WhatÂevÂer did peoÂple do with themÂselves all day before social media and streamÂing video? Before TV, film, and radio? If you were most peoÂple in Europe, before varÂiÂous revÂoÂluÂtions, you worked from dawn to dusk and colÂlapsed in bed, with rare holÂiÂdays to break up the monotÂoÂny.
But if you were an arisÂtoÂcrat, you not only had the pleaÂsures of juicy gosÂsip, liveÂly corÂreÂsponÂdence, and bawdy novÂels to look forÂward to, but you might also—just as milÂlions do now—encounter such pleaÂsures while gamÂing.
The gamÂing techÂnolÂoÂgy of the time was all handÂcraftÂed, and said arisÂtoÂcrats might find themÂselves tradÂing wicked barbs while seatÂed around the height of tech above, a table that unfolds a series of leaves to reveal a felt surÂface for card games, a board for chess or checkÂers, and a leather writÂing surÂface that offers the option of a bookrest, for propÂping up a scanÂdalous book of verse.
If you think that’s impresÂsive, the table hasn’t finÂished yet. It furÂther opens into a backgamÂmon board, with slidÂing lids revealÂing comÂpartÂments for game pieces. Then, the whole thing folds back to its size as a small side table, with detachÂable legs that can be stored inside it for easy portage.
The aniÂmatÂed video of the ultiÂmate 18th cenÂtuÂry gamÂing sysÂtem at the top comes to us from the MetÂroÂpolÂiÂtan MuseÂum of Art, demonÂstratÂing a piece in their colÂlecÂtion designed by GerÂman cabÂiÂnetÂmakÂer David RoentÂgen that “once graced the intiÂmate inteÂriÂor of an arisÂtoÂcratÂic EuroÂpean home.” Not to be outÂdone, the GetÂty MuseÂum brings us the 3D aniÂmaÂtion above of an 18th-cenÂtuÂry French mechanÂiÂcal table, with intriÂcate workÂings designed by Jean-François Oeben.
“An affluÂent lady might spend hours at a fashÂionÂable table, engaged in leisure or work,” notes a comÂpanÂion video above. It illusÂtrates the point with a pair of ghostÂly aniÂmatÂed hands comÂposÂing a letÂter on the table’s silk writÂing surÂface.
One can imagÂine these hands spilling the ink while openÂing juniper-scentÂed drawÂers, and propÂping up the book stand; losÂing their place in a book while searchÂing through comÂpartÂments, earÂly forms of scrolling or openÂing mulÂtiÂple tabs.
We may now carÂry mechanÂiÂcal tables in our pockÂets and rightÂly think of gamÂing sysÂtems as porÂtals to othÂer worlds, but there’s no denyÂing that these bespoke ancesÂtors of our devices offered plenÂty of opporÂtuÂniÂty for pleasÂant disÂtracÂtion.
RelatÂed ConÂtent:
How Ladies & GenÂtleÂmen Got Dressed in the 18th CenÂtuÂry: It Was a PretÂty Involved Process
The Sights & Sounds of 18th CenÂtuÂry Paris Get RecreÂatÂed with 3D Audio and AniÂmaÂtion
RestoraÂtion and 18th CenÂtuÂry PoetÂry: From DryÂden to Wordsworth (Free Course)
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness.
“If you were most peoÂple in Europe, before varÂiÂous revÂoÂluÂtions, you worked from dawn to dusk and colÂlapsed in bed, with rare holÂiÂdays to break up the monotÂoÂny.”
This is a nice backÂdrop to disÂcuss the expanÂsive leisure of the arisÂtocÂraÂcy, but perÂhaps is a bit misÂleadÂing. Most of the peoÂple described were forÂbidÂden by (proÂtectÂed by?) SabÂbath laws that proÂscribed norÂmal work on one day in sevÂen. [Even many enslaved blacks were exemptÂed from many of their norÂmal duties under coloÂnial slave codes.] FurÂther, days vary in length dependÂing upon the time of year. So winÂter was a time of relÂaÂtive leisure even amongst many peasÂants. And sumÂmer days, being hot and long, were broÂken up durÂing the peak of the heat by what has become the EuroÂpean “siesÂta”. FinalÂly, scholÂarÂly surÂveys of eccleÂsiÂasÂtiÂcal feast days range from around fifÂteen annuÂal holÂiÂdays to as many as two dozen “days off” in some EngÂlish-speakÂing counÂtries and colonies.
AdmitÂtedÂly, though, conÂtemÂpoÂrary social comÂmenÂtaries of the sevÂenÂteenth and eighÂteenth cenÂturies highÂlight the large tracts of time spent in “diverÂsions” amongst those wealthy enough to not work…remarkably simÂiÂlar to our own day. ApparÂentÂly there is nothÂing new under the sun.