The Pulitzer CenÂter on CriÂsis ReportÂing (which we recentÂly feaÂtured in 10 Signs of IntelÂliÂgent Life at YouTube) is sponÂsorÂing the GlobÂal Issues/Citizen VoicÂes ConÂtest. Final winÂners will be choÂsen by the Pulitzer CenÂter and will receive a Pulitzer CenÂter CitÂiÂzen JourÂnalÂist Award. You can get involved. The deadÂline is March 12. Get details here.
With the recent 250th anniverÂsary of Mozart’s birth, there has been no shortÂage of podÂcasts dedÂiÂcatÂed to Mozart’s masÂterÂpieces. First, Radio SweÂden (iTunes — Feed — Web Site) reisÂsued a digÂiÂtal archive of Mozart recordÂings by the RoyÂal Swedish Opera from the 1940s and 1950s. And, along very simÂiÂlar lines, DanÂmarks Radio (Feed — Web Site) issued podÂcasts of nine Mozart symÂphonies recordÂed by the DanÂish Radio SymÂphoÂny OrchesÂtra. (You’ll find here symÂphonies numÂbers 15, 17, 23, 34, 35, 36, 39, 40, and 41. Since the web site is in DanÂish, we’d recÂomÂmend accessÂing these high qualÂiÂty MP3’s through the rss feed listÂed above.) LastÂly, we should menÂtion here that, as part of last year’s fesÂtivÂiÂties, The InterÂnaÂtionÂal Mozart FounÂdaÂtion pubÂlished online for the first time the entireÂty of of Mozart’s musiÂcal scores.
Along with Mozart, you can find plenÂty of Beethoven. We have highÂlightÂed here before, but it’s worth notÂing again, Deutsche Welle’s podÂcast colÂlecÂtion called BeethovenÂfest (iTunes — Feed — Web Site). You’ll want to give it a look, and also see the podÂcast colÂlecÂtion put togethÂer by the Boston SymÂphoÂny OrchesÂtra ConÂserÂvaÂtoÂry (iTunes — Feed — Web Site). This eduÂcaÂtionÂal series offers an extenÂsive overview and recordÂings of Beethoven’s work, as well as that of Arnold SchoenÂberg. You can also catch more Beethoven (as well as a litÂtle Mozart and Bach) with the podÂcast series called The ConÂcert (iTunes — Feed — Web Site), which feaÂtures recordÂings from the IsabelÂla StewÂart GardÂner MuseÂum in Boston.
SpeakÂing of Bach, you may want to give some time to these two podÂcasts: Bach PodÂcast from Magnatune.com (iTunes — Feed — Web Site) and Bach FesÂtiÂval of PhiladelÂphia (Feed — Web Site).
Let’s now leave you with a few othÂer good finds: WagÂnÂer Operas PodÂcast (iTunes — Feed — Web Site) lets you lisÂten in on recordÂings from the annuÂal Bayreuth FesÂtiÂval, plus more. An IntiÂmate Tour Through the Music of Yo-Yo Ma (iTunes — Feed — Web Site) offers essenÂtialÂly what the title says. FinalÂly, we’d recÂomÂmend ClasÂsiÂcal PerÂforÂmance (iTunes Feed Web Site), which conÂsists of clasÂsiÂcal music perÂforÂmances from WGBÂH’s StuÂdio One in Boston; The New York PhiÂlaÂharÂmonÂic PodÂcast (iTunes — Feed — Web Site) which introÂduces you to the music and perÂformÂers feaÂtured in the conÂcerts of the New York PhilÂharÂmonÂic; and From the Top. Live from Carnegie Hall Video PodÂcast (iTunes — Feed — Web Site), a podÂcast that showÂcasÂes the top-notch skills and comÂpelling stoÂries of AmerÂiÂca’s best young clasÂsiÂcal musiÂcians.
