It starts as it always does on the subÂway in France. The speech has the same forÂmuÂlaÂic windup. And you think you know what’s comÂing next — the pitch for some spare change. But then things head in a new direcÂtion, and a mini draÂma unfolds. I won’t spoil the rest. J’AtÂtendrai Le SuivÂant (I’ll Wait for the Next One) was nomÂiÂnatÂed for an AcadÂeÂmy Award for the Best Short Film in 2002. It received mulÂtiÂple othÂer nomÂiÂnaÂtions and prizes. This comes our way via Daniel, a film stuÂdent in Berlin. We’ve added it to our colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More.
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Sean StiegÂmeier travÂeled the world, headÂing to Prague, Japan, Banff, Utah, OreÂgon, CalÂiÂforÂnia, and beyond. Along the way, he startÂed experÂiÂmentÂing with time-lapse phoÂtogÂraÂphy. And what he came up with is pretÂty impresÂsive. Catch it above.
Simon Singh is a man who refusÂes to be silenced. In 2008, the British sciÂence writer pubÂlished an artiÂcle in The Guardian callÂing attenÂtion to some of the wilder claims of the chiÂroÂpracÂtic indusÂtry. A short time latÂer he found himÂself siftÂing through 35 pages of legal docÂuÂments from a libel suit brought by the British ChiÂroÂpracÂtic AssoÂciÂaÂtion. The lawÂsuit specifÂiÂcalÂly named Singh, and not the newsÂpaÂper. As he told The Times of LonÂdonrecentÂly, the expeÂriÂence was “scary.”
The chain of events began April 19, 2008, on the “ComÂment and Debate” page of The Guardian: “This is ChiÂroÂpracÂtic AwareÂness Week,” wrote Singh. “So let’s be aware. How about some awareÂness that may preÂvent harm and help you make truÂly informed choicÂes?” From there Singh went on to report that the founder of chiÂroÂpracÂtic therÂaÂpy, Daniel David Palmer, had claimed that “99% of all disÂeases are caused by disÂplaced verÂteÂbrae.” Even now, Singh wrote, modÂern chiÂroÂpracÂtors still hold some “quite wacky ideas.” The lawÂsuit revolves around a parÂticÂuÂlar pasÂsage, quotÂed last week in a court docÂuÂment:
“The British ChiÂroÂpracÂtic AssoÂciÂaÂtion claims that their memÂbers can help treat chilÂdren with colÂic, sleepÂing and feedÂing probÂlems, freÂquent ear infecÂtions, asthÂma and proÂlonged cryÂing, even though there is not a jot of eviÂdence. This orgaÂniÂzaÂtion is the respectable face of the chiÂroÂpracÂtic proÂfesÂsion and yet it hapÂpiÂly proÂmotes bogus treatÂments.”
When the BCA objectÂed, The Guardian offered to make space availÂable for a rebutÂtal — if there was “a jot of eviÂdence,” the BCA could present it. Instead, the orgaÂniÂzaÂtion declined the offer and sued the writer.
At the time, Singh was proÂmotÂing his new book, Trick or TreatÂment: AlterÂnaÂtive MedÂiÂcine on TriÂal, which he co-wrote with Edzard Ernst. SevÂerÂal of his earÂliÂer books were interÂnaÂtionÂal bestÂsellers, includÂing Big Bang: The OriÂgin of the UniÂverse, and Fermat’s Last TheÂoÂrem, which was pubÂlished in AmerÂiÂca as Fermat’s EnigÂma: The Epic Quest to Solve the World’s GreatÂest MathÂeÂmatÂiÂcal ProbÂlem. The comÂmerÂcial sucÂcess of Singh’s books enabled him to absorb the enorÂmous expense of fightÂing a case in the British libel courts.
Singh was dealt a seriÂous setÂback in a preÂlimÂiÂnary hearÂing last May, when a judge ruled that the writer’s phrase “hapÂpiÂly proÂmotes bogus treatÂments” amountÂed to a facÂtuÂal claim that the BCA was intenÂtionÂalÂly disÂhonÂest – an interÂpreÂtaÂtion of meanÂing which Singh flatÂly denied. Singh appealed the deciÂsion, and last ThursÂday, in a rulÂing that may prove to be a waterÂshed, not only in Singh’s case but in the largÂer strugÂgle for libel reform, the EngÂland and Wales Court of Appeal reversed the lowÂer court judge’s deciÂsion and cleared the way for Singh to use a “fair comÂment” clause in his defense.
