J. Paul GetÂty was not a bilÂlionÂaire known for his genÂerosÂiÂty. But since his death, the GetÂty Trust and comÂplex of GetÂty museÂums in L.A. have carÂried forth in a more magÂnanÂiÂmous spirÂit, ostenÂsiÂbly adherÂing to valÂues that tranÂscend their founder: “serÂvice, philÂanÂthropy, teachÂing, and access.”
A colÂlecÂtion first gathÂered for priÂvate investÂment and conÂsumpÂtion (someÂtimes under a cloud of scanÂdal) has expandÂed into galÂleries that milÂlions pass through every year; a ConÂserÂvaÂtion InstiÂtute dedÂiÂcatÂed to preÂservÂing the world’s art; and a Research InstiÂtute proÂclaimÂing a social misÂsion: a devoÂtion to expandÂing “our knowlÂedge of the hisÂtoÂry of art, of all counÂtries, of all lanÂguages,” accordÂing to its direcÂtor Thomas GaeÂhtÂgens, who also says, “a sociÂety withÂout art canÂnot realÂly surÂvive.”
Put anothÂer way, as one of the Getty’s art marÂket comÂpetiÂtors was once quotÂed as sayÂing, “They just want peoÂple to like them.” He didn’t mean it as a comÂpliÂment, but if you are an art lover—and not a bilÂlionÂaire art collector—you may genÂuineÂly appreÂciÂate this qualÂiÂty. And you may like them even more now that their open access digÂiÂtal colÂlecÂtions have almost douÂbled to 135,000 high-resÂoÂluÂtion images since we last checked in with them five years ago.
Like the GetÂty museÂum, it reflects its founder’s tastes in ClasÂsiÂcal, Neo-ClasÂsiÂcal, and RenaisÂsance art. DownÂload Andrea Mantegna’s AdoÂraÂtion of the Magi (top), for examÂple, at the highÂest resÂoÂluÂtion (8557 X 6559) and get closÂer to a virÂtuÂal verÂsion than you ever could to the real thing. Learn the painting’s proveÂnance and exhiÂbiÂtion hisÂtoÂry, read an inforÂmaÂtive descripÂtion and a bibÂliÂogÂraÂphy. The paintÂing is one of hunÂdreds from EuroÂpean masÂters and their lessÂer-known apprenÂtices. You’ll also find sevÂerÂal hunÂdred images of sculpÂture, both clasÂsiÂcal and modern—like Paul Gauguin’s sanÂdalÂwood Head with Horns, above—as well as drawÂings, manÂuÂscripts, potÂtery, jewÂelÂry, coins, decÂoÂraÂtive arts, and much more.
But the bulk of the digÂiÂtal colÂlecÂtion conÂsists of phoÂtographs, with 112,261 images and countÂing in the archive. The GetÂty has “assemÂbled the finest and most comÂpreÂhenÂsive corÂpus of phoÂtographs on the West Coast” in its phoÂtogÂraÂphy colÂlecÂtion (not to be conÂfused with Getty’s son’s media empire), with “subÂstanÂtial holdÂings by some of the most sigÂnifÂiÂcant masÂters of the 20th cenÂtuÂry.” The colÂlecÂtion is also “parÂticÂuÂlarÂly rich in works datÂing from the time of photography’s invenÂtion” and its develÂopÂment in the mid-19th cenÂtuÂry.
DownÂload and study Dorothea Lange’s desÂoÂlate AbanÂdoned Dust Bowl Home. Or jourÂney back to the earÂly days of the mediÂum, when genÂtleÂman amaÂteurs like ScotÂtish nobleÂman Ronald Ruthven Leslie-Melville took up phoÂtogÂraÂphy as an avid purÂsuit, and docÂuÂmentÂed the landÂscapes, archiÂtecÂture, and perÂsonÂages of their age. (See Ruthven-Melville’s 1860’s phoÂtoÂgraph RoeÂhampÂton below.)
Like all digÂiÂtal colÂlecÂtions, the Getty’s canÂnot repliÂcate the expeÂriÂence of seeÂing physÂiÂcal works of art in perÂson, but it does magÂnanÂiÂmousÂly expand access to thouÂsands of images usuÂalÂly hidÂden from the pubÂlic, as well as thouÂsands of pieces curÂrentÂly on disÂplay in one of its many museÂums. ComÂpleteÂly free, the online archive serves as an invaluÂable teachÂing and learnÂing tool, a vast reposÂiÂtoÂry preÂservÂing interÂnaÂtionÂal art hisÂtoÂry online.
RelatÂed ConÂtent:
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
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