ElizÂaÂbeth Gilbert’s Eat, Pray, Love has been on the New York Times bestÂseller list for 57 weeks. If you haven’t read it yet, then you may want to spend some time with Gilbert’s talk at Google. While her talk and readÂing didÂn’t comÂpleteÂly strike a chord with me, it may well with you. So here you go (and, yes, we’ve added the video to our YouTube Playlist):
CourÂtesy of Wired’s Blog, here are 10 videos disÂplayÂing some rather cool chemÂistry experÂiÂments at work. Below, we’ve postÂed one video that will let you answer a quesÂtion that you’ve almost cerÂtainÂly ponÂdered for ages — can liqÂuid nitroÂgen neuÂtralÂize molten iron? (For more videos along these lines, check out this site.)
Next fall, all new freshÂmen attendÂing ACU (AbiÂlene ChrisÂtÂian UniÂverÂsiÂty) will receive an iPhone (or iPod Touch) when they get to camÂpus. And, from there, the Apple gadÂget will figÂure cenÂtralÂly to stuÂdents’ camÂpus expeÂriÂence. The iPhone is the latÂest and greatÂest “conÂverged mobile media device,” which comÂbines in one gadÂget numerÂous funcÂtionÂalÂiÂties — interÂnet and email access, phone, audio, video, and maps. And once you put a genÂerÂaÂtion of stuÂdents reared on mobile devices on this comÂmon platÂform, new ways of runÂning the uniÂverÂsiÂty in the 21st cenÂtuÂry start to open up.
The changes begin with the way uniÂverÂsiÂty adminÂisÂtraÂtion gets done. ACU enviÂsions stuÂdents using their devices to check their meal and account balÂances, access course calÂenÂdars, receive news and speÂcial bulÂletins from the uniÂverÂsiÂty, and tap into the uniÂverÂsiÂty phone/employee direcÂtoÂry. Not far down the line, the uniÂverÂsiÂty anticÂiÂpates that the iPhone will fulÂfill cerÂtain regÂisÂtrar funcÂtions — meanÂing that stuÂdents can use their iPhone to scope out, and even enroll in, varÂiÂous classÂes. Then, they’ll add some e‑commerce to the mix and let stuÂdents use their mobile device to conÂduct comÂmerce with the bookÂstore and uniÂverÂsiÂty restauÂrants. Are you startÂing to get the picÂture? The iPhone becomes a “one stop shop for inforÂmaÂtion and serÂvices” that can be accessed on the fly.
But what hapÂpens in the classÂroom? I had a chance to catch up with Bill Rankin, the DirecÂtor of Mobile LearnÂing Research (and also AssoÂciate ProÂfesÂsor & DirecÂtor of EngÂlish GradÂuÂate StudÂies) who shared some of ACU’s thinkÂing about how the iPhone creÂates new teachÂing opporÂtuÂniÂties. For starters, the device will allow stuÂdents to access sylÂlabi, course docÂuÂments (creÂatÂed with Google Docs), homeÂwork assignÂments and podÂcasts that comÂpleÂment the course. (ImagÂine stuÂdents downÂloadÂing podÂcastÂed lecÂtures from preÂviÂous classÂes, or lisÂtenÂing to clips of Mozart in their music appreÂciÂaÂtion class, or reviewÂing bits of French diaÂlogue in the French 101 class.) From here, the pedÂaÂgogÂiÂcal uses of the iPhone start to deepÂen. AccordÂing to Rankin, the Apple gadÂget will give teachÂers the abilÂiÂty to conÂduct real-time surÂveys that gauge stuÂdent perÂcepÂtions of the class (are they underÂstandÂing the course? is it movÂing too quickÂly?) and use the feedÂback to make the classÂes “more careÂfulÂly taiÂlored to the interÂests and abilÂiÂties.” It’s also an added perk that the iPhone will let stuÂdents conÂtribute to the class through their online perÂsona, which, research shows, “emboldÂens stuÂdents [parÂticÂuÂlarÂly shy ones] who might not othÂerÂwise share their ideas.” Then there’s this sceÂnario (and othÂers like it): With the iPhone, the “biolÂoÂgy class in the field will be able to phoÂtoÂgraph specÂiÂmens, post their findÂings to othÂer classÂes not curÂrentÂly in the field, comÂmuÂniÂcate with experts, and use the web to idenÂtiÂfy and research specÂiÂmens. That’s transÂforÂmaÂtionÂal, and we think it will offer disÂtinct advanÂtages to our stuÂdents.” LastÂly, the iPhone opens up the posÂsiÂbilÂiÂty of creÂatÂing “hybrid” coursÂes, which means coursÂes conÂductÂed partÂly in the classÂroom and partÂly online. For more on the hybrid conÂcept (and othÂer facets of the project), you can watch the video postÂed on YouTube that introÂduces ACU’s iPhone iniÂtiaÂtive. We’ve postÂed Part 1 below, and you can access Part 2 here. To get more insight into ACU’s intelÂliÂgent thinkÂing about the potenÂtial eduÂcaÂtionÂal appliÂcaÂtions of the iPhone, you should spend some time on their “ConÂnectÂed” web site.
