The Hu, a New Breakthrough Band from Mongolia, Plays Heavy Metal with Traditional Folk Instruments and Throat Singing

Maybe you’re jad­ed, maybe you think it’s time for heavy met­al to final­ly hang up its spikes, maybe you think there’s nowhere else for the world’s most the­atri­cal­ly angry music to go but maybe blue­grass…. Or maybe Mon­go­lia, where folk met­al band The Hu have been invent­ing what they call “Hun­nu Rock,” a style com­bin­ing West­ern head­bang­ing with instru­ments like the horse­head fid­dle (morin khu­ur) and Mon­go­lian gui­tar (tovshu­ur). “It also involves singing in a gut­tur­al way,” Katya Cen­gel points out at NPR—no, not like this, but in the man­ner of tra­di­tion­al Mon­go­lian throat singers.

Now YouTube sen­sa­tions with mil­lions of views of its two videos for “Yuve Yuve Yu” and “Wolf Totem,” the band plans to release its first album this spring, after sev­en years of hard work. The Hu are not flash-in-the-pan inter­net fame seek­ers but seri­ous musi­cians who didn’t quite expect this degree of atten­tion, or so they say. “When we do this,” said gui­tarist Tem­ka, “we try to spir­i­tu­al­ly express this beau­ti­ful thing about Mon­go­lian music. We think we will talk to everyone’s soul through our music. But we didn’t expect this fast, peo­ple just pop­ping up every­where.”

Uni­ver­si­ty of Wis­con­sin’s Kip Hutchins, a doc­tor­al stu­dent in cul­tur­al anthro­pol­o­gy, has tak­en an inter­est in the band and thinks their appeal, writes Cen­gel, has to do with how “the sto­ry of Mon­go­lia has been writ­ten in the West. Nomadism and horse cul­ture has been roman­ti­cized, and the empha­sis on free­dom and heroes tends to appeal to the stereo­typ­i­cal male heavy met­al fan.” The band’s themes focus on past nation­al tri­umphs, the leg­endary rule of Genghis Khan, and the glo­ri­fi­ca­tion of the nomadic warrior’s life.

Or so it would seem to West­ern­ers pars­ing their lyrics in Eng­lish. It may also be hard to read “Hey you trai­tor! Kneel down!” in a song about “tak­ing our Great Mon­gol ances­tors names in vain” and not think about metal’s role in a few vio­lent ultra-nation­al­ist scenes. Some sug­gest the songs are iron­ic or trans­late dif­fer­ent­ly to Mon­go­lian lis­ten­ers. Or that the band might be a sophis­ti­cat­ed satire, like Laibach, using nation­al­ist themes, cos­tumes, and dra­mat­ic set­tings on the steppes to cri­tique nation­al­ist nar­ra­tives.

One observ­er who knows the cul­ture sug­gests it’s more com­pli­cat­ed. The Hu are not mock­ing tra­di­tion­al Mon­go­lian cul­ture and his­to­ry, far from it. “The graph­ic visu­als used in the video cer­tain­ly evoke pride in our nomadic cul­ture,” writes Bat­shan­das Altan­sukh, “but the lyric is quite the con­trary. It’s very polit­i­cal and high­ly crit­i­cal of today’s Mon­go­lian soci­ety” and what the band sees as their country’s propen­si­ty for “emp­ti­ly boast­ing about the past” rather than actu­al­ly learn­ing about and respect­ing it (with motor­cy­cle gangs rid­ing across the plains).

The lyrics we read in trans­la­tion are appar­ent­ly “too west­ern­ized or sim­pli­fied” to real­ly get their point across and slo­gans like “tak­ing our great Mon­gol ances­tors names in vain,” Cen­gel points out, “are almost exact­ly what was sung in the late 1980s dur­ing the tran­si­tion to democracy”—a means of fierce­ly assert­ing an inde­pen­dent cul­tur­al iden­ti­ty against the hege­mon­ic Sovi­et Union. Mon­go­lian folk rock and jazz bands picked up the sen­ti­ment and Mon­go­lian hip hop acts pro­mote respect for the country’s tra­di­tions with new dance moves.

