YouTube’s Impact on the 2008 Election: The Hype and the Fact

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YouTube is a lit­tle more than two years old. It’s a mere tod­dler. But, it’s now owned by an over­grown, ful­ly-beard­ed nine year old. Yes, that would be Google, and that means that YouTube is ready to storm its way into the media main­stream, pam­pers and all.

You can be sure that GooTube has already cooked up sev­er­al strate­gies that will lead the video unit to media dom­i­na­tion. But, even to the untrained media observ­er, it’s fair­ly clear that Google’s video unit has cho­sen the 2008 elec­tion as an are­na in which it intends to com­pete with oth­er major media out­fits for eye­balls.

In April, YouTube launched its polit­i­cal chan­nel Cit­i­zen­Tube (get more info here) and, along with it, its first major line of video pro­gram­ming called You Choose ’08. The con­cept here is sim­ple and promis­ing: Cit­i­zens ask ques­tions to the ’08 can­di­dates, and the can­di­dates respond. The results, how­ev­er, have been large­ly dis­ap­point­ing. When you strip every­thing away, what you get are politi­cians speak­ing the same plat­i­tudes that we’ve seen for decades on TV. (See a sam­ple reply here.) The only dif­fer­ence is that the video qual­i­ty is worse, and they’re man­ag­ing to get their plat­i­tudes in front of a young demo­graph­ic, which is no small feat. For bet­ter or for worse, YouTube is to the ’08 elec­tion what MTV (remem­ber Bill play­ing the sax?) was to the ’92 elec­tion.

While nei­ther Cit­i­zen­Tube nor the polit­i­cal cam­paigns are using the video plat­form in rev­o­lu­tion­ary ways, the mil­lions of aver­age users who make YouTube what it is are doing a bet­ter job of it.

Of par­tic­u­lar inter­est is the way in which videos are emerg­ing on YouTube that counter images being care­ful­ly pro­ject­ed by can­di­dates and their cam­paigns. Here are two quick exam­ples.

GOP can­di­date Mitt Rom­ney has been pre­dictably work­ing to cast him­self as a social con­ser­v­a­tive. Twice in recent months, he has shown up at Pat Robert­son’s Regent Uni­ver­si­ty to deliv­er lines like this:

“We’re shocked by the evil of the Vir­ginia Tech shoot­ing…” “I opened my Bible short­ly after I heard of the tragedy. Only a

few vers­es, it seems, after the Fall, we read that Adam and Eve’s

old­est son killed his younger broth­er. From the begin­ning, there has

been evil in the world.”

…“Pornog­ra­phy and vio­lence

poi­son our music and movies and TV and video games. The Vir­ginia Tech

shoot­er, like the Columbine shoot­ers before him, had drunk from this

cesspool.”

But then, how­ev­er incon­ve­nient­ly, videos from Mitt Rom­ney’s past polit­i­cal cam­paigns show up on YouTube, ones which should make evan­gel­i­cals think twice, and there is not much Rom­ney can do about it. The past hurts, but it does­n’t lie:

Then there is Hillary Clin­ton. She’s got the mon­ey, the par­ty machine is back­ing her, try­ing to wrap up the nom­i­na­tion with a bow. But then a damn­ing attack ad crops up on YouTube. This pitch for Barack Oba­ma remix­es the “1984” TV ad that famous­ly intro­duced Apple com­put­ers to Amer­i­ca, and it casts Hillary as a polit­i­cal automa­ton, an image that rings true for many. (The Oba­ma cam­paign denies hav­ing any­thing do with the video, and its cre­ator remains unknown.)

It is with videos like these that YouTube gets polit­i­cal­ly inter­est­ing. Just as quick­ly as a polit­i­cal cam­paign projects an image for Rom­ney or Clin­ton, your aver­age web user can scrounge up footage that calls that image into ques­tion. A retort is always pos­si­ble, which was nev­er the case on TV. And the cost of delivering/countering a mes­sage runs next to noth­ing. Again a first. YouTube equal­izes, and it isn’t a ter­rain on which the rich can instant­ly claim vic­to­ry. Just ask Rom­ney and his over $200 mil­lion in per­son­al wealth. What good has it done him in YouTube land?

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Art Blogs — A New Addition to the Culture Blogs Family


      We now serve you 25 art/visual art blogs, all of which have also been fold­ed into a larg­er list of 100+ cul­ture blogs. We’re now call­ing it The Big List of Cul­ture Blogs (pret­ty cre­ative, eh), and we’ll add to it over time.

As always, please

ma**@oc******.com











/”>email us and let us know
if we’re miss­ing some­thing essen­tial.