For a gradÂuÂate stuÂdent in an EngÂlish Ph.D. proÂgram, one of the big mileÂstones on the road to the disÂserÂtaÂtion is the Oral Exam. In my case this involves five proÂfesÂsors, a list of 60–80 books, and two hours in a (rhetorÂiÂcalÂly) smoke-filled room. Since I’m workÂing on conÂtemÂpoÂrary litÂerÂaÂture and new media, one of the chalÂlenges I have to deal with is how to address novÂels, films, teleÂviÂsion shows, video games and more as part of the same “list.” How does one put these things togethÂer? How can a video game be read as a text alongÂside Gravity’s RainÂbow or Brave New World?
One way to approach this quesÂtion is to include the work of litÂerÂary and culÂturÂal critÂics who are already lookÂing at new and traÂdiÂtionÂal media side by side. FolÂlowÂing that line, I try to keep up with the acaÂdÂeÂmÂic blog Grand Text Auto, which covÂers “comÂputÂer narÂraÂtive, games, poetÂry and art.” One of its conÂtribÂuÂtors, Noah Wardrip-FruÂin, is workÂing on a book about digÂiÂtal ficÂtions and comÂputÂer games that looks perÂfect for my Orals list—and he’s pubÂlishÂing it, chapÂter by chapÂter, on Grand Text Auto for blog-based peer review. It will come out next year with MIT Press, but for now, it’s a work in progress.
All fine so far—I could list it as “forthÂcomÂing” and direct my proÂfesÂsors to the link. But what hapÂpens when I start comÂmentÂing on this book as I read it? What are we to do with the knowlÂedge that this “text” will most likeÂly change between now and next year? Does this item on my Orals list sigÂniÂfy a draft of the book, the blog and its comÂments, or the expeÂriÂence of readÂing and writÂing into the MS myself (includÂing, perÂhaps, responsÂes from the author)?
I find the dilemÂma parÂticÂuÂlarÂly interÂestÂing because it touchÂes on a cenÂtral conÂflict in humanÂiÂties scholÂarÂship. Are we pasÂsive observers of the litÂerÂary scene or active parÂticÂiÂpants in it? It’s a rare acaÂdÂeÂmÂic critÂic who thinks of callÂing up a poet to ask her what she meant in a parÂticÂuÂlar line, but that’s exactÂly the kind of conÂnecÂtion that our hyper-conÂscious, digÂiÂtalÂly mediÂatÂed world offers up.
P.S. After all of this hand-wringÂing, it’s obviÂous I’m not going to have time to read Noah’s book before I take my exam, so it’s off the list. But I can’t wait to dig in next month!
HarperÂCollins has rolled out anothÂer free book — the New York Times bestÂseller AmerÂiÂcan Gods by Neil Gaiman. You can read it for free here (or buy it here). For more free books by HarperÂCollins, see our post from last week. And, as always, don’t forÂget to see our colÂlecÂtion of free audioÂbooks.