But whether or not The Hu’s pol­i­tics get wrong­ly inter­pret­ed, or ignored, by their mil­lions of new fans, it’s clear that peo­ple get it at the uni­ver­sal lev­el of metal’s com­mu­nal fre­quen­cies: long hair, leather, gui­tars, growl­ing, and epic medieval badassery.

via NPR

Relat­ed Con­tent:

The Ori­gins of the Death Growl in Met­al Music

Finnish Musi­cians Play Blue­grass Ver­sions of AC/DC, Iron Maid­en & Ron­nie James Dio

With Medieval Instru­ments, Band Per­forms Clas­sic Songs by The Bea­t­les, Red Hot Chili Pep­pers, Metal­li­ca & Deep Pur­ple

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness


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Comments (29)
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  • Kathi says:

    Freakin’ genius! While the lyrics don’t exact­ly trans­late, there is a com­mon thread of frus­tra­tion for the cur­rent gov­ern­ing bod­ies. The anger expressed is com­mon to both cul­tures

  • Bitte Holm says:

    What about the swasti­cas? I know they are, among a lot of oth­er things, sun sym­bols, but could need an expla­na­tion in your text.

  • Denise E says:

    I dis­cov­ered The Hu band across Google news feed and I am in awe. Beau­ti­ful music. I have shared their music with friends and fam­i­ly. I can’t wait for their album. I have even been lis­ten­ing to tra­di­tion­al throat singing. Won­der­ful.

  • Bruce Dackler says:

    You can­not talk about “nation­al­ist themes” with­out talk­ing about a very impor­tant fac­tor in Mon­go­lian soci­ety: That it’s being pil­laged left and right for resources by for­eign cor­po­rate inter­ests at the expense of the peo­ple that actu­al­ly live there. The nomads are grad­u­al­ly being dis­placed from their ances­tral lands by min­ing com­pa­nies.

  • Bruce Dackler says:

    Mon­go­lia is pri­mar­i­ly Bud­dhist. There’s your swasti­ka expla­na­tion.

  • michael hall says:

    So strange to look at the past with respect, envy while at the same time see­ing the stain of today? We’ve lost much in our super­fi­cial con­sumerism mod­ernism that is spread­ing like a dis­ease glob­al­ly. These guys reflect what many feel in their own cul­tures all over the world so this res­onates with every­one who respects the past, under­stands the cor­rup­tion of today and the trep­i­da­tion of the future..

  • Ali says:

    This is exact­ly the sort of non­sen­si­cal nation­al­ist clap­trap that scans TERRIBLY in the mouths of angry white men. The long­ing for fabled bygone glo­ry days of an empire found­ed on bloody con­quest, and the nobil­i­ty of our race needs has no place in polite soci­ety. Ignor­ing the dan­ger­ous nature of these sen­ti­ments sim­ply because the speak­ers are not white is its own form of racism. Any­one who has lived in Asia, and expe­ri­enced the racism toward oth­ers that is so preva­lent there is unlike­ly to blithe­ly scan these lyrics as anger at mod­ern con­sumerism.

  • Ian McHugh says:

    The Hu are excel­lent.

    If you like this kind of thing, check out Hang­gai too. They are a band from Chi­nese Inner Mon­go­lia. They’ve been doing this stuff for years — Mon­go­lian folk and punk rock with the occa­sion­al bit of throat singing thrown in!

    “Drink­ing Song” is a thing of beau­ty: https://m.youtube.com/watch?t=0h0m6s&v=m6WBtzsqbbU

  • CoMiGa says:

    This is not met­al. If you want Mon­go­lian met­al check out Teng­ger Cav­al­ry or Nine Trea­sures.

  • Emily Hay says:

    Love this! Very pow­er­ful!

  • World citizen says:

    Fas­cism and exoti­cism. Shame.

