For all the not-quite-believÂable mateÂrÂiÂal in the annals of 1970s rock hisÂtoÂry, is any more difÂfiÂcult to accept than the fact that ZigÂgy StarÂdust first mateÂriÂalÂized in the subÂurbs? SpecifÂiÂcalÂly, he mateÂriÂalÂized in TolÂworth, greater LonÂdon, at the Toby Jug pub, whose stoÂried hisÂtoÂry as a live-music venue also includes perÂforÂmances by Led ZepÂpelin, FleetÂwood Mac, GenÂeÂsis, and King CrimÂson. There, on the night of FebÂruÂary 10, 1972, David Bowie — until that point known, to the extent he was known, as the intriguÂing but not wholÂly unconÂvenÂtionÂal young rockÂer of “Space OddÂiÂty” — took the stage as his androgÂyÂnous MarÂtÂian alter ego, bedecked in othÂerÂworldÂly colÂors and actÂing as no rockÂer ever had before.
History.com quotes Bowie in an interÂview pubÂlished in Melody MakÂer less than three weeks before the Toby Jug show: “I’m going to be huge, and it’s quite frightÂenÂing in a way, because I know that when I reach my peak and it’s time for me to be brought down it will be with a bump.”
He was cerÂtainÂly right about the first part: while Bowie’s perÂforÂmance as ZigÂgy StarÂdust brought him seriÂous attenÂtion, the release that sumÂmer of his conÂcept album The Rise and Fall of ZigÂgy StarÂdust and the SpiÂders from Mars would launch him perÂmaÂnentÂly into the popÂuÂlar-culÂture canon. LatÂer described as “a boot in the colÂlecÂtive sagÂging denÂim behind of hipÂpie singer-songÂwhinÂers,” the album expandÂed the lisÂtenÂing pubÂlic’s sense of what rock and rock stars could be.
In a sense, Bowie was also corÂrect about the time comÂing for him to be brought down — if “him” means ZigÂgy StarÂdust, that delibÂerÂateÂly doomed creÂation, his fall foreÂtold in the title of the very album on which he stars. As we’ve preÂviÂousÂly postÂed about here on Open CulÂture, Bowie-as-ZigÂgy famousÂly bid the Earth farewell onstage in 1973, not much over a year after his arrival. Of course, what to some looked like the end of Bowie’s career proved to be only the end of one chapÂter: the saga would conÂtinÂue in such incarÂnaÂtions as Aladdin Sane, the Thin White Duke, and a variÂety of othÂers known only as “David Bowie.” But this much-mytholÂoÂgized and hugeÂly influÂenÂtial shapeshiftÂing all goes back to that FebÂruÂary night in TolÂworth, real footage of which you can see above. The sound comes spliced in from a difÂferÂent show, played that same year in SanÂta MonÂiÂca — but then, Bowie was about nothÂing if not artiÂfice.
via Boing Boing
RelatÂed ConÂtent:
David Bowie RememÂbers His ZigÂgy StarÂdust Days in AniÂmatÂed Video
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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