When Conan O’Brien found himÂself temÂporarÂiÂly out of a late-night teleÂviÂsion hostÂing job a few years ago, he went on tour with a stage show instead. If the docÂuÂmenÂtary chronÂiÂcling that periÂod of his career wasÂn’t called Conan O’Brien Can’t Stop, a simÂiÂlar title could equalÂly fit the recent films that have capÂtured Hayao MiyazaÂkÂi’s oscilÂlaÂtion between work and “retireÂment.” In 2013’s KingÂdom of Dreams and MadÂness, preÂviÂousÂly feaÂtured here on Open CulÂture, we thought we witÂnessed MiyazaÂki aniÂmatÂing the final frame of his final feaÂture. But his subÂseÂquent withÂdrawÂal from filmÂmakÂing proved short-lived, and his prepaÂraÂtion for re-emerÂgence (includÂing his gone-viral criÂtique of experÂiÂmenÂtal comÂputÂer aniÂmaÂtion) proÂvides the subÂject for 2016’s NevÂer-EndÂing Man.
This year, NevÂer-EndÂing Man direcÂtor Kaku Arakawa returns with 10 Years With Hayao MiyazaÂki, a four-part docÂuÂmenÂtary availÂable to watch free at NHK’s web site, and whose trailÂer appears at the top of the post. “WhereÂas NevÂer-EndÂing Man tracked the director’s career from his short-lived retireÂment in 2013 to the gerÂmiÂnaÂtion of his forthÂcomÂing feaÂture How Do You Live?, this series covÂers the decade runÂning up to 2013,” writes CarÂtoon Brew’s Alex Dudok de Wit. Those were busy years for MiyazaÂkÂi’s StuÂdio GhiÂbÂli, involvÂing as they did the proÂducÂtion of Ponyo and The Wind RisÂes, as well as two films directÂed by MiyazaÂkÂi’s son Goro: the UrsuÂla K. LeGuin adapÂtaÂtion Tales from EarthÂsea and the 1960s boardÂing school-set From Up on PopÂpy Hill.
Tales from EarthÂsea came out in 2006, and at the time MiyazaÂki felt that Goro was unready to make his debut. As awkÂward as the periÂod of estrangeÂment between MiyazaÂki père et fils durÂing that movie’s proÂducÂtion may feel — espeÂcialÂly givÂen how often they’re in the same office — it reflects the near-imposÂsiÂbly high stanÂdard to which the man who directÂed My NeighÂbor Totoro, Princess Mononoke, and SpirÂitÂed Away holds not just his sucÂcesÂsor and his colÂlabÂoÂraÂtors, but himÂself. Above all himÂself, as revealed by the canÂdid footage Arakawa’s decade of access to MiyazaÂkÂi’s life allowed him to gathÂer.
“We see him at work in his priÂvate stuÂdio and at StuÂdio GhiÂbÂli, and relaxÂing at home,” writes Dudok de Wit, “insoÂfar as he’s capaÂble of relaxÂation.” What MiyazaÂki says to Arakawa about his craft, his worldÂview, and his life sugÂgests a mind perÂpetÂuÂalÂly at work, even durÂing the rare times his hands aren’t. 10 Years With Hayao MiyazaÂki ends with the makÂing of The Wind RisÂes, but Arakawa must sureÂly have known not to take the aniÂmaÂtor’s proÂnounceÂments of it being his final feaÂture seriÂousÂly: Hayao MiyazaÂki can’t stop, nor do we want him to.
Watch 10 Years With Hayao MiyazaÂki online here, and find it listÂed in our colÂlecÂtion of Free DocÂuÂmenÂtaries, a subÂset of our colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More.
RelatÂed ConÂtent:
Watch Hayao MiyazaÂki AniÂmate the Final Shot of His Final FeaÂture Film, The Wind RisÂes
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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