Les Paul, the guiÂtar masÂter and invenÂtor, passed away today at the age of 94. The clip above shows Paul at 90, just a few years ago, livÂing a still vigÂorÂous life. He’ll be missed.
Les Paul, the guiÂtar masÂter and invenÂtor, passed away today at the age of 94. The clip above shows Paul at 90, just a few years ago, livÂing a still vigÂorÂous life. He’ll be missed.
The folks who brought you LibÂrivox (one of our favs) are now rolling out a new site: Book Oven. The beauÂty of LibÂrivox is that it has used crowdÂsourcÂing to proÂduce the largest colÂlecÂtion of free audio books on the web (and we’ve feaÂtured many of them in our colÂlecÂtion of Free Audio Books). Book Oven takes crowdÂsourcÂing and does someÂthing a litÂtle difÂferÂent with it. It gives book lovers the powÂer to parÂticÂiÂpate in the writÂing, sales and disÂtriÂbÂuÂtion of new books. Above, Hugh McGuire, founder of LibÂrivox, explains the conÂcept of Book Oven more fulÂly. (You’ll need to turn up the volÂume a bit.) The site is curÂrentÂly in alpha, and I susÂpect that you can watch it evolve durÂing the months ahead. Watch Book Oven Blog to track its develÂopÂment.
A litÂtle sideÂbar to our preÂviÂous post that wonÂders whether AmaÂzon’s KinÂdle can revÂoÂluÂtionÂize the book indusÂtry…
1) When you buy an iPod, you can transÂfer all of your curÂrent music onto it. With KinÂdle you have to start buyÂing all new books.
2) The paper-form book (aka “dead tree verÂsion”) is still the best techÂnolÂoÂgy for readÂing: fulÂly portable, a nice thing to own and put on shelves, great for sharÂing, good in bed, at beach, etc. If you lose it or get it wet, no big deal—easily replaceÂable.
3) Music has conÂstantÂly found new forÂmats that improve on the old. Same for the iPod. It’s unquesÂtionÂably betÂter than that bigÂger, skipÂping CD playÂer. Books haven’t been able to improve on the form for cenÂturies.
4) HoldÂing 100 albums in your hand is great. HoldÂing 100 books? Not as much.
5) How often do you realÂly go away for so long that you need 10+ books? (BookÂstores are everyÂwhere.)
6) KinÂdle is too expenÂsive (see #1) and too big.
7) Books take much longer to conÂsume, don’t work well in indiÂvidÂual (shufÂfled) parts, and we often only read them once.
8.) Now that you can carÂry music on your phone, and the iPhone has bunÂdled music, email, interÂnet, and teleÂphone in one small size, is anyÂone realÂly willÂing to buy a bigÂger iPhone or KinÂdle just to read books on it?
9) Most of us spend more time lisÂtenÂing to music than readÂing. We just do; it’s easÂiÂer to do while we’re involved with othÂer things.
10) Books: they’re betÂter!
Seth HarÂwood podÂcasts his ideas on the pubÂlishÂing indusÂtry and his ficÂtion for free at sethharwood.com. He is curÂrentÂly figÂurÂing out how pubÂlishÂers should best approach the new, emergÂing e‑book marÂket. Hear his ideas in his latÂest Hot Tub Cast™ and read them here soon. His first novÂel is JACK WAKES UP, in stores now.
If you’re wonÂderÂing where the book/publishing marÂket is headÂing, then you’ll want to give this insightÂful artiÂcle a read. Fast forÂward five years, here’s what you’ll likeÂly find: AmaÂzon, using the KinÂdle and on-demand pubÂlishÂing, starts workÂing directÂly with authors and cutÂting traÂdiÂtionÂal pubÂlishÂers out of the loop. It will domÂiÂnate the book/e‑book marÂket, much as Apple does the music marÂket. The only thing standÂing in Jeff Bezos’ way? Steve Jobs. Why? Because Apple can proÂduce an e‑book readÂer that actuÂalÂly appeals to a mass marÂket, and AmaÂzon can’t. And guess what? Apple is rumored to have a new device comÂing out this year. More on that here. Thanks to Seth HarÂwood for sendÂing this along.
Rather humorÂous. You can catch more of Steve SpanÂgler’s sciÂenÂtifÂic work on his YouTube chanÂnel and web site. We’ve also added him to our list of IntelÂliÂgent YouTube ColÂlecÂtions.
A litÂtle someÂthing for the lanÂguage buffs among us. The StrucÂture of EngÂlish Words (iTunes) is anothÂer StanÂford course. To be exact, it comes out of the StanÂford ConÂtinÂuÂing StudÂies proÂgram (my day job), and we’re openÂing enrollÂments for our Fall term next MonÂday. (If you live in the San FranÂcisÂco Bay Area, give our offerÂing a look. If you live outÂside the Bay Area, then you may want to check out our popÂuÂlar series of online writÂing coursÂes.) You can find the course descripÂtion for The StrucÂture of EngÂlish Words, taught by ProÂfesÂsor Will Leben, directÂly below. To find hunÂdreds of othÂer free coursÂes, then check out our colÂlecÂtion of Free Online UniÂverÂsiÂty CoursÂes:
Thanks to hisÂtorÂiÂcal, culÂturÂal, and linÂguisÂtic facÂtors, EngÂlish has by far the world’s largest vocabulary—leading many of us to have greater than averÂage difÂfiÂculÂty with words, and some of us to have greater than averÂage curiosÂiÂty about words.
Our hisÂtorÂiÂcal and linÂguisÂtic study will covÂer both eruÂdite and everyÂday EngÂlish, with speÂcial attenÂtion to word meanÂing and word use, to both rules and excepÂtions. Most words origÂiÂnatÂed with an image. “Reveal” = “pull back the veil,” “depend” = “hang down from.”
Change is conÂstant. “Girl” once meant “a young child of either sex;” an earÂly synÂonym for “stuÂpid” was “nice.” Despite resisÂtance to change among some experts and some memÂbers of the genÂerÂal pubÂlic, new words are enterÂing at an accelÂerÂatÂing rate, from “FrankenÂfood” to “ungoogleable.” Are there good changes and bad ones? And who gets to decide? ExplorÂing the hisÂtorÂiÂcal and conÂtemÂpoÂrary richÂness of EngÂlish will sugÂgest some answers.
In honÂor of the 40th anniverÂsary of the WoodÂstock FesÂtiÂval, we have Jimi HenÂdrix playÂing the U.S. nationÂal anthem. It’s not your usuÂal anthem. Nope, this is the anthem played disÂsoÂnantÂly in a new counter-culÂture style, the anthem turned into a blisÂterÂing comÂmenÂtary on the VietÂnam War. No doubt, conÂserÂvÂaÂtives and the silent majorÂiÂty didÂn’t like it. But, like it or not, it remains one of the memÂoÂrable rock stateÂments of the 60s. For more HenÂdrix at WoodÂstock, check out here, here, and here.
A memÂoÂrable scene from The GradÂuÂate (1967). But, as the New York Times tells us today, plasÂtics is out; staÂtisÂtics is now in.