In the writÂten deciÂsion, Lord Chief JusÂtice Igor Judge comÂmentÂed on the sociÂetal impact of the BCA’s action. “It is now nearÂly two years since the pubÂliÂcaÂtion of the offendÂing artiÂcle,” Lord Judge wrote. “It seems unlikeÂly that anyÂone would dare repeat the opinÂions expressed by Dr. Singh for fear of a writ. AccordÂingÂly this litÂiÂgaÂtion has almost cerÂtainÂly had a chillÂing effect on pubÂlic debate which might othÂerÂwise have assistÂed potenÂtial patients to make informed choicÂes about the posÂsiÂble use of chiÂroÂpracÂtic.”
In the days folÂlowÂing last week’s landÂmark deciÂsion, we talked with Singh by email.
OPEN CULTURE: ConÂgratÂuÂlaÂtions on your vicÂtoÂry in the Court of Appeal. How do you feel?
SIMON SINGH: I am delightÂed that the Court of Appeal has backed my interÂpreÂtaÂtion of my own artiÂcle, nameÂly that the British ChiÂroÂpracÂtic AssoÂciÂaÂtion is reckÂless, but not disÂhonÂest. I will still have to defend my artiÂcle at triÂal, but I will be defendÂing someÂthing I meant to write, as opposed to an extreme accuÂsaÂtion that nevÂer existÂed in the first place. Although this is a big step forÂward for me, there is still a long way to go on libel reform in the UK. EngÂlish libel laws are the worst in the free world, and they need radÂiÂcal reform so that othÂer sciÂenÂtists and jourÂnalÂists do not find themÂselves in my posiÂtion next year.
OPEN CULTURE: What hapÂpens next?
SIMON SINGH: I think the British ChiÂroÂpracÂtic AssoÂciÂaÂtion is in a difÂfiÂcult posiÂtion, but it has three choicÂes. First, it could take the case to triÂal, which is fine by me because I would relÂish the opporÂtuÂniÂty to disÂcuss my artiÂcle in a courtÂroom. SecÂond, it could appeal last week’s deciÂsion and go to the Supreme Court, but again this is fine by me because I would relÂish the opporÂtuÂniÂty to disÂcuss my artiÂcle in such an eleÂvatÂed forum. Third, it could abanÂdon the case, but the BCA would have to pay my costs before being allowed to walk away.
OPEN CULTURE: Those costs have been conÂsidÂerÂable, haven’t they?
SIMON SINGH: I estiÂmate that in my case both parÂties have run up bills of over ÂŁ300,000, of which ÂŁ200,000 has been spent estabÂlishÂing the meanÂing.
OPEN CULTURE: The Appeal Court rulÂing quotes MilÂton on the imprisÂonÂment of Galileo, and warns that under curÂrent law the court is invitÂed to become “an Orwellian minÂistry of truth.” Do you think the tide is turnÂing in favor of libel reform?
SIMON SINGH: I think the Appeal Court judges were sendÂing a clear mesÂsage that they are unhapÂpy with libel law, which should encourÂage politiÂcians to act radÂiÂcalÂly on libel reform. All the main parÂties seem keen to reform our libel laws, but this is not yet in the manÂiÂfestos of the two main parÂties. I think the presÂsure from camÂpaignÂers, the pubÂlic and the legal proÂfesÂsion will ultiÂmateÂly encourÂage the next govÂernÂment to reform libel, but we have to mainÂtain the presÂsure.
OPEN CULTURE: What makes EngÂlish libel law so onerÂous?