  • Absolute Arts.com Art Blog: A sta­ble of versed blog­gers who look at a spec­trum of art-relat­ed themes.
  • Alec Soth: Pho­to­graph­i­ca, mis­cel­lanea, et cetera.
  • Art.Blogging.La: An art blog start­ed by Caryn Cole­man that dis­cuss­es and pro­motes the vital art scene in LA.
  • Art­ByUs.com: An eclec­tic and inter­na­tion­al art news site.
  • Art Forum: A good look at the art event and social scene. Some­what for insid­ers.
  • Art Law Blog: Title kind of sums it up.
  • Art News Blog: The blog digs up new sto­ries, reviews, guides, and arti­cles found online and shares them each day. Sto­ries have an inter­na­tion­al focus with an empha­sis on the visu­al arts.
  • Art World Salon: Looks at the fast-paced trans­for­ma­tions tak­ing place in the glob­al art world. Fre­quent­ly looks at the eco­nom­ic side of things.
  • Con­sci­en­tious: A weblog about fine-art pho­tog­ra­phy (and more).
  • Con­tem­po­rary Pulitzer: An art blog put togeth­er joint­ly by the Con­tem­po­rary Art Muse­um St. Louis and The Pulitzer Foun­da­tion for the Arts.
  • Cronaca: A com­pi­la­tion of news con­cern­ing art, arche­ol­o­gy, his­to­ry, and what­ev­er else catch­es the chronicler’s eye, with the odd bit of opin­ion and com­men­tary thrown in.
  • Edward Win­kle­man: Art, pol­i­tics, gos­sip and tough love from a NYC arts deal­er. You’ll find this site list­ed on many-a-blogroll.
  • Eye Lev­el: A blog pro­duced by the Smith­son­ian Amer­i­can Art Muse­um, it uses the museum’s col­lec­tion as a touch­stone and is ded­i­cat­ed to Amer­i­can art and the ways in which the nation’s art reflects its his­to­ry and cul­ture. Sur­pris­ing­ly, one of the few blogs to come out of the muse­um world.
  • Fal­lon and Rosof’s Art­blog: Art reviews, deep thoughts, and gos­sip from Philadel­phia and beyond.
  • Gallery Hop­per: A guide to the best of fine art pho­tog­ra­phy, gal­leries and events in New York City and beyond.
  • Gram­mar Police: A well-regard art blog that Won­kette sum­ma­rizes as “local art fag par excel­lence.”
  • Gravest­mor: A wide­ly-cit­ed archi­tec­ture blog com­ing out of Aus­tralia.
  • Guardian Art & Archi­tec­ture Blog: A British take on the arts world. One of the few blogs cit­ed here from the main­stream press.
  • Life With­out Build­ings: News and notes from an archi­tec­ture weblog with a pen­chant for giant stat­ues and post­mod­ern cul­ture.
  • Look­ing Around: A blog by Richard Lacayo, who writes about books, art and archi­tec­ture at TIME Mag­a­zine.
  • Mag­num Pho­tos: A mul­ti-author, aes­thet­i­cal­ly well designed pho­tog­ra­phy blog.
  • Mod­ern Art Notes: Voila, Tyler Green’s blog about mod­ern and con­tem­po­rary art. The Wall Street Jour­nal has called MAN “the most influ­en­tial of all visu­al-arts blogs.”
  • Pleiady — Thoughts for a New Gen­er­a­tion: A blog on the Art of Now
  • smARThis­to­ry: Gen­er­al Mus­ings about using tech­nol­o­gy to teach with images by two art his­to­ri­ans, Beth Har­ris and Steven Zuck­er. Often fea­tures links to worth­while art his­to­ry pod­casts.
  • The Art His­to­ry Newslet­ter: If there are aca­d­e­mics among us, this is for you.
  • The Art Life: Fea­tures a lengthy art site blogroll. Look down the right hand side and you’ll see what I mean.

Relate Fea­ture: See our relat­ed arti­cle on Art Muse­um Pod­casts.

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Who Killed JFK? Two New Studies

Jfkimage_2
Whether you think John F. Kennedy was a great pres­i­dent or just a guy
who enjoyed sul­try birth­day
ser­e­nades (see clip below), you have to admit
his hold on America’s cul­tur­al imag­i­na­tion is still pow­er­ful four
decades after his assas­si­na­tion. Two major new works of his­to­ry tack­le
the ques­tion and, pre­dictably, come down on oppo­site sides of it. David
Talbot’s Broth­ers: The Hid­den His­to­ry of the Kennedy Years offers new evi­dence fur­ther­ing the great con­spir­a­cy the­o­ry, while Vin­cent Bugliosi’s Reclaim­ing His­to­ry: The Assas­si­na­tion of Pres­i­dent John F. Kennedy agrees with offi­cial his­to­ry and the War­ren Com­mis­sion.