  • Jon Vello says:

    Nation­al­ist and fas­cist themes are impor­tant … It speaks to the side of life where­by some few men suc­ceed spec­tac­u­lar­ly and by their suc­cess the prin­ci­ple of nature rewards them by their mul­ti­pli­ca­tion. (The ori­gin of nations is shared blood stock of a patri­arch of spec­tac­u­lar suc­cess.) In this cyn­i­cal and iron­i­cal era, it’s impor­tant to remem­ber that we men ought to strive to be this type of ‘few men’ — This is no endorse­ment of meth­ods, (most men today will go extinct with­out a fight) but to remem­ber that among our ances­tors, who­ev­er our ances­tors were, stood these few men … and the results of their achieve­ments are very real as here we are, flesh and blood, today!

  • Tommy says:

    Teng­ger Cav­al­ry is not Mon­go­lian. Nine Trea­sures is INNER Mon­go­lia. Those bands are not from real Mon­go­lia

  • Mandarin says:

    Very inter­est­ing con­cept. I like find­ing bands with unique sound. This will be on my playlist togeth­er with Basic Desire from Aus­tralia :)

  • crystja says:

    While I’m enjoy­ing these guys they aren’t heavy met­al (to me). They’re more akin to hard rock or south­ern (Amer­i­can) rock in their musi­cal style. Teng­gar Cav­al­ry and Nine Trea­sures are much more “heavy met­al”. Still, look­ing for­ward to hear­ing more from them.

  • Ganaa says:

    This is Mon­go­lian khu rock. Not chine not inner mon­go­lia.

  • Jim says:

    Ayup. All this mys­ti­cism and hon­or the old ways and get rid of for­eign influ­ence shit would sound pret­ty scary com­ing from a bunch of tat­tooed skin­heads. Peo­ple are gloss­ing over it because the singers are Mon­go­lian, and if I am to be 100% hon­est, the music is pret­ty bang­ing.

  • Chris Bourassa says:

    The swasti­ka is a mil­lenia old sym­bol of pros­per­i­ty and good luck. Just do a google search, all around south­east asia

  • Dennis Thorn says:

    I’m 80 years old and have lis­tened and reject­ed so much garbage that they call ‘music !’ I am lis­ten­ing to the “Hu Band” for the very first time and all I’ve got to say is: they are total­ly AWESOME ! Mon­go­lian rock com­bined with ‘folk’ music is what it is to me. I haven’t mod­ern sounds because most of it is not music. The rhythm of this band’s sound keeps going round and round in my head. It is very pleas­ing music to me. Hope to obtain their new album when it comes out.

  • Dennis Thorn says:

    I’m 80 years old and have lis­tened and reject­ed so much garbage that they call ‘music !’ I am lis­ten­ing to the “Hu Band” for the very first time and all I’ve got to say is: they are total­ly AWESOME ! Mon­go­lian rock com­bined with ‘folk’ music is what it is to me. I haven’t mod­ern sounds because most of it is not music. The rhythm of this band’s sound keeps going round and round in my head. It is very pleas­ing music to me. Hope to obtain their new album when it comes out. I total­ly agree with Kathi and Denise E. WONDERFUL !

  • Laz A. Mataz says:

    Tour Amer­i­ca and I will go see you live.

  • Dude from Mongolia says:

    I’m a Mon­go­lian and Yeah I agree with you, the trans­la­tion is too sim­pli­fied and there are a lot of deep meanings(also mes­sages) behind what they are try­ing to tell through the song. And also one ridicu­lous thing I observed is that peo­ple tend to talk shit after only just saw swasti­caish sym­bol, but the truth is it is noth­ing to do with the fck­’n fashism or ultra nation­al­ism. It was part of our asian cul­ture way more than before mbe hun­dreds of years before… peo­ple should edu­cate them­selves…

  • Not Buddhist says:

    Right next to that bik­er’s swasti­ka ring in the video is the Ger­man iron cross. That is 100% a Nazi sym­bol. There also exists a neo-Nazi move­ment, Tsaa­gan Khas (“White Swasti­ka”), in Mon­go­lia, so the onnec­tion is not as far-fetched as one might think. I won­der how that relates to the band itself. It seems to be the bik­ers who are very open­ly flaunt­ing Nazi sym­bols, but they did choose to high­light it in the video.