SIMON SINGH: There is so much wrong with EngÂlish libel law that it is hard to know where to start. It is horÂrenÂdousÂly expenÂsive, which forces writÂers to back down even if they are right, because they canÂnot afford to defend their writÂing. It has been estiÂmatÂed that an EngÂlish libel triÂal can easÂiÂly cost over ÂŁ1 milÂlion, and this is over 100 times more than the cost of an averÂage libel case in mainÂland Europe. SecÂond, there is the probÂlem that large corÂpoÂraÂtions can sue lone sciÂenÂtists, jourÂnalÂists and blogÂgers, which again forces them to back down because they are up against such powÂerÂful and rich orgaÂniÂzaÂtions. Third, the burÂden of proof is uneven, because writÂers are assumed to be guilty until proven innoÂcent. Fourth, there is no so-called robust pubÂlic interÂest defense, nameÂly someÂthing that would proÂtect writÂers comÂmentÂing on imporÂtant issues. The law should encourÂage such debate, not silence it. FinalÂly, there is a probÂlem of libel tourism, whereÂby overÂseas comÂpaÂnies sue overÂseas writÂers in LonÂdon because they know that EngÂlish libel law is hosÂtile to jourÂnalÂists.
OPEN CULTURE: Why should this conÂcern someÂone livÂing away from the British Isles?
SIMON SINGH: The issue of libel tourism means that everyÂone in the world should be scared of the EngÂlish libel law. If you write anyÂwhere in the world about a bilÂlionÂaire, then the LonÂdon court can probÂaÂbly claim jurisÂdicÂtion because the mateÂrÂiÂal can probÂaÂbly be read in EngÂland over the interÂnet and bilÂlionÂaires typÂiÂcalÂly have busiÂness interÂests in EngÂland so they can claim to have a repÂuÂtaÂtion in EngÂland. There are many casÂes of libel tourism, such as SauÂdi bilÂlionÂaires suing an AmerÂiÂcan jourÂnalÂist, a U.S. comÂpaÂny suing a DanÂish researcher, an Israeli techÂnolÂoÂgy comÂpaÂny threatÂenÂing to sue a paper writÂten by a Swedish proÂfesÂsor, a Tunisian man suing a GerÂman newsÂpaÂper, an IceÂlandic bank suing a DanÂish newsÂpaÂper, and so on – all these casÂes endÂed up in LonÂdon, the libel capÂiÂtal of the world.
OPEN CULTURE: Libel law affects all forms of jourÂnalÂism and free expresÂsion, but the British sciÂenÂtifÂic comÂmuÂniÂty has been espeÂcialÂly outÂspoÂken on this issue. Richard Dawkins for examÂple gave a high-proÂfile speech on the probÂlem. Why are sciÂenÂtists, in parÂticÂuÂlar, so up in arms?
SIMON SINGH: I think sciÂenÂtists are at the foreÂfront of the camÂpaign for libel reform because sciÂence can only progress through open disÂcusÂsion and robust debate and critÂiÂcism. I think the pubÂlic accepts that libel is imporÂtant for proÂtectÂing the repÂuÂtaÂtion of indiÂvidÂuÂals, but they now realÂize that there must be a probÂlem when libel blocks sciÂenÂtifÂic disÂcusÂsion. In addiÂtion to my case, in the last year we have seen the sciÂence jourÂnalÂist Ben Goldacre, the carÂdiÂolÂoÂgist Peter Wilmshurst, the Swedish linÂguist ProÂfesÂsor LacÂerÂda and the DanÂish medÂical researcher HenÂrik ThomÂsen all being sued for libel in LonÂdon. The libel laws block our right to disÂcuss sciÂenÂtifÂic ideas, but they also block the public’s right to hear these ideas.
OPEN CULTURE: With everyÂthing that has hapÂpened, have you been able to carÂry on with your work as a writer? Are you writÂing a new book?
SIMON SINGH: As well as the legal costs, I have also lost out because my income has been seriÂousÂly damÂaged by my inabilÂiÂty to write. I should be writÂing a new book now, but I canÂnot even subÂmit a book proÂposÂal because I don’t know if I would ever be able to delivÂer it. Right now I am spendÂing the majorÂiÂty of my time on my own legal case, and devotÂing any spare time to the camÂpaign for libel reform.
OPEN CULTURE: Are you workÂing with any orgaÂniÂzaÂtions to bring about reform?