Per­haps the most inter­est­ing thing about these lat­est prod­ucts of the
Kennedy indus­try is the fact that both books are tak­ing advan­tage of
new media for­mats to com­bat the tra­di­tion­al prob­lem with Big His­to­ry
texts–weight. Bugliosi’s tome comes in at a back-wrench­ing 1,612
pages, so be thank­ful that his pub­lish­ers includ­ed the many end­notes on
an accom­pa­ny­ing CD. (You would be well-advised to save a few months and
read the New York Times review here.) Talbot’s Broth­ers is only a third as long, but that’s still almost 500 pages–so why not enjoy it as an eBook instead, or just check out the excerpt on Salon? Or take in its New York Times review here. If your eyes are tired already, rest assured that both authors also appeared on the Leonard Lopate show (Bugliosi mp3; Tal­bot mp3 ). And if you hap­pen to live in the Bay area, you can go see Tal­bot will be in San Fran­cis­co pro­mot­ing the book tomor­row, May 22.

U2 Plays @ The Cannes Film Festival


The 60th Cannes Film Fes­ti­val is in full swing. It’s all film for ten plus days. But last night, music – or real­ly U2 – took cen­ter stage. Before the mid­night screen­ing of their new rock­u­men­tary, U23D, the Irish band played a two song set (Ver­ti­go and Where the Streets Have No Name) on the red car­pet. It was short and sweet. You can watch it below. Cheers.

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More Pod­casts:

Arts & Cul­ture — Audio Books — For­eign Lan­guage Lessons — News & Infor­ma­tion — Sci­ence — Tech­nol­o­gy — Uni­ver­si­ty (Gen­er­al) — Uni­ver­si­ty (B‑School) — Pod­cast Primer

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The Book World Goes Sensibly Digital

There are some ear­ly signs that pub­lish­ers and book­sellers may be see­ing the light.

Until recent­ly, the book world applied an irra­tional log­ic to down­load­able audio­books and pod­casts. As we not­ed back in Feb­ru­ary, the paper ver­sion of the best­selling busi­ness book, The Long Tail, ran con­sumers $16.47 on Ama­zon. And yet the cheap­er-to-pro­duce audio ver­sion implau­si­bly amount­ed to $31.95 on iTunes and $27.99 on Audi­ble. Did it make sense? Hard­ly.

Since Feb­ru­ary, a lit­tle bit of rea­son has been inject­ed into the mar­ket. As the The New York Times recent­ly not­ed, the pub­lish­er Hen­ry Holt made a smart move. They took the pop­u­lar pod­cast, The Gram­mar Girl (iTunes Feed Web Site), and with­in days spun off an hour­long audio­book priced at a sane $4.95. The next thing you know, it became the best­selling audio­book on iTunes. Here, the audio­book for­mat let pub­lish­ers respond to a mar­ket oppor­tu­ni­ty — and far more quick­ly than they ever could have with a tra­di­tion­al book. (A tra­di­tion­al Gram­mar Girl book won’t come out until next year.)

Ratio­nal act #2: Some pub­lish­ers are now releas­ing audio ver­sions of new books before issu­ing the actu­al hard copies. Why? Because, they’ve found that dig­i­tal copies can gen­er­ate buzz and greater sales for paper copies. And yes, in these sit­u­a­tions, the dig­i­tal and paper ver­sions are com­pa­ra­bly priced.

Final­ly, book­sellers are now using audio to inform con­sumers and moti­vate them to click “Add to Shop­ping Cart” a lit­tle more often. Take for exam­ple the new line of pod­casts from Ama­zon. Cre­at­ed by in-house edi­tors, Ama­zon Wire (iTunes — Feed ) offers inter­views and exclu­sives with authors of new books. Ama­zon Book­Clips (iTunes — Feed ) puts a spot­light on up-and-com­ing and best­selling authors. And with Sig­nif­i­cant Sev­en (iTunes — Feed), Ama­zon points you to new must-read titles. How well inte­grat­ed into Ama­zon’s sales efforts, and how effec­tive these pod­casts will be at gen­er­at­ing sales, all remains to be seen. But it at least points to a more sen­si­ble way of bring­ing the dig­i­tal and paper worlds togeth­er.

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A Little Lifehacker Love

Our for­eign lan­guage les­son pod­casts got a lit­tle love yes­ter­day from the great Life­hack­er site. Many thanks to them. For any vis­i­tors who aren’t famil­iar with our oth­er pod­cast col­lec­tions, here’s a list that you’ll want to peruse.