  • John Rankin says:

    Iron Cross isn’t a Ger­man sym­bol, it orig­i­nat­ed in Prus­sia and just like the Swasti­ka, the Ger­mans stole it.. The Nazi Iron Cross had a Swasti­ka in the cen­ter of it.. Oth­er than that the cross was estab­lished by King Friedrich Wil­helm III of Prus­sia on 17 March 1813 dur­ing the Napoleon­ic Wars. Learn some his­to­ry..

  • Melanie says:

    For a per­son who loathes gov­ern­ment idealism..as in Amer­i­ca we all know every damn politi­cian lies, cheats, and steals, alobg with oth­er high end gov­ern­ment. That out of the way…I am high­ly eclec­tic in my music, and love The Hu..reading up on them through great knowl­edgable and rep­utable Met­al web­pages, and now my thirst for actu­al­ly going out today and tak­ing a bus plus walk­ing about search­ing through the lit­tle nook and cran­ny book shops and thrift shops to look up Mon­go­lian history..and learn how The Hu are lit­er­al­ly hun­gry for the throat singing of their words..about what REALLY hap­pened and still hap­pens in Mon­go­lia ..to get peo­ple to LEARN and KNOW the TRUE pas­sion and mes­saged they are mak­ing ..is so intruiging..This is TRUE METAL CULTURE at its finest. Right up with Ramm­stein. Who are ashamed of their own Coun­tries history..and the Kamikaze of Till Lindmen..I real­ly LOVE the spir­i­tu­al side as well..bringing gen­res togeth­er as well..its a Mes­sage, A Spir­i­tu­al mean­ing, A WAR CRY to let peo­ple research and learn..thank you The Hu..the Wolfe is actu­al­ly my spir­it animal..my Totem in Native Amer­i­can cul­ture and Chi­nese Zodi­ac is The Snake and Here in The USA The Scor­pio on the Cusp of Sagittarius..Go fig­ure huh? 🔮☄️☯️💚💚🤘🏻🤘🏻🌍🌬️🔥🌊🐺🦂🐍♏💯 #LymeFight­er­For­ev­er #Youre­Type­Of­Mu­sic­K­eepsMe­Hope­ful #The­HU 💚💚🐺🔥🤘🏻

  • Patricia Wright says:

    I love The HU. Their music is beau­ti­ful, nev­er mind that it is rock. They are fan­tas­tic live. Their stage cloth­ing is designed by a very tal­ent­ed Mogo­lian design­er. They are proud to be Mon­go­lian and love tra­di­tion­al Mon­go­lian music and cul­ture. They want peo­ple to respect the plan­et, cul­ture and women no mat­ter where you come from. To me the lyrics are not so impor­tant, they sound good in Mon­go­lian. I am 73 and have heard many bands. These are very refresh­ing, I love them.

  • Patricia Wright says:

    I love The HU. Their music is beau­ti­ful, nev­er mind that it is rock. They are fan­tas­tic live. Their stage cloth­ing is designed by a very tal­ent­ed Mogo­lian design­er. They are proud to be Mon­go­lian and love tra­di­tion­al Mon­go­lian music and cul­ture. They want peo­ple to respect the plan­et, cul­ture and women no mat­ter where you come from. To me the lyrics are not so impor­tant, they sound good in Mon­go­lian. I am 73 and have heard many bands. These are very refresh­ing.

  • Feng says:

    I would say Hang­gai is “Folk Rock”. But com­pared to The Hu, they lean to folk a bit more.

  • Amar says:

    Most­ly known as “swasti­ka” or “a Nazi sym­bol” is called “Khas” in Mon­go­lia.
    Although west­ern peo­ple got sen­si­tive about it because of its use by Nazis,
    it does not rep­re­sent hate or any­thing that Nazis were sym­bol­iz­ing by it.In fact it rep­re­sents eter­ni­ty and was used by mon­go­lians over thou­sands of years.Yes, oth­er views like bud­dhism and nazism use this sym­bol for dif­fer­ent vari­ety of mean­ings but after all, khas has its own mean­ing in mon­go­lia and we praise it.

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