SIMON SINGH: I am workÂing closeÂly with three charÂiÂties (Sense About SciÂence, EngÂlish PEN and Index on CenÂsorÂship), who have formed the Libel Reform CoaliÂtion. We have a petiÂtion for libel reform and we welÂcome sigÂnaÂtoÂries from around the world, because EngÂlish libel law affects writÂers all over the globe. I hope that readÂers will add their names to the petiÂtion at www.libelreform.org/sign — I have spent over a milÂlion minÂutes of my life defendÂing my artiÂcle and my right to free speech, so I hope readÂers will take one minute to show their supÂport.
This artiÂcle was conÂtributed by Mike Springer, a jourÂnalÂist in CamÂbridge, MassÂaÂchuÂsetts.
William FaulknÂer’s As I Lay Dying is wideÂly conÂsidÂered one of the great AmerÂiÂcan novÂels. Quite an accomÂplishÂment, espeÂcialÂly conÂsidÂerÂing that FaulknÂer wrote the novÂel in six weeks while workÂing at a powÂer plant in 1929–30. Read more about his day jobs here.
Thanks to HarperÂCollins, you can now lisÂten to FaulknÂer, himÂself, readÂing from his masÂterÂpiece: .au file (4.4 Mb), .gsm file (0.9 Mb), .ra file (0.5 Mb). The audio can be a litÂtle difÂfiÂcult to make out at times. But you can read right along with the text in Google Books. Enjoy. Thanks MS.
For more audio clasÂsics, check out our colÂlecÂtion of Free Audio Books.
AmaÂzon ran a not so sucÂcessÂful etextÂbook experÂiÂment at PrinceÂton this year. Now it’s time for the iPad to take a crack at the digÂiÂtal textÂbook marÂket. WastÂing litÂtle time, CoursÂeSÂmart has announced an iPad app that will bring thouÂsands of textÂbooks to Apple’s new platÂform. The video above gives you a glimpse into this iniÂtiaÂtive. And while you can only tell so much from a short video, it looks like this prodÂuct could have some legs. The interÂface looks pretÂty slick, and the prodÂuct quite usable. The downÂside is that CoursÂeSÂmart doesÂn’t do enough to lowÂer costs for stuÂdents. GenÂerÂalÂly, the comÂpaÂny rents digÂiÂtal textÂbooks for 50% of the price that AmaÂzon sells hard copies. That leaves stuÂdents still payÂing inflatÂed prices. And so the video above hardÂly conÂstiÂtutes an endorseÂment. It’s more to show you where the marÂket is going.
Last week, Craig FerÂguÂson probÂaÂbly made a litÂtle teleÂviÂsion hisÂtoÂry when he invitÂed a phiÂlosÂoÂphy proÂfesÂsor to appear on The Late Late Show. The guest is Jonathan DanÂcy, a prof at UT-Austin, who also hapÂpens to be the father of actor Hugh DanÂcy, and the father-in-law of actress Claire Danes. And the unlikeÂly topÂic of disÂcusÂsion? Moral parÂticÂuÂlarÂism, which argues that moralÂiÂty is conÂtexÂtuÂal, not objecÂtiveÂly defined. The conÂverÂsaÂtion runs 11 minÂutes, and it’s intriguÂing to see how FerÂguÂson and DanÂcy navÂiÂgate the interÂview, tryÂing to bring phiÂlosÂoÂphy and comÂeÂdy togethÂer. MeanÂwhile, if you’re a regÂuÂlar Open CulÂture readÂer, you’ll note that DanÂcy’s thinkÂing stands in sharp conÂtrast to the conÂtroÂverÂsial vision of moral phiÂlosÂoÂphy outÂlined by Sam HarÂris at the recent TED ConÂferÂence.
YesÂterÂday mornÂing, I headÂed to the Palo Alto Apple Store, spent an hour waitÂing in line, then finalÂly gained entrance to the store. And who entered alongÂside me? Steve Jobs! An ausÂpiÂcious beginÂning. I left with a 32 gig iPad, took it home, and startÂed playÂing parÂticÂuÂlarÂly with the eBook readÂer. Here are my very earÂly impresÂsions:
15 months ago, I bought a KinÂdle and returned it. I just couldÂn’t read with it at night (a non-starter for me), and figÂured that Apple would evenÂtuÂalÂly get it right. Well, they largeÂly have. The iPad iniÂtialÂly feels a litÂtle heavy. But, it’s actuÂalÂly no heavÂier than your averÂage hardÂback book. Plus it’s fairÂly easy to hold. Score one for the iPad.
