philoso­phers his­tor­i­cal­ly: many a sober trea­tise begins with the unflat­ter­ing com­par­i­son of phi­los­o­phy to the empir­i­cal sci­ences and the stat­ed goal of rem­e­dy­ing this defi­cien­cy. And some strains of ana­lyt­ic phi­los­o­phy argue that the solu­tion to philo­soph­i­cal prob­lems is to real­ize that there are no such prob­lems, and that phi­los­o­phy has a rel­a­tive­ly mod­est sup­port­ing role in clar­i­fy­ing the foun­da­tions of sci­ence.

True to my philo­soph­i­cal pedi­gree, I think that the ques­tion is in a way its own answer: philo­soph­i­cal prob­lems nat­u­ral­ly elide into the prob­lem of what phi­los­o­phy is and what it is that philoso­phers do. One lev­el of reflec­tion tends to lead to the next, and doubt to self-doubt. Philoso­phers are peo­ple who spend their time try­ing to fig­ure out what they’re doing with their time and why they’re doing it. And so for instance, ques­tions about how we should live (ethics) and what we can know (epis­te­mol­o­gy) are also ques­tions about whether the life of the mind is worth­while and whether philo­soph­i­cal pur­suits are prop­er­ly sci­en­tif­ic. The unavoid­able state of affairs here is that phi­los­o­phy falls per­pet­u­al­ly into one cri­sis (or well) after anoth­er –recent depart­ment clo­sures are just one exam­ple.

One way of rem­e­dy­ing the nag­ging thought that phi­los­o­phy is mere­ly a retreat from world­ly affairs, prac­ti­cal­i­ty, and life in gen­er­al is to do pre­cise­ly what The New York Times has done here, and try to ini­ti­ate more pop­u­lar and less aca­d­e­m­ic con­ver­sa­tions about the sub­ject. (And to get in a plug, it’s what I and two oth­er phi­los­o­phy grad school dropouts have tried to do with our pod­cast, The Par­tial­ly Exam­ined Life; and what I think Open Cul­ture does with its focus on the inter­sec­tion of edu­ca­tion and new media).

For Critch­ley, the ques­tion of time is para­mount to answer­ing his open­ing ques­tion: news­pa­pers and blogs are typ­i­cal­ly focused on time­li­ness rather than time­less­ness, and they’re meant for busy peo­ple who want to quick­ly absorb “infor­ma­tion.”

But that ten­sion is inher­ent­ly philo­soph­i­cal.

Wes Alwan lives in Boston, Mass­a­chu­setts, where he works as a writer and researcher and attends the Insti­tute for the Study of Psy­cho­analy­sis and Cul­ture. He also par­tic­i­pates in The Par­tial­ly Exam­ined Life, a pod­cast con­sist­ing of infor­mal dis­cus­sions about philo­soph­i­cal texts by three phi­los­o­phy grad­u­ate school dropouts.

Iron Man: The Science in Science Fiction

As Robert Bly not­ed in his book, The Sci­ence in Sci­ence Fic­tion, some of the most intrigu­ing sci­en­tif­ic ideas have orig­i­nat­ed not in labs, but in sci-fi books and movies. With Iron Man 2 hit­ting the screens, Sid­ney Perkowitz, a physi­cist at Emory Uni­ver­si­ty, talks about whether the sci­ence in the new pop movie has any roots in sci­en­tif­ic real­i­ty – or, for that mat­ter, whether it might inspire any new sci­en­tif­ic think­ing down the road. He offers his thoughts above. In addi­tion to writ­ing Hol­ly­wood Sci­ence: Movies, Sci­ence and the End of the World, Perkowitz sits on the advi­so­ry board of the Sci­ence and Enter­tain­ment Exchange, a Nation­al Acad­e­my of Sci­ences pro­gram that tries to bring more sci­en­tif­ic accu­ra­cy to mass mar­ket enter­tain­ment.

Thanks Nicole for the tip on this one.

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David Lynch Debuts Lady Blue Shanghai

David Lynch is no stranger to com­mer­cials. In the past, he lent his film­mak­ing tal­ents to Calvin Klein, Gior­gio Armani and oth­ers (watch the ads here). And now it’s Dior. Shot in Shang­hai, Lynch’s inter­net movie, Lady Blue Shang­hai, runs 16 min­utes and stars the Oscar-win­ning French actress Mar­i­on Cotil­lard. Although large­ly giv­en free reign here, Lynch had to include a few basic ele­ments: images of a Dior bag, Old Shang­hai, and the Pearl Tow­er.  The short movie is the third in a series of mini-fea­tures launched on christiandior.com. You can watch the first part above, the sec­ond part here.

You can now find Lady Blue Shang­hai in our col­lec­tion of Free Movies Online, along with sev­er­al oth­er short David Lynch films.

via The Finan­cial Times

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Open Culture was founded by Dan Colman.