Arts & Cul­ture — Audio Books — For­eign Lan­guage Lessons — News & Infor­ma­tion — Sci­ence — Tech­nol­o­gy — Uni­ver­si­ty (Gen­er­al) — Uni­ver­si­ty (B‑School) — Uni­ver­si­ty (Law School) — Pod­cast Primer

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The Skinny on Second Life

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Ever won­dered what Sec­ond Life is and if you should care about it? Imag­ine a 3‑D immer­sive game where you con­trol an avatar and trav­el through con­struct­ed environments–and now take away the game part. What’s left is a fair­ly wide-open cre­ative space where users can cre­ate and sell in-game stuff–houses, objects, cloth­ing, etc–or engage in group activ­i­ties rang­ing from con­certs to polit­i­cal activism to pros­ti­tu­tion. It’s free to join but to own land (and receive a larg­er stipend of in-game cash) you have to sign up for a month­ly sub­scrip­tion.

The online com­mu­ni­ty has been grow­ing fair­ly rapid­ly over the past year or two, now boast­ing over one mil­lion users who logged in dur­ing the past month. Big busi­ness has tak­en notice of the trend, and com­pa­nies from Toy­ota, Microsoft and Sony BMG have all launched vir­tu­al pres­ences in SL.

The ser­vice has been receiv­ing some of its most enthu­si­as­tic press from edu­ca­tors who hope to take advan­tage of the free-for-all 3D spaces as tools for ped­a­gogy. You can find a lot of engi­neer­ing schools, med­ical insti­tu­tions and, of course, the Star Trek Muse­um of Sci­ence on this list of sci­ence places in SL. The world’s cre­ators active­ly encour­age edu­ca­tion­al par­tic­i­pa­tion and teach­ers from many uni­ver­si­ties (includ­ing Har­vard, Colum­bia and more) have tried run­ning cours­es or train­ing ses­sions in the sim­u­la­tion. There is at least one skep­tic out there, though: Clark Aldrich, a con­sul­tant for an e‑learning com­pa­ny, offers up ten things he sees miss­ing from SL as an edu­ca­tion­al tool.

Whether or not Sec­ond Life becomes a per­ma­nent fix­ture of the Inter­net land­scape, it’s cer­tain­ly cap­tured a lot of peo­ples’ atten­tion. To learn more about it check out the pletho­ra of pod­casts avail­able on iTunes. At the very least this world does offer some zany oppor­tu­ni­ties for mul­ti­ple lay­ers of sim­u­la­tion. Check out this video of a U2 “vir­tu­al trib­ute band” per­form­ing a con­cert with lov­ing­ly ren­dered trib­ute avatars:

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Climate Crisis, the Happiness Conundrum & the Evolution of Religions: TED Talks on YouTube

Once upon a time we told you about TED Talks, the annu­al con­fer­ence that brings togeth­er the world’s “thought-lead­ers, movers and shak­ers.” These talks have been avail­able on iTunes in both audio (iTunes — Feed) and video (iTunes — Feed). And now you can appar­ent­ly find some on YouTube. Below we high­light a few.

First up, Dan Gilbert, a Har­vard psy­chol­o­gy pro­fes­sor who recent­ly wrote Stum­bling On Hap­pi­ness, a book that uses psy­chol­o­gy, cog­ni­tive neu­ro­science, phi­los­o­phy and behav­ioral eco­nom­ics to show how our imag­i­na­tion — our unique abil­i­ty to pre­dict the future — usu­al­ly inter­feres with our basic abil­i­ty to be hap­py. Here you get some ker­nels of thought from the best­selling book, and some insights into why a para­plegic is often as hap­py as a lot­tery win­ner. Good stuff here.

Next, we give you Al Gore doing a lit­tle stand-up com­e­dy (no kid­ding) and speak­ing on glob­al warm­ing, much as he does in An Incon­ve­nient Truth. No oth­er intro­duc­tion is need­ed.

Last­ly, we give you Dan Den­nett, Direc­tor
of the Cen­ter for Cog­ni­tive Stud­ies at Tufts Uni­ver­si­ty
and the author
of Break­ing the Spell: Reli­gion as a Nat­ur­al Phe­nom­e­non. With this clip, Den­nett takes on Rick War­ren, author of The Pur­pose-Dri­ven Life, and makes the clever argu­ment that while the the­o­ry of intel­li­gent design may hold no water, reli­gions have them­selves been intel­li­gent­ly designed. More on that here:

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Open Culture was founded by Dan Colman.