Then, when you fire up the eBook readÂer, you instantÂly like what you see. The fonts are crisp, and the images are in colÂor, which means that you can read chilÂdren’s books, comics and othÂer graphÂic intenÂsive texts. Plus, you can change the size and kind of the font. You can adjust the brightÂness of the screen. And, in some casÂes, you can even alter the backÂground colÂor of the screen. (Most of this you can’t do with the KinÂdle.) All of this conÂtributes to a readÂer-friendÂly screen that’s easy on the eyes. And, yes, I can read with this device at night. (ReadÂers make othÂer good obserÂvaÂtions in the comÂments below.)
How about buyÂing books for the iPad? Well, it’s pretÂty easy. Both Apple and AmaÂzon sell books for the device, with prices genÂerÂalÂly rangÂing between $9.99 and $12.99. Rather notably, they also offer access to a sizÂable colÂlecÂtion of free books in the pubÂlic domain. (You can get more freeÂbies here, too.) OverÂall, AmaÂzon has a much largÂer invenÂtoÂry, and their books tend to be cheapÂer. But othÂerÂwise these are pretÂty simÂiÂlar serÂvices. And, because Apple now has a far supeÂriÂor device, you have to wonÂder whether this is the beginÂning of a big shift in the book marÂket. In five years, AmaÂzon might not be quite the beheÂmoth it is today — someÂthing that’s probÂaÂbly letÂting Steve Jobs sleep easÂiÂer than Jeff Bezos at night.
A final point worth menÂtionÂing here: NeiÂther comÂpaÂny will let you have true ownÂerÂship over the books you buy. Both venÂdors lock down their books, dicÂtate the operÂatÂing enviÂronÂments in which you can read them, and conÂtrol the user interÂfaces that shape the readÂing expeÂriÂence. (PC World has more on that here.) You don’t have much ultiÂmate conÂtrol over the underÂlyÂing file. So the upshot is that you had betÂter like the iPad (or KinÂdle) readÂing expeÂriÂence before decidÂing to amass a large and costÂly library.
Now for a few ranÂdom obserÂvaÂtions:
1) The video genÂerÂalÂly looks great (unless, of course, it’s proÂduced in Flash). I was realÂly impressed with the qualÂiÂty of YouTube videos, and NetÂflix movies (free app here) stream over the iPad rather brilÂliantÂly.
2) On the downÂside, I found typÂing on the iPad to be rather difÂfiÂcult — even more so than typÂing on an iPhone. The device is large enough that it’s hard to stretch your finÂgers to reach varÂiÂous keys. Maybe I will get a hang of it. But, for now, it’s unwieldy.
3) The New York Times and Wall Street JourÂnal have develÂoped new apps for the iPad, and they delivÂer a pleasÂant readÂing expeÂriÂence, to be sure. But I don’t see this sudÂdenÂly makÂing conÂsumers any more (or less) willÂing to pay. The conÂcept of the iPad savÂing the newsÂpaÂper indusÂtry seems fairÂly overÂplayed, I’m sorÂry to say.
4) Is this a must-have device? Or just nice-to-have? Right now, I’m inclined toward the latÂter (and so is Slate). Aside from the eBook readÂer, your home comÂputÂer or smart phone can accomÂplish most of what the iPad can. HowÂevÂer, the iPad will rapidÂly difÂferÂenÂtiÂate itself. It will become a nice low-cost, portable comÂputÂer — one that lets you store data in the cloud, and proÂvides access to a large volÂume of cheap or free softÂware (at least more than your averÂage conÂsumer norÂmalÂly gets). Give it a year. Wait for the flood of apps to come. Wait for innoÂvÂaÂtive softÂware develÂopÂers to extract the potenÂtial of this machine, and wait for Apple to make the iPad lighter, cheapÂer, and even faster. Right now, it’s not a game changÂer. But it will be down the line.
Are you a new iPad ownÂer? Have any thoughts in genÂerÂal? Or parÂticÂuÂlarÂly about the eBook readÂer? Add them to the comÂments below, or send them our way. We look forÂward to hearÂing what you have to say …
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